The Importance of Being Earnest (1952 film)
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''The Importance of Being Earnest'' is a 1952 British
comedy-drama Comedy drama, also known by the portmanteau ''dramedy'', is a genre of dramatic works that combines elements of comedy and drama. The modern, scripted-television examples tend to have more humorous bits than simple comic relief seen in a typical ...
film adaptation of the 1895 play by
Oscar Wilde Oscar Fingal O'Flahertie Wills Wilde (16 October 185430 November 1900) was an Irish poet and playwright. After writing in different forms throughout the 1880s, he became one of the most popular playwrights in London in the early 1890s. He is ...
. It was directed by
Anthony Asquith Anthony William Landon Asquith (; 9 November 1902 – 20 February 1968) was an English film director. He collaborated successfully with playwright Terence Rattigan on ''The Winslow Boy'' (1948) and '' The Browning Version'' (1951), among oth ...
, who also adapted the
screenplay ''ScreenPlay'' is a television drama anthology series broadcast on BBC2 between 9 July 1986 and 27 October 1993. Background After single-play anthology series went off the air, the BBC introduced several showcases for made-for-television, f ...
, and was produced by Anthony Asquith, Teddy Baird, and
Earl St. John Earl St. John (14 June 1892 – 26 February 1968) was an American film producer in overall charge of production for The Rank Organisation at Pinewood Studios from 1950 to 1964, and was credited as executive producer on 131 films. He was known ...
.


Plot

The story takes place on February 14, 1895. It is about two gentlemen pretending to be people other than themselves. Interwoven in their storylines are two romance-stricken ladies, each possessing an unusual allegiance to the manliness of the name Ernest. London man-about-town Jack Worthing, who hides behind the name Ernest, is an aristocrat from the country with uncertain lineage. His friend, Algernon Moncrieff, is of moderate means and has also created an imaginary character, Bunbury. Algernon's cousin, Gwendolen Fairfax, has caught the eye of Jack. Jack's ward in the country, Cecily Cardew, has caught the eye of Algernon. Lady Bracknell rules the roost with her heavy-handed social mores. The story begins in London. Jack and Algy are discussing life and love. Both reveal to each other their imaginary characters, Ernest and Bunbury. Jack reveals that he is in love with Algy's cousin, Gwendolen, and Algy reveals that he is in love with Jack's ward, Cecily. Both gentlemen begin to scheme the pursuit of their love. At tea that afternoon, Jack and Gwendolen secretly reveal their love for one another. Gwendolen makes it known that her “ideal has always been to love someone by the name of Ernest.” Jack fears she will find out his true identity. Lady Bracknell inquires as to Jack's pedigree. Jack confesses that he does not know who his parents are because, as a baby, he was found in a handbag in a cloakroom at Victoria Station. Lady Bracknell will not allow her daughter “—a girl brought up with the utmost care—to marry into a cloak-room, and form an alliance with a parcel.” At the manor house in the country, Cecily is daydreaming as her governess, Miss Prism, tries to teach her German. Uninvited, Algy arrives from London and assumes the role of Ernest. While Algy and Cecily are getting acquainted with the parlor, Jack arrives in black mourning clothes and informs Miss Prism that his brother, Ernest, is dead. When Algy and Cecily come out to see him, the sad news loses its believability as everyone now thinks Algy is Ernest. In pursuit of Jack, Gwendolen arrives from London and meets Cecily. They both discover that they are engaged to Ernest, not realising one is Jack and one is Algy. When the men arrive in the garden, the confusion is cleared up. The ladies are put off that neither one is engaged to someone named Ernest. Lady Bracknell arrives, by train. As everyone gathers in the drawing room, Lady Bracknell recognises Miss Prism as her late sister's baby's governess from twenty-eight years before. Miss Prism confesses that she inadvertently left the baby in her handbag at Victoria Station. Jack realised they are talking about him. He retrieves the handbag from his private room and shows Miss Prism. She acknowledges that the bag is hers. Lady Bracknell then tells Jack that he is her late sister's son and the older brother to Algy. Unable to ascertain who his father was, Jack looks in an Army journal, as his father was a general, and realises that his father's name was Ernest. Thus it becomes apparent that his real name is also Ernest – as Lady Bracknell says, being the eldest son, he must have been named after his father. The film ends with Jack saying, “I’ve now realised for the first time in my life the vital importance of being earnest.”


