The ''sirventes'' or ''serventes'' (), sometimes translated as "service song", was a

genre Genre () is any form or type of communication in any mode (written, spoken, digital, artistic, etc.) with socially-agreed-upon conventions developed over time. In popular usage, it normally describes a category of literature, music, or other for ...

Old Occitan Old Occitan ( oc, occitan ancian, label= Modern Occitan, ca, occità antic), also called Old Provençal, was the earliest form of the Occitano-Romance languages, as attested in writings dating from the eighth through the fourteenth centuries. Old ...

lyric poetry Modern lyric poetry is a formal type of poetry which expresses personal emotions or feelings, typically spoken in the first person. It is not equivalent to song lyrics, though song lyrics are often in the lyric mode, and it is also ''not'' equi ...

practiced by the

troubadour A troubadour (, ; oc, trobador ) was a composer and performer of Old Occitan lyric poetry during the High Middle Ages (1100–1350). Since the word ''troubadour'' is etymologically masculine, a female troubadour is usually called a ''trobairi ...

s. The name comes from ''sirvent'' ('serviceman'), from whose perspective the song is allegedly written. Sirventes usually (possibly, always) took the form of parodies, borrowing the melody, metrical structure and often even the rhymes of a well-known piece to address a controversial subject, often a current event. The original piece was usually a canso, but there are sirventes written as contrafacta of (at least) sestinas and

pastorela The ''pastorela'' (, "little/young shepherdess") was an Occitan lyric genre used by the troubadours. It gave rise to the Old French ''pastourelle The pastourelle (; also ''pastorelle'', ''pastorella'', or ''pastorita'' is a typically Old Fre ...

s. They were always opinionated, being either highly complimentary or, more often, oozing with vitriol; however, these features are not unique to the sirventes, so a piece can be positively identified as one only if its nature is explicitly stated in the text (which it often is) or the original piece it is based on has been preserved (which is also often the case: for a parody to work, it had to target a recognizable, therefore widely known, piece). The first author known to have written a sirventes is

Cercamon Cercamon (, fl. 1135-1145) was one of the earliest troubadours. His true name and other biographical data are unknown. He was apparently a Gascony-born jester of sorts who spent most of his career in the courts of William X of Aquitaine and perha ...

, the name of the genre was first mentioned by

Marcoat Marcoat was a minor Gascon troubadour and joglar who flourished in the mid twelfth century. He is often cited in connexion with Eleanor of Aquitaine and is placed in a hypothetical "school" of poetry which includes Bernart de Ventadorn, Marcabru, ...

, and the most famous practitioner of it was Bertran de Born;

Peire de Vic The (Lo) Monge de Montaudon (meaning "monk of Montaudon") (floruit, fl. 1193–1210Gaunt and Kay, Appendix I, 287.), born Pèire de Vic, was a nobleman, monk, and troubadour from the Auvergne (province), Auvergne, born at the castle of Vic-sur- ...

was also known for his sirventes, but only one has survived to this day.

Examples

Most major troubadours have written at least one sirventes; well-known examples include: * ''Leus sonetz'' by

Raimbaut de Vaqueiras __NOTOC__ Raimbaut de Vaqueiras or Vaqueyras (fl. 1180 – 1207) was a Provençal troubadour and, later in his life, knight. His life was spent mainly in Italian courtsAmelia E. Van Vleck, ''The Lyric Texts'' p. 33, in ''Handbook of the Troub ...

, a political piece built on the structure of

Giraut de Bornelh Giraut de Bornelh (; c. 1138 – 1215), whose first name is also spelled Guiraut and whose toponym is de Borneil or de Borneyll, was a troubadour connected to the castle of the viscount of Limoges. He is credited with the formalisation, if not the ...

's ''Los apleiz'' and using the same rhymes as the original * ''Un sirventes vuelh far dels auls glotos'' by

Peire Cardenal Peire Cardenal (or Cardinal) (c. 1180 – c. 1278) was a troubadour (fl. 1204 – 1272) known for his satirical ''sirventes'' and his dislike of the clergy. Ninety-six pieces of his remain, a number rarely matched by other poets of the age.Aubrey, ...

, one of many criticizing simony * ''Ben grans avoleza intra'' by Bertran de Born; this is built on the structure of

Arnaut Daniel Arnaut Daniel (; fl. 1180–1200) was an Occitan troubadour of the 12th century, praised by Dante as "the best smith" (''miglior fabbro'') and called a "grand master of love" (''gran maestro d'amore'') by Petrarch. In the 20th century he was la ...

's famous

sestina A sestina (, from ''sesto'', sixth; Old Occitan: ''cledisat'' ; also known as ''sestine'', ''sextine'', ''sextain'') is a fixed verse form consisting of six stanzas of six lines each, normally followed by a three-line envoi. The words that end ...

, ''Lo ferm voler qu'el cor m'intra'', and uses all the same end-words as the original. * ''Cansoneta leu e plana'' by

Guilhem de Berguedan Guillem de Berguedà (''c''.1130–1195/6; ''fl''.1138–1192), or Guilhem de Berguedan in Occitan, was a Catalan troubadour and viscount of Berguedà. He was the most prolific Catalan poet of the twelfth century, though he composed in Oc ...

, one of a cycle devoted to personal attacks against

Pons de Mataplana The pons (from Latin , "bridge") is part of the brainstem that in humans and other bipeds lies inferior to the midbrain, superior to the medulla oblongata and anterior to the cerebellum. The pons is also called the pons Varolii ("bridge of Var ...

* ''Pos Peire d'Alvernh' a chantat'' by Peire de Vic, built on the meter (but not the rhymes) of ''Cantarai d'aqestz trobadors'' by

Peire d'Alvernha Peire d'Alvernhe or d'Alvernha (''Pèire'' in modern Occitan; b. c. 1130) was an Auvergnat troubadour (active 1149–1170) with twenty-oneGaunt and Kay, 287. or twenty-fourEgan, 72.Aubrey, ''The Music of the Troubadours'', 8. surviving works. ...

, is an important source about 12th century troubadours, many of whom it makes fun of.

Legacy

The sirventes, called ''sirventesch'' in early

Catalan Catalan may refer to: Catalonia From, or related to Catalonia: * Catalan language, a Romance language * Catalans, an ethnic group formed by the people from, or with origins in, Northern or southern Catalonia Places * 13178 Catalan, asteroid #1 ...

, was imported into that language in the fourteenth century, and it developed into a unique didactic/moralistic type. It also spread to Northern France, and became known as ''serventois'' in

langue d'oïl Langue is a municipality in the Valle Department, Honduras. The town is located near the border of El Salvador and is a regional Hammock making center. Most of the town is made up of sharecroppers and day laborers. There are usually Mormon miss ...

. by

Richard I of England Richard I (8 September 1157 – 6 April 1199) was King of England from 1189 until his death in 1199. He also ruled as Duke of Normandy, Aquitaine and Gascony, Lord of Cyprus, and Count of Poitiers, Anjou, Maine, and Nantes, and was overl ...

is a notable example of a sirventes written in

Old French Old French (, , ; Modern French: ) was the language spoken in most of the northern half of France from approximately the 8th to the 14th centuries. Rather than a unified language, Old French was a linkage of Romance dialects, mutually intellig ...

References

External links

{{Authority control Western medieval lyric forms Occitan literary genres