Vater unser im Himmelreich
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"" (Our Father in Heaven) is a
Lutheran hymn Martin Luther was a great enthusiast for music, and this is why it forms a large part of Lutheran services; in particular, Luther admired the composers Josquin des Prez and Ludwig Senfl and wanted singing in the church to move away from the ''a ...
in German by
Martin Luther Martin Luther (; ; 10 November 1483 – 18 February 1546) was a German priest, theologian, author, hymnwriter, and professor, and Augustinian friar. He is the seminal figure of the Protestant Reformation and the namesake of Lutherani ...
. He wrote the paraphrase of the
Lord's Prayer The Lord's Prayer, also called the Our Father or Pater Noster, is a central Christian prayer which Jesus taught as the way to pray. Two versions of this prayer are recorded in the gospels: a longer form within the Sermon on the Mount in the Gosp ...
in 1538, corresponding to his explanation of the prayer in his (''Small Catechism''). He dedicated one stanza to each of the seven petitions and framed it with an opening and a closing stanza, each stanza in six lines. Luther revised the text several times, as extant manuscript show, concerned to clarify and improve it. He chose and possibly adapted an older anonymous melody, which was possibly associated with secular text, after he had first selected a different one. Other hymn versions of the Lord's Prayer from the 16th and 20th-century have adopted the same tune, known as "Vater unser" and "Old 112th". The hymn was published in Leipzig in 1539 in Valentin Schumann's
hymnal A hymnal or hymnary is a collection of hymns, usually in the form of a book, called a hymnbook (or hymn book). Hymnals are used in congregational singing. A hymnal may contain only hymn texts (normal for most hymnals for most centuries of Chr ...
, with a title explaining "The Lord's Prayer briefly expounded and turned into metre". It was likely first published as a broadsheet. The hymn was translated into English in several versions, for example " Our Father, Thou in Heaven Above" by
Catherine Winkworth Catherine Winkworth (13 September 1827 – 1 July 1878) was an English hymnwriter and educator. She translated the German chorale tradition of church hymns for English speakers, for which she is recognized in the calendar of the Evangelical Luth ...
in 1863 and "Our Father, Lord of Heaven and Earth" by Henry J. de Jong in 1982. In the current German hymnal (EG) it is number 344.


Text

Below is the German text from the 1539 ''Gesangbuch'' of Valentin Schumann with the English translation by
George MacDonald George MacDonald (10 December 1824 – 18 September 1905) was a Scottish author, poet and Christian Congregational church, Congregational Minister (Christianity), minister. He was a pioneering figure in the field of modern fantasy literature a ...
.


Hymn tune

Below is the hymn tune from Valentin Schumann's ''Gesangbuch'' of 1539 ( Zahn No. 2561). In English-language publications, the tune has also appeared with various unrelated texts, and its use in English and Scottish Psalters as a setting for
Psalm 112 Psalm 112 is the 112th psalm of the biblical Book of Psalms, a psalm "in praise of the virtuous". This psalm, along with Psalm 111, is acrostic by phrase, that is, each 7-9 syllable phrase begins with a letter of the Hebrew alphabet in order. Psal ...
has led to the tune being referred to as "Old 112th" in some hymnals. The original rhythm is also sometimes altered, as for example in a harmonisation by
Johann Sebastian Bach Johann Sebastian Bach (28 July 1750) was a German composer and musician of the late Baroque period. He is known for his orchestral music such as the '' Brandenburg Concertos''; instrumental compositions such as the Cello Suites; keyboard wo ...
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Use in musical compositions

