HOME
The Info List - Shruti



--- Advertisement ---


(i) (i)

DIVISIONS

* Samhita * Brahmana * Aranyaka * Upanishads

Upanishads RIG VEDIC

* Aitareya * Kaushitaki

SAMA VEDIC

* Chandogya * Kena

YAJUR VEDIC

* Brihadaranyaka * Isha * Taittiriya * Katha * Shvetashvatara * Maitri

ATHARVA VEDIC

* Mundaka * Mandukya * Prashna

Other scriptures

* Bhagavad Gita * Agamas

RELATED HINDU TEXTS

Vedangas

* Shiksha
Shiksha
* Chandas * Vyakarana
Vyakarana
* Nirukta * Kalpa * Jyotisha

Puranas BRAHMA PURANAS

* Brahma
Brahma
* Brahmānda * Brahmavaivarta * Markandeya * Bhavishya

VAISHNAVA PURANAS

* Vishnu
Vishnu
* Bhagavata * Naradiya * Garuda * Padma * Vamana * Kurma * Matsya

SHAIVA PURANAS

* Shiva
Shiva
* Linga * Skanda * Vayu * Agni
Agni

Itihasa

* Ramayana
Ramayana
* Mahabharata

Shastras and sutras

* Dharma
Dharma
Shastra * Artha
Artha
Śastra * Kamasutra
Kamasutra
* Brahma Sutras * Samkhya Sutras * Mimamsa Sutras * Nyāya Sūtras
Nyāya Sūtras
* Vaiśeṣika Sūtra * Yoga
Yoga
Sutras * Pramana Sutras * Charaka Samhita * Sushruta Samhita * Natya Shastra * Panchatantra * Divya Prabandha * Tirumurai * Ramcharitmanas * Yoga Vasistha * Swara yoga * Shiva
Shiva
Samhita * Gheranda Samhita * Panchadasi * Vedantasara * Stotra

Timeline

* Chronology of Hindu texts

* v * t * e

SHRUTI or SHRUTHI (Sanskrit : श्रुति; IAST : Śruti; IPA/Sanskrit : ) in Sanskrit means "that which is heard" and refers to the body of most authoritative, ancient religious texts comprising the central canon of Hinduism . It includes the four Vedas including its four types of embedded texts - the Samhitas , the Brahmanas , the Aranyakas and the early Upanishads .

Śrutis have been variously described as a revelation through anubhava (direct experience), or of primordial origins realized by ancient Rishis . In Hindu
Hindu
tradition, they have been referred to as apauruṣeya (authorless). The Śruti
Śruti
texts themselves assert that they were skillfully created by Rishis (sages), after inspired creativity, just as a carpenter builds a chariot.

All six orthodox schools of Hinduism accept the authority of śruti, but many scholars in these schools denied that the śrutis are divine. Nāstika (heterodox) philosophies such as the Cārvāka s did not accept the authority of the śrutis and considered them to be flawed human works.

Shruti (Śruti) differs from other sources of Hindu
Hindu
philosophy, particularly smṛti “which is remembered” or textual material. These works span much of the history of Hinduism, beginning with the earliest known texts and ending in the early historical period with the later Upanishads. Of the śrutis, the Upanishads alone are widely known, and the central ideas of the Upanishadic śrutis are at the spiritual core of Hindus.

CONTENTS

* 1 Etymology * 2 Distinction between śruti and smṛti * 3 Texts * 4 Role in Hindu
Hindu
Law * 5 Transmission * 6 Quotation * 7 See also * 8 Notes

* 9 References

* 9.1 Cited sources

* 10 External links

ETYMOLOGY

The Sanskrit word "श्रुति" ( IAST : Śruti; IPA/Sanskrit : ) has multiple meanings depending on context. It means "hearing, listening", a call to "listen to a speech", any form of communication that is aggregate of sounds (news, report, rumor, noise, hearsay). The word is also found in ancient geometry texts of India, where it means "the diagonal of a tetragon or hypotenuse of a triangle", and is a synonym of karna. The word śruti is also found in ancient Indian music literature, where it means "a particular division of the octave, a quarter tone or interval" out of twenty-two enumerated major tones, minor tones, and semitones. In music, it refers the smallest measure of sound a human being can detect, and the set of twenty-two śruti and forty four half Shruti, stretching from about 250 Hz to 500 Hz, is called the Shruti octave.

