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Wallace Smith ( December 30, 1888 - January 31, 1937)
was an American book illustrator, comic artist, reporter, author, and
He was sent to Mexico and did illustrated reporting on several campaigns of Pancho Villa against the Carranza regime. In 1920 he originated the Joe Blow comic panel feature for the Chicago American. In 1921-22 he was assigned to California to cover the
Smith moved to Hollywood embarking on successful, decade-long, screenplay-writing career. His services were in high demand - he wrote or contributed to twenty-six screenplays, often enhancing them with detailed scene sketches. Smith's work included screen adaptations of his novels '' The Captain Hates the Sea'' and The Gay Desperado and also ''
In 1935, Smith's novel Bessie Cotter about a prostitute's life on the streets of Chicago was judged indecent in England and the publisher fined the equivalent of $1,000. It was published a year earlier in the United States.
He died of a heart attack in his home in Hollywood on January 31, 1937, and was survived by his wife, Echo Smith.
His archival papers are at the University of Oregon. The papers include Smith's manuscripts and published pieces, minor correspondence, drawings and illustrations, photographs, and miscellaneous documents.
Returning to Chicago, Smith provided the illustrations for
File:Fantazius Mallare - Second Drawing.jpg, Fantazius Mallare - Second Drawing
File:Fantazius Mallare - Third Drawing.jpg, Fantazius Mallare - Third Drawing
File:Fantazius Mallare - Fourth Drawing.jpg, Fantazius Mallare - Fourth Drawing
File:Fantazius Mallare - Fifth Drawing.jpg, Fantazius Mallare - Fifth Drawing
File:Fantazius Mallare - Sixth Drawing.jpg, Fantazius Mallare - Sixth Drawing
File:Fantazius Mallare - Seventh Drawing.jpg, Fantazius Mallare - Seventh Drawing
File:Fantazius Mallare - Eighth Drawing.jpg, Fantazius Mallare - Eighth Drawing
File:Fantazius Mallare - Ninth Drawing.jpg, Fantazius Mallare - Ninth Drawing
File:Fantazius Mallare's Crucifixion.jpg, Fantazius Mallare - Tenth Drawing
File:Fantazius Mallare Cover.jpg, Fantazius Mallare - Book Cover
At this time he also did illustrations for other books, designed book jackets, frontispieces and end papers. In 1923 he illustrated ''The Florentine Dagger'' by Ben Hecht, and frontispieces for ''Blackguard'' by Maxwell Bodenheim and ''The Shining Pyramid'' by Arthur Machen.
File:Florentine Dagger Cover.jpg, Florentine Dagger Cover
File:Florentine Dagger Frontispiece.jpg, Florentine Dagger Frontispiece
File:Florentine Dagger - First Drawing.jpg, Florentine Dagger - First Drawing
File:Florentine Dagger - Second Drawing.jpg, Florentine Dagger - Second Drawing
File:Florentine Dagger - Third Drawing.jpg, Florentine Dagger - Third Drawing
File:Blackguard Cover.jpg, Blackguard Cover design
File:Blackguard Frontispiece.jpg, Blackguard Frontispiece
File:The Shining Pyramid Book Cover.jpg, The Shining Pyramid Book Cover
His early 20s illustrations show Smith's extraordinary pen skills. Dark and obscure, expressionist and linear, dominated by large black fields they reveal influences of later heritage of
He was the author of the illustration for Pendleton Round Up Association. Round-Up organizers paid Smith $250 for the drawing, copyrighted it in 1925, and began using it as the event's logo. There's no estimating how many times since then the image has been reproduced or seen. Many decades later, the picture still symbolizes at a glance the essence of rodeo competition. The story behind the image is, in 1924, a young talented author and artist, Wallace Smith, asked for and received permission to gain access to the arena during the rodeo for the purpose of making sketches of bucking horses. After three busy days working in the arena and sitting on the north arena fence, he came up with his answer to the thought of creating a bucking horse that would properly symbolize the round up's slogan, "LET 'ER BUCK". The life of that vivid frontispiece of his ''Oregon Sketches'' had pleased the bronco-busters so much that they have adopted it as the official poster of the annual Pendleton Round-Up.
