History
Formation and early days (1981–1982)
The Long Ryders' roots can be traced back to 1960s garage rock revivalist the Unclaimed, who formed in Los Angeles in 1979. After one Extended play, EP, Kentucky-born guitarist and vocalist Sid Griffin and Kansas-born bassist Barry Shank left the Unclaimed in November 1981 with intentions to form a new band. Griffin: "I had this idea of what would happen if the top of the band, the guitars and the vocals were very West Coast of the United States, West Coast [1960s], punchy and beautiful, but the bass and drums were as aggressive as a punk rock, punk band. Early rehearsals included Unclaimed drummer Matt Roberts and future The Dream Syndicate, Dream Syndicate guitarist Steve Wynn (musician), Steve Wynn. Drummer Greg Sowders, a native of Los Angeles, had met Griffin through a mutual friend and joined the band in February 1982 after an informal audition. The band rehearsed shortly as a trio before guitarist and vocalist Stephen McCarthy completed the lineup after answering a musicians wanted ad in March. Originally from Virginia, McCarthy had recently moved to Los Angeles and was looking for something "a bit rockier" after playing in Country music, country and western bands in New York City and Nashville, Tennessee, Nashville. They soon settled on the name the Long Ryders, named after the Walter Hill film ''the Long Riders''. The band wrote a letter to actor Stacy Keach, who had starred in and produced the film, asking for his approval to use the name. Keach was "honored" but had suggested a different spelling for legal reasons. The band then decided on the "y" spelling as an homage to the Byrds. The Long Ryders were initially linked with the neo-psychedelia of Los Angeles' Paisley Underground scene, but McCarthy's arrival soon brought a country element to the band. Griffin: "His Clarence White-style country guitar-playing gave us a direction that nobody else had." Shank left the band in August 1982 to go back to college and was replaced by British Expatriate, expat Des Brewer. Later in the year, the new lineup entered producer Ethan James (producer), Ethan James' Radio Tokyo Studio in Venice, California to record a three-track demo. Two of the tracks, "Still Get By" and "And She Rides", later appeared on the various artists compilation albums ''The Radio Tokyo Tapes'' and ''The Rebel Kind – A Collection of Contemporary Garage and Psychedelic Bands'' in 1983.''10-5-60'' and ''Native Sons'' (1983–1984)
In September 1983, Passport Records, PVC Records issued the band's self-funded ''10-5-60'' EP, which was produced by former Sparks (band), Sparks guitarist Earle Mankey at his home studio in California. Griffin was working for PVC's parent label Jem Records, an import and distribution label, who agreed to take on distribution. Griffin: "I got us on the in-house label, and they did it as a favour. ... it did really well, and they couldn't believe it". The EP showed a strong 1960s influence, from garage rock and Psychedelic music, psychedelia to The Byrds, Byrdsian folk rock, folk and country rock. It was well received by critics, prompting the band to tour the US. Brewer, who was not committed to touring, left after the EP's release and was replaced by Don McCall, who only lasted 3 months before he was asked to leave. "His playing and my drumming never quite clicked," Sowders explained. Tom Stevens from Indiana became the band's new bassist in January 1984, after recommendations from mutual friends. "I didn’t even have to formally audition," Stevens said. "The Long Ryders had gigs coming up in the San Francisco area and needed someone quickly." In the spring of 1984, the Long Ryders signed with Los Angeles-based independent record label Frontier Records and recorded their first full length album, ''Native Sons (The Long Ryders album), Native Sons'', at A&M Studios in Los Angeles in early summer. They chose veteran producer Henry Lewy (Joni Mitchell, the Flying Burrito Brothers) to co-produce the album. Musically, the band had toned down the psychedelia, emphasizing country and rock and roll. The album featured former Byrd Gene Clark adding vocals to the song "Ivory Tower". "Gene was someone we all really admired," Sowders said. "He was around in LA, and we all knew him but it was his manager Saul Davis who arranged