''The Kiss'' is an oil painting on canvas completed by the Norwegian

symbolist Symbolism was a late 19th-century art movement of French and Belgian origin in poetry and other arts seeking to represent absolute truths symbolically through language and metaphorical images, mainly as a reaction against naturalism and realis ...

artist

Edvard Munch Edvard Munch ( , ; 12 December 1863 – 23 January 1944) was a Norwegian painter. His best known work, ''The Scream'' (1893), has become one of Western art's most iconic images. His childhood was overshadowed by illness, bereavement and the dr ...

in 1897. Part of his '' Frieze of Life'', which depicts the stages of a relationship between men and women, ''The Kiss'' is a realization of a

motif Motif may refer to: General concepts * Motif (chess composition), an element of a move in the consideration of its purpose * Motif (folkloristics), a recurring element that creates recognizable patterns in folklore and folk-art traditions * Moti ...

with which he had experimented since 1888/89: a couple kissing, their faces fusing as one in a symbolic representation of their unity. Exhibited as early as 1903, this work is held at the Munch Museum in Oslo.

Description

''The Kiss'' is an oil painting on canvas, measuring . It depicts a couple surrounded by darkness, with only a sliver of daylight showing through a window which is mostly covered by a curtain. They hold an embrace as they seemingly merge into one, their faces a single, featureless shape. Art critic Roberta Smith notes that Munch favored "long, somewhat slurpy brush strokes that were more stained than painted". The painting is similar to, though simpler than, another work with the same theme Munch produced in the same period.

Background

The Norwegian

artist

(1863–1944) had to cope with disease,

mental illness A mental disorder, also referred to as a mental illness or psychiatric disorder, is a behavioral or mental pattern that causes significant distress or impairment of personal functioning. Such features may be persistent, relapsing and remitti ...

, and death in his family, as well as a strict and strongly religious father. During his lifetime he experienced disappointment in love and feeble health, causing him fits of melancholia; Munch also became an alcoholic. The artist never married. This influenced his artistic production and the emotional states of his paintings. "Most of Munch’s figures," writes Roberta Smith, "are not mad, but paralyzed by oceanic feelings of grief, jealousy, desire or despair that many people found shocking either for their eroticism, crude style or intimations of mental instability." Though shocking, his paintings are characterized by an emotional honesty and integrity that makes them thrilling. Munch experimented with the

of a couple kissing, both in painting and woodcuts, as early as 1888–89. In the numerous realizations of this motif there is a contrast between the world inside and outside of the room in which the couple is situated. The outside world appears vibrant and lively, whereas the interior of the room is timeless, with the couple frozen in their embrace. In this motif, the couple's abstract form, in which the faces of the two appear to be merged as one, indicates their sense of belongingness and togetherness. Later versions of the motif not only merged their faces, but also their bodies. The motif was part of a series Munch called the '' Frieze of Life'', on which he spent more than 30 years of his career. The cycle depicts stages of a relationship between men and women and is part of what Munch called "the battle between men and women that is called love". It includes portrayals of attraction, courtship, realization, and disappointment.

Analysis

According to the Museum of Modern Art, the dark ambiance of ''The Kiss'' is representative of Munch's ambivalence regarding romance. In the 1897 painting, art historian Reinhold Heller finds it "virtually impossible" to separate the two figures, particularly where their faces meet and become one. He considers the depiction of the lovers to represent their unity while at the same time representing a threatening "loss of individuality, a loss of one's own existence and identity" which hints at death. The author

Stanisław Przybyszewski Stanisław Przybyszewski (; 7 May 1868 – 23 November 1927) was a Polish novelist, dramatist, and poet of the decadent naturalistic school. His drama is associated with the Symbolist movement. He wrote both in German and in Polish. Life Stanis� ...

(1868–1927) was critical of the fused faces, finding them "look nglike a gigantic ear ... deaf in the ecstasy of the blood".quoted in The writer August Strindberg (1849–1912) gave a similar opinion, writing that the couple becomes "a fusion of two beings, of which the smaller, in the form of a carp, seems ready to devour the larger". Owing to the similarity of the room in ''The Kiss'' to Munch's own, as represented in ''Night in Saint-Cloud'', art critic Ulrich Bischoff considers the painting to have an autobiographical element.

Provenance

''The Kiss'' was exhibited in 1903 at Munch's show ''Love's Awakening'', paired with a copy of his ''

Madonna Madonna Louise Ciccone (; ; born August 16, 1958) is an American singer-songwriter and actress. Widely dubbed the " Queen of Pop", Madonna has been noted for her continual reinvention and versatility in music production, songwriting, a ...

''. The painting is now part of the collection of the Munch Museum in Oslo, Norway; the museum is dedicated to Munch and his works.

References

Works cited