Numerous composers used the hymn tune, some also the text. There are choral settings by Orlando di Lasso,
Michael Praetorius Michael Praetorius (probably 28 September 1571 – 15 February 1621) was a German composer, organist, and music theorist. He was one of the most versatile composers of his age, being particularly significant in the development of musical forms ba ...
and
Samuel Scheidt Samuel Scheidt (baptised 3 November 1587 – 24 March 1654) was a German composer, organist and teacher of the early Baroque era. Life and career Scheidt was born in Halle, and after early studies there, he went to Amsterdam to study with Sw ...
. Johann Ulrich Steigleder composed 40 three-part variations on the hymn tune and published them as a ''Tabulaturbuch'' in Strasbourg in 1627. Amongst those who set it as a chorale prelude for organ are
Michael Praetorius Michael Praetorius (probably 28 September 1571 – 15 February 1621) was a German composer, organist, and music theorist. He was one of the most versatile composers of his age, being particularly significant in the development of musical forms ba ...
, Jacob Praetorius,
Samuel Scheidt Samuel Scheidt (baptised 3 November 1587 – 24 March 1654) was a German composer, organist and teacher of the early Baroque era. Life and career Scheidt was born in Halle, and after early studies there, he went to Amsterdam to study with Sw ...
and Heinrich Scheidemann. Johann Pachelbel included a
chorale prelude In music, a chorale prelude or chorale setting is a short liturgical composition for organ using a chorale tune as its basis. It was a predominant style of the German Baroque era and reached its culmination in the works of J.S. Bach, who wrote 46 ...
in his liturgical collection '' Erster Theil etlicher Choräle''.
Dieterich Buxtehude Dieterich Buxtehude (; ; born Diderik Hansen Buxtehude; c. 1637 – 9 May 1707)  was a Danish organist and composer of the Baroque period, whose works are typical of the North German organ school. As a composer who worked in various vocal a ...
set the hymn twice as a chorale prelude. The freely composed chorale prelude BuxWV 207 has three separate verses: the first two for manuals alone have one or two quasi-improvisatory voices accompanying a plain cantus firmus; the third verse is a four-part setting for two manuals and pedal with a highly ornamented cantus firmus in the soprano voice. The cantus firmus is also elaborately developed in Buxtehude's ornamental choral prelude BuxWV 219 for two manuals and pedal.
Georg Böhm Georg Böhm (2 September 1661 – 18 May 1733) was a German Baroque organist and composer. He is notable for his development of the chorale partita and for his influence on the young J. S. Bach. Life Böhm was born in 1661 in Hohenkirchen. H ...
also set the hymn twice as a chorale prelude (formerly misattributed to Bach as BWV 760 and 761), in addition to a setting as an organ partita.
Johann Sebastian Bach Johann Sebastian Bach (28 July 1750) was a German composer and musician of the late Baroque period. He is known for his orchestral music such as the '' Brandenburg Concertos''; instrumental compositions such as the Cello Suites; keyboard wo ...
used the hymn tune in several of his chorale preludes for organ. One early setting (BWV 737) can be found in the collection of Neumeister Chorales. There is a four-part setting BWV 636 in his
Orgelbüchlein The ''Orgelbüchlein'' (''Little Organ Book'') BWV 599−644 is a set of 46 chorale preludes for organ — one of them is given in two versions — by Johann Sebastian Bach. All but three were written between 1708 and 1717 when Bach served as org ...
(Little Organ Book). Bach's late
Clavier-Übung III The ''Clavier-Übung III'', sometimes referred to as the ''German Organ Mass'', is a collection of compositions for organ by Johann Sebastian Bach, started in 1735–36 and published in 1739. It is considered Bach's most significant and extensiv ...
(German Organ Mass) contains a pair of settings BWV 682-683: an elaborate one for five voices with the cantus firmus in
canon Canon or Canons may refer to: Arts and entertainment * Canon (fiction), the conceptual material accepted as official in a fictional universe by its fan base * Literary canon, an accepted body of works considered as high culture ** Western ca ...
over a trio sonata
ritornello A ritornello (Italian; "little return") is a recurring passage in Baroque music for orchestra or chorus. Early history The earliest use of the term "ritornello" in music referred to the final lines of a fourteenth-century madrigal, which were usu ...
; and a shorter four-part setting for single manual. In his choral works, Bach used the melody in his cantata ''Es reißet euch ein schrecklich Ende'', BWV 90 (1723), the chorale cantata ''Nimm von uns, Herr, du treuer Gott'', BWV 101 (1724) and cantata ''Herr, deine Augen sehen nach dem Glauben'', BWV 102 (1726), and stanza 4 () in his '' St John Passion'' (1724) ( BWV 416 is an earlier version of the same harmonisation). Felix Mendelssohn included the melody in his Sixth Organ Sonata. Max Reger composed a chorale prelude as No. 39 of his 52 Chorale Preludes, Op. 67 in 1902.


See also

* List of hymns by Martin Luther


References


Bibliography

* * {{Authority control 16th-century hymns in German Hymn tunes Hymns by Martin Luther 1538 works