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Svāti Tirunāḷ‍ Rāma Varma (Malayalam: സ്വാതി തിരുനാള്‍ രാമവർമ്മ) (16 April 1813 – 26 December 1846) was the Maharaja
Maharaja
of the Kingdom of Travancore, British India. He is also considered as a brilliant music composer and is credited with over 400 classical compositions in both Carnatic and Hindusthani style.[1] A well-formulated code of laws, courts of justice, introduction of English education, construction of an observatory, installation of the first Government printing press, establishment of the first manuscripts library were amongst the many initiatives taken by Svāti Tirunāḷ‍, as a King, to modernise Travancore. 'Efficiency was the key word and corruption a taboo', according to the article The Monarch Musician in The Hindu.[2]

Contents

1 Early life 2 Education 3 As Reigning Maharajah
Maharajah
of Travancore

3.1 Criticism

4 Astronomy
Astronomy
and Trivandrum
Trivandrum
Observatory 5 Contributions to Music and Literature 6 Family 7 Death 8 Titles and Styles 9 Legacy

9.1 Swathi Sangeethotsavam 9.2 Swathi Sangeetha Puraskaram 9.3 In popular culture

10 Compositions 11 Notes 12 See also 13 References 14 External links

Early life[edit]

Svāti Tirunāḷ‍ Rama Varma with his father Raja Raja Varma Koil Thampuran

Swāthi Tirunāḷ‍ was born into the Chera dynasty
Chera dynasty
of the Matrilineal royal family of Travancore, which is now a part of Kerala, on 16 April 1813. He was the second child of Queen Gowri Lakshmi Bayi who ruled Travancore
Travancore
from 1811–15, and Rajaraja Varma Koyi Thampuran of Changanasseri Palace. While in the womb itself, he was proclaimed King and was referred to as Garbha Sreemaan. He reigned under the regency of his mother from 1813–15 and then under the regency of his maternal aunt Gowri Parvati Bayi
Gowri Parvati Bayi
until 1829. When he was just four months old, his mother invited Colonel John Munro, representative of the East India
India
Company, and his officials and declared in the Durbar that she was entrusting the East India Company
East India Company
with the care of her child and expected the Company to co-operate with him in future. In 1829 Svāti Tirunāḷ‍ reached majority at 16 and assumed full powers of ruler and reigned as the Maharajah of Travancore
Maharajah of Travancore
until his death in 1846. He had an elder sister, Gowri Rukmini Bayi, whose children ascended the Travancore
Travancore
musnud consecutively. Her only daughter was the mother of Moolam Thirunal. He had a younger brother, Uthram Thirunal
Uthram Thirunal
Marthanda Varma, who succeeded him in 1846 and ruled Travancore
Travancore
until his demise in 1860. Irayimman Thampi, the famous poet-composer wrote perhaps the most famous Malayalam
Malayalam
lullaby Omanathinkal Kidavo (ഓമനത്തിങ്കള്‍ക്കിടാവോ), about Svāti Tirunāḷ‍ when he was born. Education[edit] Both his aunt/foster mother, who was well-versed in music, and his father, a Sanskrit
Sanskrit
scholar. took special care about his education. Col. Munro also is said to have taken a keen interest in his education. He started learning Malayalam
Malayalam
and Sanskrit
Sanskrit
at the age of six and English at the age of seven. The young Prince studied several languages, including Malayalam, Kannada, Tamil, Hindustani, Telugu, Marathi, Sanskrit, English and Persian. He impressed all his teachers, and even guests from abroad, with his keen understanding of not only languages but also other subjects like geometry. P. Sankunni Menon (A History of Travancore
Travancore
from the Earliest Times, 1878) records an incident between young Svāti Tirunāḷ‍ and Col. Welsh, a visiting British officer, that the word geometry and words like hexagon, heptagon and so on were derived from Sanskrit. Colonel Welsh summed up the boy King's genius as follows :

Swati Tirunal, now thirteen... took up a book of mathematics and selecting the forty-seventh proposition of Euclid sketched the figure on a country slate but what astonished me most was his telling us in English that Geometry
Geometry
was derived from the Sanskrit, which as Jaw metor (Jyamiti) to measure the earth and that many of our mathematical terms were also derived from the same source such as hexagon, heptagon, octagon... This promising boy is now, I conclude, sovereign of the finest country in India
India
for he was to succeed to the Musnud (throne) the moment he had attained his 16th year.[3]

As Reigning Maharajah
Maharajah
of Travancore[edit]