his participation at the session." Released in October 1984, ''Native Sons'' became the number 4 album on the Campus radio, college radio and Independent music, Indie charts in the US and received positive critical reviews. The band's take on American musical traditions was especially a success with critics in the UK, where the ''Melody Maker'' called it "a modern American classic". Upon release in the UK in March 1985, it was distributed by Demon Music Group, Zippo Records, who also released "I Had a Dream" as a UK-only single. The album and the single reached number 1 and 4 on the UK Indie Chart, respectively.''State of Our Union'' (1985–1986)
Following the success of ''Native Sons'', the Long Ryders decided to reissue the ''10-5-60'' EP as a full-length album, retitled ''5 by 5'' with five new studio tracks. The band entered A&M Studios in February 1985 with engineer and co-producer Paul McKenna and recorded at least six tracks: "Time Keeps Travelling", "The Trip", "Sandwich Man", "As God Is My Witness", Flamin' Groovies, the Flamin' Groovies' "Shake Some Action, I Can’t Hide", and Bob Dylan's "Masters of War". The planned album, however, was abandoned when the band would sign a new record deal and prepare to record their next proper album later in the year. Most of the tracks were later included as bonus tracks on future compilation albums and on reissues of ''Native Sons'' and ''10-5-60''. "I Can’t Hide" was released as a flexi disc in 1986 under the moniker the Spinning Wighats and given away free with ''the Bob'' magazine. After touring the US for much of 1984, the Long Ryders embarked on their first international tour to Europe in March and April 1985. "Upon our arrival in the UK," Stevens said, "we were greeted with sold out shows, amazing crowd receptions, the cover of ''NME'', and literally twelve record companies at our London hotel door after our second London show." Island Records UK signed the band in late spring and the band returned to the US to write and demo new songs. Released in September 1985, their first Record label#Major labels, major label album, ''State of Our Union'', was recorded in England at Chipping Norton Recording Studios, Chipping Norton Studios and produced by Will Birch, formerly of British bands the Kursaal Flyers and the Records. The album was a success at college and Modern rock, alternative radio stations in the US, but its more prominent rock sound didn't please UK critics as much as ''Native Sons''. ''State of Our Union'' reached number 66 on the UK Albums Chart as well as number 2 on the UK Country Chart. The single "Looking for Lewis and Clark" peaked at number 59 on the UK Singles Chart but was never released commercially in the US. The album sold well in the UK, where "Looking for Lewis and Clark" gained the band much wider exposure. ''State of Our Union'' quickly became the band's biggest selling album, and the band was soon more popular in Europe than in the US, where they failed to break out of the college radio market. In spring 1986, the Long Ryders were widely criticized for doing a TV commercial in the US for Miller Brewing Company, Miller Beer. Fans, critics and certain areas of the music community were outraged and accused the band of selling out. "The Long Ryders doing the Miller Beer ad killed us in the USA. It killed us stone dead. We went from hot to cold in about three weeks," Griffin said. "The Blasters, Los Lobos and X (American band), X all did beer commercials too, but only us and the Del Fuegos got ripped for it." The band was not getting much airplay on regular commercial radio stations in the US and hoped that a beer commercial would provide them a much-needed exposure. Also, the band was not making any money touring. "To this day the only money the Long Ryders has ever seen is from that beer commercial," Griffin said in 2016. The band, however, continued to tour, building on their success in Europe. In Spain, they headlined in front of 100,000 people at a Barcelona festival in September 1986 which was broadcast live on national radio. Griffin: "Probably the highest of the high points. Graham Parker, Graham Parker and the Shot, Wilson Pickett – they were both opening for us that day. I nearly fainted."''Two-Fisted Tales'' and break-up (1987)
