The terms "semi-opera", "dramatic opera" and "English opera" were all applied to Restoration entertainments that combined spoken plays with

masque The masque was a form of festive courtly entertainment that flourished in 16th- and early 17th-century Europe, though it was developed earlier in Italy, in forms including the intermedio (a public version of the masque was the pageant). A masq ...

-like episodes employing singing and dancing characters. They usually included

machines A machine is a physical system using power to apply forces and control movement to perform an action. The term is commonly applied to artificial devices, such as those employing engines or motors, but also to natural biological macromolecul ...

in the manner of the

restoration spectacular The Restoration spectacular was a type of theatre production of the late 17th-century Restoration period that is defined by the amount of money, time, sets, and performers required to produce. These productions attracted and enticed audiences wi ...

. The first examples were the Shakespeare adaptations produced by Thomas Betterton with music by Matthew Locke. After Locke's death, a second flowering produced the semi-operas of

Henry Purcell Henry Purcell (, rare: September 1659 – 21 November 1695) was an English composer. Purcell's style of Baroque music was uniquely English, although it incorporated Italian and French elements. Generally considered among the greatest E ...

, notably ''

King Arthur King Arthur ( cy, Brenin Arthur, kw, Arthur Gernow, br, Roue Arzhur) is a legendary king of Britain, and a central figure in the medieval literary tradition known as the Matter of Britain. In the earliest traditions, Arthur appears as ...

'' and '' The Fairy-Queen''. Semi-opera received a deathblow when the

Lord Chamberlain The Lord Chamberlain of the Household is the most senior officer of the Royal Household of the United Kingdom, supervising the departments which support and provide advice to the Sovereign of the United Kingdom while also acting as the main c ...

separately licensed plays without music and the new Italian

opera Opera is a form of theatre in which music is a fundamental component and dramatic roles are taken by singers. Such a "work" (the literal translation of the Italian word "opera") is typically a collaboration between a composer and a libr ...

. Semi-operas were performed with singing, speaking and dancing roles. When music was written, it was usually for moments in the play immediately following either love scenes or those concerning the supernatural. It has been observedCurtis Price and Louise K. Stein: "Semi-opera" in ''New Grove Dictionary of Opera'' that several of Calderón's ''comedia''s with music by Juan Hidalgo de Polanco are closer to semi-opera than to the pastoral

Zarzuela () is a Spanish lyric-dramatic genre that alternates between spoken and sung scenes, the latter incorporating operatic and popular songs, as well as dance. The etymology of the name is uncertain, but some propose it may derive from the name of ...

List of English semi-operas

*''Macbeth'' (1673) libretto by

William Davenant Sir William Davenant (baptised 3 March 1606 – 7 April 1668), also spelled D'Avenant, was an English poet and playwright. Along with Thomas Killigrew, Davenant was one of the rare figures in English Renaissance theatre whose career spanned b ...

after

Shakespeare William Shakespeare ( 26 April 1564 – 23 April 1616) was an English playwright, poet and actor. He is widely regarded as the greatest writer in the English language and the world's pre-eminent dramatist. He is often called England's nation ...

's ''

Macbeth ''Macbeth'' (, full title ''The Tragedie of Macbeth'') is a tragedy by William Shakespeare. It is thought to have been first performed in 1606. It dramatises the damaging physical and psychological effects of political ambition on those w ...

''; music by Matthew Locke *''The Tempest, or The Enchanted Island'' (1674) libretto by

Thomas Shadwell Thomas Shadwell ( – 19 November 1692) was an English poet and playwright who was appointed Poet Laureate in 1689. Life Shadwell was born at either Bromehill Farm, Weeting-with-Broomhill or Santon House, Lynford, Norfolk, and educated at Bu ...

after

John Dryden '' John Dryden (; – ) was an English poet, literary critic, translator, and playwright who in 1668 was appointed England's first Poet Laureate. He is seen as dominating the literary life of Restoration England to such a point that the p ...

and William Davenant's adaptation of Shakespeare's '' The Tempest''; music by Matthew Locke, Giovanni Battista Draghi and Pelham Humfrey *''Calisto, or The Chaste Nymph'' (1675) libretto by John Crowne; music by

Nathaniel Staggins , nickname = {{Plainlist, * Nat * Nate , footnotes = Nathaniel is an English variant of the biblical Greek name Nathanael. People with the name Nathaniel * Nathaniel Archibald (1952–2018), American basketball player * Nate ...