Kuthira Malika, Thiruvananthapuram, constructed by Maharajah
Maharajah
Svāti Tirunāḷ‍

Svāti Tirunāḷ‍ took over the reins of Travancore
Travancore
from his aunt, Gowri Parvati Bayi
Gowri Parvati Bayi
(she was the Regent for Svāti Tirunāḷ‍ in his boyhood) at the age of sixteen. He appointed his tutor, Sri Subba Rao, as the Prime Minister (Diwan). One of his first moves was to shift the government secretariat from Kollam
Kollam
(about seventy-five kilometers away) to Thiruvananthapuram. This enabled him to give personal attention to government affairs. He took steps to curb corruption in the government and told even the Diwan to resign when he heard that the Diwan had acted to favour a particular party in a land dispute. He started an English school in Thiruvananthapuram
Thiruvananthapuram
in 1834, which came to be called the Maharajah's Government Free School and later became Maharajah's High School and then Maharajah's College. It is now the University College. Later, similar schools were started at many other places. He also implemented reforms in the legal sector, starting Munsif, District and Appellate Courts and modernizing laws. He identified one Kandan Menon from Malabar and appointed him as Huzoor Diwan Peshkar to bring about legal reforms. Another of his achievements was to settle many land disputes by carrying out a resurvey of the land, in which also Menon helped him. He also conducted the first census of the state in 1836. As per the census, the population of Travancore
Travancore
was 128, 068. Svāti Tirunāḷ‍ was also instrumental in bringing modern medicine to the state. He appointed a European as the palace physician. He was also given the responsibility of providing medical assistance to local people, for which hospitals were started. It is this post that was known as Surgeon General till the formation of Kerala
Kerala
State. He also started an engineering department, which was placed under the command of one Lieutenant Horsley. The Karamana bridge was built at that time. Criticism[edit] Despite the progress achieved in varied fields under Swathi Thirunal's reign, the Kingdom of Travancore, like the rest of British India, was in the grip of extreme caste discrimination against Hindu
Hindu
dalits. According to the followers of the movement called Ayya Vazhi (the path of Ayya Vaikundar) and historians, a social reformer and iconoclast named Muthukutty or Ayya Vaikundar (who had claimed that he himself was an incarnation of Hindu
Hindu
Deity Vishnu) severely criticized Swathi Thirunal for the then prevalent caste discrimination against dalits in Travancore. He referred to the King as Ananthapuri Neechan (vile man of Ananthapuri); referred to the Brahmins
Brahmins
and the British as Karineechanmar (vile Black cheaters) and Venneechanmar (vile White cheaters), respectively. The caste Hindus then complained to Swathi Thirunal that Vaikundar was cheating people by claiming to be god and as a result of the complaint, Swathi Thirunal
Swathi Thirunal
ordered to arrest him but Vaikundar was later released by the government. In the then society, dalit men and women weren't allowed to cover their upper body as it was considered a privilege reserved for caste Hindus & people of other religions. Vaikundar exhorted dalits to fight against this and organized revolts to get their due rights which came to be known as Melmundu Samaram (Upper Cloth Revolt). As a result of the revolt, the government changed the laws and allowed dalit men & women to wear upper clothes. Several other unjust taxes were also repelled by the Maharajah
Maharajah
after protest from dalit people. And according to the websites on Ayya Vaikundar, Maharajah
Maharajah
Swathi Thirunal too had become a disciple of his.[4] Astronomy
Astronomy
and Trivandrum
Trivandrum
Observatory[edit] Another area where Svāti Tirunāḷ‍ took interest was in astronomy. He wished to compare Western findings with Indian knowledge. He had knowledge of observatories in Madras and others. Finding that there was so much in common between the western astronomy and Indian (eastern) astrological understanding of planets, stars and about the known universe; Swāthi Tirunāḷ‍ set the initiative to start an observatory. One of its director would be his relative, Raja Rama Varma Rohani Thirunal, Prince of Mavelikara Palace, who was an established astronomer and a member of the British and Canadian Astronomical Societies. The observatory benefited from British talents in Colonel Fraser and Caldecott. A cotton mill expert John Caldecott FRS was interested in astronomy but self-taught, and later became one of its Director. Caldecott, an industrial representative who lived in Alapuzha, used to make instruments for astronomical observations and initially mounted viewing instruments on top of mango tree in Residency of Quilon, Cochin and his Allepey homes. Raja Swathi Tirunal saw his collection and asked him to come to Trivandrum
Trivandrum
to start a similar set-up. The current observatory site was chosen on top of a laterite mount near the Kanakakunnu hill, which was observed as having the best western sky views in that hemisphere, being near the equator and the sea. He was instrumental in buying telescopes and tools to Trivandrum via ship through the Middle east from England. It became a part of the Travancore
Travancore
University, but for some time was administered as an independent government institution. It is now the oldest institution under the Kerala
Kerala
University. Started in 1837, some of the equipment is still to be seen at the Thiruvananthapuram
Thiruvananthapuram
observatory (now under the Department of Physics, University of Kerala). Trivandrum
Trivandrum
Public Library (now State Central Library) and the Oriental Manuscript Library were started by Swathi Thirunāḷ‍, the Museum and Zoo in Thiruvananthapuram
Thiruvananthapuram
as well. The Maharajah
Maharajah
was also an honorary member of the Royal Asiatic Society from 1843.[5] Maharajah Svāti Tirunāḷ‍ also put an end to the barbaric punishment called the 'SUCHINDRAM KAIMUKKU' According to which the accused was forced to prove his innocence by dipping his hand in boiled ghee at Suchindram temple, and he was punished if the hand get burnt. He is also credited with starting the first government press (the only press at that time was CMS Press in Kottayam). A report on the English schools in Travancore
Travancore
appeared in The Gardner's Magazine of 1841, wrote about the administrative reforms brought in by Maharajah
Maharajah
Svāti Tirunāḷ‍:

Rajah of Travancore, the great promoter of science in the East, was only twenty-eight years of age, and had not reigned more than ten years, yet, during that short period, he had caused himself to be distinguished by his accomplishments as well as by his' liberality. They would, no doubt, be interested in learning that this prince was educated by his prime minister— a rare tutor for a sovereign. The Rajah had established schools within his dominions—he had established a mathematical school under English superintendence; but he had done more—he had done what, he was sorry to say, had neither been done in England, Scotland, nor Ireland—be had established a school in every village of his dominions— and be gave education to every child, male and female – a change in Indian customs that might lead to the happiest results. He was informed, on good authority, that there was not a child who had reached eight years of age not capable of reading and writing; but this distinguished prince, not satisfied with advancing the .interests of elementary education, had established an observatory, and placed in it an English gentleman, a member of the Royal Society of London, and who was in that room – he meant Mr. Caldecott. In this observatory, observations were carried on with the same success as under British interests. The Rajah had also established a magnetical and meteorological observatory, having been led to do so by becoming acquainted with a report on Meteorology, published by the British Association. And the observations taken there were found to be as accurate as those taken in Edinburgh, Philadelphia, and other places.

Contributions to Music and Literature[edit] Svāti Tirunāḷ‍ was deeply interested in music right from childhood. Besides being an able ruler, he was a patron of music and was a musician himself. Researchers say that Svāti Tirunāḷ‍ affixed his compositions with the mudra Padmanabha padumanabha, sarasijanaabha, etc. and its synonyms. His education in music started with the first lessons from Karamana Subrahmania Bhagavathar and Karamana Padmanabha Bhagavathar. Later, he studied music from the then English scholar, Thanjavur
Thanjavur
Subba Rao as well. He continued to learn music by listening to accomplished musicians and practising himself. He encouraged both broad systems of Indian music, Hindustani and Carnatic music, though he was essentially a connoisseur of the Carnatic music
Carnatic music
tradition. He is credited with composing over 400 compositions[6] in Carnatic and Hindustani music. Some of his favourite compositions were Padmanabha Pahi, Deva Deva, Devanke, Sarasijanabha and Sree Ramana Vibho. Svāti Tirunāḷ‍ was fluent in a number of languages including Malayalam, Sanskrit, Marathi, Telugu, Kannada, Hindustani,[7][8] Bengali, Tamil, Oriya and English. This was a period when music and art were thriving in many parts of south India. The triumvirate of Carnatic music, Tyagaraja (1767–1847), Syama Sastri
Syama Sastri
(1762–1827) and Muthuswami Dikshitar (1775–1835), lived and enriched music during this period. Svāti Tirunāḷ‍'s palace also was home to many musicians and artistes of the period, including the famous Thanjavur Quartet
Thanjavur Quartet
brothers, Tyagaraja's disciple Kannayya Bhagavathar, Ananthapadmanabha Goswami (a Maharashtrian singer known as Kokilakanthameru swami), Shadkala Govinda Marar, and many others. The literary works of Maharajah
Maharajah
Svāti Tirunāḷ‍ include Bhakti Manjari', Syanandurapuravarnana Prabandham, Padmanabhasatakam, Muhanaprasa Antyaprasa Vyavastha, Ajamila, Kuchela Upakhyanas and Utsava Varnana Prabandha.[9] Family[edit] In 1829, at the age of sixteen, Maharajah
Maharajah
Svāti Tirunāḷ‍ married[10] Thiruvattar Ammachi Panapillai Amma
Ammachi Panapillai Amma
Srimathi Ayikutty Narayani Pillai Thankachi, a famed beauty of the Thiruvattar Ammaveedu family, was an expert Carnatic singer and Veena
Veena
