The Info List - Rabindranath Tagore

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Rabindranath Tagore[a] FRAS (/rəˈbɪndrənɑːt tæˈɡɔːr/ ( listen); Bengali: [robind̪ronat̪ʰ ʈʰakur]), also written Ravīndranātha Ṭhākura[2] (7 May 1861 – 7 August 1941),[b] sobriquet Gurudev,[c] was a Bengali polymath[4][5] who reshaped Bengali literature
Bengali literature
and music, as well as Indian art
Indian art
with Contextual Modernism
Contextual Modernism
in the late 19th and early 20th centuries. Author of Gitanjali
and its "profoundly sensitive, fresh and beautiful verse",[6] he became in 1913 the first non-European to win the Nobel Prize
Nobel Prize
in Literature.[7] Tagore's poetic songs were viewed as spiritual and mercurial; however, his "elegant prose and magical poetry" remain largely unknown outside Bengal.[8] He is sometimes referred to as "the Bard
of Bengal".[9] A Pirali Brahmin from Calcutta
with ancestral gentry roots in Jessore, Tagore wrote poetry as an eight-year-old.[10] At the age of sixteen, he released his first substantial poems under the pseudonym Bhānusiṃha ("Sun Lion"), which were seized upon by literary authorities as long-lost classics.[11][12] By 1877 he graduated to his first short stories and dramas, published under his real name. As a humanist, universalist internationalist, and ardent anti-nationalist,[13] he denounced the British Raj
British Raj
and advocated independence from Britain. As an exponent of the Bengal Renaissance, he advanced a vast canon that comprised paintings, sketches and doodles, hundreds of texts, and some two thousand songs; his legacy also endures in the institution he founded, Visva-Bharati University.[14][15][16][17][18] Tagore modernised Bengali art by spurning rigid classical forms and resisting linguistic strictures. His novels, stories, songs, dance-dramas, and essays spoke to topics political and personal. Gitanjali
(Song Offerings), Gora (Fair-Faced) and Ghare-Baire (The Home and the World) are his best-known works, and his verse, short stories, and novels were acclaimed—or panned—for their lyricism, colloquialism, naturalism, and unnatural contemplation. His compositions were chosen by two nations as national anthems: India's Jana Gana Mana
Jana Gana Mana
and Bangladesh's Amar Shonar Bangla. The Sri Lankan national anthem was inspired by his work.[19][20][21]


1 Early life: 1861–1878 2 Shelaidaha: 1878–1901 3 Santiniketan: 1901–1932 4 Twilight years: 1932–1941 5 Travels 6 Works

6.1 Drama 6.2 Short stories 6.3 Novels 6.4 Poetry 6.5 Songs (Rabindra Sangeet) 6.6 Art works

7 Politics

7.1 Repudiation of knighthood

8 Santiniketan
and Visva-Bharati

8.1 Theft of Nobel Prize

9 Quotes 10 Impact and legacy 11 Museums 12 List of works

12.1 Original 12.2 Translated

13 Adaptations of novels and short stories in cinema

13.1 Bengali 13.2 Hindi

14 See also 15 References 16 Bibliography

16.1 Primary 16.2 Secondary 16.3 Texts

17 Further reading 18 External links

Early life: 1861–1878 Main article: Early life of Rabindranath Tagore The youngest of thirteen surviving children, Tagore (nicknamed "Rabi") was born on 7 May 1861 in the Jorasanko
mansion in Calcutta
to Debendranath Tagore
Debendranath Tagore
(1817–1905) and Sarada Devi (1830–1875).[d]

The last two days a storm has been raging, similar to the description in my song—Jhauro jhauro borishe baridhara  [... amidst it] a hapless, homeless man drenched from top to toe standing on the roof of his steamer [...] the last two days I have been singing this song over and over [...] as a result the pelting sound of the intense rain, the wail of the wind, the sound of the heaving Gorai [R]iver, have assumed a fresh life and found a new language and I have felt like a major actor in this new musical drama unfolding before me. “ ”

— Letter to Indira Devi.[27]

