The Info List - Ruth Fulton Benedict

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Ruth Fulton Benedict (June 5, 1887 – September 17, 1948) was an American anthropologist and folklorist. She was born in New York City, attended Vassar College
Vassar College
and graduated in 1909. After studying anthropology at the New School of Social Research under Elsie Clews Parsons, she entered graduate studies at Columbia University
Columbia University
in 1921, where she studied under Franz Boas. She received her PhD and joined the faculty in 1923. Margaret Mead, with whom she shared a romantic relationship,[1] and Marvin Opler, were among her students and colleagues. Franz Boas, her teacher and mentor, has been called the father of American anthropology and his teachings and point of view are clearly evident in Benedict's work. Benedict held the post of President of the American Anthropological Association and was also a prominent member of the American Folklore Society.[2] She became the first woman to be recognized as a prominent leader of a learned profession.[2] She can be viewed as a transitional figure in her field, redirecting both anthropology and folklore away from the limited confines of culture-trait diffusion studies and towards theories of performance as integral to the interpretation of culture. She studied the relationships between personality, art, language and culture, insisting that no trait existed in isolation or self-sufficiency, a theory which she championed in her 1934 Patterns of Culture.


1 Early life

1.1 Childhood 1.2 College and marriage

2 Career in anthropology

2.1 Education and early career 2.2 Relationship with Margaret Mead 2.3 Post-war

3 Work

3.1 Patterns of Culture 3.2 "The Races of Mankind" 3.3 The Chrysanthemum and the Sword

4 Legacy 5 References

5.1 Bibliography

6 Further reading 7 External links

Early life[edit] Childhood[edit] Benedict was born Ruth Fulton in New York City
New York City
on June 5, 1887, to Beatrice and Frederick Fulton.[3][4] Her mother worked in the city as a schoolteacher, while her father pursued a promising career as a homeopathic doctor and surgeon.[3] Although Mr. Fulton loved his work and research, it eventually led to his premature death, as he acquired an unknown disease during one of his surgeries in 1888.[5] Due to his illness the family moved back to Norwich, New York
Norwich, New York
to the farm of Ruth's maternal grandparents, the Shattucks.[4] A year later he died, ten days after returning from a trip to Trinidad
to search for a cure.[5] Mrs. Fulton was deeply affected by her husband's passing. Any mention of him caused her to be overwhelmed by grief; every March she cried at church and in bed.[5] Ruth hated her mother's sorrow and viewed it as a weakness. For her, the greatest taboos in life were crying in front of people and showing expressions of pain.[5] She reminisced, "I did not love my mother; I resented her cult of grief".[5] Because of this, the psychological effects on her childhood were profound, for "in one stroke she [Ruth] experienced the loss of the two most nourishing and protective people around her—the loss of her father at death and her mother to grief".[4] As a toddler, she contracted measles which left her partially deaf, which was not discovered until she began school.[6] Ruth also had a fascination with death as a young child. When she was four years old her grandmother took her to see an infant that had recently died. Upon seeing the dead child's face, Ruth claimed that it was the most beautiful thing she had ever seen.[5] At age seven Ruth began to write short verses and read any book she could get her hands on. Her favorite author was Jean Ingelow
Jean Ingelow
and her favorite readings were A Legend of Bregenz and The Judas Tree.[5] Through writing she was able to gain approval from her family. Writing was her outlet, and she wrote with an insightful perception about the realities of life. For example, in her senior year of high school she wrote a piece called, "Lulu's Wedding (A True Story)" in which she recalled the wedding of a family serving girl. Instead of romanticizing the event, she revealed the true, unromantic, arranged marriage that Lulu went through because the man would take her, even though he was much older.[4] Although Ruth Benedict's fascination with death started at an early age, she continued to study how death affected people throughout her career. In her book Patterns of Culture, Benedict studied the Pueblo culture and how they dealt with grieving and death. She describes in the book that individuals may deal with reactions to death, such as frustration and grief, differently. Societies all have social norms that they follow; some allow more expression when dealing with death, such as mourning, while other societies are not allowed to acknowledge it.[3] College and marriage[edit] After high school, Margery (her sister) and Ruth were able to enter St Margaret's School for Girls, a college preparatory school, with help from a full-time scholarship. The girls were successful in school and entered Vassar College
Vassar College
in September 1905 where Ruth thrived in an all-female atmosphere.[4] During this time period stories were circulating that going to college led girls to become childless and never be married. Nevertheless, Ruth explored her interests in college and found writing as her way of expressing herself as an "intellectual radical" as she was sometimes called by her classmates.[4] Author Walter Pater was a large influence on her life during this time as she strove to be like him and live a well-lived life. She graduated with her sister in 1909 with a major in English Literature.[4] Unsure of what to do after college, she received an invitation to go on an all-expense paid tour around Europe
by a wealthy trustee of the college. Accompanied by two girls from California
that she'd never met, Katherine Norton and Elizabeth Atsatt, she traveled through France, Switzerland, Italy, Germany, and England
for one year, having the opportunity of various home stays throughout the trip.[4] Over the next few years, Ruth took up many different jobs. First she tried paid social work for the Charity Organization Society
and later she accepted a job as a teacher at the Westlake School for Girls in Los Angeles, California. While working there she gained her interest in Asia
that would later affect her choice of fieldwork as a working anthropologist. However, she was unhappy with this job as well and, after one year, left to teach English in Pasadena at the Orton School for Girls.[4] These years were difficult, and she suffered from depression and severe loneliness.[7] However, through reading authors like Walt Whitman and Jeffries that stressed a worth, importance and enthusiasm for life she held onto hope for a better future.[7] The summer after her first year teaching at the Orton School she returned home to the Shattucks' farm to spend some time in thought and peace. There Stanley Rossiter Benedict, an engineer at Cornell Medical College, began to visit her at the farm. She had met him by chance in Buffalo, New York
Buffalo, New York
