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The Crystal Ball by John William Waterhouse (1902, oil on canvas)

Scrying, also known by various names such as "seeing" or "peeping", is the practice of looking into a suitable medium in the hope of detecting significant messages or visions. The objective might be personal guidance, prophecy, revelation, or inspiration, but down the ages, scrying in various forms also has been a prominent means of divination or fortune-telling.[1] It remains popular in occult circles, discussed in many media, both modern and centuries old.

Definitions and terminology

There is no definitive distinction between scrying and other aids to clairvoyance, augury, or divination, but roughly speaking, scrying depends on fancied impressions of visions in the medium of choice. Ideally in this respect it differs from augury, which relies on interpretations of objectively observable objects or events (such as flight of birds); from divination, which depends on standardized processes or rituals; from oneiromancy, which depends on the interpretation of dreams; from the physiological effects of psychoactive drugs; and from clairvoyance, which notionally does not depend on objective sensory stimuli. Clairvoyance in other words,

Scrying, also known by various names such as "seeing" or "peeping", is the practice of looking into a suitable medium in the hope of detecting significant messages or visions. The objective might be personal guidance, prophecy, revelation, or inspiration, but down the ages, scrying in various forms also has been a prominent means of divination or fortune-telling.[1] It remains popular in occult circles, discussed in many media, both modern and centuries old.

Definitions and terminology

There is no definitive distinction between scrying and other aids to clairvoyance, augury, or divination, but roughly speaking, scrying depends on fancied impressions of visions in the medium of choice. Ideally in this respect it differs from augury, which relies on interpretations of objectively observable objects or events (such as flight of birds); from divination, which depends on standardized processes or rituals; from oneiromancy, which depends on the interpretation of dreams; from the physiological effects of psychoactive drugs; and from clairvoyance, which notionally does not depend on objective sensory stimuli. Clairvoyance in other words, is regarded as amounting in essence to extrasensory perception.

Scrying is neither a single, clearly defined, nor formal discipline and there is no uniformity in the procedures, which repeatedly and independently have been reinvented or elaborated in many ages and regions.[2][3] Furthermore, practitioners and authors coin terminology so arbitrarily, and often artificially, that no one system of nomenclature can be taken as authoritative and definitive. Commonly terms in use are Latinisations or Hellenisations of descriptions of the media or activities. Examples of names coined for crystal gazing include 'crystallomancy', 'spheromancy', and 'catoptromancy'. As an example of the looseness of such terms, catoptromancy should refer more specifically to scrying by use of mirrors or other reflective objects rather than by crystal gazing. Other names that have been coined for the use of various scrying media include anthracomancy for glowing coals, turifumy for scrying into smoke, and hydromancy for scrying into water. There is no clear limit to the coining and application of such terms and media.[4]

Scrying has been practised in many cultures in the belief that it can reveal the past, present, or future.[5][6] Some practitioners assert that visions that come when one stares into the media are from the subconscious or imagination, while others say that they come from gods, spirits, devils, or the clairvoyance, augury, or divination, but roughly speaking, scrying depends on fancied impressions of visions in the medium of choice. Ideally in this respect it differs from augury, which relies on interpretations of objectively observable objects or events (such as flight of birds); from divination, which depends on standardized processes or rituals; from oneiromancy, which depends on the interpretation of dreams; from the physiological effects of psychoactive drugs; and from clairvoyance, which notionally does not depend on objective sensory stimuli. Clairvoyance in other words, is regarded as amounting in essence to extrasensory perception.

Scrying is neither a single, clearly defined, nor formal discipline and there is no uniformity in the procedures, which repeatedly and independently have been reinvented or elaborated in many ages and regions.[2][3] Furthermore, practitioners and authors coin terminology so arbitrarily, and often artificially, that no one system of nomenclature can be taken as authoritative and definitive. Commonly terms in use are Latinisations or Hellenisations of descriptions of the media or activities. Examples of names coined for crystal gazing include 'crystallomancy', 'spheromancy', and 'catoptromancy'. As an example of the looseness of such terms, catoptromancy should refer more specifically to scrying by use of mirrors or other reflective objects rather than by crystal gazing. Other names that have been coined for the use of various scrying media include anthracomancy for glowing coals, turifumy for scrying into smoke, and hydromancy for scrying into water. There is no clear limit to the coining and application of such terms and media.[4]

Scrying has been practised in many cultures in the belief that it can reveal the past, present, or future.[5][6] Some practitioners assert that visions that come when one stares into the media are from the subconscious or imagination, while others say that they come from gods, spirits, devils, or the psychic mind, depending on the culture and practice. There is neither any systematic body of empirical support for any such views in general however, nor for their respective rival merits; individual preferences in such matters are arbitrary at best.[2][3] Furthermore, practitioners and authors coin terminology so arbitrarily, and often artificially, that no one system of nomenclature can be taken as authoritative and definitive. Commonly terms in use are Latinisations or Hellenisations of descriptions of the media or activities. Examples of names coined for crystal gazing include 'crystallomancy', 'spheromancy', and 'catoptromancy'. As an example of the looseness of such terms, catoptromancy should refer more specifically to scrying by use of mirrors or other reflective objects rather than by crystal gazing. Other names that have been coined for the use of various scrying media include anthracomancy for glowing coals, turifumy for scrying into smoke, and hydromancy for scrying into water. There is no clear limit to the coining and application of such terms and media.[4]