Tagore and his wife Mrinalini Devi, 1883

Tagore was raised mostly by servants; his mother had died in his early childhood and his father travelled widely.[28] The Tagore family was at the forefront of the Bengal renaissance. They hosted the publication of literary magazines; theatre and recitals of Bengali and Western classical music featured there regularly. Tagore's father invited several professional Dhrupad
musicians to stay in the house and teach Indian classical music
Indian classical music
to the children.[29] Tagore's oldest brother Dwijendranath was a philosopher and poet. Another brother, Satyendranath, was the first Indian appointed to the elite and formerly all-European Indian Civil Service. Yet another brother, Jyotirindranath, was a musician, composer, and playwright.[30] His sister Swarnakumari became a novelist.[31] Jyotirindranath's wife Kadambari Devi, slightly older than Tagore, was a dear friend and powerful influence. Her abrupt suicide in 1884, soon after he married, left him profoundly distraught for years.[32] Tagore largely avoided classroom schooling and preferred to roam the manor or nearby Bolpur
and Panihati, which the family visited.[33][34] His brother Hemendranath tutored and physically conditioned him—by having him swim the Ganges or trek through hills, by gymnastics, and by practising judo and wrestling. He learned drawing, anatomy, geography and history, literature, mathematics, Sanskrit, and English—his least favourite subject.[35] Tagore loathed formal education—his scholarly travails at the local Presidency College spanned a single day. Years later he held that proper teaching does not explain things; proper teaching stokes curiosity:[36] After his upanayan (coming-of-age) rite at age eleven, Tagore and his father left Calcutta
in February 1873 to tour India for several months, visiting his father's Santiniketan
estate and Amritsar
before reaching the Himalayan hill station of Dalhousie. There Tagore read biographies, studied history, astronomy, modern science, and Sanskrit, and examined the classical poetry of Kālidāsa.[37][38] During his 1-month stay at Amritsar
in 1873 he was greatly influenced by melodious gurbani and nanak bani being sung at Golden Temple for which both father and son were regular visitors. He mentions about this in his 'MY REMINISCENCES (1912)

The golden temple of Amritsar
comes back to me like a dream. Many a morning have I accompanied my father to this Gurudarbar of the Sikhs in the middle of the lake. There the sacred chanting resounds continually. My father, seated amidst the throng of worshippers, would sometimes add his voice to the hymn of praise, and finding a stranger joining in their devotions they would wax enthusiastically cordial, and we would return loaded with the sanctified offerings of sugar crystals and other sweets.[39]

He wrote 6 poems relating to Sikhism and no. of articles in Bengali child magazine about Sikhism.[40] Tagore returned to Jorosanko and completed a set of major works by 1877, one of them a long poem in the Maithili style of Vidyapati. As a joke, he claimed that these were the lost works of (what he claimed was) a newly discovered 17th-century Vaiṣṇava poet Bhānusiṃha.[41] Regional experts accepted them as the lost works of Bhānusiṃha.[e][42] He debuted in the short-story genre in Bengali with "Bhikharini" ("The Beggar Woman").[43][44] Published in the same year, Sandhya Sangit (1882) includes the poem "Nirjharer Swapnabhanga" ("The Rousing of the Waterfall"). Shelaidaha: 1878–1901

Tagore's house in Shelaidaha, Bangladesh

Because Debendranath wanted his son to become a barrister, Tagore enrolled at a public school in Brighton, East Sussex, England in 1878.[27] He stayed for several months at a house that the Tagore family owned near Brighton
and Hove, in Medina Villas; in 1877 his nephew and niece—Suren and Indira Devi, the children of Tagore's brother Satyendranath—were sent together with their mother, Tagore's sister-in-law, to live with him.[45] He briefly read law at University College London, but again left school, opting instead for independent study of Shakespeare's plays
Shakespeare's plays
Coriolanus, and Antony and Cleopatra
Antony and Cleopatra
and the Religio Medici
Religio Medici
of Thomas Browne. Lively English, Irish, and Scottish folk tunes impressed Tagore, whose own tradition of Nidhubabu-authored kirtans and tappas and Brahmo
hymnody was subdued.[27][46] In 1880 he returned to Bengal degree-less, resolving to reconcile European novelty with Brahmo
traditions, taking the best from each.[47] After returning to Bengal, Tagore regularly published poems, stories, and novels. These had a profound impact within Bengal itself but received little national attention.[48] In 1883 he married 10-year-old[49] Mrinalini Devi, born Bhabatarini, 1873–1902 (this was a common practice at the time). They had five children, two of whom died in childhood.[50]

Tagore family boat (bajra or budgerow), the "Padma".