around 1910. That summer Ruth fell deeply in love with Stanley as he began to visit her more, and accepted his proposal for marriage.[4] Invigorated by love, she undertook several writing projects in order to keep busy besides the everyday housework chores in her new life with Stanley. She began to publish poems under different pseudonyms—Ruth Stanhope, Edgar Stanhope, and Anne Singleton.[8] She also began work on writing a biography about Mary Wollstonecraft and other lesser known women that she felt deserved more acknowledgement for their work and contributions.[4] By 1918 the couple began to drift apart. Stanley suffered an injury that made him want to spend more time away from the city, and Benedict was not happy when the couple moved to Bedford Hills far away from the city. Career in anthropology[edit] Education and early career[edit] In her search for a career, she decided to attend some lectures at the New School for Social Research while looking into the possibility of becoming an educational philosopher.[4] While at the school, she took a class called "Sex in Ethnology" taught by Elsie Clews Parsons. She enjoyed the class and took another anthropology course with Alexander Goldenweiser, a student of noted anthropologist Franz Boas. With Goldenweiser as her teacher, Ruth's love for anthropology steadily grew.[4] As close friend Margaret Mead
Margaret Mead
explained, " Anthropology
made the first 'sense' that any ordered approach to life had ever made to Ruth Benedict".[9] After working with Goldenweiser for a year, he sent her to work as a graduate student with Franz Boas
Franz Boas
at Columbia University in 1921. She developed a close friendship with Boas, who took on a role as a kind of father figure in her life – Benedict lovingly referred to him as "Papa Franz".[10] Boas gave her graduate credit for the courses that she had completed at the New School for Social Research. Benedict wrote her dissertation "The Concept of the Guardian Spirit in North America", and received the PhD in anthropology in 1923.[3] Benedict also started a friendship with Edward Sapir
Edward Sapir
who encouraged her to continue the study of the relations between individual creativity and cultural patterns. Sapir and Benedict shared an interest in poetry, and read and critiqued each other's work, both submitting to the same publishers and both being rejected. They also were both interested in psychology and the relation between individual personalities and cultural patterns, and in their correspondences they frequently psychoanalyzed each other. However, Sapir showed little understanding for Benedict's private thoughts and feelings. In particular, his conservative gender ideology jarred with Benedict's struggle for emancipation. While they were very close friends for a while, it was ultimately the differences in worldview and personality that led their friendship to strand.[11] Benedict taught her first anthropology course at Barnard college in 1922 and among the students there was Margaret Mead. Benedict was a significant influence on Mead.[12] Boas regarded Benedict as an asset to the anthropology department, and in 1931 he appointed her as Assistant Professor
in Anthropology, something impossible until her divorce from Stanley Benedict that same year. One student who felt especially fond of Ruth Benedict
Ruth Benedict
was Ruth Landes.[13] Letters that Landes sent to Benedict state that she was enthralled by the way in which Benedict taught her classes and with the way that she forced the students to think in an unconventional way.[13] When Boas retired in 1937, most of his students considered Ruth Benedict to be the obvious choice for the head of the anthropology department. However, the administration of Columbia was not as progressive in its attitude towards female professionals as Boas had been, and the university President Nicholas Murray Butler
Nicholas Murray Butler
was eager to curb the influence of the Boasians whom he considered to be political radicals. Instead, Ralph Linton, one of Boas's former students, a World War I
World War I
veteran and a fierce critic of Benedict's " Culture
and Personality" approach, was named head of the department.[14] Benedict was understandably insulted by Linton's appointment and the Columbia department was divided between the two rival figures of Linton and Benedict, both accomplished anthropologists with influential publications, neither of whom ever mentioned the work of the other.[15] Relationship with Margaret Mead[edit] Margaret Mead
Margaret Mead
and Ruth Benedict
Ruth Benedict
are considered to be the two most influential and famous anthropologists of their time.[citation needed] One of the reasons Mead and Benedict got along well was because they both shared a passion for their work and they each felt a sense of pride at being a successful working woman during a time when this was uncommon.[16] They were known to critique each other's work frequently; they created a companionship that began through their work, but which also during the early period was of an erotic character.[17][18][19][20] Both Benedict and Mead wanted to dislodge stereotypes about women during their time period and show that working women can be successful even though working society was seen as a man's world.[21] In her memoir about her parents, With a Daughter's Eye, Margaret Mead's daughter implies that the relationship between Benedict and Mead was partly sexual. In 1946, Benedict received the Achievement Award from the American Association of University Women. After Benedict died of a heart attack in 1948, Mead kept the legacy of Benedict's work going by supervising projects that Benedict would have looked after, and editing and publishing notes from studies that Benedict had collected throughout her life.[20] Post-war[edit] Before World War II
World War II
began, Benedict was giving lectures at the Bryn Mawr College for the Anna Howard Shaw
Anna Howard Shaw
Memorial Lectureship. These lectures were focused around the idea of synergy. Yet, WWII made her focus on other areas of concentration of anthropology and the lectures were never presented in their entirety.[22] After the war was over, she focused on finishing her book The Chrysanthemum and the Sword.[23] Her original notes for the synergy lecture were never found after her death.[24] She was elected a Fellow of the American Academy of Arts and Sciences in 1947.[25] She continued her teaching after the war, advancing to the rank of full professor only two months before her death, in New York on September 17, 1948. Work[edit] Patterns of Culture[edit] Benedict's Patterns of Culture
(1934) was translated into fourteen languages and was published in many editions as standard reading for anthropology courses in American universities for years. The essential idea in Patterns of Culture
is, according to the foreword by Margaret Mead, "her view of human cultures as 'personality writ large.'" As Benedict wrote in that book, "A culture, like an individual, is a more or less consistent pattern of thought and action" (46). Each culture, she held, chooses from "the great arc of human potentialities" only a few characteristics which become the leading personality traits of the persons living in that culture. These traits comprise an interdependent constellation of aesthetics and values in each culture which together add up to a unique gestalt. For example, she described the emphasis on restraint in Pueblo cultures of the American southwest, and the emphasis on abandon in the Native American cultures of the Great Plains. She used the Nietzschean opposites of "Apollonian" and "Dionysian" as the stimulus for her thought about these Native American cultures. She describes how, in ancient Greece, the worshipers of Apollo
