"Too Hurt to Cry, Too Much in Love to Say Goodbye" is a 1963 song and single written and composed by Motown's main production team

Holland–Dozier–Holland Holland–Dozier–Holland was a songwriting and production team consisting of Lamont Dozier and brothers Brian and Eddie Holland. The trio wrote, arranged and produced many songs that helped define the Motown sound in the 1960s. During ...

.The Complete Motown Singles Vol. 3: 1963

iner notes Iner or INER may refer to: * Institute of Nuclear Energy Research, or INER * Iner Souster FemBots are a Canadian indie rock band from Toronto formed in 1998. FemBots are known for their unique sound of combining instrumental everyday items, junk ...

New York: Hip-O Select/Motown/Universal Records Credited to the Darnells, the performers on both sides of the single were in fact

the Andantes The Andantes were an American female session group for the Motown record label during the 1960s. Composed of Jackie Hicks, Marlene Barrow, and Louvain Demps, the group sang background vocals on numerous Motown recordings, including songs by Mar ...

(both sides),

(B-side only), Mary Wilson of the

Supremes The Supremes were an American girl group and a premier act of Motown Records during the 1960s. Founded as the Primettes in Detroit, Michigan, in 1959, the Supremes were the most commercially successful of Motown's acts and the most successful ...

(B-side), and members of

the Marvelettes The Marvelettes were an American girl group that achieved popularity in the early to mid-1960s. They consisted of schoolmates Gladys Horton, Katherine Anderson, Georgeanna Tillman, Juanita Cowart (now Cowart Motley), and Georgia Dobbins, who wa ...

(A-side only), the

Four Tops The Four Tops are an American vocal quartet from Detroit who helped to define the city's Motown sound of the 1960s. The group's repertoire has included soul music, R&B, disco, adult contemporary, doo-wop, jazz, and show tunes. Founded as the ...

, and

the Temptations The Temptations are an American vocal group from Detroit, Michigan, who released a series of successful singles and albums with Motown Records during the 1960s and 1970s. The group's work with producer Norman Whitfield, beginning with the Top ...

(both on the B-side). Nobody involved with the production on either side was pleased with the false credit. Whatever the reason it was done, it didn't work as the single only peaked at 17 on the ''

Billboard A billboard (also called a hoarding in the UK and many other parts of the world) is a large outdoor advertising structure (a billing board), typically found in high-traffic areas such as alongside busy roads. Billboards present large advertise ...

Bubbling Under Hot 100 Bubbling Under Hot 100 Singles (also known as Bubbling Under the Hot 100) is a chart published weekly by ''Billboard'' magazine in the United States. The chart lists the top songs that have not yet charted on the main ''Billboard'' Hot 100. Chart ...

charts. The song on the A-Side has the narrator the audience of the emotional pain she experiences after seeing her lover kissing and holding another girl across the room (and he didn't notice she was there). The A-Side is now officially considered both a Marvelettes single, and the first of two official singles by the Andantes by the Motown company. Marvelettes lead singer

Gladys Horton The Marvelettes were an American girl group that achieved popularity in the early to mid-1960s. They consisted of schoolmates Gladys Horton, Katherine Anderson, Georgeanna Tillman, Juanita Cowart (now Cowart Motley), and Georgia Dobbins, who wa ...

is the main lead on the song, with her groupmate

Wanda Young Wanda LaFaye Young (August 9, 1943 – December 15, 2021), also known as Wanda Rogers, was an American singer, known for being a member of the Motown all-female singing group the Marvelettes, and after 1965, the lead singer. Early life Youn ...

and Andantes member Louvain Demps on harmony co-lead. For the Marvelettes this recording would be similar to some of their later songs (as wells as songs by

the Supremes The Supremes were an American girl group and a premier act of Motown Records during the 1960s. Founded as the Primettes in Detroit, Michigan, in 1959, the Supremes were the most commercially successful of Motown's acts and the most successful ...

the Vandellas Martha and the Vandellas (known from 1967 to 1972 as Martha Reeves & The Vandellas) were an American vocal girl group formed in Detroit in 1957. The group achieved fame in the 1960s with Motown. An act founded by friends Annette Beard, Rosalind ...

, and

the Velvelettes The Velvelettes were an American singing girl group, signed to Motown in the 1960s. Their biggest chart success occurred in 1964, when Norman Whitfield produced "Needle in a Haystack", which peaked at number 45 on the ''Billboard'' Hot 100, an ...

), in which the only group members heard on the songs are the ones singing lead. In the Andantes' case Demps' harmony vocals on this song, and her group's backing chime-offs on

Mary Wells Mary Esther Wells (May 13, 1943 – July 26, 1992) was an American singer, who helped to define the emerging sound of Motown in the early 1960s. Along with The Supremes, The Miracles, The Temptations, Martha Reeves and the Vandellas, and the F ...

's "

My Guy "My Guy" is a 1964 hit single by Mary Wells for the Motown label. Written and produced by Smokey Robinson of The Miracles, the song is a woman's rejection of a sexual advance and affirmation of her fidelity to her boyfriend, who is her ideal an ...

" and

Marvin Gaye Marvin Pentz Gay Jr., who also spelled his surname as Gaye (April 2, 1939 – April 1, 1984), was an American singer and songwriter. He helped to shape the sound of Motown in the 1960s, first as an in-house session player and later as a solo ar ...