Scrying has been practised in many cultures in the belief that it can reveal the past, present, or future.[5][6] Some practitioners assert that visions that come when one stares into the media are from the subconscious or imagination, while others say that they come from gods, spirits, devils, or the psychic mind, depending on the culture and practice. There is neither any systematic body of empirical support for any such views in general however, nor for their respective rival merits; individual preferences in such matters are arbitrary at best.[5]

The media most commonly used in scrying are reflective, refractive, translucent, or luminescent surfaces or objects such as crystals, stones, or glass in various shapes such as crystal balls, mirrors, reflective black surfaces such as obsidian, water surfaces, fire, or smoke, but there is no special limitation on the preferences or prejudices of the scryer; some may stare into pitch dark, clear sky, clouds, shadows, or light patterns against walls, ceilings, or pond beds. Some prefer glowing coals or shimmering mirages. Some simply close their eyes, notionally staring at the insides of their own eyelids, and speak of "eyelid scrying".

Scrying media generally either suggest images directly (such as figures in fire, fluid eddies or clouds), or else they distort or reflect the observers' vision confusingly, in the manner to be seen in crystals or transparent balls. Such fancies have long been satirised by sceptics, for

Scrying media generally either suggest images directly (such as figures in fire, fluid eddies or clouds), or else they distort or reflect the observers' vision confusingly, in the manner to be seen in crystals or transparent balls. Such fancies have long been satirised by sceptics, for example in Hamlet III.ii:[citation needed]

Do you see yonder cloud that's almost in shape of a camel?
By the mass, and 'tis like a camel, indeed.
Methinks it is like a weasel.
It is backed like a weasel.
Or like a whale?
Very like a whale.

Alternat

Alternatively the medium might reduce visual stimuli to thresholds below which any clear impressions could interfere with fancied visions or free association. Examples include darkened reflections of night sky, or plain shadow or darkness.[7]

trance, with or without the aid of a medium such as a crystal ball or, even via modern technology such as a smartphone among other things. Some say that the sensation is drug-like, some that various drugs can potentiate the experience; others categorically exclude any connection with drug usage, claiming that it invalidates any images observed.

Many practitioners say that the scrying medium initially serves to focus attention, removing unwanted thoughts from the mind in much the same way as repetition of a mantra, concentration on a mandala, inducing the relaxation response, or possibly by hypnosis. Once this stage is achieved, the scryer may begin free association with the perceived images. The technique of deliberately looking for and declaring these initial images aloud, however trivial or irrelevant they may seem to the conscious mind, attempts to deepen the trance state. In this state some scryers hear their own disassociated voices affirming what they see, in a mental feedback loop.

Practitioners apply the process until they achieve a satisfactory state of perception in which rich visual images and dramatic stories seem to be projected

Many practitioners say that the scrying medium initially serves to focus attention, removing unwanted thoughts from the mind in much the same way as repetition of a mantra, concentration on a mandala, inducing the relaxation response, or possibly by hypnosis. Once this stage is achieved, the scryer may begin free association with the perceived images. The technique of deliberately looking for and declaring these initial images aloud, however trivial or irrelevant they may seem to the conscious mind, attempts to deepen the trance state. In this state some scryers hear their own disassociated voices affirming what they see, in a mental feedback loop.

Practitioners apply the process until they achieve a satisfactory state of perception in which rich visual images and dramatic stories seem to be projected within the medium itself, or in the mind's eye of the scryer. They claim that the technique allows them to see relevant events or images within the chosen medium.

Nostradamus practised scrying; he would stare into a bowl of water or a "magic mirror" to see the future while he was in trance.[6]

Divination is briefly mentioned in chapter 44 of the Book of Genesis. A silver chalice or cup is deliberately planted in Benjamin's sack when he leaves Egypt, later to be used as evidence of theft. It is revealed the cup belongs to Joseph, the vizier of Egypt, whose steward claimed was used for drinking and divination during the course of his accusation. This is mentioned to reinforce his disguise as an Egyptian nobleman.

Ancient Persia

The Shahnameh, a 10th-century epic work narrating historical and mythological past of Persia, gives a description of what was called the Cup of Jamshid (Jaam-e Jam), which was used by the ancient (mythol

The Shahnameh, a 10th-century epic work narrating historical and mythological past of Persia, gives a description of what was called the Cup of Jamshid (Jaam-e Jam), which was used by the ancient (mythological) Persian kings for observing all of the seven layers of the universe. The cup was said to contain an elixir of immortality, but without cogent explanation for any relevance of the elixir to the scrying function.

Latter Day Saint movement