emphasized order and calm in their celebrations. In contrast, the worshipers of Dionysus, the god of wine, emphasized wildness, abandon, letting go, as did Native Americans. She described in detail the contrasts between rituals, beliefs, personal preferences amongst people of diverse cultures to show how each culture had a "personality" that was encouraged in each individual. Other anthropologists of the culture and personality school also developed these ideas, notably Margaret Mead
Margaret Mead
in her Coming of Age in Samoa (published before "Patterns of Culture") and Sex and Temperament in Three Primitive Societies (published just after Benedict's book came out). Benedict was a senior student of Franz Boas
Franz Boas
when Mead began to study with them, and they had extensive and reciprocal influence on each other's work. Abram Kardiner was also affected by these ideas, and in time, the concept of "modal personality" was born: the cluster of traits most commonly thought to be observed in people of any given culture. Benedict, in Patterns of Culture, expresses her belief in cultural relativism. She desired to show that each culture has its own moral imperatives that can be understood only if one studies that culture as a whole. It was wrong, she felt, to disparage the customs or values of a culture different from one's own. Those customs had a meaning to the people who lived them which should not be dismissed or trivialized. We should not try to evaluate people by our standards alone. Morality, she argued, was relative to the values of the culture in which one operated. As she described the Kwakiutl
of the Pacific Northwest
Pacific Northwest
(based on the fieldwork of her mentor Boas), the Pueblo of New Mexico
New Mexico
(among whom she had direct experience), the nations of the Great Plains, the Dobu culture of New Guinea
New Guinea
(regarding whom she relied upon Mead and Reo Fortune's fieldwork), she gave evidence that their values, even where they may seem strange, are intelligible in terms of their own coherent cultural systems and should be understood and respected. This also formed a central argument in her later work on the Japanese following World War II. Critics have objected to the degree of abstraction and generalization inherent in the "culture and personality" approach. Some have argued that particular patterns she found may be only a part or a subset of the whole cultures. For example, David Friend Aberle writes that the Pueblo people
Pueblo people
may be calm, gentle, and much given to ritual when in one mood or set of circumstances, but they may be suspicious, retaliatory, and warlike in other circumstances. In 1936, she was appointed an associate professor at Columbia University. However, by then, Benedict had already assisted in the training and guidance of several Columbia students of anthropology including Margaret Mead
Margaret Mead
and Ruth Landes.[26] Benedict was among the leading cultural anthropologists who were recruited by the US government for war-related research and consultation after the US entry into World War II. "The Races of Mankind"[edit] One of Benedict's lesser known works was a pamphlet "The Races of Mankind" which she wrote with her colleague at the Columbia University Department of Anthropology, Gene Weltfish. This pamphlet was intended for American troops and set forth, in simple language with cartoon illustrations, the scientific case against racist beliefs. "The world is shrinking," begin Benedict and Weltfish. "Thirty-four nations are now united in a common cause—victory over Axis aggression, the military destruction of fascism" (p. 1). The nations united against fascism, they continue, include "the most different physical types of men." And the writers explicate, in section after section, the best evidence they knew for human equality. They want to encourage all these types of people to join together and not fight amongst themselves. "[A]ll the peoples of the earth", they point out, "are a single family and have a common origin." We all have just so many teeth, so many molars, just so many little bones and muscles—so we can only have come from one set of ancestors no matter what our color, the shape of our head, the texture of our hair. "The races of mankind are what the Bible
says they are—brothers. In their bodies is the record of their brotherhood." The Chrysanthemum and the Sword[edit] Main article: The Chrysanthemum and the Sword Benedict is known not only for her earlier Patterns of Culture
but also for her later book The Chrysanthemum and the Sword, the study of the society and culture of Japan
that she published in 1946, incorporating results of her war-time research. This book is an instance of Anthropology
at a Distance. Study of a culture through its literature, through newspaper clippings, through films and recordings, etc., was necessary when anthropologists aided the United States and its allies in World War II. Unable to visit Nazi Germany or Japan
under Hirohito, anthropologists made use of the cultural materials to produce studies at a distance. They were attempting to understand the cultural patterns that might be driving their aggression, and hoped to find possible weaknesses, or means of persuasion that had been missed. Benedict's war work included a major study, largely completed in 1944, aimed at understanding Japanese culture. Americans found themselves unable to comprehend matters in Japanese culture. For instance, Americans considered it quite natural for American prisoners of war to want their families to know they were alive, and to keep quiet when asked for information about troop movements, etc., while Japanese POWs, apparently, gave information freely and did not try to contact their families. Why was that? Why, too, did Asian peoples neither treat the Japanese as their liberators from Western colonialism, nor accept their own supposedly just place in a hierarchy that had Japanese at the top? Benedict played a major role in grasping the place of the Emperor of Japan
in Japanese popular culture, and formulating the recommendation to President Franklin D. Roosevelt
Franklin D. Roosevelt
that permitting continuation of the Emperor's reign had to be part of the eventual surrender offer. Other Japanese who have read this work, according to Margaret Mead, found it on the whole accurate but somewhat "moralistic". Sections of the book were mentioned in Takeo Doi's book, The Anatomy of Dependence, though Doi is highly critical of Benedict's concept that Japan
has a 'shame' culture, whose emphasis is on how one's moral conduct appears to outsiders in contradistinction to America's (Christian) 'guilt' culture, in which the emphasis is on individual's internal conscience. Doi stated that this claim clearly implies the former value system is inferior to the latter one. Legacy[edit] A U.S. 46¢ Great Americans series
Great Americans series
postage stamp in her honor was issued on October 20, 1995. Benedict College in Stony Brook University has been named after her. References[edit]