In scholarly works on Hinduism, śruti refers to ancient Vedic texts from India. Monier-Williams traces the contextual history of this meaning of śruti as, "which has been heard or communicated from the beginning, sacred knowledge that was only heard and verbally transmitted from generation to generation, the Veda, from earliest Rishis (sages) in Vedic tradition. In scholarly literature, Śruti
Śruti
is also spelled as Shruti.

DISTINCTION BETWEEN śRUTI AND SMṛTI

Smriti literally "that which is remembered," refers to a body of Hindu texts usually attributed to an author, traditionally written down but constantly revised, in contrast to Śrutis (the Vedic literature) considered authorless, that were transmitted verbally across the generations and fixed. Smriti is a derivative secondary work and is considered less authoritative than Sruti in Hinduism. Sruti are fixed and its originals preserved better, while each Smriti text exists in many versions, with many different readings. Smritis were considered fluid and freely rewritten by anyone in ancient and medieval Hindu
Hindu
tradition.

Both śrutis and smṛtis represent categories of texts of different traditions of Hindu philosophy . According to Gokul Narang, the Sruti are asserted to be of divine origin in the mythologies of the Puranas . In contrast, states Roy Perrett, ancient and medieval Hindu philosophers have denied that śruti are divine, authored by God.

The Mīmāṃsā
Mīmāṃsā
tradition, famous in Hindu
Hindu
tradition for its Sruti exegetical contributions, radically critiqued the notion and any relevance for concepts such as "author", the "sacred text" or divine origins of Sruti; the Mimamsa school claimed that the relevant question is the meaning of the Sruti, values appropriate for human beings in it, and the commitment to it.

Nāstika philosophical schools such as the Cārvākas of the first millennium BCE did not accept the authority of the śrutis and considered them to be human works suffering from incoherent rhapsodies, inconsistencies and tautologies.

Smṛtis are considered to be human thoughts in response to the śrutis. Traditionally, all smṛtis are regarded to ultimately be rooted in or inspired by śrutis.

TEXTS

The śruti literature include the four Vedas:

* Rigveda * Yajurveda * Samaveda * Atharvaveda

Each of these Vedas include the following texts, and these belong to the śruti canon:

* Samhitas * Brahmanas * Aranyakas * Upanishads

The literature of the shakhas , or schools, further amplified the material associated with each of the four core traditions.

Of the above śrutis, the Upanishads are most widely known, and the central ideas of them are the spiritual foundation of Hinduism. Patrick Olivelle writes,

Even though theoretically the whole of Vedic corpus is accepted as revealed truth , in reality it is the Upanishads that have continued to influence the life and thought of the various religious traditions that we have come to call Hindu. Upanishads are the scriptures par excellence of Hinduism. — Patrick Olivelle

ROLE IN HINDU LAW

Shrutis have been considered the authority in Hinduism. Smṛtis, including the Manusmṛti , the Nāradasmṛti
Nāradasmṛti
and the Parāśarasmṛti , are considered less authoritative than śrutis.

वेदोऽखिलो धर्ममूलं स्मृतिशीले च तद्विदाम् । आचारश्चैव साधूनामात्मनस्तुष्टिरेव च ॥ Translation 1: The whole Veda is the (first) source of the sacred law, next the tradition and the virtuous conduct of those who know the ( Veda further), also the customs of holy men, and (finally) self-satisfaction (Atmanastushti). Translation 2: The root of the religion is the entire Veda, and (then) the tradition and customs of those who know (the Veda), and the conduct of virtuous people, and what is satisfactory to oneself.

वेदः स्मृतिः सदाचारः स्वस्य च प्रियमात्मनः । एतच्चतुर्विधं प्राहुः साक्षाद् धर्मस्य लक्षणम् ॥ Translation 1: The Veda, the sacred tradition, the customs of virtuous men, and one's own pleasure, they declare to be the fourfold means of defining the sacred law. Translation 2: The Veda, tradition, the conduct of good people, and what is pleasing to oneself – they say that is four fold mark of religion.

