The Fifth Plague of Egypt
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''The Fifth Plague of Egypt'' is an 1800
oil painting Oil painting is the process of painting with pigments with a medium of drying oil as the binder. It has been the most common technique for artistic painting on wood panel or canvas for several centuries, spreading from Europe to the rest of ...
by Romantic English artist
Joseph Mallord William Turner Joseph Mallord William Turner (23 April 177519 December 1851), known in his time as William Turner, was an English Romantic painter, printmaker and watercolourist. He is known for his expressive colouring, imaginative landscapes and turbule ...
currently in the permanent collection at the
Indianapolis Museum of Art The Indianapolis Museum of Art (IMA) is an encyclopedic art museum located at Newfields, a campus that also houses Lilly House, The Virginia B. Fairbanks Art & Nature Park: 100 Acres, the Gardens at Newfields, the Beer Garden, and more. It ...
. Despite its title, it depicts Moses cursing the Egyptians with a plague of hail and fire, known as the seventh plague. It is one of the first works in which Turner uses an extreme representation of landscape and nature to explore
the sublime ''A Philosophical Enquiry into the Origin of Our Ideas of the Sublime and Beautiful'' is a 1757 treatise on aesthetics written by Edmund Burke. It was the first complete philosophical exposition for separating the beautiful and the sublime into th ...
.


Description

In the foreground, two dead horses and a dead man are piled together, casualties of the earlier plague of pestilence in livestock. To the right, Moses stands with his arms outstretched, cursing the Egyptians with a plague of hail and fire, far away from the engulfed city. In the background, tumultuous clouds swirl above the Egyptian city, which is denoted by the gleaming, white
pyramid A pyramid (from el, πυραμίς ') is a structure whose outer surfaces are triangular and converge to a single step at the top, making the shape roughly a pyramid in the geometric sense. The base of a pyramid can be trilateral, quadrilat ...
in the centre of the canvas. Thin, horizontal lines fall from the clouds, showing streaks of hail falling from the sky. The painting is dominated with dark, neutral tones, creating the feeling of gloom. Although the painting would be categorised as a history painting for its display of a biblical scene, the painting comes across as a
landscape painting Landscape painting, also known as landscape art, is the depiction of natural scenery such as mountains, valleys, trees, rivers, and forests, especially where the main subject is a wide view—with its elements arranged into a coherent compo ...
, clearly demonstrating Turner's training in landscapes. The sky and the scenery take precedence over the figure of Moses and his actions, instead turning him into part of the landscape. The painting shows the force of nature as a more important factor than the force of man, which is minuscule.


Historical information

Turner describes the seventh plague of Egypt that God cursed upon the Egyptians for punishment of not releasing the Israelites from slavery, as described in the Old Testament
Book of Exodus The Book of Exodus (from grc, Ἔξοδος, translit=Éxodos; he, שְׁמוֹת ''Šəmōṯ'', "Names") is the second book of the Bible. It narrates the story of the Exodus, in which the Israelites leave slavery in Biblical Egypt through ...
, 9:13–35. Turner possibly mislabelled this painting as the wrong plague when he submitted it, but the title has not changed. Turner submitted this large-scale painting to the annual Royal Academy exhibition in London in 1800. The twenty-four-year-old Turner was eager to impress the London art critics, with the largest canvas submitted by a young artist. He attempted to show his virtuosity as a history painter, even when his landscape painting background is entirely evident. Turner had only been accepted into the Royal Academy as an Associate Member in 1799, and was eager to show his place.


Acquisition

The painting was purchased from Turner by William Beckford in April 1800. Henry Jeffrey purchased the painting in 1807, before selling it to Thomas Tutor. George Young acquired the painting by 1853, and it was at sale at Christie's in London in 1866. The painting was purchased by Earl Grosvenor in 1866 and stayed in his possession until at least 1871. In 1876, the painting was bought by Sir Francis Cook, where the painting stayed until 1951. It was sold to Sir Alexander Corda by the Cook family. John Mitchell bought the painting in 1955; the IMA purchased the painting in the same year from Mitchell with funds from the Lilly family.


See also

* List of paintings by J. M. W. Turner *
List of artworks at the Indianapolis Museum of Art This is a list of some of the most significant artworks at the Indianapolis Museum of Art (IMA). The Indianapolis Museum of Art#Collections, museum's collection has always been very strong in 19th-century European and American paintings, partic ...


References

{{DEFAULTSORT:Fifth Plague of Egypt 1800 paintings Paintings in the Indianapolis Museum of Art Paintings by J. M. W. Turner Paintings depicting figures from the Book of Exodus Paintings depicting Moses Horses in art Paintings about death