Thunder Among the Leaves
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''Thunder Among the Leaves'' ( es, El trueno entre las hojas) is a 1958 Argentine drama film directed by
Armando Bó Armando Bó (3 May 19148 October 1981) was an Argentine film actor, director, producer, screenwriter and score composer of the classic era. He is mostly known for his drama and sexploitation films of the 1960s and 1970s starring his favorit ...
, starring himself,
Isabel Sarli Hilda Isabel Gorrindo Sarli (; 9 July 193525 June 2019), nicknamed Coca, was an Argentine actress and glamour model who was known for starring in several sexploitation films by Armando Bó, especially in the 1960s and 1970s. She began her caree ...
, Ernesto Báez and Andrés Laszlo. The screenplay by Paraguayan writer Augusto Roa Bastos was based on his short story . Set in Paraguay, the story is about a strike at a sawmill. The first film to feature full frontal nudity in
Latin American cinema Latin American cinema refers collectively to the film output and film industries of Latin America. Latin American film is both rich and diverse, but the main centers of production have been Argentina, Brazil and Mexico. Latin American cinema flou ...
, ''Thunder Among the Leaves'' scandalized audiences and became a major box office success on the continent. It rocketed Sarli to stardom and is now considered a
cult classic A cult following refers to a group of fans who are highly dedicated to some person, idea, object, movement, or work, often an artist, in particular a performing artist, or an artwork in some medium. The lattermost is often called a cult classic. ...
.


Synopsis

The arrival of the boss's young wife unearths laborer tensions accumulated after many years of deprivation and maltreatment. The story is a social drama about the exploitation of man.


Cast

*
Armando Bó Armando Bó (3 May 19148 October 1981) was an Argentine film actor, director, producer, screenwriter and score composer of the classic era. He is mostly known for his drama and sexploitation films of the 1960s and 1970s starring his favorit ...
as Julio Guillén *
Isabel Sarli Hilda Isabel Gorrindo Sarli (; 9 July 193525 June 2019), nicknamed Coca, was an Argentine actress and glamour model who was known for starring in several sexploitation films by Armando Bó, especially in the 1960s and 1970s. She began her caree ...
as Flavia Forkel *Andrés Laszlo as Max Forkel *Ernesto Báez as Capanga *Félix Ribero *Luis Leguisamón *Eladio Martínez *Leandro S. Cacavelos *Roque Centurión Miranda *Aníbal Romero *Matías Ferreira Díaz *Javier Franco *Alejo Vargas *Nieves Esquivel *Tabú *Adolfo Cuellar *Luis Guastalla *Kika Da Silva *Manuel E. B. Argüello *Guillermo Ketterer *Rafael Rojas Doria *Amador García *César Alvarez Blanco


Production

Sarli's inclusion in the film was inspired by
Brigitte Bardot Brigitte Anne-Marie Bardot ( ; ; born 28 September 1934), often referred to by her initials B.B., is a former French actress, singer and model. Famous for portraying sexually emancipated characters with hedonistic lifestyles, she was one of the ...
's role in '' And God Created Woman''. ''Thunder Among the Leaves'' was filmed with the same camera used in Leopoldo Torres Ríos' ''Pelota de trapo'' in 1948 and
Leopoldo Torre Nilsson Leopoldo Torre Nilsson (5 May 1924 – 8 September 1978), also known as Leo Towers and as Babsy, was an Argentine film director, producer and screenwriter. Born as Leopoldo Torres Nilsson (he later changed his paternal surname from Torres to ...
's ''
Días de odio ''Días de odio'', literally translated as Days of Hate, is a 1954 Argentine film. It is based on the short story ''Emma Zunz'' by Jorge Luis Borges. ''Días de odio '' was directed by Leopoldo Torre Nilsson and filmed in black and white. The sc ...
'' in 1954. During
principal photography Principal photography is the phase of producing a film or television show in which the bulk of shooting takes place, as distinct from the phases of pre-production and post-production. Personnel Besides the main film personnel, such as a ...
, Bó convinced Sarli to get naked in a scene in which she bathed in a lake though he had told her earlier that she would wear a flesh-colored bodystocking. Although Bó told Sarli they would shoot from afar, the camera lens had magnification.


