Sonnet 24 is one of 154 sonnets written by the English playwright and poet

William Shakespeare William Shakespeare ( 26 April 1564 – 23 April 1616) was an English playwright, poet and actor. He is widely regarded as the greatest writer in the English language and the world's pre-eminent dramatist. He is often called England's nation ...

, and is a part of the Fair Youth sequence. In the sonnet, Shakespeare treats the commonplace

Renaissance The Renaissance ( , ) , from , with the same meanings. is a period in European history The history of Europe is traditionally divided into four time periods: prehistoric Europe (prior to about 800 BC), classical antiquity (800 BC to AD ...

conceit connecting heart and eye. Although it relates to other sonnets that explore this theme, Sonnet 24 is considered largely imitative and conventional.

Structure

Sonnet 24 is an English or Shakespearean sonnet. English sonnets contain fourteen lines, including three quatrains and a final couplet. It follows the typical

rhyme scheme A rhyme scheme is the pattern of rhymes at the end of each line of a poem or song. It is usually referred to by using letters to indicate which lines rhyme; lines designated with the same letter all rhyme with each other. An example of the ABAB r ...

of the form ABAB CDCD EFEF GG, and is written in

iambic pentameter Iambic pentameter () is a type of metric line used in traditional English poetry and verse drama. The term describes the rhythm, or meter, established by the words in that line; rhythm is measured in small groups of syllables called " feet". "Iam ...

, a type of poetic

metre The metre (British spelling) or meter (American spelling; see spelling differences) (from the French unit , from the Greek noun , "measure"), symbol m, is the primary unit of length in the International System of Units (SI), though its prefi ...

based on five pairs of metrically weak/strong syllabic positions per line. Line ten exemplifies a regular iambic pentameter:

 ×   /     ×     /     ×   /    ×     /    ×   / 
Mine eyes have drawn thy shape, and thine for me (24.10)

:/ = ''ictus'', a metrically strong syllabic position. × = ''nonictus''. The fourth line is regularized by the Elizabethan pronunciation of "pérspective".

Source and analysis

Edward Capell Edward Capell (11 June 171324 February 1781) was an English Shakespearian critic. Biography He was born at Troston Hall () in Suffolk. Through the influence of the Duke of Grafton he was appointed to the office of deputy-inspector of plays ...

amended

quarto Quarto (abbreviated Qto, 4to or 4º) is the format of a book or pamphlet produced from full sheets printed with eight pages of text, four to a side, then folded twice to produce four leaves. The leaves are then trimmed along the folds to produc ...

"steeld" to "stelled," a word more closely related to the metaphor of the first quatrain.

Edward Dowden Edward Dowden (3 May 18434 April 1913) was an Irish critic, professor, and poet. Biography He was the son of John Wheeler Dowden, a merchant and landowner, and was born at Cork, three years after his brother John, who became Bishop of Edinbur ...

notes parallels for the opening conceit in

Henry Constable Henry Constable (1562 – 9 October 1613) was an English poet, known particularly for ''Diana'', one of the first English sonnet sequences. In 1591 he converted to Catholicism, and lived in exile on the continent for some years. He returned to E ...

's ''Diana'' and in Thomas Watson's ''Tears of Fancy''. The poem's central

conceit An extended metaphor, also known as a conceit or sustained metaphor, is the use of a single metaphor or analogy at length in a work of literature. It differs from a mere metaphor in its length, and in having more than one single point of contact bet ...

, the dialogue between heart and eye, was a period cliché.

Sidney Lee Sir Sidney Lee (5 December 1859 – 3 March 1926) was an English biographer, writer, and critic. Biography Lee was born Solomon Lazarus Lee in 1859 at 12 Keppel Street, Bloomsbury, London. He was educated at the City of London School and at ...

traces it to

Petrarch Francesco Petrarca (; 20 July 1304 – 18/19 July 1374), commonly anglicized as Petrarch (), was a scholar and poet of early Renaissance Italy, and one of the earliest humanists. Petrarch's rediscovery of Cicero's letters is often credited ...

and notes analogues in the work of

Ronsard Pierre de Ronsard (; 11 September 1524 – 27 December 1585) was a French poet or, as his own generation in France called him, a "prince of poets". Early life Pierre de Ronsard was born at the Manoir de la Possonnière, in the village of ...

Michael Drayton Michael Drayton (1563 – 23 December 1631) was an English poet who came to prominence in the Elizabethan era. He died on 23 December 1631 in London. Early life Drayton was born at Hartshill, near Nuneaton, Warwickshire, England. Almost nothin ...

, and

Barnabe Barnes Barnabe Barnes (c. 1571 – 1609) was an English poet. He is known for his Petrarchan love sonnets and for his combative personality, involving feuds with other writers and culminating in an alleged attempted murder. Early life The third son ...

. The poem has not enjoyed a high reputation.

Henry Charles Beeching Henry Charles Beeching (15 May 1859 – 25 February 1919) was a British clergyman, author and poet, who was Dean of Norwich from 1911 to 1919. Biography Beeching was born on 15 May 1859 in Sussex, the son of J. P. G. Beeching of Bexhill. He was ...

speculates that it might be a half-serious spoof of a clichéd type of poem.

George Wyndham George Wyndham, PC (29 August 1863 – 8 June 1913) was a British Conservative politician, statesman, man of letters, and one of The Souls. Background and education Wyndham was the elder son of the Honourable Percy Wyndham, third son of Ge ...

is among the few to take it completely seriously, providing a

neoplatonic Neoplatonism is a strand of Platonic philosophy that emerged in the 3rd century AD against the background of Hellenistic philosophy and religion. The term does not encapsulate a set of ideas as much as a chain of thinkers. But there are some id ...

reading. "Perspective" is the key trope in the second half of the poem, as it introduces the idea of the connection between speaker and beloved. Some editors have assumed that "perspective" was used, as often in the Renaissance, to refer to a specific type of optical illusion sometimes called a perspective house; however, Thomas Tyler and others demonstrated that the word was also known in its modern sense during the time. '' Sonnet 46'' and '' Sonnet 47'' also present the eyes of the speaker as a character in the poem. Note that in ''Sonnet 24'' both the singular ''eye'' and the plural ''eyes'' are used for the eyes of the speaker, contrary to ''Sonnet 46'' and ''Sonnet 47'' where only the singular is used.

References

Further references

*Baldwin, T. W. (1950). ''On the Literary Genetics of Shakspeare's Sonnets''. University of Illinois Press, Urbana. *Hubler, Edwin (1952). ''The Sense of Shakespeare's Sonnets''. Princeton University Press, Princeton. *Schoenfeldt, Michael (2007). ''The Sonnets: The Cambridge Companion to Shakespeare's Poetry''. Patrick Cheney, Cambridge University Press, Cambridge.

External links

*
Paraphrase and analysis (Shakespeare-online)

{{DEFAULTSORT:Sonnet 024 British poems Sonnets by William Shakespeare