^ Modell 1984: 145–157 ^ a b Bailey, Martha J. (1994). American Women in Science:A Biographical Dictionary. ABC-CLIO, Inc. ISBN 0-87436-740-9.  ^ a b c d Young 2005 ^ a b c d e f g h i j k l m Caffrey 1989. ^ a b c d e f g Benedict 1959: 97–112 ^ Mead, Margaret (1977). An anthropologist at work: writings of Ruth Benedict. Greenwood Press, ISBN 978-0-8371-9576-6 ^ a b Benedict 1959: 118–155. "In spite of myself bitterness at having lived at all obsessed me; it seemed cruel that I had been born, cruel that, as my family taught me, I must go on living forever" ... "I am not afraid of pain, nor of sorrow. But this loneliness, this futility, this emptiness—I dare not face them" ^ Benedict 1959: 55–79 ^ Mead, in Benedict 1959: 3–17. ^ "Ruth Benedict". Webster.edu. 1948-09-17. Retrieved 2013-11-02.  ^ Darnell, Regna (1989). Edward Sapir: linguist, anthropologist, humanist. Berkeley: University of California
Press. pp. 172–183. ISBN 978-0-520-06678-6.  ^ Steven E. Tozer (2010). Handbook of Research in The Social Foundations of Education. Taylor & Francis. p. 79.  ^ a b Cole, Sally. "Mrs Landes Meet Mrs. Benedict." American Anthropologist 104.2 (2002): 533–543. Web. 12 January 2010. ^ Sydel Silverman. 2004. Totems and Teachers: Key Figures in the History of Anthropology. Rowman Altamira p. 118 ^ Ernestine Friedl. 1995. The Life of an Academic: A Personal Record of a Teacher, Administrator, and Anthropologist Annual Review of Anthropology. Vol. 24: 1–20 ^ Banner 2003:  1 ^ Bateson 1984;:117–118 Lapsley 1999 ^ Lutkehaus 2008: 41, 79–81 ^ Janiewski and Banner 2004: ix-xiiix ^ a b Maksel 2004 ^ Bateson 1984:117–118; Lapsley 1999 ^ Maslow, et al. 1970 ^ Benedict 1989: 43 ^ Benedict 1989 ^ "Book of Members, 1780–2010: Chapter B" (PDF). American Academy of Arts and Sciences. Retrieved June 2, 2011.  ^ Smithsonian Institution, Department of Anthropology. Guide to the National Anthropological Archives and Human Studies Film Archives