In ''Oregon Sketches'' Wallace Smith gives glimpses of the new and glorified West, a West that is a revival of all that tradition has contributed to the term, including cowboys and Indians, guns and war paint… As a picture of some of the swiftly changing phases of the West the book is of value.
Fantazius Mallare: A Mysterious Oath book at Archive
The Florentine Dagger: A Novel for Amateur Detectives at Archive.
Blackguard book at Archive.
Ben Hecht, Wallace Smith, and Fantazius Mallare, by Jerry D. Meyer, April 2010.
* {{DEFAULTSORT:Smith, Wallace 1937 deaths 20th-century American novelists American male novelists American male screenwriters American illustrators American male journalists 1888 births American male short story writers 20th-century American short story writers 20th-century American male writers 20th-century American non-fiction writers 20th-century American screenwriters
Wallace Smith ( December 30, 1888 - January 31, 1937)
was an American book illustrator, comic artist, reporter, author, and screenwriter
A screenplay writer (also called screenwriter, scriptwriter, scribe or scenarist) is a writer who practices the craft of screenwriting, writing screenplays on which mass media, such as films, television programs and video games, are based.
...
. He became Washington correspondent for the '' Chicago American'' at the age of 20, remaining with that newspaper for over a decade.
According to the book ''The Madhouse on Madison Street,''
Smith was "one of the most colorful reporters who ever worked for the Hearst papers," and was born with the last name of Schmidt, which he changed to Smith during World War I.
He was sent to Mexico and did illustrated reporting on several campaigns of Pancho Villa against the Carranza regime. In 1920 he originated the Joe Blow comic panel feature for the Chicago American. In 1921-22 he was assigned to California to cover the
Roscoe Arbuckle
Roscoe Conkling "Fatty" Arbuckle (; March 24, 1887 – June 29, 1933) was an American silent film actor, comedian, director, and screenwriter. He started at the Selig Polyscope Company and eventually moved to Keystone Studios, where he worked ...
trials and the William Desmond Taylor murder case. The articles bylined by Smith (for the Chicago American) and Eddie Doherty (for the Chicago Tribune) were so inflammatory that Under-Sheriff Eugene W. Biscailuz
Eugene W. Biscailuz (March 12, 1883 – May 16, 1969) was an American police officer. He organized the California Highway Patrol, and later became the 27th Sheriff of Los Angeles County, California, serving in that capacity for 26 years, f ...
, fearing for their safety, offered to provide them each with a bodyguard, but they both declined.
In 1923–1924 he contributed with his illustrations (using the nickname "Vulgus") for The Chicago Literary Times, a magazine done in the format and style of a tabloid scandal sheet, co founded by Ben Hecht
Ben Hecht (; February 28, 1894 – April 18, 1964) was an American screenwriter, director, producer, playwright, journalist, and novelist. A successful journalist in his youth, he went on to write 35 books and some of the most enjoyed screenplay ...
and Maxwell Bodenheim with whom he previously collaborated illustrating their books.
Smith moved to Hollywood embarking on successful, decade-long, screenplay-writing career. His services were in high demand - he wrote or contributed to twenty-six screenplays, often enhancing them with detailed scene sketches. Smith's work included screen adaptations of his novels '' The Captain Hates the Sea'' and The Gay Desperado and also ''
Two Arabian Knights
''Two Arabian Knights'' (1927) is an American comedy film, directed by Lewis Milestone and starring William Boyd, Mary Astor, and Louis Wolheim. A silent film, ''Two Arabian Knights'' was produced by Howard Hughes and was distributed by United ...
'', '' The Lost Squadron'', '' Friends and Lovers''.
In 1935, Smith's novel Bessie Cotter about a prostitute's life on the streets of Chicago was judged indecent in England and the publisher fined the equivalent of $1,000. It was published a year earlier in the United States.
He died of a heart attack in his home in Hollywood on January 31, 1937, and was survived by his wife, Echo Smith.
His archival papers are at the University of Oregon. The papers include Smith's manuscripts and published pieces, minor correspondence, drawings and illustrations, photographs, and miscellaneous documents.
Fantazius Mallare censorship and illustration art
Returning to Chicago, Smith provided the illustrations for Ben Hecht
Ben Hecht (; February 28, 1894 – April 18, 1964) was an American screenwriter, director, producer, playwright, journalist, and novelist. A successful journalist in his youth, he went on to write 35 books and some of the most enjoyed screenplay ...