In 1890 Tagore began managing his vast ancestral estates in Shelaidaha (today a region of Bangladesh); he was joined there by his wife and children in 1898. Tagore released his Manasi poems (1890), among his best-known work.[51] As Zamindar
Babu, Tagore criss-crossed the Padma River in command of the Padma, the luxurious family barge (also known as "budgerow"). He collected mostly token rents and blessed villagers who in turn honoured him with banquets—occasionally of dried rice and sour milk.[52] He met Gagan Harkara, through whom he became familiar with Baul
Shah, whose folk songs greatly influenced Tagore.[53] Tagore worked to popularise Lalon's songs. The period 1891–1895, Tagore's Sadhana period, named after one of his magazines, was his most productive;[28] in these years he wrote more than half the stories of the three-volume, 84-story Galpaguchchha.[43] Its ironic and grave tales examined the voluptuous poverty of an idealised rural Bengal.[54] Santiniketan: 1901–1932 Main article: Middle years of Rabindranath Tagore

Tsinghua University, 1924

In 1901 Tagore moved to Santiniketan
to found an ashram with a marble-floored prayer hall—The Mandir—an experimental school, groves of trees, gardens, a library.[55] There his wife and two of his children died. His father died in 1905. He received monthly payments as part of his inheritance and income from the Maharaja of Tripura, sales of his family's jewellery, his seaside bungalow in Puri, and a derisory 2,000 rupees in book royalties.[56] He gained Bengali and foreign readers alike; he published Naivedya
(1901) and Kheya (1906) and translated poems into free verse. In November 1913, Tagore learned he had won that year's Nobel Prize
Nobel Prize
in Literature: the Swedish Academy
Swedish Academy
appreciated the idealistic—and for Westerners—accessible nature of a small body of his translated material focused on the 1912 Gitanjali: Song Offerings.[57] He was awarded a knighthood by King George V in the 1915 Birthday Honours, but renounced it after the 1919 Jallianwala Bagh massacre.[58] In 1921, Tagore and agricultural economist Leonard Elmhirst set up the "Institute for Rural Reconstruction", later renamed Shriniketan or "Abode of Welfare", in Surul, a village near the ashram. With it, Tagore sought to moderate Gandhi's Swaraj
protests, which he occasionally blamed for British India's perceived mental — and thus ultimately colonial — decline.[59] He sought aid from donors, officials, and scholars worldwide to "free village[s] from the shackles of helplessness and ignorance" by "vitalis[ing] knowledge".[60][61] In the early 1930s he targeted ambient "abnormal caste consciousness" and untouchability. He lectured against these, he penned Dalit
heroes for his poems and his dramas, and he campaigned—successfully—to open Guruvayoor Temple
Guruvayoor Temple
to Dalits.[62][63] Twilight years: 1932–1941

Germany, 1931

Last picture of Rabindranath, 1941

Dutta and Robinson describe this phase of Tagore's life as being one of a "peripatetic litterateur". It affirmed his opinion that human divisions were shallow. During a May 1932 visit to a Bedouin encampment in the Iraqi desert, the tribal chief told him that "Our prophet has said that a true Muslim is he by whose words and deeds not the least of his brother-men may ever come to any harm ..." Tagore confided in his diary: "I was startled into recognizing in his words the voice of essential humanity."[64] To the end Tagore scrutinised orthodoxy—and in 1934, he struck. That year, an earthquake hit Bihar and killed thousands. Gandhi hailed it as seismic karma, as divine retribution avenging the oppression of Dalits. Tagore rebuked him for his seemingly ignominious implications.[65] He mourned the perennial poverty of Calcutta
and the socioeconomic decline of Bengal, and detailed these newly plebeian aesthetics in an unrhymed hundred-line poem whose technique of searing double-vision foreshadowed Satyajit Ray's film Apur Sansar.[66][67] Fifteen new volumes appeared, among them prose-poem works Punashcha (1932), Shes Saptak (1935), and Patraput (1936). Experimentation continued in his prose-songs and dance-dramas— Chitra (1914), Shyama (1939), and Chandalika (1938)— and in his novels— Dui Bon (1933), Malancha (1934), and Char Adhyay (1934).[citation needed]

