Surcos
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''Furrows'' ( es, Surcos) is a 1951
Spanish Spanish might refer to: * Items from or related to Spain: **Spaniards are a nation and ethnic group indigenous to Spain **Spanish language, spoken in Spain and many Latin American countries **Spanish cuisine Other places * Spanish, Ontario, Can ...
film directed by
José Antonio Nieves Conde José Antonio Nieves Conde (22 December 1911http://dbe.rah.es/biografias/45978/jose-antonio-nieves-conde José Antonio Nieves Conde. Diccionario biográfico español. Real Academia de la Historia. Access 15 february 2020. in Segovia, Castilla y Le ...
, and written by him in collaboration with
Gonzalo Torrente Ballester Gonzalo Torrente Ballester (13 June 1910 – 27 January 1999) was a Spanish writer associated with the Generation of '36 movement. Life He was born in Serantes, Ferrol, Galicia, and received his first education there, subsequently attend ...
, Eugenio Montes, and Natividad Zaro. It provides an unsettling portrait of post-
Civil War A civil war or intrastate war is a war between organized groups within the same state (or country). The aim of one side may be to take control of the country or a region, to achieve independence for a region, or to change government policies ...
Madrid Madrid ( , ) is the capital and most populous city of Spain. The city has almost 3.4 million inhabitants and a Madrid metropolitan area, metropolitan area population of approximately 6.7 million. It is the Largest cities of the Europ ...
while
caudillo A ''caudillo'' ( , ; osp, cabdillo, from Latin , diminutive of ''caput'' "head") is a type of personalist leader wielding military and political power. There is no precise definition of ''caudillo'', which is often used interchangeably with " ...
Francisco Franco was in power.


Plot

''Surcos'' follows the struggles of a Spanish family as it emigrates from the countryside to Madrid circa 1950. Facing difficulties in finding housing and employment, several family members turn to illegal or immoral activities in order to make ends meet, and the traditional family structure disintegrates. The movie begins when the Perez family of country bumpkins arrive from the country at the Madrid train station, disoriented, gawking and loaded down with baggage, including a basket of live chickens. The Perez family consists of a mother (who is never named in the movie), the fiftyish aged father, Manuel, his older son Pepe (who had visited Madrid during the Spanish Civil War), his younger son, Manolo and his slightly impish, but completely naïve daughter, Tonia. They move in with a relative of the mother in a run down apartment complex that is overrun with hordes of children who do cruel things every time they get a chance, showing that none of them are attending school at that point in Franco's Spain. In the apartment they meet the relative's daughter, the street smart Pili. Pili makes a living for her mother and herself by selling contraband American cigarettes in the street. Pili has an evil boyfriend, El Mellao. El Mellao works for the even more evil black marketer, but well dressed, very rich and smooth, Don Roque (“El Chamberlain”). Pepe quickly makes an implacable enemy of El Mellao when he defends Pili from his abuses and Don Roque hires Pepe in the place of El Mellao to drive around his contraband, because Pepe will do it for less. Pepe and Pili also become a couple and move in together. The father, Manuel tries selling candy in the street for his sister in law, but fails when the multitude of street children demand that he give it to them for free. Then a police officer takes away his entire supply because he is selling without a license. His sister in law is so enraged that she makes a very proud Manuel do kitchen work. Then, to Manuel's surprise, a note arrives that he has gotten a job in a foundry. However, when he attempts to work in the arduous conditions, he is quickly overcome by the noise and heat of the foundry and faints, losing the job almost immediately. His sister in law then again relegates him to humiliating kitchen work. Pepe's job for Don Roque is to work with a gang that steals sacks of potatoes from trucks that are climbing a hill and then deliver those potatoes to Don Roque to sell on the black market. Tonia also meets Don Roque through Pepe and Pili, who immediately has designs on her. First, he hires Tonia as a maid for his mistress. Tonia is very impressed by all the fine clothing that Don Roque's mistress has. When Don Roque hears Tonia sing while working, he tells her she has talent and offers to pay for singing lessons for her. With her mother's reluctant consent, Tonia accepts enthusiastically. He buys her a lot of attractive clothing, supposedly so she will be well dressed for her performance as a singer. However, when she actually gets the chance to sing on stage, some ruffians, hired by Don Roque, disrupt her performance and make her look foolish. Tonia runs off the stage in tears. Then, Don Roque comforts Tonia and takes her away in his limousine to deflower her and make her his mistress. Manuel is totally shocked by the whole thing and slaps his wife around for letting it happen. Then, Manuel shows up unexpectedly at the door of the love nest, slaps a shocked Tonia hard and cries bitterly while she goes to get her things so he can take her away. Pepe loses his job with Don Roque when he confronts him about deflowering his sister and demands that Don Roque marry her, which Don Roque laughs off with contempt. Pili still demands that he steal from trucks, but the rest of Don Roque's gang refuses to accompany him and El Mellao tips off the authorities that Pepe is about to try it without them. When Pepe hops into the back of the truck, they are waiting for him. They shoot him and he is further injured when he jumps off the truck. When he returns in the truck, badly injured, he finds El Mellao trying to drag away Pili as his prize. El Mellao then hits Pepe on the head with a large wrench and rushes off to chase a fleeing Pili. Don Roque arrives to find Pepe badly injured, but still alive. He takes him to a bridge and throws him onto railroad tracks as a train passes under the bridge. In the last scene of the movie, Manuel, his wife, Manolo and Tonia have returned to their village where Pepe is being buried. Manuel picks up a handful of soil from the grave and tells his family that they have to return to the country. His wife says people will laugh, but Manuel replies that, even with shame, they have to return to the land.


