Sebastian Aguilera de Heredia
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Sebastian Aguilera de Heredia (August 1561 – 16 December 1627Robert Cummings, "Sebastián Aguilera de Heredia", a
AllMusic.com
/ref>) was a Spanish
monk A monk (, from el, μοναχός, ''monachos'', "single, solitary" via Latin ) is a person who practices religious asceticism by monastic living, either alone or with any number of other monks. A monk may be a person who decides to dedica ...
, musician and composer. He was first the
organist An organist is a musician who plays any type of organ. An organist may play solo organ works, play with an ensemble or orchestra, or accompany one or more singers or instrumental soloists. In addition, an organist may accompany congregational h ...
at the
cathedral A cathedral is a church that contains the '' cathedra'' () of a bishop, thus serving as the central church of a diocese, conference, or episcopate. Churches with the function of "cathedral" are usually specific to those Christian denominatio ...
in
Huesca Huesca (; an, Uesca) is a city in north-eastern Spain, within the autonomous community of Aragon. It is also the capital of the Spanish province of the same name and of the comarca of Hoya de Huesca. In 2009 it had a population of 52,059, almo ...
from 1585 to 1603, and then moved to a more prestigious position as ''maestro de música'' at
La Seo Cathedral The Cathedral of the Savior ( es, Catedral del Salvador) or La Seo de Zaragoza is a Roman Catholic cathedral in Zaragoza, in Aragon, Spain. It is part of the World Heritage Site ''Mudéjar Architecture of Aragon''. The cathedral is located on th ...
in
Saragossa Zaragoza, also known in English as Saragossa,''Encyclopædia Britannica'"Zaragoza (conventional Saragossa)" is the capital city of the Zaragoza Province and of the autonomous community of Aragon, Spain. It lies by the Ebro river and its tributar ...
. He published a collection of works in 1618, and eighteen of his keyboard works survive. He is considered the first major figure of the Aragonese School of music centered on Saragossa.


Organ music

1- Pange lingua a 3 sobre bajo por Ce-sol-faut; 2- Pange lingua a 3 sobre tiple; 3- Salve de Lleno de 1.er tono; 4- Salve de 1.er tono por De-la-sol-re; 5- Primera obra de 1.er tono; 6- Segunda obra del 1.er tono; 7- Primer registro de bajo del 1.er tono; 8- Segundo registro de bajo del 1.er tono; 9- Tercer registro de bajo del 1.er tono; 10- Primer tiento de falsas del 4º tono; 11- Segundo tiento de falsas del 4º tono; 12- Tiento grande del 4º tono; 13- Falsas del 6º tono; 14- Tiento del 8º tono por De-la-sol-re; 15- Obra de 8º tono por Ge-sol-re-ut; 16- Obra de 8º tono alto: Ensalada; 17- Dos bajos de 8º tono; 18- Discurso sobre los saeculorum; 19- Tiento de Batalla de 8º Tono.


Vocal music

* ''Canticum Beatissimae Virginis Deiparae. Octo modis seu tonis compositium, quaternis vocibus, quinis, senis et octonis concinendum'' (Zaragoza, Tip. Pedro Cabarte, 1618).


Discography

* Hora, Joaquim Simões da (1994), ''Órgãos Históricos Portugueses: Évora & Porto'', Lusitana Musica, Volume I, EMI Classics / Valentim de Carvalho. CD 777 7 547 55 2 4. * Uriol, Jose Luis González (1990), ''Antología de obras para órgano: Sebastián Aguilera de Heredia'', Ministerio de Educación y Ciencia: Centro de Publicaciones, 1032 CD.


Score editions

* Anglés, Higinio, (1965–68), ''Antología de Organistas Españoles del siglo XVII'', Diputación Provincial de Barcelona: Biblioteca Central, Barcelona, 4 vols. * Apel, Willi (1971), ''Spanish Organ Masters After Antonio de Cabezón'', Corpus of Early Keyboard Music n.º 14, American Institute of Musicology. *Doderer, Gerhard (1981), ''Tientos de medio registro: Organa Hispanica'', Heft V, Heidelberg, Willy Muller, pp. 5–9. * Gay, Claude (1979), ''L'Ouvre d'Orgue'', Paris, Editions Alphonse Leduc & C.ª, 2 vols. * Kastner, Macário Santiago (1965), ''Silva Ibérica'', Volume 2, Mainz, Schott, pp. 34–39. * Pedrell, Felipe (1908), ''Antologia de Organistas Clásicos Españoles'', Madrid, Ildefonso Alier, Volumen Primero, p. V e pp. 64–76. * Perez, José Sierra (2001), ''Música para Órgano: Siglo XVII: Fr. Cristóbal de San Jerónimo; P. Pedro de Tafalla; P. Diego de Torrijos'', Escorial, Ediciones Escurialenses, pp. 157–163. * Rubio, Samuel (1971), ''Antologia de Organistas Clásicos'', Madrid, Union Musical Española. eedition of 1914's edition from Pe. Luis Villalba Muñoz * Siemens Hernández, Lothar (1978), ''Obras para Organo'', Madrid, Editorial Alpuerto.


