Velakali is a traditional martial dance of

Nair The Nair , also known as Nayar, are a group of Indian Hindu castes, described by anthropologist Kathleen Gough as "not a unitary group but a named category of castes". The Nair include several castes and many subdivisions, not all of whom hist ...

community of

Kerala Kerala ( ; ) is a state on the Malabar Coast of India. It was formed on 1 November 1956, following the passage of the States Reorganisation Act, by combining Malayalam-speaking regions of the erstwhile regions of Cochin, Malabar, South Ca ...

, India that is performed during temple festivals. Brightly dressed dancers wielding swords and shields depict a fight sequence between the

Pandavas The Pandavas (Sanskrit: पाण्डव, IAST: Pāṇḍava) refers to the five legendary brothers— Yudhishthira, Bhima, Arjuna, Nakula and Sahadeva—who are the central characters of the Hindu epic ''Mahabharata''. They are acknowledge ...

and Kauravas during the course of the dance.

Myth behind Velakali

There are several legends associated with the origin and history of Velakali. One such legend talks of the sage Narada witnessing Lord Krishna and his friends staging a mock battle on the banks of the Kalindi using the stalks and leaves of the water lily as swords and shields. Narada then requested the sage Villumangalam to capture the martial vigour of the mock fight in a ritualistic performance for Krishna. Villumangalam in turn requested the ruler of Ambalapuzha to teach young men to perform the dance and so the ruler asked his army chieftains Mathoor Panicker and Velloor Kurup to ready a troupe of Velakali performers. Since the dancers were originally warriors, the dance bore a close resemblance to the martial art form of

Kalarippayattu Kalaripayattu (; also known simply as Kalari) is an Indian martial art that originated in modern-day Kerala, a state on the southwestern coast of India. Kalaripayattu is known for its long-standing history within Indian martial arts, and is ...

. Velakali thus originated in the princely state of Chempakassery (modern Ambalappuzha). To this day it is a regular feature of the pooram at the Ambalapuzha Sri Krishnaswamy temple. Since the annexation of Ambalappuzha into

Travancore The Kingdom of Travancore ( /ˈtrævənkɔːr/), also known as the Kingdom of Thiruvithamkoor, was an Indian kingdom from c. 1729 until 1949. It was ruled by the Travancore Royal Family from Padmanabhapuram, and later Thiruvananthapuram. A ...

, Velakali has marked the commencement of the annual Painkuni festival at Sri Padmanabha Swamy Temple,

Trivandrum Thiruvananthapuram (; ), also known by its List of renamed Indian cities and states, former name Trivandrum (), is the Capital city, capital of the Indian state of Kerala. It is the most populous city in Kerala with a population of 957,730 as ...

Performance

During a Velakali performance huge effigies representing the Pandavas are put up during the festival at the eastern entrance of the Padmanabhaswamy temple. In Ambalapuzha, the dance is choreographed under the guidance of Mathur Panickar a hereditary Asan and minister of the Ambalapuzha royal family. Velakali dancers represent the Kauravas and the dance represents the battle between the cousins. The dancers stop and beat a retreat once they reach the effigy of

Yudhishthira ''Yudhishthira'' ( Sanskrit: युधिष्ठिर, IAST: ''Yudhiṣṭhira'') is the eldest among the five Pandava brothers. He is mentioned in the ancient epic Mahabharata. He was sired by King Pandu of the Kuru Dynasty and his fir ...

. The performance represents the victory of ''

dharma Dharma (; sa, धर्म, dharma, ; pi, dhamma, italic=yes) is a key concept with multiple meanings in Indian religions, such as Hinduism, Buddhism, Jainism, Sikhism and others. Although there is no direct single-word translation for '' ...

'' over ''adharma'' and the victory of

Bheema In Hindu epic Mahabharata, Bhima ( sa, भीम, ) is the second among the five Pandavas. The ''Mahabharata'' relates many events that portray the might of Bhima. Bhima was born when Vayu, the wind god, granted a son to Kunti and Pandu. Afte ...

over the Kauravas during their exile to the forest. The younger performers line up in the front and the elders make up the rear of the troupe with a group of flag bearers forming the rearmost line. The performers are also sometimes accompanied by replicas of animals like oxen that were used in warfare in the olden days. According to

Alf Hiltebeitel Alfred John Hiltebeitel (born 1942) is Columbian Professor of Religion, History, and Human Sciences at George Washington University in Washington DC, USA. His academic specialism is in ancient Sanskrit epics such as the ''Mahabharata'' and ''Ramaya ...

, Velakali performances in central Travancore are reenactments of supposedly historical battles rather than the Mahabharata war and are intertwined with rituals of patayani. It is at the Padmanabhaswamy temple that the performances are linked with the battle between the cousins of the

Mahabharata The ''Mahābhārata'' ( ; sa, महाभारतम्, ', ) is one of the two major Sanskrit epics of ancient India in Hinduism, the other being the '' Rāmāyaṇa''. It narrates the struggle between two groups of cousins in the K ...

Costumes

Velakali is an all-male performance. The performers dress up in traditional clothes and colorful red headgear of the medieval Nair soldiers and wear cloth garlands of beads that cover their bare chests. They wield colorful shields and long canes or bear swords and dance to the beat of panchavadyam performers who accompany the performance and there are skilful displays of swordplay.

Music

Velakali is performed to the accompaniment of '' panchavadyam'' which uses the '' maddalam'', '' thavil'', '' ilathalam'', '' kombu'' and ''

kuzhal The kuzhal is a traditional double reed wind instrument used in the south Indian state of Kerala. It is similar in construction to a '' nagaswaram'' or a large ''shehnai'', and has a very shrill and penetrating tone. Kuzhal is primarily used as ...

''. The music involves no lyrics and the artists move to the rhythm of the percussion instruments. Also, unlike most dance forms, '' bhava'' has no place in Velakali and the focus is solely on '' tala''. Velakali involves several distinct movements such as the ''pidichakali'', ''padakali'' and the ''vela ottam''.

Recent trends

Velakali requires of its performers considerable physical training and the knowledge of the use of arms. Education and employment opportunities had gradually led to fewer youngsters taking up Velakali resulting in its gradual decline. It has enjoyed a resurgence in recent years due to the efforts of Mohanankunju Panicker. The dance was staged again at the Sree Padmanabhaswamy Temple in Trivandrum in 2011 after a gap of almost 40 years.

References