Only three of the four types of texts in the Vedas have behavioral precepts:

For the Hindu
Hindu
all belief takes its source and its justification in the Vedas . Consequently every rule of dharma must find its foundation in the Veda. Strictly speaking, the Samhitas do not even include a single precept which could be used directly as a rule of conduct. One can find there only references to usage which falls within the scope of dharma. By contrast, the Brahmanas, the Aranyakas and the Upanishads contain numerous precepts which propound rules governing behavior. — Robert Lingat

Bilimoria states the role of śruti in Hinduism has been inspired by "the belief in a higher natural cosmic order (Rta succeeded later by the concept Dharma) that regulates the universe and provides the basis for its growth, flourishing and sustenance – be that of the gods, human beings, animals and eco-formations".

Levinson states that the role of śruti and smṛti in Hindu law
Hindu law
is as a source of guidance, and its tradition cultivates the principle that "the facts and circumstances of any particular case determine what is good or bad". The later Hindu texts include fourfold sources of dharma, states Levinson, which include atmanastushti (satisfaction of one's conscience), sadacara (local norms of virtuous individuals), smṛti and śruti.

TRANSMISSION

The śrutis, the oldest of which trace back to the second millennium BCE, had not been committed to writing in ancient times. These were developed and transmitted verbally, from one generation to the next, for nearly two millenniums. Almost all printed editions available in the modern era are copied manuscripts that are hardly older than 500 years. Michael Witzel explains this oral tradition as follows:

The Vedic texts were orally composed and transmitted, without the use of script, in an unbroken line of transmission from teacher to student that was formalized early on. This ensured an impeccable textual transmission superior to the classical texts of other cultures; it is, in fact, something like a tape-recording.... Not just the actual words, but even the long-lost musical (tonal) accent (as in old Greek or in Japanese) has been preserved up to the present. — Michael Witzel

Ancient Indians developed techniques for listening, memorization and recitation of śrutis. Many forms of recitation or pathas were designed to aid accuracy in recitation and the transmission of the Vedas and other knowledge texts from one generation to the next. All hymns in each Veda were recited in this way; for example, all 1,028 hymns with 10,600 verses of the Rigveda was preserved in this way; as were all other Vedas including the Principal Upanishads , as well as the Vedangas. Each text was recited in a number of ways, to ensure that the different methods of recitation acted as a cross check on the other. Pierre-Sylvain Filliozat summarizes this as follows:

* Samhita-patha: continuous recitation of Sanskrit words bound by the phonetic rules of euphonic combination; * Pada-patha: a recitation marked by a conscious pause after every word, and after any special grammatical codes embedded inside the text; this method suppresses euphonic combination and restores each word in its original intended form; * Krama-patha: a step-by-step recitation where euphonically-combined words are paired successively and sequentially and then recited; for example, a hymn "word1 word2 word3 word4...", would be recited as "word1word2 word2word3 word3word4 ...."; this method to verify accuracy is credited to Vedic sages Gargya and Sakalya in the Hindu tradition and mentioned by the ancient Sanskrit grammarian Panini (dated to pre-Buddhism period); * Krama-patha modified: the same step-by-step recitation as above, but without euphonic-combinations (or free form of each word); this method to verify accuracy is credited to Vedic sages Babhravya and Galava in the Hindu
Hindu
tradition, and is also mentioned by the ancient Sanskrit grammarian Panini; * Jata-pāṭha, dhvaja-pāṭha and ghana-pāṭha are methods of recitation of a text and its oral transmission that developed after 5th century BCE, that is after the start of Buddhism and Jainism; these methods use more complicated rules of combination and were less used.

These extraordinary retention techniques guaranteed an accurate Śruti, fixed across the generations, not just in terms of unaltered word order but also in terms of sound. That these methods have been effective, is testified to by the preservation of the most ancient Indian religious text, the Ṛgveda (ca. 1500 BCE).

This part of a Vedic student's education was called svādhyāya . The systematic method of learning, memorization and practice, enabled these texts to be transmitted from generation to generation with inordinate fidelity.

