Stone of Remembrance

The Stone of Remembrance is a standardised design for war memorials that was designed in 1917 by the British architect Sir Edwin Lutyens for the Imperial War Graves Commission (IWGC). It was designed to commemorate the dead of World War I, to be used in IWGC war cemeteries containing 1,000 or more graves, or at memorial sites commemorating more than 1,000 war dead. Hundreds were erected following World War I, and it has since been used in cemeteries containing the Commonwealth dead of World War II as well. It is intended to commemorate those "of all faiths and none", and has been described as one of Lutyens' "most important and powerful works", with a "brooding, sentinel-like presence wherever used".

Design

The initial thoughts for the design were sent by Lutyens in letters and memoranda in May and August 1917 to Fabian Ware, the founder and head of the Imperial War Graves Commission, before and after the period in which Lutyens and other architects visited the wartime cemeteries in France in July 1917 at the request of Ware, to give their initial thoughts on what should be done to commemorate the dead:

Part of the design is the three-stepped platform on which each stone rests. Architectural historian Gavin Stamp, in ''Silent Cities'' (1977), quotes further from Lutyen's 1917 correspondence with Ware, where Lutyens describes the proposed stone as:

In a later work in 2006, Stamp identifies a similarly abstract and geometrical concept that was part of Lutyens' creative process, citing a letter that Lutyens wrote to his wife while on the July 1917 visit to France, describing how a 'solid ball of bronze' could be used to make a permanent monument.''The Memorial to the Missing of the Somme'', Gavin Stamp, 2006

By the time of Ware's 1937 report, published as ''The Immortal Heritage'' the same year, some 560 Stones of Remembrance had been erected for World War I cemeteries and memorials in France and Belgium alone.

Symbolism

The Stone of Remembrance is one of the standard architectural features of Commonwealth War Graves Commission cemeteries and memorials, the other being the Cross of Sacrifice by Reginald Blomfield. In contrast, the design for the Stone deliberately avoided "shapes associated with particular religions". The shape of the Stone has been compared both to that of a sarcophagusStone of Remembrance
Australian Government Department of Veterans' Affairs, accessed 01/03/2010. and an altar, but was always intended to be abstract and appeal to all denominations.

There was, however, controversy over the symbolism, both during the design and approval process and subsequently. Lutyens and those supporting the concept of secular architecture and equality of remembrance (including Ware) had to contend with those (including other architects advising the Commission and Anglican bishops) who wanted the overt Christian symbolism of a cross, or who objected to the pagan overtones of the proposed Stone. Lutyens corresponded with a wide variety of people to gain support for his idea. Eventually (by January 1918), the decision to use both Cross and Stone was taken, and the two designs were adopted in different ways. Blomfield's Cross was built in different sizes according to the size of the cemetery, with Lutyens' Stone staying the same size but not being used in the smaller cemeteries (of less than 1,000 burials) where it was thought it would overwhelm the setting.

Geometry

The geometry of the stone structure was "based on studies of the Parthenon".Architecture
Commonwealth War Graves Commission, accessed 01/03/2010 According to the Australian Government Department of Veterans' Affairs each stone is 3.5 metres long and 1.5 metres high. It was designed using the principle of entasis.Remembering the Great War with Lutyens
Tim Skelton, British Archaeology, Issue 109, Nov / Dec 2009 This involved incorporating subtle curves into the design, so that the stone does not have straight sides, but has circular lines that if extended would form a sphere 1,801 feet and 8 inches (549.15 metres) in diameter. The effect of the stone monument has been attributed to its geometry: "...its curious power and symbolic strength derive from its careful proportions and the application of a subtle entasis to all its surfaces."

Inscription

The phrase inscribed on the stone, one of several suggested during the design phase, was proposed by the British author, poet and Nobel laureate Rudyard Kipling, whose only son had died in the war. Kipling's role was to advise the IWGC (now CWGC) on inscriptions and other literary matters, and the phrase used on the Stones of Remembrance is a quote from the Wisdom of Sirach.
Ecclesiasticus 44:14

Gallery

File:Bretteville-sur-Laize Cemetery.jpg, Bretteville-sur-Laize Cemetery
File:Thiepval mémorial (pierre du souvenir) 1.jpg, Thiepval Memorial
File:Ortona cimitero canadese 03.jpg, Ortona Cemetery
File:Britfriedhof04.jpg, Berlin War Cemetery
File:Niederzwehren Cemetery-Altar.jpg, Niederzwehren Cemetery
File:Stone of Remembrance at Sai Wan War Cemetery in 2022.jpg, Sai Wan War Cemetery, Hong Kong
File:CWGC - Stone of Remembrance.jpg, Buttes New British Cemetery, Belgium
File:Rookwood Garden of Remembrance 3.JPG, Rookwood Garden of Remembrance
File:Kemmel - Kemmel Chateau Military Cemetery 3.jpg, Kemmel Chateau Military Cemetery
File:Gedenksteen - Holten Canadian War Cemetery.JPG, Holten Canadian War Cemetery

Notes

References

External links

{{commonscat, Stones of Remembrance

The Secret of the Cenotaph
Andrew Crompton, AA Files 34, 1999, pp. 64–67

Lutyens and Le Corbusier: from heritage to history
Jane Ridley, 3 October 2001

1918 introductions
20th-century inscriptions
Commonwealth War Graves Commission

World War I memorials
World War II memorials
War memorials by Edwin Lutyens