Tempio Canoviano
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The Tempio Canoviano or Temple of Canova is a
Roman Catholic Roman or Romans most often refers to: * Rome, the capital city of Italy *Ancient Rome, Roman civilization from 8th century BC to 5th century AD * Roman people, the people of ancient Rome *'' Epistle to the Romans'', shortened to ''Romans'', a let ...
parish church built in a severe Neoclassical style, based on the designs of
Antonio Canova Antonio Canova (; 1 November 1757 – 13 October 1822) was an Italian Neoclassical sculptor, famous for his marble sculptures. Often regarded as the greatest of the Neoclassical artists,. his sculpture was inspired by the Baroque and the cla ...
. It is located on a hilltop in
Possagno Possagno is a comune in the Province of Treviso, in the Italian region Veneto. It is located about northwest of Venice and about northwest of Treviso. As of 31 August 2021, it had a population of 2,191 and an area of .All demographics and other ...
in the
Province of Treviso The Province of Treviso ('' it, Provincia di Treviso'') is a province in the Veneto region of Italy. Its capital is the city of Treviso. The province is surrounded by Belluno in the north, Vicenza in the west, Padua in southwest, Venice in t ...
in the region of
Veneto Veneto (, ; vec, Vèneto ) or Venetia is one of the 20 regions of Italy. Its population is about five million, ranking fourth in Italy. The region's capital is Venice while the biggest city is Verona. Veneto was part of the Roman Empire unt ...
,
Italy Italy ( it, Italia ), officially the Italian Republic, ) or the Republic of Italy, is a country in Southern Europe. It is located in the middle of the Mediterranean Sea, and its territory largely coincides with the homonymous geographical ...
. Work on the temple, which is dedicated to the Holy Trinity, began in 1819 and resumed after Canova's death in 1822 until 1830 under the supervision of abbot Giovanni Battista Sartori and architect Giuseppe Segusini. The project underwent several modifications by Pietro Bosio and Giovanni Zardo along with Giannantonio Selva and Luigi Rossini. The structure recalls the Pantheon of Rome. Canova almost single-handedly financed the site since he wished to be buried there after his request of a burial at the Rome Pantheon was denied. Upon completion in 1830 his remains were transferred to the church. The atrium or
pronaos A portico is a porch leading to the entrance of a building, or extended as a colonnade, with a roof structure over a walkway, supported by columns or enclosed by walls. This idea was widely used in ancient Greece and has influenced many cult ...
is nearly in size, the diameter of the interior and height of the cupola, and contains 16 doric columns. The
architrave In classical architecture, an architrave (; from it, architrave "chief beam", also called an epistyle; from Greek ἐπίστυλον ''epistylon'' "door frame") is the lintel or beam that rests on the capitals of columns. The term can a ...
bears the Latin inscription: ''DEO OPT MAX UNI AV TRINO'' (Temple dedicated to the Optimal God, one and three). The metopes were carved by pupils from stucco casts of Canova. The altars contain canvases from shuttered churches and monasteries including by Luca Giordano (St Francis of Paola);
Palma il Giovane Iacopo Negretti (1548/50 – 14 October 1628), best known as Jacopo or Giacomo Palma il Giovane or simply Palma Giovane ("Young Palma"), was an Italian painter from Venice and a notable exponent of the Venetian school. After Tintoretto's death ...
(Jesus in Gesthemane); Giovanni de Sacchis called
il Pordenone Pordenone, Il Pordenone in Italian, is the byname of Giovanni Antonio de’ Sacchis (c. 1484 – 14 January 1539), an Italian Mannerist painter, loosely of the Venetian school. Vasari, his main biographer, wrongly identifies him as Giovann ...
(Madonna of the Mercies); and
Andrea Vicentino Andrea Vicentino (c. 1542 – 1617) was an Italian painter of the late- Renaissance or Mannerist period. He was a pupil of the painter Giovanni Battista Maganza. Born in Vicenza, he was also known as ''Andrea Michieli'' or ''Michelli''. He mo ...
(Saints Sebastian; Francis of Assisi, Roch, Anthony with the Madonna and child and a glory of angels). The bronze sculpture of the ''Pietà'' was completed by Bartolomeo Ferrari, based on models by Canova. Above the altar is a ''Deposition'' painted by Canova.


References

{{Authority control Antonio Canova Churches in the province of Treviso Buildings and structures in the Province of Treviso Neoclassical architecture in Veneto Roman Catholic churches completed in 1830 19th-century Roman Catholic church buildings in Italy Neoclassical church buildings in Italy