player.[11] Once there was a minor lover's quarrel between Narayani Pillai Ammachi and her husband, the King. The quarrel continued for some days; the Ammachi approached Irayimman Thampi for a solution. According to researchers he then created the famous Malayalam
Malayalam
song Prananaathan Enikku Nalkiya and told the Ammachi to sing it loudly in the King's presence; after hearing it the King was pleased and they reconciled immediately. This particular work of Thampi
Thampi
is considered by experts as one of the most beautiful Shringara (erotic) Padams available in Malayalam.[12][13] Together they had three children but in 1839 Narayani Pillai Ammachi died, leaving behind a son, Thiruvattar Chithira Nal Ananthapadmanabhan Chempakaraman Thampi. A few months later, for the care of the baby, the Maharajah
Maharajah
married another lady called Neelamma Pillai Ammachi by adopting her into the Thiruvattar Ammaveedu.[14] He later married Sundara Lakshmi in 1843, a Saiva Mudaliar dancer, after adopting her into Vadasseri Ammaveedu. The story of the dancer Sugandhavalli who didn't get along with the King's first wife, Narayani Pillai Thankachi, has been disproved by R.P. Raja as nothing but fiction in his research treatise 'New Light on Swathi Thirunal'. In 1845 the King constructed the Thanjavur
Thanjavur
Ammaveedu for his third consort. Sundara Lakshmi, a great devotee of Lord Ganapati and Kanjirottu Yakshi Amma, resided there until her death in 1856. Death[edit] As a monarch, Svāti Tirunāḷ‍ was incredibly hardworking and supremely committed to his kingdom and people. The appointment of General Cullen as the Resident of Travancore, was the beginning of the end for the Maharajah. Historian P. Shungunny Menon wrote: Resident Cullen assumed almost sovereign authority. Such was his oppressive intrusion in the administration. The king was made totally powerless. Compounding this atrocity was the machinations of his aide Krishna Rao, who schemed with Cullen for his own personal gain. What ever the reason, the Resident's intrusion in the administration was unbearable for the young King. To compound his problems, the deaths of his elder sister, father, wife Narayani and all three children (Narayani's) made the Maharajah
Maharajah
distraught. He increasingly sought silence and solitude, weakening his mind and body. Thus, at the age of 33, Maharajah
Maharajah
Swathi Thirunal died on 26 December 1846. The demise of Maharajah
Maharajah
Svāthi Thirunāḷ‍ attracted the attention of even the foreign press. Allen's Indian Mail and Register of Intelligence of British &Foreign India, China, & All Parts of the East wrote :

Both intellectually and morally, he was indeed far beyond his country and equals in rank; in both respects he might have taken a high place among the most enlightened of European Sovereigns had his destiny been so cast. You will be grieved to learn about the demise of His Highness the Rajah of Travancore. Among the native princes of India, he was distinguished for his superior intelligence and extensive acquirements in oriental literature. He is not unknown to fame in the European world, for most of you must be aware that the deceased Rajah maintained an observatory at considerable expense, and that MR Caldecott was for a length of time, his highness's astronomer.The ephemeris emanating from the Travancore
Travancore
observatory was a valuable contribution to astronomical science ... The Rajah also supported an English school on a scale of liberality that perhaps has few precedents in other native states. He was a steady and staunch advocate of education, friend and patron of men of letters ... his loss will doubtless be greatly deplored by Travancoreans as a national calamity. — quote

The Journal the Royal Asiatic Society of Great Britain and Ireland ran an obituary in 1847 which mourned that,

The early death of this enlightened and princely patron of true science, is a subject of just regret. — quote

