Renaissance de la Harpe Celtique

''Renaissance de la Harpe Celtique'' or ''Renaissance of the Celtic Harp'' is a 1972 record album by the Breton master of the Celtic harp Alan Stivell that revolutionised the connection between traditional folk music, modern rock music and world music.

Significance

The release of this album with its fusion of classical, traditional folk and rock music, its mixture of instruments (cello, harp, electric guitar, traditional and modern drums) and its evocation of a utopian atmosphere and vision of humans in harmony with nature, immediately set it as a benchmark in the Celtic music revival of the 1970s.

The album influenced many harpists, Bretons like Myrdhin or Cécile Corbel but also Jo Morrison, Loreena McKennitt, Deborah Henson-Conant, Charles de Lint, Australian Robert Hart and Louisa John-Krol, Russian Anastasia Papisova, Italian Vincenzo Zitello, Norwegian Kristian Nordeide, New York musicians Steven Halpern and Ben Kettlewell...
By the time of his second album, in one year, the number of harps sold in France had reached into the thousands.

Music critic Bruce Elder wrote:

People who hear this record are never the same again. Renaissance of the Celtic Harp, one of the most beautiful and haunting records ever made by anybody, introduced the Celtic harp to many thousands of listeners around the world. To call this music gorgeous and ravishing would be the height of understatement—indeed, there aren't words in the English language to describe this record adequately.
The opening work, Ys, is a piece inspired by the legend of the 5th century capital of the kingdom of Cornwall, ost versions of the legend place the city in the Douarnenez Bay on the coast of Brittany">Douarnenez_Bay.html" ;"title="ost versions of the legend place the city in the Douarnenez Bay">ost versions of the legend place the city in the Douarnenez Bay on the coast of Brittany] which was engulfed by a flood as punishment for its sins. (Debussy wrote one of his finest works, "La cathédrale engloutie, The Engulfed Cathedral," later adapted by the group Renaissance (band), Renaissance into "The Harbor" on Ashes Are Burning, based on the same legend). The reflective "Marv Pontkellec" is every bit as sublimely beautiful, but the highlight of this record is "Gaeltacht," a 19 minute musical journey by Stivell's harp across the Gaelic lands of Ireland, Scotland, and the Isle of Man.

Personnel

* Bass ass Guitar- Gérard Levavsseur, Gérard Salkowsky
* Bombarde - Alan Kloatr, Mig Ar Biz
* Cello - Henri Delagarde, Jean Huchot, Manuel Recasens
* Double Bass - Jean-Marc Dollez
* Drums - Guy Cascales
* Drums cottish- Yann-Fanch Ar Merdy
* Electric Guitar - Dan Ar Bras
* Organ - Gilles Tinayjre
* Percussion, Tabla - Michel Delaporte
* Producer - Franck Giboni
* Viola - Gabriel Beauvais, Paul Hadjaje, Pierre Cheval, Stéphane Weiner

Track listing

Side A:
* A1 '' Ys'' Variations on folk themes. (Traditional, arranged by A. Stivell)
* A2 ''Marv Pontkalleg'' ("The Death of Pontcallec") Folk themes. A classical arrangement of Breton music. (Traditional, arranged by Denise Megevand)
* A3 ''Extracts From Pennlyn Manuscripts of Harp Music'' Sonatas for Bardic Harp transcribed from 17th Century Welsh manuscripts by Arnold Dolmetsch
** A3a ''Ap Huw'' (Traditional, arranged by Arnold Dolmetsch)
** A3b ''Penllyn'' (Traditional, arranged by Arnold Dolmetsch)
*A4 ''Eliz Iza'' Breton mountain folk song. (Traditional, arranged by A. Stivell)

Side B:
*B1 ''Gaeltacht'' Folk themes. A journey across Gaelic countries (Ireland, Scotland, Isle of Man)
** B1a ''Caitlin Triall'' Irish Melody. (Traditional, arranged by A. Stivell)
** B1b ''Port Ui Mhuirgheasa'' Irish Jig. (Traditional, arranged by A. Stivell)
** B1c ''Airde Cuan'' Irish Melody. (Traditional, arranged by Jord Cochevelou) l
** B1d ''Na Reubairean'' Scottish Melody. (Traditional, arranged by D. Megevand)
** B1e ''Manx Melody'' (Traditional, Arranged By A. Stivell)
** B1f ''Heman Dubh'' Hebridean Work Song. (Traditional, arranged by A. Stivell)
** B1g ''Gaelic Waltz'' Scottish Waltz. (Traditional, arranged by A. Stivell)
** B1h ''Struan Robertson'' Strathspey. (Traditional, arranged by A. Stivell)
** B1i ''The Little Cascade'' Scottish Dance (Reel). (Traditional, arranged by A. Stivell)
** B1j ''Braigh Loch Lall'' Scottish Melody (Traditional, arranged by A. Stivell)
** B1k ''Port An Deorai'' Suit of Irish Slip Jig. (Traditional, arranged by A. Stivell)

Discography

*Fontana 6325 302 riginal French release*Philips 6414 406 ritish release (w/ translated title) of 1973*Polydor 2424 069 anadian release of 1973*Rounder 3067 merican release of 1982*Philips 51 ritish cassette/vinyl of 1983, re-released in 1990*Philips 818007-2 ritish CD release of 1990ref>

References

Sources

* Jonathyne Briggs, ''Sounds French: Globalization, Cultural Communities, and Pop Music in France, 1958-1980'', Oxford University Press, 2015, Chapter 4 "Sounds Regional: The World in Breton Folk Music"

{{Authority control

World music albums by French artists
Celtic rock albums
1970 albums
Fontana Records albums
Philips Records albums
Rounder Records albums
Alan Stivell albums