AAAS (American Academy of Arts and Sciences). "Book of Members, 1780–2010: Chapter B" (PDF).  Banner, Lois W. 2003. Intertwined Lives: Margaret Mead, Ruth Benedict, and Their Circle. Vintage. ISBN 0-679-77612-5. Benedict, Ruth. 1905-1948. "Ruth Fulton Benedict Papers". Alexander Street.  Vassar College. Archives and Special
Collections Library Benedict, Ruth. 1931. Tales of the Cochiti Indians. Bureau of American Ethnology Benedict, Ruth. 1959. An Anthropologist at Work: Writings of Ruth Benedict. Ed. Margaret Mead. Boston: Houghton Mifflin Company. Benedict, Ruth. 1989. The chrysanthemum and the sword: patterns of Japanese culture. With a foreword by Ezra F. Vogel. Houghton Mifflin. Caffrey, Margaret M. Ruth Benedict: Stranger in this Land. 1989. Austin: University of Texas Press. Janiewski, Dolores E. & Lois W. Banner (eds.). 2004. Reading Benedict/reading Mead: feminism, race, and imperial visions – New studies in American intellectual and cultural history. JHU Press. Lutkehaus, Nancy. 2008. Margaret Mead: the making of an American icon. Princeton University Press. Maksel, Rebecca. 2004. [Review of Intertwined Lives: Margaret Mead, Ruth Benedict, and their circle]. Women's Review of Books January 1, 2004, 21(4):15–16 Maslow, Abraham H., Honigmann, John J., and Mead, Margaret. 1970. Synergy: Some Notes of Ruth Benedict. American Anthropologist, 72(2): 320-333. doi:10.1525/aa.1970.72.2.02a00060 Mead, Margaret. 1959. Preface to Ruth Benedict's Patterns of Culture in Benedict 1959 (above). Mead, Margaret. 1959. "Search: 1920–1930." In Benedict 1959 (above). Modell, Judith Schachter. 1983. Ruth Benedict: Patterns of a Life. University of Pennsylvania Press. Smithsonian Institution, Department of Anthropology. Guide to the Collections of the National Anthropological Archives (#L1). Young, Virginia Heyer. 2005. Ruth Benedict : Beyond Relativity, Beyond Pattern. Lincoln: University of Nebraska Press. ISBN 0-8032-4919-5.