The Long Ryders had ended 1986 by recording their second Island album, ''Two-Fisted Tales (album), Two-Fisted Tales'', in November and December at A&M and Eldorado Studios in Hollywood with producer Ed Stasium (the Ramones, Soul Asylum, the Smithereens, Living Colour). It was mixed in February 1987 at Compass Point Studios in Nassau, Bahamas and features guest appearances by David Hidalgo of Los Lobos and Debbi Peterson, Debbi and Vicki Peterson of the Bangles. On the album, the Long Ryders moved further away from their country rock origins towards a more college rock direction, but were still rooted in traditional Americana (music), Americana music. The finished album was delivered to Island in March, but the release was delayed for two months. "Tom Waits was selling better than Island expected, U2 were still shifting units, and so we were told to wait", Griffin said. In the two years since the Long Ryders signed with Island, several key employees had left the label's Artists and repertoire, A&R department, and the new team showed little interest in the band and the release of ''Two-Fisted Tales''. In the meantime, the band were offered to open for U2 on the North American leg of their The Joshua Tree Tour, Joshua Tree tour in April and May. But since ''Two-Fisted Tales'' was delayed, the Long Ryders declined, hoping to join the U2 tour later on. Griffin: "We never did get to open for U2 at all, not even once. So this was a major opportunity blown, no question about it, and a fairly big regret of mine." The album was finally released in June and despite its first single, a cover of NRBQ’s "At Yankee Stadium, I Want You Bad", getting radio airplay, neither single nor album charted. The lack of commercial success and label support as well as a relentless touring schedule began to take its toll on the band. After a European tour, Stevens left the band to be replaced by the band's guitar tech, Larry Chatman, for a US tour that followed immediately. Griffin: "He went on the road with us and learned while driving across the country and in motel rooms at night. We never had a formal rehearsal." In 2013, Stevens explained his reasons for leaving: "The spring 1987 tour of Europe was a nightmare. Despite a major label "deal," we were broke, and I found myself having to find another source of income so that my growing family could eat and have a roof over their heads. In June 1987, when the other Long Ryders insisted upon doing a U.S. tour that was expected to lose five figures, I announced that I was leaving the band." In August, McCarthy announced to the band that he would be leaving at the end of the US tour. "It was a dead end," he said in 1988. "I don’t regret a day I played in the Long Ryders, but it was futile. I quit before it got to the point of beating each other on stage." Even though Island offered Griffin and Sowders the opportunity to record a third album for the label, they decided not to continue as the Long Ryders without McCarthy. The band did not officially break up until late 1987. "Our signing with Island in 1985 worked well for the first few months," Stevens said in 2009. "Then our A&R guy got the axe at year's end [and] the new UK regime hated us. Island U.S. was also fairly useless. ... we never seemed to be a big concern for any of them. Between that and the slow shift that started in 1986 to Glam metal, hair metal, the terrain got so creepy and hard to navigate that it put a strain on us as a band, from which we could not recover."Post break-up
In 1989, the Long Ryders fan club released the authorized C90 audio cassette compilation album, compilation ''Metallic B.O.'', which contained previously unreleased live recordings and Outtake#Music, studio outtakes. The tape was subsequently edited down for CD reissue by Overground Records in 1990. Two live albums and two compilation albums were released in the 1990s and 2000s. ''BBC Radio One Live in Concert (The Long Ryders album), BBC Radio One Live in Concert'' (1994) and ''Three Minute Warnings: the Long Ryders Live in New York City'' (2003) contain live recordings from 1985 and 1987, while ''Looking for Lewis and Clark: the Long Ryders Anthology'' (1998) and ''The Best of the Long Ryders'' (2004) collect tracks spanning the band's career from 1983 to 1987, including B-sides, demos and live recordings. Griffin, who relocated