's "

Ain't That Peculiar "Ain't That Peculiar" is a 1965 song recorded by American soul musician Marvin Gaye for the Tamla (Motown) label. Background The single was produced by Smokey Robinson, and written by Robinson, and fellow Miracles members Bobby Rogers, Pete Moo ...

" and solo speaking lines on

Barbara McNair Barbara Jean McNair (March 4, 1934 – February 4, 2007) was an American singer and theater, television, and film actress. McNair's career spanned over five decades in television, film, and stage. McNair's professional career began in music dur ...

's "Fancy Passes", would be the closest any member of the group would get to front any recording at Motown; as they would not be allowed to even sing main lead on neither side on this single, nor their follow-up " (Like A) Nightmare" b/w "If You Were Mine". The song was an attempt to emulate the

Wall of Sound The Wall of Sound (also called the Spector Sound) is a music production formula developed by American record producer Phil Spector at Gold Star Studios, in the 1960s, with assistance from engineer Larry Levine and the conglomerate of session m ...

production methods of

Phil Spector Harvey Phillip Spector (born Harvey Philip Spector; December 26, 1939January 16, 2021) was an American record producer and songwriter, best known for his innovative recording practices and entrepreneurship in the 1960s, followed decades later by ...

. The Supremes would later record their own version in 1965, intended for their album '' More Hits by The Supremes'', but it wouldn't be released until 1987, when it was placed on their compilation album, '' The Never-Before-Released Masters''.

Personnel

Marvelettes/Andantes version

*Lead vocals by

and Louvain Demps *Background vocals by

The Andantes The Andantes were an American female session group for the Motown record label during the 1960s. Composed of Jackie Hicks, Marlene Barrow, and Louvain Demps, the group sang background vocals on numerous Motown recordings, including songs by Mar ...

: Jackie Hicks, Marlene Barrow, and Louvain Demps *Instrumentation by

The Funk Brothers The Funk Brothers were a group of Detroit-based session musicians who performed the backing to most Motown recordings from 1959 until the company moved to Los Angeles in 1972. Its members are considered among the most successful groups of stud ...

Supremes version

*Lead vocals by Diana Ross *Background vocals by

Florence Ballard Florence Glenda Chapman (''née'' Ballard; June 30, 1943 – February 22, 1976) was an American singer and a founding member of the Motown vocal female group the Supremes. She sang on 16 top 40 singles with the group, including ten number-o ...

and Mary Wilson *Instrumentation by

"Come On Home"

The

B-side The A-side and B-side are the two sides of phonograph records and cassettes; these terms have often been printed on the labels of two-sided music recordings. The A-side usually features a recording that its artist, producer, or record compan ...

to "Too Hurt to Cry, Too Much in Love to Say Goodbye" was "Come On Home", written and composed by Motown's main production team

with

Eddie Holland Edward Holland Jr. (born October 30, 1939) is an American singer, songwriter, and record producer. Holland was born in Detroit, Michigan, United States. Although he was an early Motown artist who recorded minor hit singles such as "Jamie", ...

's predecessor

Janie Bradford Janie Bradford (born June 2, 1939 in Charleston, Missouri, United States) is an American songwriter, most known for her tenure with Motown. With Berry Gordy, she co-wrote "Money (That's What I Want)", originally recorded by Barrett Strong, and t ...

. It was originally credited to Holland–Dozier (

Brian Holland Brian Holland (born February 15, 1941) is an American songwriter and record producer, best known as a member of Holland–Dozier–Holland, the songwriting and production team that was responsible for much of the Motown sound, and numerous hit ...

Lamont Dozier Lamont Herbert Dozier (; June 16, 1941 – August 8, 2022) was an American singer, songwriter, and record producer from Detroit, Michigan. He co-wrote and produced 14 US ''Billboard'' number-one hits and four number ones in the UK. Career Doz ...

) and was previously the B-Side to their single "What Goes Up Must Come Down". (It was later credited as by the Darnells as well.) Now officially a Holland–Dozier/Andantes single, two versions of the song were released. First was a version with just instrumentation by the

Funk Brothers The Funk Brothers were a group of Detroit-based session musicians who performed the backing to most Motown recordings from 1959 until the company moved to Los Angeles in 1972. Its members are considered among the most successful groups of stud ...

, the second version was led by Dozier and featured the Holland brothers, the Andantes, Supremes member Mary Wilson, and various members of the Four Tops and the Temptations all singing backing vocals. It is unclear if both the instrumental version and the vocal version were released on different copies of the first single, but the vocal version was the only one releasesd on the second one.

Personnel

*Lead vocals by

*Background vocals by

, Mary Wilson,

, The

and

The Temptations The Temptations are an American vocal group from Detroit, Michigan, who released a series of successful singles and albums with Motown Records during the 1960s and 1970s. The group's work with producer Norman Whitfield, beginning with the Top ...

*Instrumentation by

References

External links

"Too Hurt to Cry, Too Much in Love to Say Goodbye" -by ''The Darnells'' (1963) - Song Review from the "Motown Junkies" website
{{The Marvelettes 1963 singles The Marvelettes songs The Andantes songs The Supremes songs Songs written by Holland–Dozier–Holland Gordy Records singles 1963 songs Song recordings produced by Lamont Dozier Song recordings produced by Brian Holland Song recordings with Wall of Sound arrangements