Trio élégiaque No. 1 (Rachmaninoff)
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''Trio élégiaque'' No. 1 in
G minor G minor is a minor scale based on G, consisting of the pitches G, A, B, C, D, E, and F. Its key signature has two flats. Its relative major is B-flat major and its parallel major is G major. According to Paolo Pietropaolo, it is the cont ...
is a composition for piano, violin and cello by
Sergei Rachmaninoff Sergei Vasilyevich Rachmaninoff; in Russian pre-revolutionary script. (28 March 1943) was a Russian composer, virtuoso pianist, and conductor. Rachmaninoff is widely considered one of the finest pianists of his day and, as a composer, one o ...
.


History

The trio was written on January 18–21, 1892 in
Moscow Moscow ( , US chiefly ; rus, links=no, Москва, r=Moskva, p=mɐskˈva, a=Москва.ogg) is the capital and largest city of Russia. The city stands on the Moskva River in Central Russia, with a population estimated at 13.0 million ...
, when the composer was 18 years old. The work was first performed on January 30 of the same year with the composer at the piano, David Kreyn at the violin and
Anatoliy Brandukov Anatoly Andreyevich Brandukov (russian: Анато́лий Андре́евич Брандуко́в) ( – February 16, 1930) was a Russian cellist who premiered many cello pieces of prominent composers including Pyotr Tchaikovsky and Sergei Rac ...
at the cello. It waited until 1947 for the first edition to appear, and the trio has no designated
opus number In musicology, the opus number is the "work number" that is assigned to a musical composition, or to a set of compositions, to indicate the chronological order of the composer's production. Opus numbers are used to distinguish among compositio ...
. Rachmaninoff wrote a second Elegiac piano trio in 1893 after the death of
Tchaikovsky Pyotr Ilyich Tchaikovsky , group=n ( ; 7 May 1840 – 6 November 1893) was a Russian composer of the Romantic period. He was the first Russian composer whose music would make a lasting impression internationally. He wrote some of the most popu ...
.


Structure

This work is cast in only one movement, in contrast to most
piano trio A piano trio is a group of piano and two other instruments, usually a violin and a cello, or a piece of music written for such a group. It is one of the most common forms found in classical chamber music. The term can also refer to a group of musi ...
s, which have three or four. This movement is in the classical form of a
sonata Sonata (; Italian: , pl. ''sonate''; from Latin and Italian: ''sonare'' rchaic Italian; replaced in the modern language by ''suonare'' "to sound"), in music, literally means a piece ''played'' as opposed to a cantata (Latin and Italian ''cant ...
, but the exposition is built on twelve episodes that are symmetrically represented in the recapitulation. The
elegiac The adjective ''elegiac'' has two possible meanings. First, it can refer to something of, relating to, or involving, an elegy or something that expresses similar mournfulness or sorrow. Second, it can refer more specifically to poetry composed in ...
theme is presented in the first part ''Lento lugubre'' by the piano. In the following parts, the elegy is presented by the cello and violin, while the spirit is constantly evolving (''più vivo - con anima - appassionato - tempo rubato - risoluto)''. The theme is ultimately recast as a funeral march. Despite his youth, Rachmaninoff shows in the virtuoso piano part his ability to cover a wide spectrum of sound colors. This trio has a distinctive connection to Tchaikovsky's Trio in A minor, both in the unusual, expanded first movement, and in the funeral march as a conclusion. The suggestion often heard - that the first trio is an early elegy for Tchaikovsky - is doubtful: in 1892 the elder composer was in good health, and there was no premonition of the sudden illness that would kill him nearly two years later. Rather, the key to the connection with Tchaikovsky of this first trio is its repetitive opening theme, a four-note rising motif, that dominates the 15-minute work. Played backwards in the same rhythm it is exactly the opening descending motif of Tchaikovsky's first piano concerto (written 1874-75), and the allusion would have been apparent to listeners and teachers at the university, as would the closing funeral march imitative of Tchaikovsky's elegy to Nikolai Rubinstein. Rachmaninoff wrote this first trio while still a student and may well have intended it as an homage to his elder friend and mentor. The second trio, written two years later, was the true "elegiac" work mourning Tchaikovsky's death.


References


Citations


Sources

* * * *Robert Max. Piano Trios by Sergey Rachmaninoff & Pyotr Il'yich Tchaikovsky


External links

* {{DEFAULTSORT:Trio elegiaque No. 1 (Rachmaninoff) Chamber music by Sergei Rachmaninoff Rachmaninoff elegiaque 1 1892 compositions Compositions in G minor