Unchained camera technique
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The unchained camera technique ( in German) was an innovation by cinematographer
Karl Freund Karl W. Freund, A.S.C. (; January 16, 1890 – May 3, 1969) was a German Bohemian and American cinematographer and film director. He is best known for photographing ''Metropolis'' (1927), ''Dracula'' (1931), and television's ''I Love Lucy'' (1 ...
that allowed for filmmakers to get shots from cameras in motion enabling them to use pan shots,
tracking shot In cinematography, a tracking shot is any shot where the camera follows backward, forward or moves alongside the subject being recorded. Mostly the camera’s position is parallel to the character, creating a sideway motion, tracking the chara ...
s,
tilt Tilt may refer to: Music * Tilt (American band), a punk rock group, formed in 1992 * Tilt (British band), an electronic music group, formed in 1993 * Tilt (Polish band), a rock band, formed in 1979 Albums * ''Tilt'' (Cozy Powell album), 1981 ...
s,
crane shot In filmmaking and video production, a crane shot is a shot taken by a camera on a moving crane or jib. Filmmaker D. W. Griffith created the first crane for his 1916 epic film ''Intolerance'', with famed special effects pioneer Eiji Tsuburaya ...
s, etc. The technique was introduced by Freund in the 1924 silent film '' The Last Laugh'' and is arguably the most important stylistic innovation of the 20th century, setting the stage for some of the most commonly used
cinematic techniques This article contains a list of cinematic techniques that are divided into categories and briefly described. Basic definitions of terms ;180-degree rule :A continuity editorial technique in which sequential shots of two or more actors within ...
of modern contemporary cinema.


References

Cinematography Cinematic techniques {{Filmmaking-stub