QUOTATION

Max Müller
Max Müller
in an 1865 lecture stated:

The idea of revelation, and I mean more particularly book revelation, is not a modern idea, nor is it an idea peculiar to Christianity. In no country, I believe, has the theory of revelation been so minutely elaborated as in India. The name for revelation in Sanskrit is shruti, which means hearing; and this title distinguished the Vedic hymns and, at a later time, the Brahmanas also, from all other works, which however sacred and authoritative to the Hindu
Hindu
mind, are admitted to have been composed by human authors. But let me state at once that there is nothing in the hymns themselves to warrant such extravagant theories. In many a hymn, the author says plainly that he or his friends made it to please the gods; that he made it, as a carpenter makes a chariot (Rv 1.130.6; 5.2.11), or like a beautiful vesture (Rv 5.29.15); that he fashioned it in his heart and kept it in his mind (Rv 1.171.2). — Max Muller

SEE ALSO

* Hindu law
Hindu law
* Upanishads * Vedas

NOTES

* ^ A B Elisa Freschi (2012): The Vedas are not deontic authorities in absolute sense and may be disobeyed, but still recognized as an deontological epistemic authority by a Hindu
Hindu
orthodox school; (Note: This differentiation between epistemic and deontic authority is true for all Indian religions)

REFERENCES

* ^ A B C James Lochtefeld (2002), "Shruti", The Illustrated Encyclopedia of Hinduism, Vol. 2: N–Z, Rosen Publishing. ISBN 9780823931798 , page 645 * ^ A B C D E F Wendy Doniger O'Flaherty (1988), Textual Sources for the Study of Hinduism, Manchester University Press, ISBN 0-7190-1867-6 , pages 2-3 * ^ Michael Myers (2013). Brahman: A Comparative Theology. Routledge. pp. 104–112. ISBN 978-1-136-83572-8 . * ^ P Bilimoria (1998), ‘The Idea of Authorless Revelation’, in Indian Philosophy of Religion (Editor: Roy Perrett), ISBN 978-94-010-7609-8 , Springer Netherlands, pages 3, 143-166 * ^ Hartmut Scharfe (2002), Handbook of Oriental Studies, BRILL Academic, ISBN 978-9004125568 , pages 13-14 * ^ Klaus Klostermaier (2007), Hinduism: A Beginner's Guide, ISBN 978-1851685387 , Chapter 2, page 26 * ^ Elisa Freschi (2012), Duty, Language and Exegesis in Prabhakara Mimamsa, BRILL, ISBN 978-9004222601 , page 62 * ^ A B Roy Perrett (1998), Hindu
Hindu
Ethics: A Philosophical Study, University of Hawaii Press, ISBN 978-0824820855 , pages 16-18 * ^ P Bilimoria (1990), Hindu
Hindu
Doubts About God - Towards a Mīmāmsā Deconstruction, International Philosophical Quarterly, Volume 30, Issue 4, pages 481-499 * ^ A B Richard Hayes (2000), in Philosophy of Religion: Indian Philosophy (Editor:Roy Perrett), Routledge, ISBN 978-0815336112 , pages 187-212

