''Venus and Adonis'' is an

opera Opera is a form of theatre in which music is a fundamental component and dramatic roles are taken by singers. Such a "work" (the literal translation of the Italian word "opera") is typically a collaboration between a composer and a libr ...

in three acts and a

prologue A prologue or prolog (from Greek πρόλογος ''prólogos'', from πρό ''pró'', "before" and λόγος ''lógos'', "word") is an opening to a story that establishes the context and gives background details, often some earlier story that ...

by the English Baroque composer

John Blow John Blow (baptised 23 February 1649 – 1 October 1708) was an English composer and organist of the Baroque period. Appointed organist of Westminster Abbey in late 1668,1683 Events January–March * January 5 – The Brandenburger—African Company, of the German state of Brandenburg, signs a treaty with representatives of the Ahanta tribe (in what is now Ghana), to establish the fort and settlement ...

. It was written for the

court A court is any person or institution, often as a government institution, with the authority to adjudicate legal disputes between parties and carry out the administration of justice in civil, criminal, and administrative matters in acco ...

of King Charles II at either

London London is the capital and List of urban areas in the United Kingdom, largest city of England and the United Kingdom, with a population of just under 9 million. It stands on the River Thames in south-east England at the head of a estuary dow ...

Windsor Windsor may refer to: Places Australia * Windsor, New South Wales ** Municipality of Windsor, a former local government area * Windsor, Queensland, a suburb of Brisbane, Queensland **Shire of Windsor, a former local government authority around Wi ...

. It is considered by some to be either a

semi-opera The terms "semi-opera", "dramatic opera" and "English opera" were all applied to Restoration entertainments that combined spoken plays with masque-like episodes employing singing and dancing characters. They usually included machines in the manne ...

or a

masque The masque was a form of festive courtly entertainment that flourished in 16th- and early 17th-century Europe, though it was developed earlier in Italy, in forms including the intermedio (a public version of the masque was the pageant). A masq ...

, but ''

The New Grove ''The New Grove Dictionary of Music and Musicians'' is an encyclopedic dictionary of music and musicians. Along with the German-language '' Die Musik in Geschichte und Gegenwart'', it is one of the largest reference works on the history and th ...

'' names it as the earliest known English opera. The author of the libretto was surmised to have been Aphra Behn due to the feminist nature of the text, and that she later worked with Blow on the play '' The Lucky Chance''.Price, ''Grove Dictionary'', op. cit. However, according to the musicologist

Bruce Wood The English language name Bruce arrived in Scotland with the Normans, from the place name Brix, Manche in Normandy, France, meaning "the willowlands". Initially promulgated via the descendants of king Robert the Bruce (1274−1329), it has been ...

, in his 2008

critical edition Textual criticism is a branch of textual scholarship, philology, and of literary criticism that is concerned with the identification of textual variants, or different versions, of either manuscripts or of printed books. Such texts may range in da ...

of the work for the

Purcell Society {{primary sources, date=March 2015 The Purcell Society, founded in 1876 (principally by William Hayman Cummings) is an organization dedicated to making the complete musical works of Henry Purcell available. Between 1876 and 1965, scores of all the ...

, the librettist "has been identified by James Winn as Anne Kingsmill, subsequently married as Anne Finch". The story is based on the Classical myth of

Venus Venus is the second planet from the Sun. It is sometimes called Earth's "sister" or "twin" planet as it is almost as large and has a similar composition. As an interior planet to Earth, Venus (like Mercury) appears in Earth's sky never f ...

and

Adonis In Greek mythology, Adonis, ; derived from the Canaanite word ''ʼadōn'', meaning "lord". R. S. P. Beekes, ''Etymological Dictionary of Greek'', Brill, 2009, p. 23. was the mortal lover of the goddess Aphrodite. One day, Adonis was gored by ...

, which was also the basis for Shakespeare's poem ''Venus and Adonis'', as well as

Ovid Pūblius Ovidius Nāsō (; 20 March 43 BC – 17/18 AD), known in English as Ovid ( ), was a Roman poet who lived during the reign of Augustus. He was a contemporary of the older Virgil and Horace, with whom he is often ranked as one of the th ...

's poem of the same name in his ''Metamorphoses''.

Roles

Music

''Venus and Adonis'' is considered by some to be either a semi-opera or a

, but ''

'' names it as the earliest surviving English opera. In fact, an early manuscript source is subtitled "A masque for the entertainment of the king". In overall form the opera owes much to French operas of the period, especially those of Jean-Baptiste Lully. The French elements in the opera are the

French overture The French overture is a musical form widely used in the Baroque period. Its basic formal division is into two parts, which are usually enclosed by double bars and repeat signs. They are complementary in style (slow in dotted rhythms and fast in ...

