1 Reception 2 Performers 3 See also 4 Notes 5 References 6 External links
Reception According to this persuasion, turbo folk and Serbian involvement in Bosnian and Croatian conflicts would become inextricably linked from then on. This left-wing section of Serbian and Croatian society explicitly viewed turbo folk as vulgar, almost pornographic kitsch, glorifying crime, moral corruption and nationalist xenophobia. In addition to making a connection between turbofolk and "war profiteering, crime & weapons cult, rule of force and violence", in her book Smrtonosni sjaj (Deadly Splendor) Belgrade media theorist Ivana Kronja refers to its look as "aggressive, sadistic and pornographically eroticised iconography". Along the same lines, British culture theorist Alexei Monroe calls the phenomenon "porno-nationalism". However, turbo-folk was equally popular amongst the South Slavic nations during the brutal wars of the 1990s, reflecting perhaps the common cultural sentiments of the warring sides.
Graffiti against Ceca turbofolk music in Imotski, Croatia: "Turn off all the 'Cecas'/Light up the candles/Vukovar will never/Be forgotten" (with every U character stylised same as in the Croatian Ustaše fascist movement)
Anto Đapić (former mayor of Osijek, and national leader of the far-right Croatian Party of Rights) has declared "as long as I am mayor, there will be no nightclub-singers [cajki] or turbofolk parades in a single municipal hall". The resilience of a turbo-folk culture and musical genre, often referred to as the "soundtrack to Serbia’s wars", was and to a certain extent still is, actively promoted and exploited by commercial TV stations, most notably on Pink and Palma TV-channels, which devote significant amount of their broadcasting schedule to turbo-folk shows and music videos. Others, however, feel that this neglects the specific social and political context that brought about turbo-folk, which was, they say, entirely different from the context of contemporary western popular culture. In their opinion, turbo-folk served as a dominant paradigm of the "militant nationalist" regime of Slobodan Milošević, "fully controlled by regime media managers". John Fiske feels that during that period, turbo-folk and its close counterpart Serbian pop-dance had a monopoly of officially permitted popular culture, while, according to him, in contrast, Western mass media culture of the time provided a variety of music genre, youth styles, and consequently ideological positions. Performers
Chalga Manele Arabesk music Disco polo Pop-folk Laïkó Eurodance Balkan ballad
^ An umbrella term covering Balkan; Serbian, Croatian, Slovenian,
Bulgarian, Albanian, Macedonian, Bosnian, Montenegrin, Romanian,
Greek, and Turkish music.
^ "In These Times 25/07 -- Serbia's New New Wave". Retrieved 23 April
^ A short biography of Ivana Kronja in Film Criticism:
^ a b "Komentari". Retrieved 23 April 2017.
^ "Central Europe Review - Balkan Hardcore". Retrieved 23 April
^ Catherine Baker, "The concept of turbofolk in Croatia:
inclusion/exclusion in the construction of national musical identity"
^ Gordana Andric (15 Jun 11). "
Collin, Matthew (2004) . This Is
Balkania Fanzine - Turbo-Folk and Balkan Music Video Culture Blog www.brigada.nl - CHALGA - TURBOFOLK musicvideos and mp3 Report about turbo-folk, ceca and politics Muzika u vestima dana
v t e
Music of Southeastern Europe (the Balkans)
Arabesque Chalga Čalgija Dionysiakos Laïko Manele Nisiotika Narodna muzika Rebetiko Sevdalinka Starogradska muzika Tallava Tsifteteli Turbo-folk
Balkan Brass Bosnian root Ganga music Balkan ballad
Albania Bosnia and Herzegovina Bulgaria Croatia Cyprus Greece Kosovo Macedonia Moldova Montenegro Romania Serbia Slovenia Turkey
Performers by country
Albania Bosnia and Herzegovina Bulgaria Croatia Greece Macedonia Moldova Montenegro Romania Serbia Slovenia Turkey
Daychovo horo Gaitanaki Halay Hasapiko Hora Ikariotikos Pidikhtos Khigga Kleistos Kochari Kolo Kalamatianos Syrtos Sirtaki Sousta Tamzara Tsamiko
Antikristos Antipatitis Čoček Karsilamas Oro (eagle dance) Zeibekiko Zeybek
Albania Bosnia Bulgaria Croatia Greece Macedonia Montenegro Romania Serbia Slovenia Turkey
Albanian folk musicians Greek folk musicians Turkish folk musicians
v t e
Ballads Carols Children's songs Contemporary folk Drinking song Hornpipe Jigs Morris dance Protest song Sea shanties War songs
Americana Anti-folk Celtic music Celtic rock Country folk Freak folk Filk music Folk jazz Folk metal Folk pop Folk punk Folk rock Folktronica Indie folk Industrial folk song Manila Sound Medieval folk rock Neofolk Nerd-folk Psychedelic folk Progressive folk Skiffle Turbo-folk
Festivals Folk clubs Folk dance Instruments Lists of traditions Pub session Record labels Roots revival Singer-songwriter Traditional music World music
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