's controversial novel ''Fantazius Mallare: a Mysterious Oath,'' which resulted in a $1,000 fine for obscenity in U.S. District Court for both Hecht and Smith.
A novel of decadence and mystic existentialism, Fantazius Mallare is a story of a mad recluse—a genius sculptor and painter who is at war with reason. Rather than commit suicide, his doting madness dictates that he must revolt against all evidence of life that exists outside himself. He destroys all of his work and then seeks out a woman who will devote herself to his Omnipotence. What follows is a glorious trek into a horrifying enlightening insanity.
"Neither Hecht nor Smith were much known outside Chicago when they teamed up to produce a book that got them international attention. It was "Fantazius Mallare", a weird story of a mad man and it was illustrated in full page line drawings that were as fantastic as the story. There is no question that the book was filled with strong writing and stronger pictures, but the strength sometimes ran to the kind that comes from the cesspool. Frankness pranced straight into vulgarity, at times and that got the boys into a jam with the postal authorities. About 1,000 copies that were in the mails were seized and Hecht and Smith had to stand trial. Both were fined."
"Smith was said by Ronald Clyne to have gone to jail for the Mallare artwork, but apparently this was an exaggeration - he and Hecht were, however, fined $1000 each for "obscenity"; and $1000 was quite a lot of money in 1924. The particular points it is curious about where were the rest of the Wallace Smith artwork - he could hardly have developed that style in the handful of drawings that have been published; and what happened to the copies of Fantazius Mallare seized by the US government - the book did not seem to be as scarce as would have been expected if they had seized even half of the 2000-copy edition. MacAdams was able to answer this last question to some extent - after the obscenity conviction, the publisher made another 2000 copies and sold them "under the counter."
Hecht and Smith went to a great deal of trouble to have themselves convicted of obscenity. They had wanted to create a test case of the federal obscenity law and have a show trial in order to turn public opinion against it by ridicule. Hecht also intended to enter a million-dollar civil suit for defamation of character against John Sumner and his infamous Society for the Suppression of Vice if Sumner attacked his book. The famous Clarence Darrow was to have been their attorney. The plan was to send review copies of Fantazius Mallare to all of the literary lights of the time, and then have Darrow call these people as expert witnesses at the trial. Alas, the scheme foundered on the unforeseen pusillanimity of the literary establishment - only H. L. Mencken agreed to appear as a witness. In the end there was no trial because Hecht and Smith entered a plea of nolo contendere. The character Fantazius Mallare is said to be a sort of Hecht alter-ego - he appears again in the sequel, The Kingdom of Evil (illustrated by the much inferior artist Anthony Angarola), and in 1935 Hecht wrote and directed a film, The Scoundrel, in which Noel Coward plays Mallare."
In 1926, after moving to Hollywood from Chicago, he presented the silent film star Rod La Rocque with a copy of Fantazius Mallare, a decadent novel written by Ben Hecht, Smith's friend and fellow newspaperman at the ''Chicago Daily News''. But Smith knew Hecht as a decadent novelist, and he knew Fantazius Mallare especially well because he had illustrated Hecht's depraved tale with ten fantastic, Beardleyesque drawings, several of them depicting the sterile orgies of the novel's deluded, reclusive hero. Rod La Rocque must have meant a lot to Wallace Smith, as the inscription he wrote to the star implies: "For Rod La Rocque -who has a thousand masks for his face -but, thank Christ, never an one for his heart." As further token of his admiration, Smith hand-colored a number of the drawings in the book he gave to the celebrated screen idol.
At this time he also did illustrations for other books, designed book jackets, frontispieces and end papers. In 1923 he illustrated ''The Florentine Dagger'' by Ben Hecht, and frontispieces for ''Blackguard'' by Maxwell Bodenheim and ''The Shining Pyramid'' by Arthur Machen.
Beardsley Beardsley may refer to:
__NOTOC__ Places in the United States
* Beardsley, Arizona, a populated place
* Beardsley, Kansas, a ghost town
* Beardsley, Minnesota, a city
* Beardsley Canal, Kern County, California, an irrigation canal
* Beardsley Creek, ...
and Harry Clarke
Henry Patrick Clarke (17 March 1889 – 6 January 1931) was an Irish stained-glass artist and book illustrator. Born in Dublin, he was a leading figure in the Irish Arts and Crafts Movement.