Titles and Styles[edit] As the Ruler of Travancore, Swathi Thirunal's official royal title was styled as His Royal Highness Sri Padmanabha Dasa Vanchi Pala Swathi Thirunal Rama Varma Kulasekhara
Kulasekhara
Kiritapathi Swami Rama Raja Manney Sultan Maharajah
Maharajah
Raja Ramaraja Bahadur Shamsher Jang Legacy[edit] Swathi Sangeethotsavam[edit] Prince Rama Varma, renowned South Indian Classical musician and descendant of Swathi Thirunal, organizes the Swathi Sangeethotsavam, a 10-day music festival featuring exclusively the compositions of Maharaja
Maharaja
Swathi Thirunal. Eminent Carnatic and Hindustani musicians participate in this unique musical event, which is conducted every year from 4 to 13 January at Kuthira Malika, Trivandrum
Trivandrum
and attracts music aficionados from across the globe. Swathi Sangeetha Puraskaram[edit] The award Swathi Sangeetha Puraskaram is instituted in the name of Maharajah
Maharajah
Swathi Thirunal
Swathi Thirunal
of Travancore
Travancore
to honour those musicians who have made valuable contributions to the field of music. It is also the highest honour for musicians by the Government of Kerala, India. In popular culture[edit] In 1987, a Malayalam
Malayalam
film titled Swathi Thirunal
Swathi Thirunal
based on his life was released. It was directed by Lenin Rajendran. It stars Anant Nag
Anant Nag
in the title role, and Srividya, Ambika, Nedumudi Venu
Nedumudi Venu
and Murali in other important roles.[15] Compositions[edit] For a list of 360+ compositions with 200+ MP#s, visit swathithirunal.in

Composition Raga Tala Type Language

Deva deva kalayami ta maya malava gowla Rupaka

Sanskrit'

dEvanke Darbari Adi

Sanskrit

gIta dhuniku taka dhIm dhana shRI Adi tillAna Hindi

jaya jaya padmanAbha murArE Sarasangi Adi

Sanskrit

kamala nayana jagadIswara Vagadheeswari Adi

Sanskrit

pAhi shrIpatE hamsadhwani Adi

Sanskrit

sArasAksha paripAlaya mAmayi Pantuvarali Adi

Sanskrit

Notes[edit]

^ http://print.achuth.googlepages.com/SwathiThirunalandSciencev3.0.pdf ^ DEVNATH, LAKSHMI (27 December 2013). "The Monarch musician". THE HINDU. Retrieved 12 March 2014.  ^ DEVNATH, LAKSHMI (27 December 2013). "The Monarch musician". THE HINDU. Retrieved 12 March 2014.  ^ "History of Ayya Vaikundar". Ayya Undu The Vision of Dharma Yuga. Archived from the original on 6 February 2015. Retrieved 6 February 2015.  ^ http://print.achuth.googlepages.com/SwathiThirunalandSciencev3.0.pdf ^ Gov-Music Archived 20 February 2006 at the Wayback Machine. ^ Compositions of Svati Tirunal Maharaja ^ http://www.carnaticcorner.com/articles/swathi.txt ^ DEVNATH, LAKSHMI (27 December 2013). "The Monarch musician". THE HINDU. Retrieved 12 March 2014.  ^ MARAVANKUDIERUPPU – He was a tax payer to the Travancore Samasthanam, ( Travancore
Travancore
Kingdom). So he was called to attend the marriage of Maharajah
Maharajah
Svāti Tirunāḷ‍ Rama Varma and Panapillai Amma Srimathi Ayikutty Narayani Pillai Kochamma of the Thiruvattar Ammaveedu family in 1829. Thiru. Swamyadiyan Nadar also attended the function and presented 1001 ponnu (ponnu-paun-Sovereign of Gold) which was a big presentation in that period. So the king was pleased and honoured him by awarding him 5 acres of land in Trivandrum
Trivandrum
with one of the greater award of Title "Thiru Mugam Parpu". ^ Our Lady of Snows, Maravankudieruppu. "Maravankudieruppu/History". Retrieved 12 March 2014.  ^ satyendran, nita (1 January 2010). "Classic 'reconstruction'". The Hindu. THE HINDU. Archived from the original on 6 January 2015. Retrieved 6 January 2015.  ^ Narayanaswami, Dr. P. P. "The Life & Times of Irayimman Thampi – Part I". Srishti's Carnatica Private Limited. Srishti's Carnatica Private Limited. Archived from the original on 6 January 2015. Retrieved 6 January 2015.  ^ New Light on Swathi Thirunal
Swathi Thirunal
by RP Raja ^ Inc, IMDb.com,. "Swathi Thirunal". Retrieved 12 March 2014. 