Cast

* Luis Peña as "El Mellao". * María Asquerino as Pili. *Francisco Arenzana as Pepe. * Marisa de Leza as Toña. *Ricardo Lucía as Manolo Pérez. *
José Prada José is a predominantly Spanish and Portuguese form of the given name Joseph. While spelled alike, this name is pronounced differently in each language: Spanish ; Portuguese (or ). In French, the name ''José'', pronounced , is an old vernacul ...
as Manuel Pérez. * Montserrat Carulla as Rosario. *
Félix Dafauce Félix Dafauce (13 November 1896 – 5 October 1990) was a Spanish film actor. He appeared in 120 films between 1925 and 1987. He was born and died in Madrid, Spain. Selected filmography * ''When the Angels Sleep'' (1947) * ''Dawn of Ame ...
as Don Roque, "el Chamberlain". *
María Francés María Candelaria Francés García (2 February 1887– 9 December 1987), better known as María Francés, was a Spanish stage, film and television actress.D'Lugo p.98 Selected filmography * ''Anguish'' (1947) * '' The Vila Family'' (1950) * '' ...
as La madre. *
Carmen Sánchez Carmen Sánchez (21 April 1898 – 20 November 1985) was a Spanish singer, dancer, and actress. She started her career as dancer and singer of zarzuela at very young age. At age 20, she finished working on copla or chotis and was featured in fil ...
la tía acogedora.


Background

''Surcos'' is considered one of the very few Spanish neo-realist films from the era when the style was being created and popularized in
Italy Italy ( it, Italia ), officially the Italian Republic, ) or the Republic of Italy, is a country in Southern Europe. It is located in the middle of the Mediterranean Sea, and its territory largely coincides with the homonymous geographical ...
. The picture only escaped censorship because José María García Escudero, Spain's Chief of Cinematography, appreciated the value of the film for its artistic merit. The film dealt with issues virtually unseen in
Francoist Spain Francoist Spain ( es, España franquista), or the Francoist dictatorship (), was the period of Spanish history between 1939 and 1975, when Francisco Franco ruled Spain after the Spanish Civil War with the title . After his death in 1975, Spai ...
, including rural migration into the cities, poverty, prostitution,
unemployment Unemployment, according to the OECD (Organisation for Economic Co-operation and Development), is people above a specified age (usually 15) not being in paid employment or self-employment but currently available for work during the refere ...
, and class conflicts. ''Surcos'' is a view of the contradictions found in Francoist Spain. The
Catholic Church The Catholic Church, also known as the Roman Catholic Church, is the largest Christian church, with 1.3 billion baptized Catholics worldwide . It is among the world's oldest and largest international institutions, and has played a ...
considered the film "deeply dangerous," yet political observers labeled the drama of "national interest." The film was not released until its controversial ending was removed.


Awards

Wins *Cinema Writers Circle Awards, Spain: CEC Award; Best Film; Best Supporting Actor, Félix Dafauce; Best Supporting Actress, Marisa de Leza; 1953. *National Syndicate of Spectacle, Spain: 3rd place Prize of the National Syndicate of Spectacle; 1953. Nominations *
1952 Cannes Film Festival The 5th Cannes Film Festival was held from 23 April to 10 May 1952. As in the previous three festivals, the entire jury of this festival was made up of French persons, with Maurice Genevoix as the Jury President. The Grand Prix of the Festival ...
: Grand Prize of the Festival; José Antonio Nieves Conde; 1952.


References


External links

* * {{José Antonio Nieves Conde 1951 films 1950s political drama films Spanish black-and-white films Films directed by José Antonio Nieves Conde Spanish independent films 1950s independent films Social realism in film Spain in fiction Spanish drama films 1950s Spanish-language films Films set in Madrid 1951 drama films Films about internal migration 1950s Spanish films