Life and works
Kataev was born in Odesa (then Russian Empire, now Ukraine) into the family of Pyotr Vasilyevich Kataev, a Table of Ranks#Table of Ranks, Court councillor and a teacher at the Odesa Female seminary, and Eugenia Ivanovna Bachei who belonged to a noble family of the Poltava Governorate. Thus it's no coincidence that the main character in Kataev's semi-autobiographical novel ''A White Sail Gleams'' is named Pyotr Bachei. His father came from a long line of Russian clergy originally from Kirov, Kirov Oblast, Vyatka where Valentin's grandfather served as a protoiereus. His maternal grandfather was a major general in the Imperial Russian Army. Despite the obvious class conflict, Kataev never tried to hide his origins during the Soviet period. He began writing while he was still in Gymnasium (school), ''gimnaziya'' (high school). He was then a sympathizer of the Union of the Russian People and wrote nationalistic and Antisemitism, anti-Semitic poetry (ironically, later in his life he married a Jews, Jewish woman, Esther Brenner (1913-2009)). He did not finish the ''gimnaziya'' but volunteered for the army in 1915, serving in the artillery. After the October Revolution he was mobilized into the Red Army, where he fought against General Denikin and served in the Russian Telegraph Agency. In 1920, he became a journalist in Odesa; two years later he moved to Moscow, where he worked on the staff of ''The Whistle'' (''Gudok''), writing humorous pieces under various pseudonyms. His first novel, ''The Embezzlers'' (''Rastratchiki'', 1926), was printed in the journal ''Krasnaya Nov''. In the satire of the new Soviet bureaucracy in the tradition of Nikolai Gogol, Gogol, the protagonists are two bureaucrats "who more or less by instinct or by accident conspire to defraud the Soviet state". The novel was well received, and the seminal Modernism, modernist theatre practitioner, theater practitioner Konstantin Stanislavski asked Kataev to adapt it for the stage. It was produced at the world-famous Moscow Art Theatre, opening on 20 April 1928. A cinematic adaptation was The Virtuous Sinner, filmed in 1931. His Comedy (drama), comedy ''Quadrature of the circle'' (''Kvadratura kruga'', 1928) satirizes the effect of the housing shortage on two married couples who share a room. His novel ''Time, Forward! (novel), Time, Forward!'' (''Vremya, vperyod!'', 1932) describes workers' attempts to build the huge steel plant at Magnitogorsk in record time. "The title...was taken from a poem by Mayakovsky, and its theme is the speeding up of time in the Soviet Union where the historical development of a century must be completed in Pyatiletka, ten years." The heroes are described as "being unable to trust such a valuable thing as time, to clocks, mere mechanical devices." Kataev adapted it as a screenplay, which Time, Forward!, was filmed in 1965. ''A White Sail Gleams'' (''Beleyet parus odinoky'', 1936) treats the Russian Revolution (1905), 1905 revolution and the Russian battleship Potemkin, Potemkin uprising from the viewpoint of two Odesa schoolboys. In 1937, Vladimir Legoshin directed a film version, which became a classic children's adventure. Kataev wrote its screenplay and took an active part in the filming process, finding locations and acting as an historical advisor. Many of his contemporaries considered the novel to be a prose poem. During the 1950s and 1960s Kataev edited the magazine ''Yunost'' (Youth), publishing some of the most promising literary talent of the young generation, including Yevgeny Yevtushenko and Bella Akhmadulina. Kataev himself developed a style he called "lyrical diary," mixing autobiography and fiction. In 1966 the literary magazine ''Novy Mir'' printed his ''The Grass of Oblivion'' (''Trava zabveniya''), which was published under the title ''The Holy Well'' (''Svyatoy kolodets: Trava zabveniya'') two years later. In it, Kataev weaves scenes from the lives of his family, friends, and lovers, events of Soviet history, and memories of his travels in America into a kind of Stream of consciousness (narrative mode), stream-of-consciousness autobiography, considered by some critics to be the summary work of his career. Dodona Kiziria describes this work as "a tribute to the Russian writers who were forced to choose their path during the revolution and the civil war", adding that "in all of Soviet literature it would be difficult to find tragic images comparable to the two poets in this narrative (Bunin and Mayakovsky) who are compelled, finally and irrevocably, either to accept or reject the role offered to them by the new social order". Kataev was proud of being a Soviet writer, and related the following account. Dodona Kiziria describes Kataev as "one of the most brilliant writers of modern Russia. Of the authors writing in Russian, only Nabokov could be considered a worthy rival in his ability to convey with almost cinematic precision the images of visually perceived reality.Kiziria (1985, 648).English translations
*''The Embezzlers'' (novel), Dial Press, 1929. *''Squaring the Circle'' (play), Samuel French, 1936. *''Peace is Where the Tempests Blow'' (novel), Farrar & Rinehart, 1937. *''The Blue Handkerchief'' (play), University of California Press, 1944. *''The Small Farm in the Steppe'' (novel), Lawrence & Wishart, 1958. *''A White Sail Gleams'' (novel), Foreign Languages Publishing House, Moscow, 1954. *"Our Father Who Art in Heaven" (story), in ''Great Soviet Short Stories'', Dell, 1962. *"The Beautiful Trousers", "The Suicide", "A Goat in the Orchard" and "The Struggle Unto Death" (stories), in ''The Fatal Eggs and Other Soviet Satire'', Macmillan, NY, 1965. *''The Grass of Oblivion'' (memoirs), McGraw-Hill, 1970. *''Mosaic of Life'' (memoirs), The Book Service Ltd, 1976. *"The Sleeper" (story), in ''The New Soviet Fiction'', Abbeville Press, 1989. *''Time, Forward!'' (novel), Northwestern University Press, 1995.References
Sources
* Benedetti, Jean. 1999. ''Stanislavski: His Life and Art''. Revised edition. Original edition published in 1988. London: Methuen. . * Brown, Edward J. 1982. ''Russian Literature Since the Revolution''. Revised edition. 101-2, 341-2. * Kiziria, Dodona. 1985. "Four Demons of Valentin Kataev." ''Slavic Review'' 44.4 (Winter): 647-662. * ''Merriam-Webster's Encyclopedia of Literature'' (1995), p. 623 * Seymour-Smith, Martin. 1973. ''Funk & Wagnalls Guide to Modern World Literature''. 951.External links