Vincenzo Cabianca

Vincenzo Cabianca (June 21, 1827, Verona – March 21, 1902, Rome) was an Italian painter of the Macchiaioli group.

Biography

He was born in Verona in modest circumstances. He began his artistic training at the Verona Academy under Giovanni Caliari, and then studied at the Venice Academy from 1845 to 1847.Steingräber, E., & Matteucci, G. 1984, p. 107. An admirer of Giuseppe Mazzini, he became associated with the Young Italy movement and was taken prisoner while participating in the defense of Bologna in 1848. After his release he lived in Venice from 1849 until 1853.

During the 1850s Cabianca became acquainted with the artists, including Adriano Cecioni, Cristiano Banti, and Telemaco Signorini, who frequented the Caffè Michelangiolo in Florence, who would be known as the Macchiaioli. He became a friend of Signorini, and travelled with Signorini and Banti to Paris. His friend's influence led Cabianca to turn away from genre paintings towards a bolder realism, beginning in 1858. Like the other Macchiaioli, he painted landscapes ''en plein air'', but he was more reluctant than his friends were to abandon historical and literary subjects.Broude 1987, p. 107.

Cabianca emphasized powerful value contrasts in his paintings. Cecioni described him as "the most declared, violent and uninhibited ''macchiaiolo''." Angelo de Gubernatis, who termed the Macchiaioli "enemies of all conventionalism and accurate researchers of effects", described Cabianca as principally interested in the effects of sunlight. Gottardo Garollo in his ''Dizionario Biografico'' describes Cabianca as a painter of the "effects of the Sun".

Many of his paintings depict nuns; a well-known example is ''Le monachine'' (The nuns; 1861–62, Turin exhibition). Other works of the 1860s include ''La Mandriana'' and ''il Porcile al sole'' (1860). Returning from travels to Tuscany and Paris in 1864, he domiciled in Parma from 1864 to 1868, then moved to Rome.

Among his other works are ''Il bagno fra gli scogli''; ''Sant'Angelo all' Isola di Giudecca''; ''Reminiscenze del mare''; ''Gondola bruna''; ''La neve in Ciociaria''; ''Le mura del convento''; and ''Sotto il portico dei barattieri a Venice''. At Naples in 1877, he exhibited ''Piccola via presso Perugia''; ''La neve''; ''Una casa ad Anacapri''; and ''Reminiscenze d'Amalfi''. At Rome in 1883 he displayed ''Rocca di Papa''; ''Il caligo a Venice''; ''Sul far del giorno''; ''La pace del Chiostro''; and ''Una sera sulla laguna''. He also painted in watercolors, including ''La neve a Venice'', ''Il fait sa cour'', and ''Sulla marina di Viareggio''.

The works of Cabianca's later years show the influence of the Symbolists and the Pre-Raphaelites.Broude 1987, p. 111. He died in Rome on March 21, 1902.

Collections holding works by Vincenzo Cabianca include the Galleria Nazionale d'Arte Moderna, Rome, and the Brooklyn Museum.

Selected paintings

File:Cabianca Le monachine.jpg, ''The Nuns'' (1861)
File:Cabianca Lungomare.jpg, ''Seafront'' (1860)
File:Cabianca S. Pietro a Porto Venere.jpg, ''Church of St. Peter in Porto Venere'' (1860)
File:Cabianca Effetto di sole.jpg, ''Sunlight'' (1870)
File:Cabianca Mattutino.jpg, upright=1.4, ''Morning'' (1901)

References

Further reading

* Broude, Norma (1987). ''The Macchiaioli: Italian Painters of the Nineteenth Century''. New Haven and London: Yale University Press.
*Steingräber, E., & Matteucci, G. (1984). ''The Macchiaioli: Tuscan Painters of the Sunlight : March 14-April 20, 1984''. New York: Stair Sainty Matthiesen in association with Matthiesen, London.

External links

More works by Cabianca
@ ArtNet

{{DEFAULTSORT:Cabianca, Vincenzo
1827 births
1902 deaths
19th-century Italian painters
Italian male painters
20th-century Italian painters
Italian landscape painters
Painters from Verona
19th-century Italian male artists
20th-century Italian male artists