to London, kept busy as a solo artist and bandleader (the Coal Porters, Western Electric), and as a music journalist and author. Since 1994, he has run his own label, the London-based Prima Records. The label is primarily, but not exclusively, an outlet for Griffin's solo projects, and releases by the Long Ryders and the Coal Porters. He wrote several books, including ''Gram Parsons: A Music Biography'' (1985), ''Million Dollar Bash: Bob Dylan, The Band & the Basement Tapes'' (2007) and ''Shelter from the Storm: Bob Dylan's Rolling Thunder Years'' (2010). The second volume was reissued in 2014 to coincide with the release of ''The Bootleg Series Vol. 11: The Basement Tapes Complete'', a six-CD collection to which Griffin contributed liner notes. McCarthy, after a stint leading his own band, Walker Stories, and appearing on the 1990 multi-artist album ''True Voices'' in a duet with Carla Olson on the Tom Jans song "Loving Arms," returned home to Richmond, Virginia; he played in the indie supergroup Gutterball with Steve Wynn (songwriter), Steve Wynn and fellow Richmondites Bryan Harvey and Johnny Hott of House of Freaks, and in 2001 began playing with Jayhawks (band), the Jayhawks. Stevens returned to his native Indiana, earned a degree in computer science and released solo albums. Additionally, Sowders, who was briefly married to singer Lucinda Williams, went to work in Music publisher (popular music), music publishing. Brewer continued to play the Los Angeles circuit, first accompanying various female singer-songwriters, and then moving on to the old-school country band, the Misbegotten Cowboys. Original bassist Shank holds a PhD in American studies and is a professor at Ohio State University. He is the author of several books, including ''Dissonant Identities: The Rock 'n' Roll Scene in Austin, Texas'' (1994), ''A Token of My Affection: Greeting Cards and American Business Culture'' (2004), and ''The Political Force of Musical Beauty'' (2014).Reunion (2004–2018)
In 2003, a European booking agent approached the band about putting together a Long Ryders reunion for shows in the UK, Spain and the Netherlands in the summer of 2004, including a performance at the Glastonbury Festival. "I never thought the Long Ryders would play together again.", Griffin said in 2004. "I'd had offers before to tour as 'Sid Griffin and the Long Ryders', a kind of karaoke version of the Long Ryders playing Long Ryders songs ... But this offer was to get all the originals together, so I passed it along. ... I thought if we don’t do it now we [are] never going to do it." A live album entitled ''State of Our Reunion'' resulted from the reunion tour. The band played their first live dates in the US in more than 20 years when they played two shows at the EARL in Atlanta, Georgia in January 2009. "Just some crazy guy with money," Griffin said. In January 2014, the Long Ryders played their first show in Los Angeles in 27 years at the one-off Earle Mankey Appreciation Night concert at the Troubadour (West Hollywood, California), Troubadour. A five date Spanish tour followed in December. In January 2016, Cherry Red Records released a Long Ryders box set, ''Final Wild Songs'', composed of all the material from their three full-length albums, their one EP, various demos and rarities, and a previously unavailable 15-song performance from a Benelux radio appearance in March 1985. ''Mojo (magazine), Mojo'' magazine, in its February 2016 issue, gave the collection a lead review, saying, "They unwittingly invented Americana, but seldom receive credit for it. This 4-CD box set puts the record straight." The band subsequently played 12 dates on the Continental Europe, Continent and in the UK in April and May, and 4 East Coast of the United States, East Coast dates in the US in November. In 2017, Griffin, McCarthy, Sowders and Stevens recorded the first new material for the Long Ryders since 1987. McCarthy: "The band played a number of shows in 2016 and we felt it would be worthwhile to try and write/record some new material." McCarthy and Sowders recorded their parts for a few new songs with engineer and co-producer Adrian Olsen at his Montrose Recording studio in Virginia, while Griffin and Stevens recorded remotely from London and Indiana. A single from these recordings, "Bear in the Woods," was released on April 17, 2017 in time for a 4 date Californian tour in late April. In November 2018, Cherry Red Records released three-CD box set editions of the band's albums ''State of Our Union'' and ''Two-Fisted Tales'', also announcing that a new album from the band would be released in 2019 on Cherry Red Records in the UK and Omnivore Recordings in North America.''Psychedelic Country Soul'' (2019–present)
