The Bells of Aberdovey ( cy, Clychau Aberdyfi) is a popular song which refers to the village now usually known locally by its Welsh-language name of Aberdyfi (sometimes still anglicised as ''Aberdovey'') in Gwynedd, Wales at the mouth of the River Dyfi on Cardigan Bay. The song is based on the legend of Cantre'r Gwaelod, which is also called ''Cantref Gwaelod'' or ''Cantref y Gwaelod'' (or in en, The Bottom or Lowland Hundred). This ancient sunken kingdom is said to have occupied a tract of fertile land lying between Ramsey Island and Bardsey Island in what is now Cardigan Bay to the west of Wales. The legend supposes that the bells of the submerged lost kingdom can be heard ringing below the waves on the beach at Aberdyfi.

History

The song first appeared in 1785 in English in ''Liberty Hall'' which was a comic opera in two acts, written and produced by Charles Dibdin. It was first performed at the Theatre Royal in Theatre Royal, Drury Lane, Drury Lane in London on 8 February 1785, and also contained other popular songs entitled Jock Ratlin, and The Highmettled Racer. The text to the opera, entitled ''"Liberty-Hall: or, a test of good fellowship. A comic opera, in two acts. As it is performed with the greatest applause at the Theatre-Royal in Drury-Lane"'' was published by the author, and printed and sold by G. Kearsley, in 1785. In Liberty Hall, the song was sung in Act II, scene V, by the comic Welsh character, Ap Hugh. The song became popular and gained the reputation of being a traditional Welsh folk-song. Its origins have been disputed by several sources. An example of this discussion follows: Frank Kidson wrote in the entry "Welsh Music - Doubtful Melodies" in The New Grove Dictionary of Music and Musicians, Grove: :"Another illogical claim is for The Bells of Aberdovey (1844), which has long been included in Welsh collections as native of the soil, but is really the composition of Charles Dibdin, who, writing a song for it in broken Welsh, used it in his opera Liberty Hall (1786). Miss [Jane] Maria Jane Williams, Williams, hearing it traditionally, published a version of it in her collection of 1844, and from that time onward it has been accepted as genuine Welsh. There is certainly no evidence to show that Dibdin used an existing tune (it was quite opposed to his practice), and no copy can be found except Dibdin's of a date prior to 1844." The song was often attributed to composer, song writer, scholar and singer John Thomas (1795-1871), also known by his bardic name Ieuan Ddu. The belief was that he had written it for one of his students, a talented singer of the time, Eliza Phillips, or Morfydd Glyntaf as she was known and it had been sung at an Eisteddfod in Abergavenny in 1838, but this was later discounted. Since Ieuan Ddu did many arrangements, it is possible that he did an arrangement of this song for Morfydd Glyntaf. Ieuan Ddu's book of Welsh airs, titled "The Cambrian Minstrel", does not contain ''The Bells of Aberdovey''. There is no record of Ieuan Ddu ever claiming this song himself, and the idea of it being his composition seemed to gain popularity after his death. The belief was so popular that an article was written refuting the idea, describing 'Liberty Hall' as the true origins of the song. The Welsh lyrics as they were popularly known in 1908 had first appeared in a collection of unpublished ancient Welsh Airs by folklore collector and musician Maria Jane Williams, Maria Jane Williams (1795-1873) at an Eisteddfod of the Abergavenny Cymreigyddion Society in 1838, where Maria was awarded a prize for her collection. Maria Jane Williams finally published the air with those lyrics in 1844 in her book "The Ancient National Airs of Kingdom of Gwent, Gwent and Kingdom of Morgannwg, Morgannwg" and it was the first publishing of the song with Welsh lyrics. The Welsh words were also incorrectly attributed to John Ceiriog Hughes (1832-1887), a Welsh poet of the 19th century. Although he collected many Welsh folk-songs, he also rewrote many English songs into the Welsh language. However, this would have been after Maria Jane Williams had published the lyrics in Welsh. A new, and very vocal claimant to the composition of the song arose in the 1850s, when the Merthyr soprano, Miss E[lizabeth] L[ucy] Williams (1828-1902), billed as 'The Welsh Nightingale' featured it largely in her one-woman show, on both sides of the Atlantic, letting it be understood that it was her own work (rather than a personal arrangement) to such an effect that her claims were very often believed.'Miss E. L. Williams, author of the Welsh ballad "The Bells of Aberdovey"
''The Brisbane Courier'' (1864-1933), Friday 13 May 1892, Pg. 2 - National Library of Australia Newspaper Archive There are several versions of this song in print in English and in Welsh. A widely used version was from ''The National Song Book'' of 1905. This gives the English words as written by the song collector and editor Alfred Perceval Graves, A.P.Graves. It also states that ''"The more appropriate title would probably be "The Bells of Abertawe" (Swansea, South Wales)"''. Other later references to Abertawe being its origin suggest this may be as there were church bells at Abertawe but not Aberdovey when the song was written.

Lyrics

The most frequently used Welsh and English lyrics (which are not exact translations) are based on those in the National Song Book: Original version: Alternative versions:

Work inspired by The Bells of Aberdovey

The popular song and the legend of Cantre'r Gwaelod have been the inspiration for several cultural projects in Aberdyfi. A Chime (bell instrument), chime of bells in the tower of St Peter's Church was specifically designed to allow the playing of ''The Bells of Aberdovey'' from a mechanical carillon inside the church. A bronze time-and-tide bell Installation art, art installation, suspended beneath Aberdyfi pier, was commissioned in 2010 from the sculptor Marcus Vergette as a homage to ''The Bells of Aberdovey''.

References

External links

* * {{DEFAULTSORT:Bells of Aberdovey 18th-century songs Aberdyfi