Bibliography

*ANGLÉS, Higinio: ''Antología de organistas españoles del siglo XVII'', Barcelona, 1965–68, 4 vols. *APEL, Willi: ''Die spanische Orgelmusik vor Cabanilles'', AnM, XVII, 1962. *APEL, Willi, ''Spanish Organ Masters After Antonio de Cabezón'', Corpus of Early Keyboard Music n.º 14, American Institute of Musicology, 1971. *CABRAL, Luís (1982), “Catálogo do Fundo de Manuscritos Musicais”, Biblioteca Portucalensis, 2ª Série, n.º 1, Porto, Biblioteca Pública Municipal. *CALAHORRA MARTÍNEZ, Pedro: ''La música en Zaragoza en los siglos XVI y XVII'', IFC, 1977-78. *CASARES, E., ''Francisco Asenjo Barbieri: Biografías y documentos sobre música y músicos españoles'', Legado Barbieri, i (Madrid, 1986), 4–5. *DODERER, Gerhard ''Tientos de medio registro'', Organa Hispanica, Heft V, 1981, Heidelberg, Willy Muller, pp. 5–9. *DURÁN GUDIOL, ''Antonio: Órganos, organeros y organistas de la catedral de Huesca'', Argensola, X, Huesca, 1959. *GAY, Claude, ''L'Ouvre d'Orgue'', Paris, Editions Alphonse Leduc & C.ª, 2 vols, 1979. *HUDSON, Barton, ''A Portuguese Source of Seventeenth-Century Iberian Organ Music'', Doutoramento, 1961, Indiana, Universidade do Indiana, Policopiado. *KASTNER, Macário Santiago "Três libros desconocidos com música orgânica en las Bibliotecas de Oporto y Braga", Anuário Musical, vol. I, 1946, Barcelona, pp. 143–151. *KASTNER, Macario Santiago: ''Contribución al estudio de la musica española y portuguesa'', Lisboa, 1941. *KASTNER, Macário Santiago, ''Silva Ibérica'', Volume 2, Edition Schott Music, 1965, pp. 34–39. *KASTNER, Macario Santiago: "Ursprung und Sinn des 'Medio registro'" AnM, XIX, 1964. *PALACIOS, José Ignacio, ''Los compositores aragoneses'', Zaragoza, CAI, 2000. . *PEDRELL, Felipe ''Antologia de Organistas Clásicos Españoles'', 1908, Madrid, Ildefonso Alier, Volumen Primero, p. V e pp. 64–76. *ROUBINET, M., «Sebastián Aguilera de Heredia», en:
Gilles Cantagrel Gilles Cantagrel (born 20 November 1937) is a French musicologist, writer, lecturer and music educator. Biography Born in Paris, Cantagrel studied physics, art history and music at the École Normale de Musique de Paris and at the Conservatoi ...
(dir.), Guide de la musique d’orgue, Éditions Fayard, 1991, . *RUBIO, Samuel ''Antologia de Organistas Clásicos'', Madrid, Union Musical Española, 1971. *SIEMENS HERNÁNDEZ, Lothar: ''La Seo de Zaragoza, destacada escuela de órgano en el siglo XVII. I: Sebastián Aguilera y José Ximénez''. AnM 21, (1966), 1968, pp. 147–167. *SIEMENS HERNÁNDEZ, Lothar, ''Obras para Organo'', Editorial Alpuerto, Madrid, 1978. *Voz «Sebastián Aguilera de Heredia», Gran Enciclopedia Aragonesa.


Notes


References

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External links

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Sebastián Aguilera de Heredia
a
Cancioneros Musicales Españoles
{{DEFAULTSORT:Aguilera de Heredia, Sebastiano Roman Catholic monks Renaissance composers Spanish male classical composers Spanish Baroque composers Spanish classical organists Male classical organists Classical composers of church music Cathedral organists 1561 births 1627 deaths 17th-century classical composers 17th-century male musicians