Santa Maria Maddalena dei Pazzi
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Santa Maria Maddalena dei Pazzi is a
Renaissance The Renaissance ( , ) , from , with the same meanings. is a period in European history The history of Europe is traditionally divided into four time periods: prehistoric Europe (prior to about 800 BC), classical antiquity (800 BC to AD ...
-style
Roman Catholic Roman or Romans most often refers to: *Rome, the capital city of Italy * Ancient Rome, Roman civilization from 8th century BC to 5th century AD * Roman people, the people of ancient Rome *'' Epistle to the Romans'', shortened to ''Romans'', a let ...
church and a former convent located in Borgo Pinti in central
Florence Florence ( ; it, Firenze ) is a city in Central Italy and the capital city of the Tuscany Regions of Italy, region. It is the most populated city in Tuscany, with 383,083 inhabitants in 2016, and over 1,520,000 in its metropolitan area.Bilan ...
.


History

The ''Pazzi'' name was added after the Carmelite order nun Maria Maddalena de' Pazzi, canonized in 1669, whose family patronized the church. The original convent had been dedicated to St. Mary Magdalen ''delle Convertite'', the patron of once-fallen, now converted women. The Cistercian order from Badia a Settimo took control of the site in 1332 and moved to it in 1442, while the convent was transferred to San Donato in Polverosa. However, the church and chapter house were rebuilt between 1481 and 1500, with initial designs in 1492 by
Giuliano da Sangallo Giuliano da Sangallo (c. 1445 – 1516) was an Italian sculptor, architect and military engineer active during the Italian Renaissance. He is known primarily for being the favored architect of Lorenzo de' Medici, his patron. In this role, Giulia ...
. The 13th-century interiors were redecorated in the 17th and early 18th centuries, which removed the altarpieces by masters such as Botticelli,
Perugino Pietro Perugino (, ; – 1523), born Pietro Vannucci, was an Italian Renaissance painter of the Umbrian school, who developed some of the qualities that found classic expression in the High Renaissance. Raphael was his most famous pupil. Ea ...
,
Lorenzo di Credi Lorenzo di Credi (1456/59 – January 12, 1537) was an Italian Renaissance painter and sculptor best known for his paintings of religious subjects. He is most famous for having worked in the studio of Andrea del Verrocchio at the same time ...
, Domenico Ghirlandaio, and
Raffaellino del Garbo Raffaellino del Garbo (1466 – 1527) was a Florentine painter of the early Renaissance. Biography His real name was Raffaello di Bartolomeo dei Carli. He was also known as Raffaello Capponi after his adoptive family. The appellation "del Garb ...
. They were replaced by new ones from minor masters such as Carlo Portelli, Alfonso Boschi,
Domenico Puligo Domenico Puligo (1492–1527) was an Italian painter of the Renaissance, active in Florence. His real name was ''Domenico di Bartolomeo Ubaldini''. He trained under Ridolfo Ghirlandaio and acted as an assistant to Andrea del Sarto, whom he als ...
,
Santi di Tito Santi di Tito (5 December 1536 – 25 July 1603) was one of the most influential and leading Italian painters of the proto- Baroque style – what is sometimes referred to as "Counter-Maniera" or Counter-Mannerism. Biography He was born in Flo ...
, and Francesco Curradi. In the chapter house is a fresco divided into three lunettes of the ''Crucifixion and Saints'' (1493–96) by
Pietro Perugino Pietro Perugino (, ; – 1523), born Pietro Vannucci, was an Italian Renaissance painter of the Umbrian school, who developed some of the qualities that found classic expression in the High Renaissance. Raphael was his most famous pupil. Ea ...
, commissioned by Dionisio and Giovanna Pucci. The first chapel to the right of the entrance is the ''Cappella del Giglio'' (Chapel of St. Mary of the Lily) frescoed with depictions of Saints Filippo Neri,
Bernard Bernard ('' Bernhard'') is a French and West Germanic masculine given name. It is also a surname. The name is attested from at least the 9th century. West Germanic ''Bernhard'' is composed from the two elements ''bern'' "bear" and ''hard'' "bra ...
, Nereo, and Achilleo by the studio of Bernardino Poccetti, with an altarpiece by
Domenico Passignano Domenico Passignano (1559 – 17 May 1638), born Domenico Cresti or Crespi, was an Italian painter of a late- Renaissance or Counter-''Maniera'' (Counter-Mannerism) style that emerged in Florence towards the end of the 16th century. Biography ...
. The fourth chapel on the right has a stained glass window by Isabella, the daughter of Georges Henri Rouault. The choir chapel originally contained a fresco by Domenico Ghirlandaio but was rebuilt from 1685 to 1701 by Ciro Ferri and
Pier Francesco Silvani Pier Francesco Silvani (1620–1685) was an Italian architect and designer, active during the Baroque period, in Florence and other sites in Tuscany. He was the son of the Sienese architect Gherardo Silvani. After the confiscation of goods decree ...
. Ferri painted the altarpiece and
Luca Giordano Luca Giordano (18 October 1634 – 3 January 1705) was an Italian late-Baroque painter and printmaker in etching. Fluent and decorative, he worked successfully in Naples and Rome, Florence, and Venice, before spending a decade in Spain. Earl ...
the flanking pieces. The statues of Penitence and Faith on the right were sculpted by
Innocenzo Spinazzi Innocenzo Spinazzi (1726–1798) was an Italian sculptor of the Rococo period active in Rome and Florence. Biography Born in Rome the son of a silversmith, he became the leading sculptor in Florence, where he died. He was trained by Giovanni Bat ...
, while Innocence and Religion on the left by Giovanni Monatauti. The bronze reliefs on the altar were made by
Massimiliano Soldani-Benzi Massimiliano Soldani or Massimiliano Soldani Benzi (15 July 1656 – 23 February 1740) was an Italian baroque sculptor and medallist, mainly active in Florence. Born at Montevarchi, the son of a Tuscan cavalry captain, Soldani was employed by t ...
. The interior also contains works by
Giovanni Giovanni may refer to: * Giovanni (name), an Italian male given name and surname * Giovanni (meteorology), a Web interface for users to analyze NASA's gridded data * ''Don Giovanni'', a 1787 opera by Wolfgang Amadeus Mozart, based on the legend of ...
and Cosimo Bizzelli, Jacopo Chiavistelli, Ottavio Vannini,
Cosimo Rosselli Cosimo Rosselli (; 1439–1507) was an Italian painter of the Quattrocento, active mainly in his birthplace of Florence, but also in Pisa earlier in his career and in 1481–82 in the Sistine Chapel in Rome, where he painted some of the large ...
, Cosimo Gamberucci, Leonardo del Tasso, Giuseppe Servolini, and Giuseppe Piattoli.


