Silver Horn
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Silver Horn or Haungooah (1860–1940) was a
Kiowa Kiowa () people are a Native American tribe and an indigenous people of the Great Plains of the United States. They migrated southward from western Montana into the Rocky Mountains in Colorado in the 17th and 18th centuries,Pritzker 326 and e ...
ledger art Ledger art is a term for narrative drawing or painting on paper or cloth, predominantly practiced by Plains Indian, but also from the Plateau and Great Basin. Ledger art flourished primarily from the 1860s to the 1920s. A revival of ledger art b ...
ist from Oklahoma.


Background

Silver Horn was born circa 1860 to Agiati (Gathering Feathers) and Sa-Poodle (Traveling in the Rain) and was a member of the
Kiowa Kiowa () people are a Native American tribe and an indigenous people of the Great Plains of the United States. They migrated southward from western Montana into the Rocky Mountains in Colorado in the 17th and 18th centuries,Pritzker 326 and e ...
Indian tribe of Oklahoma. His Kiowa name, Haungooah, refers to sunlight reflecting off a buffalo horn, making it gleam like a polished, white metal. He was a well-known artist from the early reservation period who was one of the most respected and talented Plains Indian artists in his time. Haungooah Silverhorn married Hattie Tau-Goom (Bending Knee Woman) together they had 8 children born to their union. The oldest son name was Billie Bow "James" Silverhorn who was a well known Peyote Man. There was May Haungooah, George "Dutch" Silverhorn, Max Silverhorn Sr, Iva Haungooah, Arthur Silverhorn, Sarah Louise Haungooah, Chester Silverhorn. Silver Horn's father was Agiati or "Gathering Feathers," who was a calendar keeper. Agiati was the chosen artistic successor of his uncle
Dohasan Dohäsan, Dohosan, Tauhawsin, Tohausen, or Touhason (late 1780s to early 1790s – 1866) was a prominent Native American. He was War Chief of the Kata or Arikara band of the Kiowa Indians, and then Principal Chief of the entire Kiowa Tribe, ...
, who was the primary calendar keeper for the Kiowas throughout the 19th century.


Art work

He was mostly known for his skills in working with different mediums and materials such as graphite, colored pencil, crayon, pen and ink, and water color on hide, muslin and paper. He produced over a thousand illustrations and works of art between 1870 and 1920. He developed and created very keen visuals of Kiowa culture, from traditional images, warfare, and coup counting to depictions of the sun dance, early
Peyote religion The Native American Church (NAC), also known as Peyotism and Peyote Religion, is a Native American religion that teaches a combination of traditional Native Americans in the United States, Native American beliefs and Christianity, with sacrament ...
, and daily life. Silver Horn had witnessed traumatic changes as the Kiowa people went from a nomadic, buffalo-hunting culture to reservation life and forced assimilation into white society. The traumatic changes were depicted in his artwork. The depictions that Silver Horn would render were visionary images that were represented in abstract form on shields and events of the years past as a record in the pictorial calendar. Many tribes of the Plains area used pictorial art to maintain a calendar as means of recording happenings as well as to illustrate stories. Silver Horn developed a complex calendar system with events recorded for summer and winter of each year and most calendars had very simple pictures that helped calendar keepers remember the name of each year. His drawings of warfare depicted events of the past as well as more recent conflicts, while his images of ceremonies included rituals that were beginning at that time. He also created illustrations of myths and other oral traditions such as supernatural figures.


Legacy

Silver Horn's works are still shown regularly and an extensive collection of them is held in the permanent collection of the
Museum of New Mexico The Museum of New Mexico is a collection of museums, historic sites, and archaeological services governed by the State of New Mexico. It currently consists of six divisions : the Palace of the Governors state history museum, the New Mexico Museum o ...
(MNM). In 1995, a large traveling exhibit featuring works from the MNM and the private collection of his great-niece, Jeri Ah-be-hill, selected by the Smithsonian Museum of Natural History, toured the United States. Ah-be-hill was a noted expert on Native American clothing and both of her daughters, Teri Greeves and Keri Ataumbi are known for their beadwork and jewelry designs. Silver Horn taught his great-nephew, Stephen Mopope how to paint on hides. Mopope went on to become one of the Kiowa Six.Watson, Mary Jo
Mopope, Stephen (1898–1974)
''Oklahoma Historical Society's Encyclopedia of Oklahoma History and Culture.'' (2 May 2009)
Today many of his family members are artists. His grandsons James, Dutch, and Max Silverhorn are all known for their German silver work, beadwork, and featherwork. His great-granddaughter, Katherine Dickerson is a Kiowa beadworker, German silver worker, and moccasin maker.''Katherine Dickerson.'' Anadarko, OK: Southern Plains Indian Museum, 2009. Another grandson, Art "Haungooah" Cody, married into the Santa Clara pueblo in New Mexico and became an award-winning potter. Art's son, Dean Haungooah continues in that tradition.


Notes


References


Department of Anthropology National Museum of Natural History, Smithsonian Institution
* Donnelley, Robert G. ''Transforming Images: The Art of Silver Horn and his Successors.'' Chicago: University of Chicago, 2000. . * Greene, Candace S. ''Silver Horn: Master Illustrator of the Kiowas.'' Norman: University of Oklahoma, 2001. . {{DEFAULTSORT:Silver Horn 1860 births 1940 deaths Kiowa people Native American Church Native American drawing artists Native American painters Painters from Oklahoma People from Caddo County, Oklahoma 19th-century American painters American male painters 20th-century American painters Native American male artists 19th-century American male artists 20th-century American male artists