The Lower Depths (1936 film)
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''The Lower Depths'' (french: Les Bas-fonds) is a 1936 French
drama Drama is the specific mode of fiction represented in performance: a play, opera, mime, ballet, etc., performed in a theatre, or on radio or television.Elam (1980, 98). Considered as a genre of poetry in general, the dramatic mode has b ...
film directed by Jean Renoir, based on the 1902 play of the same title by
Maxim Gorky Alexei Maximovich Peshkov (russian: link=no, Алексе́й Макси́мович Пешко́в;  – 18 June 1936), popularly known as Maxim Gorky (russian: Макси́м Го́рький, link=no), was a Russian writer and social ...
. Its scenes contrast the life of the upper and lower classes to comedic effect. The film is an example of the
poetic realism Poetic realism was a film movement in France of the 1930s. More a tendency than a movement, poetic realism is not strongly unified like Soviet montage or French Impressionism but were individuals who created this lyrical style. Its leading filmm ...
. It received the first
Louis Delluc Prize The Louis Delluc Prize (french: Prix Louis-Delluc ) is a French film award presented annually since 1937. The award is bestowed to the Best Film and Best First Film of the year on the second week of each December. The jury is composed of 20 members, ...
in 1937. The National Board of Review in the United States considered it a Top Ten Foreign Film for 1937.


Plot

A wealthy baron (Jouvet) becomes bankrupt through gambling. Contemplating suicide, he finds his gun missing and confronts the thief Pépel (Gabin) who plans to rob him. Instead they share "a drink between colleagues" in a scene played as light comedy and become friends. The baron allows Pépel to leave with a bronze sculpture. Creditors seize the baron's household furnishings. The Baron tells his servant Félix that he hopes all that Félix has stolen from him will cover his unpaid wages, to which Félix agrees. Pépel is arrested for stealing the bronze. Pépel jokes with the police until the baron arrives to identify him as a "dear friend". The story shifts to life in the slums, where men argue at cards. They mock a woman who reads romantic tales, and many individuals have brief character portraits. The baron arrives to become a lodger in the slums and Pépel sets him up with a bed. The baron joins the card game. The police inspector meets with the
slum landlord A slumlord (or slum landlord) is a slang term for a landlord, generally an absentee landlord with more than one property, who attempts to maximize profit by minimizing spending on property maintenance, often in deteriorating neighborhoods, and t ...
Kostylev and eyes his wife's sister Natasha. Pépel speaks with Vassilissa, regretting he never loved her but remembering their good times. She wants him to kill her husband, the landlord, who is old and mean. A scene of mourning for a woman who has died follows, with fatalistic comments from the neighbors. Pépel tells Natasha she should leave with him, but she says she'll leave for a man with a job, not a thief like him. Vassilissa finds them speaking and is jealous. The woman who reads romances recounts them to the baron and Natasha as if they were her own adventures. The police inspector tells the landlord an inspection has been ordered. Trying to devise a way to bribe him, the landlord and his wife suggest her sister Natasha. Vassilissa persuades Natasha to serve the inspector tea, though Natasha has declared he disgusts her. The inspector invites Natasha on a date and she cries, but he promises her a better life. Pépel and the baron discuss life along the river bank. Pépel believes only leaving with Natasha could save him from going to prison one day like his father before him. The inspector and Natasha dine alone indoors while other couples dine outdoors as a band plays. She resists his advances. Those partying outside include Pépel, pursued by Vassilissa. She tells him Natasha is not the innocent dreamer he imagines. Pépel find Natasha drunkenly enjoying the inspector's company. The men fight and Pépel leads Natasha away as the inspector cries for help. Pépel and Natasha confess their love. Kostylev and Vassilissa insist Natasha make up with the inspector. They beat her and the whole neighborhood listens. Pépel intervenes and soon all the lodgers join him in attacking their hated landlord. The fight ends with Kostylev dead, though no one appears responsible. Vassilissa denounces Pépel to the police as a murderer. The baron tells them it was a brawl and everyone is guilty. Others say how they participated and that "the lower depths killed him". The police find Pépel comforting Natasha and lead him away. In an epilogue, Vassilissa leaves the slum, Natasha brings Pépel home from prison, and the slum's strangest resident, a combination madman and drunkard called "the actor", commits suicide. Natasha and Pépel take to the road with just a few possessions.


Cast

*
Jean Gabin Jean Gabin (; 17 May 190415 November 1976) was a French actor and singer. Considered a key figure in French cinema, he starred in several classic films including ''Pépé le Moko'' (1937), '' La grande illusion'' (1937), ''Le Quai des brumes'' ...
as Wasska Pépel * Suzy Prim as Vassilissa Kostyleva * Louis Jouvet as The Baron * Jany Holt as Nastia *
Vladimir Sokoloff Vladimir Aleksandrovich Sokoloff (russian: Влади́мир Алекса́ндрович Соколо́в; December 26, 1889 – February 15, 1962) was a Russian-American character actor of stage and screen. After studying theatre in Moscow, ...
as Kostylev * Robert Le Vigan as The Alcoholic Actor *
Camille Bert Camille Bert (1880–1970) was a French actor. Born Camille Léon Louis Bertrand in Orléans, he died in Paris in 1970. Selected filmography * ''Le secret de Rosette Lambert'' (1920) * ''The Thruster'' (1924) * '' The Lady of Lebanon'' (1926) * ' ...
as The Count *
René Génin René Génin (25 January 1890 – 24 October 1967) was a French stage and film actor. He appeared in more than 130 films between 1931 and 1965. Selected filmography * ''The Brighton Twins'' (1936) * ''27 Rue de la Paix'' (1936) * '' Nights ...
as Louka * Paul Temps as Satine * Robert Ozanne as Jabot de Travers * Henri Saint-Isle as Kletsch *
Junie Astor Rolande Jeanne Risterucci (1911–1967), better known as Junie Astor, was a French actress. Selected filmography * ''Stradivarius'' (1935) * ''The Lower Depths'' (1936) * ''Women's Club'' (1936) * ''Excursion Train'' (1936) * ''27 Rue de la Paix ...
as Natascha * Maurice Baquet as Alouchka


Reception

Writing for '' Night and Day'' in 1937,
Graham Greene Henry Graham Greene (2 October 1904 – 3 April 1991) was an English writer and journalist regarded by many as one of the leading English novelists of the 20th century. Combining literary acclaim with widespread popularity, Greene acquir ...
gave the film a mild mixed review. Describing the film as "a slow agreeable undistinguished picture", Green finds the production "oddly stagy and unconvincing" in its depiction of poverty. (reprinted in: )


See also

*
The Lower Depths (1957 film) is a 1957 Japanese film directed by Akira Kurosawa, the screenplay by Hideo Oguni and Akira Kurosawa was based on the 1902 play ''The Lower Depths'' by Maxim Gorky. The setting was changed for the film from late 19th-century Russia to Edo perio ...
* Cinema of France *
List of French language films The following is a list of French-language films, films mostly spoken in the French language. 1900s 1910s 1920s 1930s 1940s 1950s 1960s 1970s 1980s 1990s 2000s 2010s 2020s See also * List of French films * List of Quebe ...


References


External links

*
''Jean Renoir’s The Lower Depths''
an essay by Alexander Sesonske at the Criterion Collection {{DEFAULTSORT:Lower Depths, The 1936 films 1936 drama films French drama films 1930s French-language films French black-and-white films French films based on plays Louis Delluc Prize winners Films based on works by Maxim Gorky Films directed by Jean Renoir 1930s French films