Vladimir Tatlin

Vladimir Yevgrafovich Tatlin ( – 31 May 1953) was a Russian and Soviet painter, architect and stage-designer. Tatlin achieved fame as the architect who designed The Monument to the Third International, more commonly known as Tatlin's Tower, which he began in 1919. Honour, H. and Fleming, J. (2009) ''A World History of Art''. 7th edn. London: Laurence King Publishing, p. 819. With Kazimir Malevich he was one of the two most important figures in the Soviet avant-garde art movement of the 1920s, and he later became an important artist in the Constructivist movement.

Biography

Vladimir Yevgrafovich Tatlin was born in Moscow, Russian Empire. His father, Yevgraf Nikoforovich Tatlin was a hereditary nobleman from Oryol, a mechanical engineer graduated from the Technological Institute in St.Petersburg and employed by the Moscow-Brest Railway in Moscow. His mother, Nadezhda Nikolaevna Tatlina (Bart) was a poet who sympathized with the Narodnaya Volya revolutionary movement. After she died in 1887, his father married again and resettled to Kharkiv. His father, by whom he lived after having failed to study in Moscow School of Painting, Sculpture and Architecture died in 1904, so young Vladimir had to interrupt his studies at the Kharkov Arts School and to leave for Odessa to become a merchant sea cadet. According to his own memories, sea and distant lands gave him both means of subsistence and source of inspiration; he sailed all across the Black Sea and also to Egypt.

In 1905 he started and in 1910 successfully completed his studies at N.Selivestrov Penza Art School in Penza. During the summer vacations he traveled to Moscow and St.Petersburg to participate in various art events. In 1911 he resettled to Moscow to live by his uncle and began his art career as an icon painter. He also sang in Ukrainian and was a professional musician-bandurist, and performed as such abroad.

Tatlin became familiar with the work of Pablo Picasso during a trip to Paris in 1913.

Tatlin achieved fame as the architect who designed the huge Monument to the Third International, also known as Tatlin's Tower. Tatlin began to design it in 1919. The monument was to be a tall tower made of iron, glass and steel which would have dwarfed the Eiffel Tower in Paris (the Monument to the Third International was a third taller at 400 meters high). Inside the iron-and-steel structure of twin spirals, the design envisaged three building blocks, covered with glass windows, which would rotate at different speeds (the first one, a cube, once a year; the second one, a pyramid, once a month; the third one, a cylinder, once a day). The entire building was to house the executive and legislature of the Comintern, and be a central area for the creation and dissemination of propaganda. For financial and practical reasons, however, the tower was never built. Janson, H.W. (1995) ''History of Art''. 5th edn. Revised and expanded by Anthony F. Janson. London: Thames & Hudson, p. 820. Singh, Iona (2012) ''Aesthetic World in the Future - chapter from Color, Facture, Art & Design''. Hampshire: Zero Books, p. 104-128.

Tatlin was also regarded as a progenitor of Soviet post-Revolutionary Constructivist art with his pre-Revolutionary counter-reliefs, three-dimensional constructions made of wood and metal, some placed in corners (corner counter-reliefs) and others more conventionally. Tatlin conceived these sculptures in order to question the traditional ideas of art, though he did not regard himself as a Constructivist and objected to many of the movement's ideas. Later prominent constructivists included Varvara Stepanova, Alexander Rodchenko, Manuel Rendón Seminario, Joaquín Torres García, László Moholy-Nagy, Antoine Pevsner and Naum Gabo.

Although colleagues at the beginning of their careers, Tatlin and Malevich quarrelled fiercely and publicly at the time of the 0.10 Exhibition in 1915 (long before the birth of Constructivism), also called "the last futurist exhibition", apparently over the 'suprematist' works Malevich exhibited there. This led Malevich to develop his ideas further in the city of Vitebsk, where he found a school called UNOVIS (Champions of the new art).

Tatlin also dedicated himself to the study of clothes, and various objects, and flight, culminating in the construction of Letatlin personal flying apparatus.

In the year of 1930 he taught in Kyiv where one of his students was Joseph Karakis.

From the 1930s Tatlin worked for different theatres in Moscow and during the Great Patriotic War, in Gorkiy. He also worked for and with many Soviet art organizations, including the department of Fine Arts (IZO) of Narkompros.

In 1948 he was heavily criticized for his allegedly anti-communist stance and lost his job, but was not repressed.

Tatlin died in 1953 in Moscow and was buried at the Novodevichy Cemetery.

Gallery of works

File:Female Model by Vladimir Tatlin 1913.jpg, Tatlin, 1913, ''Female Model / Натурщица'', oil on canvas
File:A Life for the Tsar (Tatlin) 05.jpg, Tatlin 1913, ''scene design'' for the play 'A Life for the Tsar'
File:Counter-relief by V.Tatlin (1916, GTG) 02 by shakko.JPG, Tatlin, 1916, ''Counter-relief'', sculpture of several materials
File:Tatlin's Tower maket 1919 year.jpg, Tatlin, 1919–20, ''Tatlin's Tower'', official title: ''Monument to the Third International'', the design was never built
File:Tatlin 2.jpg, Tatlin, 1919–20, recently made copy of ''Tatlin's tower, Monument to the Third International'', a later model
File:Vladimir Tatlin's dress design.jpg, Tatlin, 1920s, ''dress-design''
File:2012-01 Neue Tretjakow-Galerie 08 anagoria.JPG, Tatlin, 1923–24, ''Costumes''
File:Stockholm Moderna Museet Collection Vladimir Tatlin Letatlin, 1930-32 (5200746581).jpg, Tatlin, 1929-1931: ''Letatlin № 1.'', sculpture; human-powered ornithopter
File:Letatlin No 3 at Central Air Force Museum.JPG, Tatlin, 1930–1932, ''Letatlin № 3.'', sculpture; human-powered ornithopter
File:Tyrsa Window Cleaner and Portrait of V. Tatlin.jpg, Tatlin, c. 1942, ''Window Cleaner and Portrait of V.'', brush on paper

Notes

References

*

External links

*

Tatlin Playing The Bandura. Special Project of the Library of Ukrainian Art.

Exhibition of Russian-Soviet artist Vladimir Tatlin in Basel — Tatlin’s “new art for a new world”

Photographs of Tatlin and his assistants constructing the first model for the monument to the Third International, Petrograd, 1920
Canadian Centre for Architecture
digitized items

{{DEFAULTSORT:Tatlin, Vladimir
1885 births
1953 deaths
Artists from Moscow
People from Moscow Governorate
Russian avant-garde
Architects from Moscow
Constructivist architects
Russian painters
Russian male painters
Russian sculptors
Ukrainian sculptors
Ukrainian male sculptors
Bandurists
Soviet architects
Soviet painters
Constructivism (art)
20th-century Russian male artists
Burials at Novodevichy Cemetery
20th-century Russian painters
Moscow School of Painting, Sculpture and Architecture alumni
Ukrainian avant-garde