''The Abduction of Hippodamia'', (french: L'Enlèvement d'Hippodamie) is a work by the 19th-century French sculptor Albert-Ernest Carrier-Belleuse, modeled c. 1877 and cast thereafter. The subject is from

Greek mythology A major branch of classical mythology, Greek mythology is the body of myths originally told by the ancient Greeks, and a genre of Ancient Greek folklore. These stories concern the origin and nature of the world, the lives and activities ...

: During the wedding of Hippodamia and

Pirithous Pirithous (; grc-gre, Πειρίθοος or , derived from ; also transliterated as Perithous), in Greek mythology, was the King of the Lapiths of Larissa in Thessaly, as well as best friend to Theseus. Biography Pirithous was a son of "h ...

, the barbaric

centaurs A centaur ( ; grc, κένταυρος, kéntauros; ), or occasionally hippocentaur, is a creature from Greek mythology with the upper body of a human and the lower body and legs of a horse. Centaurs are thought of in many Greek myths as being ...

who had been invited became wildly intoxicated, attacking the other guests and even the hosts. The centaur Eurytus attempted to carry off the bride, and a battle between the humans and the centaurs ensued. An earlier similar work, cast in silver, was commissioned by the Jockey Club to be a trophy at the

Bois de Boulogne The Bois de Boulogne (, "Boulogne woodland") is a large public park located along the western edge of the 16th arrondissement of Paris, near the suburb of Boulogne-Billancourt and Neuilly-sur-Seine. The land was ceded to the city of Paris by t ...

horse races in 1874. Because the trophy was contracted to be unique, the work was remodeled with slight changes to the positioning of Hippodamia and the forcefulness of the centaur. The sculpture's theme of struggle between the rational and the bestial, expressed in a mythological setting, was a popular one and not unusual in 19th-century European art. Its execution sets it apart, however, and it is by some considered one of the finest examples of its kind in the late 19th century. It is frequently supposed that Rodin, who was associated with Carrier-Belleuse's studio in the 1870s, contributed to the modeling; the general opinion is that, while the subject matter and the lines of Hippodamia exemplify Carrier-Belleuse's style, the expression and musculature of the centaur suggest Rodin.

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{{DEFAULTSORT:Abduction of Hippodameia, The Neoclassical sculptures