Further reading[edit]

Babcock, Barbara. 1995. "Not in the First Person Singular" (reprinted in) Behar, Ruth and Deborah A. Gordon (eds.). Women Writing Culture. Berkeley: University of California
Press. Bateson, Mary Catherine. 1984. With a Daughter's Eye: A Memoir of Margaret Mead
Margaret Mead
and Gregory Bateson. New York: William Morrow. Memoir of Margaret Mead
Margaret Mead
by her daughter, documenting the relationship between Mead and Benedict. Geertz, Clifford. 1988. Works and Lives: The Anthropologist as Author. Stanford, CA: Stanford University Press. Handler, Richard. 1986. "Vigorous Male and Aspiring Female: Poetry, Personality, and Culture
in Edward Sapir
Edward Sapir
and Ruth Benedict" in Stocking, George (ed.). Malinowski, Rivers Benedict and Others: Essays on Culture
and Personality. Madison, WI: University of Wisconsin Press. Handler, Richard. 1990. " Ruth Benedict
Ruth Benedict
and the Modernist Sensibility," in Manganaro, Marc (ed.). Modernist Anthropology: From Fieldwork to Text. Princeton University Press. pp. 163–180. Lapsley, Hilary. 1999. Margaret Mead
Margaret Mead
and Ruth Benedict: The Kinship
of Women. Amherst, Mass.: University of Massachusetts Press. ISBN 1-55849-181-3 Stassinos, Elizabeth (1997). "Marriage as Mystery Writ Symbiotically: The Benedicts' Unpublished "Chemical Detective Story" of "The Bo-Cu Plant"". History of Anthropology
Newsletter. XXIV (1): 3–10.  Stassinos, Elizabeth. 2007. " Culture
and Personality In Henry's Backyard: Boasian War Allegories in Children's Science Writ Large Stories" in Darnell, Regna and Frederic W. Gleach (eds.). Histories of Anthropology
Annual, vol. 2. University of Nebraska Press. ISBN 0-8032-6663-4 Stassinos, Elizabeth. 2009. "An Early Case of Personality: Ruth Benedict's Autobiographical Fragment and the Case of the Biblical 'Boaz'" in Darnell, Regna and Frederic W. Gleach (eds.). Histories of Anthropology
vol. 5. University of Nebraska Press. ISSN 1557-637X

External links[edit]

Works by Ruth Benedict
Ruth Benedict
at Open Library Ruth Benedict's obituary, written by Margaret Mead, in American Ethnography Ruth Benedict
Ruth Benedict
in the Vassar Encyclopedia The Races of Mankind

v t e

Presidents of the American Anthropological Association


William John McGee
William John McGee
(1902-04) Frederic Ward Putnam
Frederic Ward Putnam
(1905-06) Franz Boas
Franz Boas
(1907-08) William Henry Holmes
William Henry Holmes
(1909-10) Jesse Walter Fewkes
Jesse Walter Fewkes
(1911-12) Roland Burrage Dixon
Roland Burrage Dixon
(1913-14) F. W. Hodge (1915-16) Alfred L. Kroeber
Alfred L. Kroeber
(1917-18) Clark Wissler
Clark Wissler
(1919-20) William Curtis Farabee (1921-22) Walter Hough
Walter Hough


Aleš Hrdlička
Aleš Hrdlička
(1925-26) Marshall Howard Saville (1927-28) Alfred Tozzer (1929-30) George Grant MacCurdy
George Grant MacCurdy
(1931) John R. Swanton (1932) Fay-Cooper Cole
Fay-Cooper Cole
(1933-34) Robert Lowie (1935) Herbert Spinden (1936) Nels C. Nelson
Nels C. Nelson
(1937) Edward Sapir
Edward Sapir
(1938) Diamond Jenness
Diamond Jenness
(1939) John M. Cooper (1940) Elsie Clews Parsons
Elsie Clews Parsons
(1941) Alfred V. Kidder (1942) Leslie Spier (1943) Robert Redfield (1944) Neil Judd
Neil Judd
(1945) Ralph Linton (1946) Ruth Benedict
Ruth Benedict
(1947) Clyde Kluckhohn (1947) Harry L. Shapiro
Harry L. Shapiro
(1948) Alfred Irving Hallowell (1949) Ralph L. Beals (1950)