On February 15, 2019, the Long Ryders released ''Psychedelic Country Soul'', the band's first album of new material in 32 years. The opening track, "Greenville", premiered on the ''Billboard (magazine), Billboard'' website. The album was produced by Ed Stasium at Dr. Dre's Record One studio in Los Angeles and features members of the Bangles on harmony vocals and Dave Pearlman (Dan Fogelberg, The Everly Brothers, Phil Everly, Hoyt Axton) on pedal steel guitar. The ''LA Times'' said of the album, "The record sounds fantastic", whilst ''Mojo'' wrote, "''Psychedelic Country Soul'' puts them right back at the top of a world they helped create." The Long Ryders announced a series of tour dates in 2019 to support the album's release. It was the band's most extensive tour since the 1980s with 43 dates in Europe and North America. Sowders, who was unavailable for the October/November dates in Europe, was temporarily replaced by Simon Hancock. Between January 29 and February 3, 2020, the band participated in the Outlaw Country (Sirius XM)#Outlaw Country Cruise, Outlaw Country Cruise music festival, a 5-night boat cruise from Miami, Florida to Falmouth, Jamaica with over 30 artists including Lucinda Williams, the Mavericks and Steve Earle, Steve Earle and the Dukes. McCarthy contributed to Carla Olson's 2020 album, ''Have Harmony, Will Travel 2'', where he plays guitar and duets with Olson on "Timber, I'm Falling In Love", originally a No. 1 hit for Patty Loveless on Billboard (magazine), Billboard's Hot Country Songs, Hot Country Singles and Tracks chart in 1989. He also appears on the various artists album ''Americana Railroad'' which was released in November 2021. On September 4, 2020, the Long Ryders released a new single titled "Down to the Well". The song was recorded in February 2017 at the same sessions that produced "Bear in the Woods". The download single includes a remix of "If You Want to See Me Cry", originally from ''Psychedelic Country Soul''. On January 23, 2021, Tom Stevens died suddenly at the age of 64 at his home in Indiana of undisclosed causes. The tribute single "Tom Tom," written by Griffin, McCarthy, Sowders and producer Ed Stasium, was released as a download on January 21, 2022. Due to the COVID-19 pandemic, the Long Ryders and Stasium recorded the track remotely, sending audio files back and forth between California (Sowders and Stasium), Virginia (McCarthy), and England (Griffin). Recording sessions for the band's forthcoming studio album took place during summer 2022, followed by a six-date tour in November. On these dates the band was augmented by touring bassist Murry Hammond of Old 97's. On December 2, 2022, the band announced that their fifth album ''September November'' will be released on March 10, 2023.Discography
The Long Ryders Discography – The Official Website of Sid GriffinStudio albums
*''Native Sons (The Long Ryders album), Native Sons'' (1984, Frontier Records, Frontier) *''State of Our Union'' (1985, Island Records, Island) *''Two-Fisted Tales (The Long Ryders album), Two-Fisted Tales'' (1987, Island) *''Psychedelic Country Soul '' (2019, Cherry Red Records, Cherry Red / Omnivore Recordings, Omnivore)Live albums
*''BBC Radio One Live in Concert (The Long Ryders album), BBC Radio One Live in Concert'' (1994, Windsong International Records, Windsong) *''Three Minute Warnings: the Long Ryders Live in New York City'' (2003, Prima) *''State of Our Reunion'' (2004, Prima)Compilations
*''Metallic B.O.'' (1989, R.O.W.Y.C.O.) *''Looking for Lewis and Clark: the Long Ryders Anthology'' (1998, PolyGram, Chronicles) *''The Best of the Long Ryders'' (2004, Prima) *''Final Wild Songs'' (2016, Cherry Red)Extended plays
*''10-5-60'' (1983, Passport Records, PVC)Singles
Other appearances
DVDs
*''Rockin' at the Roxy'' (2002, Classic Pictures Entertainment) *''State of Our Reunion'' (2009, Prima)References
External links