Reception

Critic Gustavo J. Castagna felt that the aesthetic of ''Thunder Among the Leaves'' was reminiscent of the
social commentary Social commentary is the act of using rhetorical means to provide commentary on social, cultural, political, or economic issues in a society. This is often done with the idea of implementing or promoting change by informing the general populace ab ...
films by
Hugo del Carril Pierre Bruno Hugo Fontana, otherwise known as Hugo del Carril (30 November 1912 – 13 August 1989 in Buenos Aires), was an Argentine film actor, film director and tango singer of the classic era. Early life Born in Buenos Aires, del Carril ...
and
Mario Soffici Mario Soffici (14 May 1900 – 10 May 1977) was an Argentine film director, actor and screenwriter of the classic era. Biography A native of Florence, Soffici moved to Argentina in the 1920s and began acting in 1931 and directing in 1935 on the ...
. Critic Sergio Wolf described Bó's films during this time as serial and each followed the generic pattern described by
Arnold Hauser *Arnold Hauser (art historian) Arnold Hauser (8 May 1892 in Timișoara – 28 January 1978 in Budapest) was a Hungarian-German art historian and sociologist who was perhaps the leading Marxist in the field. He wrote on the influence of change in ...
: the exaggerated and sharp, the harsh and exotic. Wolf said that ''Thunder Among the Leaves'' exhibits this pattern when Julio, who has nothing to lose, lets his passion boil over and rapes Flavia. The film was a highly controversial box-office success. Argentine newspaper ''
La Nación ''La Nación'' () is an Argentine daily newspaper. As the country's leading conservative newspaper, ''La Nación''s main competitor is the more liberal '' Clarín''. It is regarded as a newspaper of record for Argentina. Its motto is: "''La Na ...
'' wrote in 1969 that the film left an extraordinary international mark and was one of Argentina's biggest blockbusters over recent years. In November 1958, ''
The News and Courier ''The Post and Courier'' is the main daily newspaper in Charleston, South Carolina. It traces its ancestry to three newspapers, the ''Charleston Courier'', founded in 1803, the ''Charleston Daily News'', founded 1865, and ''The Evening Post'', f ...
'' reported that "a saucy Latin lass has smashed South American box office records with the most daring dunking since Hedy Lamarr disrobed to fame in ''Ecstasy''." The movie's premiere in Montevideo, Uruguay, broke box office records, and Sarli's bath scene "rocked some Latin American capitals". In April 1959 Brian Bell of the ''
Pittsburgh Post-Gazette The ''Pittsburgh Post-Gazette'', also known simply as the PG, is the largest newspaper serving metropolitan Pittsburgh, Pennsylvania. Descended from the ''Pittsburgh Gazette'', established in 1786 as the first newspaper published west of the Alle ...
'' wrote, "There was nothing particularly exciting about the movie except Miss Sarli, in a birthday suit swimming scene. It was a box office smash in South America." However, Sarli was panned by fellow filmmakers for the nude scene.


Cultural impact

The film featured Isabel Sarli in her first starring role and made her a sex symbol. It also marked the beginning of her partnership with Armando Bó. The partnership spanned almost three decades and made numerous sexploitation films. Now considered a classic, the bath scene was the first one to feature full frontal nudity in
Argentine cinema Cinema of Argentina refers to the film industry based in Argentina. The Argentine cinema comprises the art of film and creative movies made within the nation of Argentina or by Argentine filmmakers abroad. The Argentine film industry has histor ...
, and in all of
Latin America Latin America or * french: Amérique Latine, link=no * ht, Amerik Latin, link=no * pt, América Latina, link=no, name=a, sometimes referred to as LatAm is a large cultural region in the Americas where Romance languages — languages derived f ...
. ''The News and Courier'' wrote "the opening in Buenos Aires was hailed as the start of a new era for Argentina's movie industry" after the end of Juan Perón's service as president and his propaganda techniques. ''Thunder Among the Leaves'' was the star vehicle for Sarli and made her and Bó internationally renowned. The nude scene, particularly, is said to have " parkedher star phenomena". The scandal caused by it attracted the international press and Sarli soon appeared in publications such as ''
Time Time is the continued sequence of existence and events that occurs in an apparently irreversible succession from the past, through the present, into the future. It is a component quantity of various measurements used to sequence events, ...
'' and ''
Life Life is a quality that distinguishes matter that has biological processes, such as Cell signaling, signaling and self-sustaining processes, from that which does not, and is defined by the capacity for Cell growth, growth, reaction to Stimu ...
''. The film made her popular and at the premiere of her second film with Bó, ''Sabaleros'' (1959), a crowd of young fans mobbed her as she got to the cinema, ripped her dress and broke through a police cordon, which caused Sarli to faint twice. The '' Star-Banner'' reported "Buenos Aires moviegoers could not remember a more surprising and delirious reception for an Argentine movie actress."


See also

* 1958 in film *
List of Argentine films of 1958 A list of films produced in Argentina in 1958: 1958 film images External links and references Argentine films of 1958at the Internet Movie Database {{DEFAULTSORT:Argentine films of 1958 1958 Events January * January ...
*
Nudity in film In film, nudity may be either graphic or suggestive, such as when a person appears to be naked but is covered by a sheet. Since the birth of film, depictions of any form of sexuality have been controversial, and in the case of most nude scene ...


References


External links

* * {{DEFAULTSORT:Trueno Entre Las Hojas (Film) 1958 films Argentine drama films Argentine black-and-white films Films about rape Films directed by Armando Bó Films shot in Paraguay Nudity and protest 1950s Spanish-language films Guaraní-language films