Clouds come floating into my life, no longer to carry rain or usher storm, but to add color to my sunset sky. “ ”

 —Verse 292, Stray Birds, 1916.

Tagore's remit expanded to science in his last years, as hinted in Visva-Parichay, a 1937 collection of essays. His respect for scientific laws and his exploration of biology, physics, and astronomy informed his poetry, which exhibited extensive naturalism and verisimilitude.[68] He wove the process of science, the narratives of scientists, into stories in Se (1937), Tin Sangi (1940), and Galpasalpa (1941). His last five years were marked by chronic pain and two long periods of illness. These began when Tagore lost consciousness in late 1937; he remained comatose and near death for a time. This was followed in late 1940 by a similar spell, from which he never recovered. Poetry from these valetudinary years is among his finest.[69][70] A period of prolonged agony ended with Tagore's death on 7 August 1941, aged eighty; he was in an upstairs room of the Jorasanko
mansion he was raised in.[71][72] The date is still mourned.[73] A. K. Sen, brother of the first chief election commissioner, received dictation from Tagore on 30 July 1941, a day prior to a scheduled operation: his last poem.[74]

I'm lost in the middle of my birthday. I want my friends, their touch, with the earth's last love. I will take life's final offering, I will take the human's last blessing. Today my sack is empty. I have given completely whatever I had to give. In return if I receive anything—some love, some forgiveness—then I will take it with me when I step on the boat that crosses to the festival of the wordless end.


Jawaharlal Nehru
Jawaharlal Nehru
and Rabindranath Tagore

Our passions and desires are unruly, but our character subdues these elements into a harmonious whole. Does something similar to this happen in the physical world? Are the elements rebellious, dynamic with individual impulse? And is there a principle in the physical world which dominates them and puts them into an orderly organization? “ ”

— Interviewed by Einstein, 14 April 1930.[75]

Rabindranath with Einstein in 1930

At the Majlis (Iranian parliament) in Tehran, Iran, 1932[76]