*'' Psyche'' (1675) libretto by Thomas Shadwell; music by Matthew Locke *''Circe'' (1677) libretto by Charles Davenant; music by John Banister *''The Lancashire Witches and Tegue O'Divelly the Irish Priest'' (1681) libretto by Thomas Shadwell; music by John Eccles *'' Albion and Albanius'' (1685) libretto by John Dryden; music by Louis Grabu *'' Dioclesian'' (1690) libretto by Thomas Betterton after the play ''The Prophetess'', by John Fletcher and Philip Massinger; music by

*''

'' (1691) libretto by John Dryden; music by Henry Purcell *'' The Fairy Queen'' (1692) libretto by an anonymous author after Shakespeare's ''

A Midsummer Night's Dream ''A Midsummer Night's Dream'' is a comedy written by William Shakespeare 1595 or 1596. The play is set in Athens, and consists of several subplots that revolve around the marriage of Theseus and Hippolyta. One subplot involves a conflict a ...

''; music by Henry Purcell * ''Timon of Athens'' (1694), music by Henry Purcell *''Macbeth'' (1695) libretto by

after

's ''

''; music by John Eccles and Godfrey Finger *'' The Indian Queen'' (1695) libretto adapted version of the play by

Sir Robert Howard Robert Howard may refer to: Entertainment * Robert Howard (playwright) (1626–1698), English playwright and politician * Robert Boardman Howard (1896–1983), American muralist and sculptor * Robert E. Howard (1906–1936), fantasy writer, crea ...

and John Dryden; music by Henry Purcell, Act V completed by Daniel Purcell *'' Brutus of Alba'' (1696) anonymous libretto; music by Daniel Purcell *''Cinthia and Endimion, or The Loves of the Deities'' (1696) libretto by Thomas Durfey; music by Daniel Purcell, Richard Leveridge, Jeremiah Clarke, Henry Purcell and David Underwood *''The World in the Moon'' (1697) libretto by

Elkanah Settle Elkanah Settle (1 February 1648 – 12 February 1724) was an English poet and playwright. Biography He was born at Dunstable, and entered Trinity College, Oxford, in 1666, but left without taking a degree. His first tragedy, '' Cambyses, King ...

; music by Daniel Purcell, Jeremiah Clarke and Henry Purcell *'' Rinaldo and Armida'' (1698) libretto by

John Dennis John Dennis may refer to: *John Dennis (dramatist) (1658–1734), English dramatist *John Dennis (1771–1806), Maryland congressman * John Dennis (1807–1859), his son, Maryland congressman * John Stoughton Dennis (1820–1885), Canadian surveyor ...

; music by John Eccles *''The Island Princess'' (1699) libretto by

Peter Motteux Peter Anthony Motteux (born Pierre Antoine Motteux ; 25 February 1663 – 18 February 1718) was a French-born English author, playwright, and translator. Motteux was a significant figure in the evolution of English journalism in his era, as the ...

, adapted from plays by John Fletcher and Nahum Tate; music by Daniel Purcell, Richard Leveridge and Jeremiah Clarke *''The Grove, or Love's Paradise'' (1700) libretto by John Oldmixon; music by Daniel Purcell *''The Mad Lover'' (1700) libretto by Peter Motteux after the play by John Fletcher; music by John Eccles and Daniel Purcell *''Alexander the Great'' (1701) anonymous libretto after ''The Rival Queens'' by

Nathaniel Lee Nathaniel Lee (c. 1653 – 6 May 1692) was an English dramatist. He was the son of Dr Richard Lee, a Presbyterian clergyman who was rector of Hatfield and held many preferments under the Commonwealth; Dr Lee was chaplain to George Monck, afte ...

; music by Godfrey Finger and Daniel Purcell *'' The Virgin Prophetess, or The Fate of Troy'' (1701) libretto by Elkanah Settle; music by Godfrey Finger *''The British Enchanters, or No Magic Like Love'' (1706) libretto by George Granville, Lord Lansdowne; music by John Eccles, Bartholomew Issack and William Corbett *''Wonders in the Sun, or The Kingdom of the Birds'' (1706) libretto by Thomas Durfey; music by John Smith, Samuel Akeroyde, John Eccles, Giovanni Battista Draghi, Lully and Durfey *''The Tempest'' (1712) libretto adapted by Thomas Shadwell from the Dryden-Davenant version of Shakespeare's play; music possibly by John Weldon (long attributed to Henry Purcell)

Notes

References

* Warrack, John and West, Ewan (1992), ''The Oxford Dictionary of Opera'', 782 pages, * ''A Companion to Restoration Drama'' ed. Susan J. Owen (Blackwell, 2008): chapter by Todd S. Gilman {{Opera genres Italian opera terminology Opera genres