Gallery

File:Ciro ferri, Vergine e santa Maria Maddalena dei Pazzi, 1684, 04.JPG, ''Virgin and Saint'' (detail) by Ciro Ferri File:Ciro ferri, Vergine e santa Maria Maddalena dei Pazzi, 1684, 05.JPG, ''Virgin and Saint'' (detail) File:Luca giordano, Gesu e santa Maria Maddalena dei Pazzi, 1685, 02.JPG, ''Jesus and Saint'' by Luca Giordano File:Luca giordano, Vergine presenta il Bambino a santa Maria Maddalena dei Pazzi, 1685, 04.JPG, ''Virgin Presents the Child'' by Luca Giordano File:Giovan Battista Cipriani, Comunione di santa Maria Maddalena dei Pazzi (1754) 01.JPG, ''Communion'' by Giovanni Battista Cipriani File:Natività della Vergine di Giovanni Stradano, 1583 (2).JPG, ''Nativity of the Virgin'' by
Stradanus Stradanus, Johannes Stradanus, Jan van der Straet or Giovanni StradanoMore name variations: Johannes Stradanus, Giovanni della Strada, Johannes della Strada, Giovanni Stradano, Johannes Stradano, Giovanni Stradanus, Johannes Stradanus, Jan van St ...
File:L'Adorazione dei pastori di Giovanni Stradano, 1583.JPG, ''The Adoration of the Shepherds'' by Stradanus


See also

* The Virgin appearing to St. Bernard


Further reading

* Cristina Acidini. ''Santa Maria Maddalena de' Pazzi. La chiesa e il convento''. .l.Mandragora, 2020. . * * Luchs, Alison. "Cestello: A Cistercian Church of the Florentine Renaissance." PhD diss. Johns Hopkins University, 1976 (Garland Outstanding Dissertations in the Fine Arts, 1977). *Wundram, Manfred. ''Kunstführer Florenz''. Stuttgart: Reclam, 1993, pages 227–228. .
Frommers entry
{{DEFAULTSORT:Maria Maddalena Dei Pazzi, Santa Roman Catholic churches in Florence 15th-century Roman Catholic church buildings in Italy Renaissance architecture in Florence Roman Catholic churches completed in 1500 Magdalene asylums