William W. Howells (1951) Wendell C. Bennett (1952) Fred Eggan (1953) John Otis Brew (1954) George Murdock (1955) Emil Haury
Emil Haury
(1956) E. Adamson Hoebel (1957) Harry Hoijer (1958) Sol Tax (1959) Margaret Mead
Margaret Mead
(1960) Gordon Willey (1961) Sherwood Washburn
Sherwood Washburn
(1962) Morris Edward Opler
Morris Edward Opler
(1963) Leslie White
Leslie White
(1964) Alexander Spoehr (1965) John P. Gillin (1966) Frederica de Laguna
Frederica de Laguna
(1967) Irving Rouse (1968) Cora Du Bois
Cora Du Bois
(1969) George M. Foster (1970) Charles Wagley (1971) Anthony F. C. Wallace (1972) Joseph B. Casagrande (1973) Edward H. Spicer (1974) Ernestine Friedl (1975)


Walter Goldschmidt (1976) Richard N. Adams (1977) Francis L. K. Hsu (1978) Paul Bohannan (1979) Conrad M. Arensberg (1980) William C. Sturtevant (1981) M. Margaret Clark (1982) Dell Hymes (1983) Nancy Oestreich Lurie (1984-85) June Helm (1986-87) Roy Rappaport (1988-89) Jane E. Buikstra
Jane E. Buikstra
(1989-91) Annette Weiner (1991-93) James Peacock (1993-95) Yolanda T. Moses (1995-97) Jane H. Hill (1997-99) Louise Lamphere (1999-01)


Don Brenneis (2001-03) Elizabeth Brumfiel (2003-05) Alan H. Goodman (2005-07) Setha Low (2007-09) Virginia R. Domínguez (2009-11) Leith Mullings (2011-13) Monica Heller (2013-15) Alisse Waterston (2015-17) Alex Barker (2017-19)

v t e

Inductees to the National Women's Hall of Fame



Jane Addams Marian Anderson Susan B. Anthony Clara Barton Mary McLeod Bethune Elizabeth Blackwell Pearl S. Buck Rachel Carson Mary Cassatt Emily Dickinson Amelia Earhart Alice Hamilton Helen Hayes Helen Keller Eleanor Roosevelt Florence Sabin Margaret Chase Smith Elizabeth Cady Stanton Helen Brooke Taussig Harriet Tubman


Abigail Adams Margaret Mead Mildred "Babe" Didrikson Zaharias


Dorothea Dix Juliette Gordon Low Alice Paul Elizabeth Bayley Seton



Margaret Sanger Sojourner Truth


Carrie Chapman Catt Frances Perkins


Belva Lockwood Lucretia Mott


Mary "Mother" Harris Jones Bessie Smith


Barbara McClintock Lucy Stone Harriet Beecher Stowe


Gwendolyn Brooks Willa Cather Sally Ride Ida B. Wells-Barnett



Margaret Bourke-White Barbara Jordan Billie Jean King Florence B. Seibert


Gertrude Belle Elion


Ethel Percy Andrus Antoinette Blackwell Emily Blackwell Shirley Chisholm Jacqueline Cochran Ruth Colvin Marian Wright Edelman Alice Evans Betty Friedan Ella Grasso Martha Wright Griffiths Fannie Lou Hamer Dorothy Height Dolores Huerta Mary Jacobi Mae Jemison Mary Lyon Mary Mahoney Wilma Mankiller Constance Baker Motley Georgia O'Keeffe Annie Oakley Rosa Parks Esther Peterson Jeannette Rankin Ellen Swallow Richards Elaine Roulet Katherine Siva Saubel Gloria Steinem Helen Stephens Lillian Wald Madam C. J. Walker Faye Wattleton Rosalyn S. Yalow Gloria Yerkovich


Bella Abzug Ella Baker Myra Bradwell Annie Jump Cannon Jane Cunningham Croly Catherine East Geraldine Ferraro Charlotte Perkins Gilman Grace Hopper Helen LaKelly Hunt Zora Neale Hurston Anne Hutchinson Frances Wisebart Jacobs Susette La Flesche Louise McManus Maria Mitchell Antonia Novello Linda Richards Wilma Rudolph Betty Bone Schiess Muriel Siebert Nettie Stevens Oprah Winfrey Sarah Winnemucca Fanny Wright


