''Romantische Oper'' () was a genre of early nineteenth-century German

opera Opera is a form of theatre in which music is a fundamental component and dramatic roles are taken by singers. Such a "work" (the literal translation of the Italian word "opera") is typically a collaboration between a composer and a libr ...

, developed not from the German

Singspiel A Singspiel (; plural: ; ) is a form of German-language music drama, now regarded as a genre of opera. It is characterized by spoken dialogue, which is alternated with ensembles, songs, ballads, and aria In music, an aria ( Italian: ; plur ...

of the eighteenth-century but from the opéras comiques of the

French Revolution The French Revolution ( ) was a period of radical political and societal change in France that began with the Estates General of 1789 and ended with the formation of the French Consulate in November 1799. Many of its ideas are conside ...

. It offered opportunities for an increasingly important role for the

orchestra An orchestra (; ) is a large instrumental ensemble typical of classical music, which combines instruments from different families. There are typically four main sections of instruments: * bowed string instruments, such as the violin, viola, c ...

, and greater dramatic possibilities for reminiscence motifs – phrases that are identified with a place, person or idea and which, when re-used in a work, remind the listener of the place, person or idea in question.

Carl Maria von Weber Carl Maria Friedrich Ernst von Weber (18 or 19 November 17865 June 1826) was a German composer, conductor, virtuoso pianist, guitarist, and critic who was one of the first significant composers of the Romantic era. Best known for his operas, ...

's ''

Der Freischütz ' ( J. 277, Op. 77 ''The Marksman'' or ''The Freeshooter'') is a German opera with spoken dialogue in three acts by Carl Maria von Weber with a libretto by Friedrich Kind, based on a story by Johann August Apel and Friedrich Laun from their 1810 ...

'' (1821) inaugurated the genre, which increasingly became associated with a distinctively German national style, as exemplified by composers such as

Heinrich Marschner Heinrich August Marschner (16 August 1795 – 14 December 1861) was the most important composer of German opera between Weber and Wagner.

(e.g. ''

Der Vampyr '' Der Vampyr '' (''The Vampire'') is a Romantic opera in two acts by Heinrich Marschner. The German libretto by Wilhelm August Wohlbrück (Marschner's brother-in-law) is based on the play ''Der Vampir oder die Totenbraut'' (1821) by Heinrich Lud ...

'' and ''

Hans Heiling ''Hans Heiling'' is a German Romantic opera in 3 acts with prologue by Heinrich Marschner with a libretto by Eduard Devrient, who also sang the title role at the première at the Königliche Hofoper (now Berlin State Opera), Berlin, on 24 May 1 ...

''),

Albert Lortzing Gustav Albert Lortzing (23 October 1801 – 21 January 1851) was a German composer, librettist, actor and singer. He is considered to be the main representative of the German ''Spieloper'', a form similar to the French ''opéra comique'', which ...

(e.g. '' Undine'') and

Louis Spohr Louis Spohr (, 5 April 178422 October 1859), baptized Ludewig Spohr, later often in the modern German form of the name Ludwig, was a German composer, violinist and conductor. Highly regarded during his lifetime, Spohr composed ten symphonies, t ...

. Themes explored included

nature Nature, in the broadest sense, is the physical world or universe. "Nature" can refer to the phenomena of the physical world, and also to life in general. The study of nature is a large, if not the only, part of science. Although humans are ...

, the

supernatural Supernatural refers to phenomena or entities that are beyond the laws of nature. The term is derived from Medieval Latin , from Latin (above, beyond, or outside of) + (nature) Though the corollary term "nature", has had multiple meanings si ...

, the

Middle Ages In the history of Europe, the Middle Ages or medieval period lasted approximately from the late 5th to the late 15th centuries, similar to the post-classical period of global history. It began with the fall of the Western Roman Empire ...

and popular culture, specifically

folklore Folklore is shared by a particular group of people; it encompasses the traditions common to that culture, subculture or group. This includes oral traditions such as tales, legends, proverbs and jokes. They include material culture, rangin ...

. Musically, German

folk music Folk music is a music genre that includes traditional folk music and the contemporary genre that evolved from the former during the 20th-century folk revival. Some types of folk music may be called world music. Traditional folk music has ...

also served as an inspiration. Spoken dialogue continued to be used between musical numbers. The genre reached its apogee in the early works of

Richard Wagner Wilhelm Richard Wagner ( ; ; 22 May 181313 February 1883) was a German composer, theatre director, polemicist, and conductor who is chiefly known for his operas (or, as some of his mature works were later known, "music dramas"). Unlike most op ...

, specifically '' Die Feen'', '' Das Liebesverbot'', ''

The Flying Dutchman The ''Flying Dutchman'' ( nl, De Vliegende Hollander) is a legendary ghost ship, allegedly never able to make port, but doomed to sail the seven seas forever. The myth is likely to have originated from the 17th-century Golden Age of the Dut ...

'' and ''

Tannhäuser Tannhäuser (; gmh, Tanhûser), often stylized, "The Tannhäuser," was a German Minnesinger and traveling poet. Historically, his biography, including the dates he lived, is obscure beyond the poetry, which suggests he lived between 1245 and ...

'', although these differed from their predecessors in not using spoken dialogue. His later operas developed the reminiscence motif into the more protean

Leitmotif A leitmotif or leitmotiv () is a "short, recurring musical phrase" associated with a particular person, place, or idea. It is closely related to the musical concepts of ''idée fixe'' or ''motto-theme''. The spelling ''leitmotif'' is an anglic ...

and gradually abandoned many of the themes of ''romantische Oper'', while still largely focused on myths, legends and nature.

Notes

References

* {{Romantic music Opera genres Opera terminology

See also

Notes

References