See also[edit]

List of Carnatic composers Thunchath Ezhuthachan Malayalam
Malayalam
University

References[edit] [1] : Articles and compilations by Dr Achuthsankar S Nair Articles by Achuthsankar S Nair on Sruthi Magazine, June 2013 and Journal of Madras Music Academy, 2009 External links[edit]

Wikimedia Commons has media related to Swathi Thirunal
Swathi Thirunal
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Swathi Thirunal
Rama Varma

Swathi Thirunal
Swathi Thirunal
Website Kerala
Kerala
Gov-Music Prince Aswathi Thirunal Rama Varma, musician and a direct descendent of Maharaja
Maharaja
Swathi Thirunal [2] Dr. Raja Rama Varma Rohani Thirunal, Prince of Mavelikara Palace John Caldecott The Edinburgh New Philosophical Journal, Volume 48

Swathi Thirunal
Swathi Thirunal
Rama Varma Kulasekhara
Kulasekhara
Dynasty Born: 16 April 1813 Died: 25 December 1846

Regnal titles

Preceded by Gowri Lakshmi Bayi (as Maharani Regent of Travancore) Maharaja
Maharaja
of Travancore 1813–1846 Succeeded by Uthram Thirunal

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Reddy Row T. Venkata Rao Thanjavur
Thanjavur
Subha Rao T. Ranga Rao Krishna Rao T. Madhava Rao A. Seshayya Sastri Nanoo Pillai V. Ramiengar T. Rama Rao S. Shungrasoobyer K. Krishnaswamy Rao V. P. Madhava Rao S. Gopalachari P. Rajagopalachari M. Krishnan Nair T. Raghavaiah M. E. Watts V. S. Subramanya Iyer Thomas Austin Muhammad Habibullah C. P. Ramaswami Iyer P. G. N. Unnithan

Divisions

Northern Quilon Southern Trivandrum

Landmarks

Kanakakkunnu Palace Kowdiar Palace Krishnapuram Palace Padmanabhapuram Sri Padmanabhaswamy temple Sri Moolam Thirunal
Moolam Thirunal
Palace Thevally Palace Sri Moolam Thirunal
Moolam Thirunal
Palace Udayagiri Fort

Other notable people

Thachudaya Kaimal Kerala
Kerala
Varma Valiya Koil Thampuran G. V. Raja Raja Ravi Varma Bharani Thirunal Lakshmi Bayi

Related information

Ammachi Panapillai Amma Thampi
Thampi
and Thankachi

Templates WikiProject

v t e

Indian music

Main

Indian classical music Hindustani classical music Semi Classical music/Light classical music Carnatic music Indian folk music

Concepts

Shruti Swara Alankara Rāga Tāla Prahar

Hindustani classical music

Types of compositions

Dhrupad Dhamar Khyal Tarana Thumri Dadra Qawwali Ghazal

Thaats

Bilaval Khamaj Kafi Asavari Bhairav Bhairavi Todi Purvi Marwa Kalyan

Principles of Hindustani music

Alap Bandish Gat

Types of Bandish

Sthaayi Antara Sanchaari Aabhog

Variations of Bandish

Vilambit Madhyalaya Drut

Semi-classical music

Natya Sangeet Baithak Gana

Indian folk music

Rabindra Sangeet Bihu of Assam Dandiya Ganasangeet Uttarakhandi Music Lavani

Indian Light Music

Indian film music

Music of Bollywood

Indian play music

Natya Sangeet Light songs in the play Sugama Sangeetha

Region wise Indian Music

Bhojpuri Rajasthani Music Karnataka Sugam sangeet Goa trance music Odissi music Andaman and Nicobar Islands Andhra Pradesh Arunachal Pradesh Assam Bihar Chhattisgarh Goa Gujarat Haryana Himachal Pradesh Kashmir, Jammu and Ladakh Jharkhand Karnataka Kerala Madhya Pradesh Maharashtra Manipur Meghalaya Mizoram Nagaland Odisha Punjab Rajasthan Sikkim Tamil Nadu Tripura Uttar Pradesh Uttarakhand West Bengal

Language wise Music

Marathi Music Hindi
Hindi
music Kannada
Kannada
music Telagu music Tamil music Aasami music

Maharashtra music

Powada Gan Gavlan Lavani Kirtan

Authority control

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