Virginia Apgar Ann Bancroft Amelia Bloomer Mary Breckinridge Eileen Collins Elizabeth Hanford Dole Anne Dallas Dudley Mary Baker Eddy Ella Fitzgerald Margaret Fuller Matilda Joslyn Gage Lillian Moller Gilbreth Nannerl O. Keohane Maggie Kuhn Sandra Day O'Connor Josephine St. Pierre Ruffin Pat Schroeder Hannah Greenebaum Solomon


Louisa May Alcott Charlotte Anne Bunch Frances Xavier Cabrini Mary A. Hallaren Oveta Culp Hobby Wilhelmina Cole Holladay Anne Morrow Lindbergh Maria Goeppert-Mayer Ernestine Louise Potowski Rose Maria Tallchief Edith Wharton


Madeleine Albright Maya Angelou Nellie Bly Lydia Moss Bradley Mary Steichen Calderone Mary Ann Shadd
Mary Ann Shadd
Cary Joan Ganz Cooney Gerty Cori Sarah Grimké Julia Ward Howe Shirley Ann Jackson Shannon Lucid Katharine Dexter McCormick Rozanne L. Ridgway Edith Nourse Rogers Felice Schwartz Eunice Kennedy Shriver Beverly Sills Florence Wald Angelina Grimké
Angelina Grimké
Weld Chien-Shiung Wu



Faye Glenn Abdellah Emma Smith DeVoe Marjory Stoneman Douglas Mary Dyer Sylvia A. Earle Crystal Eastman Jeanne Holm Leontine T. Kelly Frances Oldham Kelsey Kate Mullany Janet Reno Anna Howard Shaw Sophia Smith Ida Tarbell Wilma L. Vaught Mary Edwards Walker Annie Dodge Wauneka Eudora Welty Frances E. Willard


Dorothy H. Andersen Lucille Ball Rosalynn Carter Lydia Maria Child Bessie Coleman Dorothy Day Marian de Forest Althea Gibson Beatrice A. Hicks Barbara Holdridge Harriet Williams Russell Strong Emily Howell Warner Victoria Woodhull


Paulina Kellogg Wright Davis Ruth Bader Ginsburg Katharine Graham Bertha Holt Mary Engle Pennington Mercy Otis Warren


Linda G. Alvarado Donna de Varona Gertrude Ederle Martha Matilda Harper Patricia Roberts Harris Stephanie L. Kwolek Dorothea Lange Mildred Robbins Leet Patsy Takemoto Mink Sacagawea Anne Sullivan Sheila E. Widnall


Florence Ellinwood Allen Ruth Fulton Benedict Betty Bumpers Hillary Clinton Rita Rossi Colwell Mother Marianne Cope Maya Y. Lin Patricia A. Locke Blanche Stuart Scott Mary Burnett Talbert


Eleanor K. Baum Julia Child Martha Coffin Pelham Wright Swanee Hunt Winona LaDuke Elisabeth Kübler-Ross Judith L. Pipher Catherine Filene Shouse Henrietta Szold


Louise Bourgeois Mildred Cohn Karen DeCrow Susan Kelly-Dreiss Allie B. Latimer Emma Lazarus Ruth Patrick Rebecca Talbot Perkins Susan Solomon Kate Stoneman



St. Katharine Drexel Dorothy Harrison Eustis Loretta C. Ford Abby Kelley
Abby Kelley
Foster Helen Murray Free Billie Holiday Coretta Scott King Lilly Ledbetter Barbara A. Mikulski Donna E. Shalala Kathrine Switzer


Betty Ford Ina May Gaskin Julie Krone Kate Millett Nancy Pelosi Mary Joseph Rogers Bernice Sandler Anna Schwartz Emma Willard


Tenley Albright Nancy Brinker Martha Graham Marcia Greenberger Barbara Iglewski Jean Kilbourne Carlotta Walls LaNier Philippa Marrack Mary Harriman Rumsey Eleanor Smeal


Matilda Cuomo Temple Grandin Lorraine Hansberry Victoria Jackson Sherry Lansing Clare Boothe Luce Aimee Mullins Carol Mutter Janet Rowley Alice Waters

Authority control

WorldCat Identities VIAF: 100168390 LCCN: n50029994 ISNI: 0000 0001 2145 0711 GND: 118658158 SELIBR: 177267 SUDOC: 027720470 BNF: cb12057528x (data) NLA: 36305511 NDL: 00432873 NKC: ola2002103616 BNE: XX1070