Veene Sheshanna
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Veene Sheshanna ( kn, ವೀಣೆ ಶೇಷಣ್ಣ) (1852—1926) was an exponent of the
Veena The ''veena'', also spelled ''vina'' ( sa, वीणा IAST: vīṇā), comprises various chordophone instruments from the Indian subcontinent. Ancient musical instruments evolved into many variations, such as lutes, zithers and arched harps ...
, an
India India, officially the Republic of India (Hindi: ), is a country in South Asia. It is the List of countries and dependencies by area, seventh-largest country by area, the List of countries and dependencies by population, second-most populous ...
n string instrument, which he played in the classical
Carnatic music Carnatic music, known as or in the South Indian languages, is a system of music commonly associated with South India, including the modern Indian states of Karnataka, Andhra Pradesh, Telangana, Kerala and Tamil Nadu, and Sri Lanka. It ...
style. He was a concert musician at the court of the princely state of
Mysore Mysore (), officially Mysuru (), is a city in the southern part of the state of Karnataka, India. Mysore city is geographically located between 12° 18′ 26″ north latitude and 76° 38′ 59″ east longitude. It is located at an altitude o ...
in southern India.


Family

Veene Sheshanna was born in
Mysore Mysore (), officially Mysuru (), is a city in the southern part of the state of Karnataka, India. Mysore city is geographically located between 12° 18′ 26″ north latitude and 76° 38′ 59″ east longitude. It is located at an altitude o ...
in 1852 in a Madhwa Brahmin family of musicians. His father, Chikkaramappa, was a ''Vainika'' (player of the veena) in the court of the
Maharaja Mahārāja (; also spelled Maharajah, Maharaj) is a Sanskrit title for a "great ruler", "great king" or " high king". A few ruled states informally called empires, including ruler raja Sri Gupta, founder of the ancient Indian Gupta Empire, a ...
of Mysore. The musical history of the family goes far back and Sheshanna was the descendant of Pachchimeeriyam Aadi Appayya, a noted composer of Carnatic music. According to contemporary practise in Mysore, Sheshanna was married at the age of twelve. His father died soon afterwards.


Training and career

Sheshanna displayed precocious musical talent as a young boy of five. At an early age, he caught the eye of the Maharaja and received expensive gifts from him. He learnt music from Mysore Sadashiva Rao and Veene Venkatasubbayya. He was a diligent student and practised music for several hours each day. The story goes that he would have a heap of a hundred tamarind seeds and each time he played a composition, he transferred a seed to another heap. He did this under the watchful eyes of his elder sister who herself had an excellent knowledge of music and was a demanding tutor. He initially learnt vocal music but then switched to playing the
saraswati veena The Sarasvatī vīṇa (also spelled Saraswati vina) (Devanagari: सरस्वती वीणा (vīṇā), te, సరస్వతి వీణ, kan, ಸರಸ್ವತಿ ವೀಣೆ, ta, சரஸ்வதி வீணை, Malayalam ...
, in which he soon gained proficiency. He toured South
India India, officially the Republic of India (Hindi: ), is a country in South Asia. It is the List of countries and dependencies by area, seventh-largest country by area, the List of countries and dependencies by population, second-most populous ...
and gave performances at various places. These performances were at the homes of rich patrons of the arts and in the courts of the Rajas as public performances as we know today were practically non-existent in those days. On his return from his tour, he was appointed as the court musician in the court of the Maharaja of Mysore. His musical talent was prodigious and is reputed to have a mastered many instruments other than the veena, like the
violin The violin, sometimes known as a '' fiddle'', is a wooden chordophone ( string instrument) in the violin family. Most violins have a hollow wooden body. It is the smallest and thus highest-pitched instrument ( soprano) in the family in regu ...
,
piano The piano is a stringed keyboard instrument in which the strings are struck by wooden hammers that are coated with a softer material (modern hammers are covered with dense wool felt; some early pianos used leather). It is played using a keyboa ...
and swarabat (a lute like instrument also known as swaragat). Once, a musician from North India played the
jal tarang The ''jal tarang'' (Hindi: जलतरंग) is a melodic percussion instrument that originates from the Indian subcontinent. It consists of a set of ceramic or metal bowls filled with water. The bowls are played by striking the edge with bea ...
(a tuned percussion instrument made of porcelain cups tuned with varying amounts of water) in the court and the Maharaja was very much impressed by it. Sheshanna requested the artist to leave the instrument with him overnight and the next evening gave a concert of
Carnatic music Carnatic music, known as or in the South Indian languages, is a system of music commonly associated with South India, including the modern Indian states of Karnataka, Andhra Pradesh, Telangana, Kerala and Tamil Nadu, and Sri Lanka. It ...
on that instrument in the Maharaja’s presence.


Musical style

In those days many Vainikas played Veene holding it vertically, not unlike the
sitar The sitar ( or ; ) is a plucked stringed instrument, originating from the Indian subcontinent, used in Hindustani classical music. The instrument was invented in medieval India, flourished in the 18th century, and arrived at its present form ...
, with the gourd kept in the lap of the player sitting cross-legged. Sheshanna played it holding it in the horizontal position, which is the way it is now played. He was perhaps the originator of what is now the known as the Mysore style of playing. This style is characterised by the two fingers being used alternately to press the string to the frets. They are kept separated from each other most of the time.


Contributions

Sheshanna composed 53 compositions, including Swarajatis, Padas, Javalis and many Tillanas. He had a deep understanding of Hindustani music. His thillanas in the
raga A ''raga'' or ''raag'' (; also ''raaga'' or ''ragam''; ) is a melodic framework for improvisation in Indian classical music akin to a melodic mode. The ''rāga'' is a unique and central feature of the classical Indian music tradition, and as ...
s Behag and Darbari Kannada are proof of this. The composers
Mysore Vasudevacharya Mysore Vasudevacharya (28 May 1865 – 17 May 1961) was an Indian musician and composer of Carnatic music compositions who belonged to the direct line of Thyagaraja's disciples. Vasudevachar's compositions (numbering over 200) were mostly in Telu ...
and Rallapalli Anantha Krishna Sharma, among others, have showered liberal praise on Sheshanna's technical virtuosity. His fame spread far and wide, yet he always retained his humility. He is reputed to have often exclaimed, "One can play the Veena according to one's own abilities. Where can you find the musician who can play it to its full potential?" Sheshanna used to give public music concerts during the annual Ramanavami and Krishnashthami festivals. These concerts were organised on the roof of his own house and all were welcome to attend them. They were held for ten days each at the time of these two festivals. This brought music from the king’s court and the rich man’s mansion to the doorstep of the common man. Visitors can see a Veena played by Sheshanna at the historical artefacts museum at Dharmasthala, Karnataka.


References


External links


Veene Sheshanna (1852-1926)
at musicalnirvana.com {{DEFAULTSORT:Sheshanna, Veene 1852 births 1926 deaths Saraswati veena players Musicians from Mysore 20th-century Indian musicians 19th-century Indian musicians Madhva Brahmins