* ^ A B Original Sanskrit version:Sarvasiddhanta Samgraha, pages 3-7; English version: The Charvaka System with commentary by Madhava Acharya, Translators: Cowell and Gough (1882), pages 5-9 * ^ Flood, Gavin. pp. 39. * ^ A B Wendy Doniger (1990), Textual Sources for the Study of Hinduism, 1st Edition, University of Chicago Press, ISBN 978-0226618470 , pages 2-3; QUOTE: "The Upanishads supply the basis of later Hindu
Hindu
philosophy; they alone of the Vedic corpus are widely known and quoted by most well-educated Hindus, and their central ideas have also become a part of the spiritual arsenal of rank-and-file Hindus." * ^ A B Patrick Olivelle (2014), The Early Upanisads, Oxford University Press, ISBN 978-0195352429 , page 3; QUOTE: "Even though theoretically the whole of vedic corpus is accepted as revealed truth , in reality it is the Upanishads that have continued to influence the life and thought of the various religious traditions that we have come to call Hindu. * ^ A B C D zruti Monier-Williams' Sanskrit-English Dictionary, Cologne Digital Sanskrit Lexicon, Germany * ^ TA Amma (1999), Geometry in Ancient and Medieval India, ISBN 978-8120813441 , page 261 * ^ Miloš Zatkalik, Milena Medić and Denis Collins (2013), Histories and Narratives of Music Analysis, Cambridge Scholars Publishing, ISBN 978-1443850285 , page 509 * ^ Shruti, Encyclopædia Britannica (2015) * ^ Kim Knott (2016). Hinduism: A Very Short Introduction. Oxford University Press. p. 12. ISBN 978-0-19-874554-9 . Quote: There are different views among Hindus about which scriptures are shruti and which fall into the other important category of sacred literature, smriti, that which is remembered or handed down. * ^ Wendy Doniger (1988). Textual Sources for the Study of Hinduism. Manchester University Press. p. 2. ISBN 978-0-7190-1867-1 . * ^ James Lochtefeld (2002), "Smrti", The Illustrated Encyclopedia of Hinduism, Vol. 2: N–Z, Rosen Publishing, ISBN 978-0823931798 , page 656-657 * ^ Sheldon Pollock (2011), Boundaries, Dynamics and Construction of Traditions in South Asia (Editor: Federico Squarcini), Anthem, ISBN 978-0857284303 , pages 41-58 * ^ Coburn, Thomas B. 1984. pp. 448 * ^ Gokul Chand Narang (1903). Message of the Vedas. Рипол Классик. pp. 39–40. ISBN 978-5-87256-097-5 . * ^ Francis X. Clooney (1987), Why the Veda Has No Author: Language as Ritual in Early Mīmāṃsā
Mīmāṃsā
and Post-Modern Theology, Journal of the American Academy of Religion, Vol. 55, No. 4, page 660 * ^ "Shruti: The Four Vedas". * ^ Gavin Flood (1996), An Introduction to Hinduism, Cambridge University Press, ISBN 978-0521438780 , pages 33-40 * ^ A Bhattacharya (2006), Hinduism: Introduction to Scriptures and Theology, ISBN 978-0595384556 , pages 8-14 * ^ Flood, Gavin. 1997. pp. 39 * ^ James Lochtefeld (2002), "Smrti", The Illustrated Encyclopedia of Hinduism, Vol. 2: N–Z, Rosen Publishing. ISBN 9780823931798 , pages 656 and 461 * ^ A B The Laws of Manu 2.6 with footnotes George Bühler (Translator), The Sacred Books of the East , Vol. 25, Oxford University Press * ^ A B Brian Smith and Wendy Doniger (1992), The Laws of Manu, Penguin, ISBN 978-0140445404 , pages 17-18 * ^ Robert Lingat (1973), The Classical Law of India, University of California Press, ISBN 978-0520018983 , pages 7-8 * ^ Bilimoria, Purushottama (2011), The idea of Hindu
Hindu
law, Journal of Oriental Society of Australia, Vol. 43, pages 103-130 * ^ A B Devid Levinson (2002), Encyclopedia of Crime and Punishment, Volume 1, SAGE Publications, ISBN 978-0761922582 , page 829 * ^ Quotation of "... almost all printed editions depend on the late manuscripts that are hardly older than 500 years, not on the still extant and superior oral tradition" - M Witzel, " Vedas and Upaniṣads", in: Flood, Gavin, ed. (2003), The Blackwell Companion to Hinduism, Blackwell Publishing Ltd., ISBN 1-4051-3251-5 , pages 68-71 * ^ M Witzel, " Vedas and Upaniṣads", in: Flood, Gavin, ed. (2003), The Blackwell Companion to Hinduism, Blackwell Publishing Ltd., ISBN 1-4051-3251-5 , pages 68-71 * ^ A B Hartmut Scharfe (2002). Handbook of Oriental Studies. BRILL Academic. pp. 24–29, 226–232. ISBN 90-04-12556-6 . * ^ A B Pierre-Sylvain Filliozat (2006). Karine Chemla, ed. History of Science, History of Text. Springer. pp. 138–140. ISBN 978-1-4020-2321-7 . * ^ Wilke, Annette and Moebus, Oliver. Sound and Communication: An Aesthetic Cultural History of Sanskrit Hinduism (Religion and Society). De Gruyter (February 1, 2007). P. 495. ISBN 3110181592 . * ^ Frits Staal (1996). Ritual and Mantras: Rules Without Meaning. Motilal Banarsidas. pp. 220–221. ISBN 978-81-208-1412-7 . * ^ Müller, Max. 1867. Chips from a German Workshop. “Lecture on the Vedas or the Sacred Books of the Brahmans, Delivered at Leeds, 1865”. Oxford University Press pp. 17–18

CITED SOURCES

* Coburn, Thomas, B. Scripture" in India: Towards a Typology of the Word in Hindu
Hindu
Life Journal of the American Academy of Religion, Vol. 52, No. 3 (Sep., 1984), * Clooney, Francis X. Why the