Cast

*
Michael Redgrave Sir Michael Scudamore Redgrave CBE (20 March 1908 – 21 March 1985) was an English stage and film actor, director, manager and author. He received a nomination for the Academy Award for Best Actor for his performance in ''Mourning Becomes Elec ...
as John (Jack) Worthing * Michael Denison as Algernon Moncrieff *
Edith Evans Dame Edith Mary Evans, (8 February 1888 – 14 October 1976) was an English actress. She was best known for her work on the stage, but also appeared in films at the beginning and towards the end of her career. Between 1964 and 1968, she was no ...
as Lady Bracknell * Joan Greenwood as Gwendolen Fairfax * Margaret Rutherford as Miss Prism * Miles Malleson as Canon Chasuble *
Dorothy Tutin Dame Dorothy Tutin, (8 April 19306 August 2001) was an English actress of stage, film and television. For her work in the theatre, she won two Olivier Awards and two ''Evening Standard'' Awards for Best Actress. She was made a CBE in 1967 and ...
as Cecily Cardew *
Aubrey Mather Aubrey Mather (17 December 1885 – 16 January 1958) was an English character actor. Career Mather was born in Minchinhampton, Gloucestershire, and began his career on the stage in 1905. He debuted in London in ''Brewster's Millions'' i ...
as Merriman * Walter Hudd as Lane *
Richard Wattis Richard Wattis (25 February 1912 – 1 February 1975) was an English actor, co-starring in many popular British comedies of the 1950s and 1960s. Early life Richard Cameron Wattis was born on 25 February 1912 in Wednesbury, Staffordshire, the ...
as Seton


Adaptation

The film is largely faithful to Wilde's text, although it divides some of the acts into shorter scenes in different locations. Edith Evans's outraged delivery of the line "A ''hand''bag?" has become legendary. As actor
Ian McKellen Sir Ian Murray McKellen (born 25 May 1939) is an English actor. His career spans seven decades, having performed in genres ranging from Shakespearean and modern theatre to popular fantasy and science fiction. Regarded as a British cultural i ...
wrote, it is a performance "so acclaimed and strongly remembered that it inhibits audiences and actors years later," providing a challenge for anyone else taking on the role of Lady Bracknell. The film is noted for its acting, although the parts played by Redgrave and Denison called for actors ten years younger. Margaret Rutherford, who plays Miss Prism in this adaptation, played Lady Bracknell in the 1946 BBC production.


Reception

A. H. Weiler Abraham H. Weiler (December 10, 1908 – January 22, 2002) was an American writer and critic best known for being a film critic and motion picture editor for ''The New York Times''. He also served a term as chairman of the New York Film Critics ...
called the casting of Dame Edith Evans in the role of Lady Bracknell "true genius".


Awards and nominations

The film received a BAFTA nomination for
Dorothy Tutin Dame Dorothy Tutin, (8 April 19306 August 2001) was an English actress of stage, film and television. For her work in the theatre, she won two Olivier Awards and two ''Evening Standard'' Awards for Best Actress. She was made a CBE in 1967 and ...
as Most Promising Newcomer and a
Golden Lion The Golden Lion ( it, Leone d'oro) is the highest prize given to a film at the Venice Film Festival. The prize was introduced in 1949 by the organizing committee and is now regarded as one of the film industry's most prestigious and distinguis ...
nomination for Anthony Asquith at the
Venice Film Festival The Venice Film Festival or Venice International Film Festival ( it, Mostra Internazionale d'Arte Cinematografica della Biennale di Venezia, "International Exhibition of Cinematographic Art of the Venice Biennale") is an annual film festival h ...
.


See also

*''
The Importance of Being Earnest ''The Importance of Being Earnest, A Trivial Comedy for Serious People'' is a play by Oscar Wilde. First performed on 14 February 1895 at the St James's Theatre in London, it is a farcical comedy in which the protagonists maintain fictitious ...
'' (original play by Oscar Wilde) *''
The Importance of Being Earnest ''The Importance of Being Earnest, A Trivial Comedy for Serious People'' is a play by Oscar Wilde. First performed on 14 February 1895 at the St James's Theatre in London, it is a farcical comedy in which the protagonists maintain fictitious ...
'' (2002 film version)


References


Bibliography

*The Great British Films, pp 156–158, Jerry Vermilye, 1978, Citadel Press, *Street, Sarah. ''British National Cinema.'' UK:Routledge 1997. Print.


External links

* * * * * {{DEFAULTSORT:Importance Of Being Earnest, The (1952 film) 1952 films 1952 romantic comedy films British romantic comedy films Films shot at Pinewood Studios Films set in England Films set in 1895 Films based on The Importance of Being Earnest Films directed by Anthony Asquith Films scored by Benjamin Frankel 1950s English-language films 1950s British films