, the

Prologue A prologue or prolog (from Greek πρόλογος ''prólogos'', from πρό ''pró'', "before" and λόγος ''lógos'', "word") is an opening to a story that establishes the context and gives background details, often some earlier story that ...

which refers in scarcely veiled terms to the court for which it was written, and also includes many dances popular at the time. The piece is a clear model for Henry Purcell's opera ''

Dido and Aeneas ''Dido and Aeneas'' (Z. 626) is an opera in a prologue and three acts, written by the English Baroque composer Henry Purcell with a libretto by Nahum Tate. The dates of the composition and first performance of the opera are uncertain. It was com ...

'', both in structure and the use of the chorus. The piece is remarkable for the period because of its through-composed nature; there are no clear arias or set-pieces, but the music continues throughout the piece, using

recitative Recitative (, also known by its Italian name "''recitativo''" ()) is a style of delivery (much used in operas, oratorios, and cantatas) in which a singer is allowed to adopt the rhythms and delivery of ordinary speech. Recitative does not repeat ...

to further the plot.

Libretto

The traditional myth of Venus and Adonis runs as follows:

Venus is with her son Cupid, and he accidentally pierces her with one of his arrows. The next person Venus sees is the handsome youth Adonis, with whom she immediately falls in love. He is a hunter, and she decides that in order to be with him, she will take on the form of the goddess of the hunt,
Artemis In ancient Greek mythology and religion, Artemis (; grc-gre, Ἄρτεμις) is the goddess of the hunt, the wilderness, wild animals, nature, vegetation, childbirth, care of children, and chastity. She was heavily identified wit ...
. Eventually she warns Adonis of the danger of hunting the wild boar, but he does not heed the warning, and is gored to death by the boar.

In Blow's version, Venus encourages Adonis to go hunting, despite his protestations: : ''Adonis'': :: Adonis will not hunt today: :: I have already caught the noblest prey. : ''Venus'': :: No, my shepherd haste away: :: Absence kindles new desire, :: I would not have my lover tire. This parallels the scene in Purcell's later ''Dido and Aeneas'' (1688), when Dido rebuffs Aeneas' offer to stay with her. In addition to this major divergence from the myth in Adonis' motivation, Blow's version also includes the addition of a number of comic scenes with Cupid, including the spelling lesson he gives to the young cupids and his opinion that almost no one in the court is faithful—the latter an especially pungent critique given that it is believed that Cupid was played by Lady Mary Tudor, then around 10 years old and Charles II's

illegitimate Legitimacy, in traditional Western common law, is the status of a child born to parents who are legally married to each other, and of a child conceived before the parents obtain a legal divorce. Conversely, ''illegitimacy'', also known as '' ...

daughter, and Venus by Mary (Moll) Davies, the king's former lover.

Synopsis

Prologue

Cupid addresses assorted shepherds and shepherdesses, accusing them of infidelity, and invites them to enjoy true pastoral pleasures. This short scena is preceded by a

Act 1

The couple are resting on a couch, and Venus, accompanied by obbligato recorder, is toying with Adonis's sexual anticipation. Just before she gives in, hunting music is heard, and she encourages him to leave her and join the chase. The huntsmen intrude and sing of an enormous boar that is causing severe problems; thus goaded, Adonis leaves.

Act 2

Cupid is studying the art of love, learning from his mother how to strike love into human hearts. He in turn teaches this lesson to a group of Little Cupids. Cupid advises his mother that the way to make Adonis love her more is to "use him very ill." They then call the Graces, the givers of beauty and charm, to give honour to the goddess of love.

Act 3

Venus and Cupid are shown struck by grief. Adonis is brought in, dying from the wound given to him by the boar. He duets with Venus, and dies in her arms. As a lament she begins a funeral march, and the refrain is taken up by the pastoral characters (in reality, Venus' courtiers). The opera ends with the G minor chorus "Mourn for thy servant", a strong example of

elegiac The adjective ''elegiac'' has two possible meanings. First, it can refer to something of, relating to, or involving, an elegy or something that expresses similar mournfulness or sorrow. Second, it can refer more specifically to poetry composed in ...

counterpoint.

Recordings

* Ritchie, Field-Hyde, Clinton; Lewis, 1951 (L'oiseau-lyre) * Dawson, Argenta, Varcoe; Medlam, 1987 (harmonia mundi) * Bott, Crabtree, George; Pickett, 1992 (L'oiseau-lyre) * Joshua, Blaze, Finley; Jacobs, 1999 (harmonia mundi) * Forsythe, Lebel, Duncan; O'Dette & Stubbs, 2009 (cpo)

References

Notes Sources *

External links

Libretto of ''Venus and Adonis''
at Stanford.edu {{Authority control Operas English-language operas Operas by John Blow Pastoral operas 1683 operas Operas based on classical mythology