His work was influenced by both the Art Nouveau and ...
at same time his very distinguishable character.
During his assignments in Mexico, Smith closely observed the peasants for whom Pancho Villa waged war. In his 1923 book, ''The Little Tigress: Tales Out of the Dust of Mexico'', he wrote sympathetically about their plight and brought them to life in his trademark stark black-and-white drawings. In the next few years he wrote short stories published in a variety of magazines including Liberty, The American Magazine, and Blue Book Magazine
''Blue Book'' was a popular 20th-century American magazine with a lengthy 70-year run under various titles from 1905 to 1975. Ashley, Mike, "Blue Book—The Slick in Pulp Clothing". ''Pulp Vault'' Magazine, No. 14. Barrington Hills, IL: Tattered P ...
.
Pendleton Round-Up Poster
He was the author of the illustration for Pendleton Round Up Association. Round-Up organizers paid Smith $250 for the drawing, copyrighted it in 1925, and began using it as the event's logo. There's no estimating how many times since then the image has been reproduced or seen. Many decades later, the picture still symbolizes at a glance the essence of rodeo competition. The story behind the image is, in 1924, a young talented author and artist, Wallace Smith, asked for and received permission to gain access to the arena during the rodeo for the purpose of making sketches of bucking horses. After three busy days working in the arena and sitting on the north arena fence, he came up with his answer to the thought of creating a bucking horse that would properly symbolize the round up's slogan, "LET 'ER BUCK". The life of that vivid frontispiece of his ''Oregon Sketches'' had pleased the bronco-busters so much that they have adopted it as the official poster of the annual Pendleton Round-Up.
In ''Oregon Sketches'' Wallace Smith gives glimpses of the new and glorified West, a West that is a revival of all that tradition has contributed to the term, including cowboys and Indians, guns and war paint… As a picture of some of the swiftly changing phases of the West the book is of value.
Works
Wallace illustrated or published the following: *Smith, Ed W. ''Knockouts I have Seen'', 1922, Chicago (The Smith-Spinner Publishing Co.) *Hecht, Ben. ''Fantazius Mallare: a Mysterious Oath'', 1922, Chicago (Covici-McGee) *Hecht, Ben. ''The Florentine Dagger: A Novel for Amateur Detectives'', 1923, New York (Boni and Liveright) *DeCasseres, Benjamin. ''The Shadow Eater'', 1923, New York (American Library Service) *Bodenheim, Maxwell. ''Blackguard'', 1923, Chicago (Covici-McGee) *Machen, Arthur. ''The Shining Pyramid'', 1923, Chicago (Covici-McGee) *Smith, Wallace. ''The Little Tigress: Tales Out of the Dust of Mexico'', 1923, New York (Putnam) *Smith, Wallace. ''On the Trail in Yellowstone'', 1924, New York (Putnam) *Smith, Wallace. ''Oregon Sketches'', 1925, New York/London (Putnam) *Smith, Wallace. Are You Decent?, 1927 New York/London (Putnam) *Smith, Wallace. ''Tiger's Mate'', 1928, New York (Putnam) *Smith, Wallace. ''The Captain Hates the Sea'', 1933, New York (Covici-Fried) *Smith, Wallace. ''Bessie Cotter'', 1934, New York (Covici-Fried) *Smith, Wallace. ''La Cucaracha: The story of a flute player in Pancho Villa's band'', 1935, article for Collier's Weekly. *Smith, Wallace. ''The Happy Alienist: a Viennese Caprice'',1936, New York (Harrison Smith and Robert Haas)References
External links
Fantazius Mallare: A Mysterious Oath book at Archive
The Florentine Dagger: A Novel for Amateur Detectives at Archive.
Blackguard book at Archive.
Ben Hecht, Wallace Smith, and Fantazius Mallare, by Jerry D. Meyer, April 2010.
* {{DEFAULTSORT:Smith, Wallace 1937 deaths 20th-century American novelists American male novelists American male screenwriters American illustrators American male journalists 1888 births American male short story writers 20th-century American short story writers 20th-century American male writers 20th-century American non-fiction writers 20th-century American screenwriters