Between 1878 and 1932, Tagore set foot in more than thirty countries on five continents.[77] In 1912, he took a sheaf of his translated works to England, where they gained attention from missionary and Gandhi protégé Charles F. Andrews, Irish poet William Butler Yeats, Ezra Pound, Robert Bridges, Ernest Rhys, Thomas Sturge Moore, and others.[78] Yeats wrote the preface to the English translation of Gitanjali; Andrews joined Tagore at Santiniketan. In November 1912 Tagore began touring the United States[79] and the United Kingdom, staying in Butterton, Staffordshire with Andrews's clergymen friends.[80] From May 1916 until April 1917, he lectured in Japan and the United States.[81] He denounced nationalism.[82] His essay "Nationalism in India" was scorned and praised; it was admired by Romain Rolland
Romain Rolland
and other pacifists.[83] Shortly after returning home the 63-year-old Tagore accepted an invitation from the Peruvian government. He travelled to Mexico. Each government pledged US$100,000 to his school to commemorate the visits.[84] A week after his 6 November 1924 arrival in Buenos Aires,[85] an ill Tagore shifted to the Villa Miralrío at the behest of Victoria Ocampo. He left for home in January 1925. In May 1926 Tagore reached Naples; the next day he met Mussolini in Rome.[86] Their warm rapport ended when Tagore pronounced upon Il Duce's fascist finesse.[87] He had earlier enthused: "[w]ithout any doubt he is a great personality. There is such a massive vigour in that head that it reminds one of Michael Angelo's chisel." A "fire-bath" of fascism was to have educed "the immortal soul of Italy ... clothed in quenchless light".[88] On 14 July 1927 Tagore and two companions began a four-month tour of Southeast Asia. They visited Bali, Java, Kuala Lumpur, Malacca, Penang, Siam, and Singapore. The resultant travelogues compose Jatri (1929).[89] In early 1930 he left Bengal for a nearly year-long tour of Europe
and the United States. Upon returning to Britain—and as his paintings were exhibited in Paris and London—he lodged at a Birmingham Quaker settlement. He wrote his Oxford Hibbert Lectures[f] and spoke at the annual London
Quaker meet.[90] There, addressing relations between the British and the Indians — a topic he would tackle repeatedly over the next two years — Tagore spoke of a "dark chasm of aloofness".[91] He visited Aga Khan III, stayed at Dartington Hall, toured Denmark, Switzerland, and Germany from June to mid-September 1930, then went on into the Soviet Union.[92] In April 1932 Tagore, intrigued by the Persian mystic Hafez, was hosted by Reza Shah Pahlavi.[93][94] In his other travels, Tagore interacted with Henri Bergson, Albert Einstein, Robert Frost, Thomas Mann, George Bernard Shaw, H.G. Wells, and Romain Rolland.[95][96] Visits to Persia and Iraq (in 1932) and Sri Lanka (in 1933) composed Tagore's final foreign tour, and his dislike of communalism and nationalism only deepened.[64] Vice-President of India M. Hamid Ansari
Hamid Ansari
has said that Rabindranath Tagore
Rabindranath Tagore
heralded the cultural rapprochement between communities, societies and nations much before it became the liberal norm of conduct. Tagore was a man ahead of his time. He wrote in 1932, while on a visit to Iran, that "each country of Asia will solve its own historical problems according to its strength, nature and needs, but the lamp they will each carry on their path to progress will converge to illuminate the common ray of knowledge."[97] Works Main article: Works of Rabindranath Tagore Known mostly for his poetry, Tagore wrote novels, essays, short stories, travelogues, dramas, and thousands of songs. Of Tagore's prose, his short stories are perhaps most highly regarded; he is indeed credited with originating the Bengali-language version of the genre. His works are frequently noted for their rhythmic, optimistic, and lyrical nature. Such stories mostly borrow from deceptively simple subject matter: commoners. Tagore's non-fiction grappled with history, linguistics, and spirituality. He wrote autobiographies. His travelogues, essays, and lectures were compiled into several volumes, including Europe
Jatrir Patro (Letters from Europe) and Manusher Dhormo (The Religion of Man). His brief chat with Einstein, "Note on the Nature of Reality", is included as an appendix to the latter. On the occasion of Tagore's 150th birthday an anthology (titled Kalanukromik Rabindra Rachanabali) of the total body of his works is currently being published in Bengali in chronological order. This includes all versions of each work and fills about eighty volumes.[98] In 2011, Harvard University Press
Harvard University Press
collaborated with Visva-Bharati University to publish The Essential Tagore, the largest anthology of Tagore's works available in English; it was edited by Fakrul Alam
Fakrul Alam
and Radha
Chakravarthy and marks the 150th anniversary of Tagore's birth.[99] Drama

Tagore performing the title role in Valmiki Pratibha
Valmiki Pratibha
(1881) with his niece Indira Devi as the goddess Lakshmi.

Tagore's experiences with drama began when he was sixteen, with his brother Jyotirindranath. He wrote his first original dramatic piece when he was twenty — Valmiki Pratibha
Valmiki Pratibha
which was shown at the Tagore's mansion. Tagore stated that his works sought to articulate "the play of feeling and not of action". In 1890 he wrote Visarjan (an adaptation of his novella Rajarshi), which has been regarded as his finest drama. In the original Bengali language, such works included intricate subplots and extended monologues. Later, Tagore's dramas used more philosophical and allegorical themes. The play Dak Ghar (The Post Office'; 1912), describes the child Amal defying his stuffy and puerile confines by ultimately "fall[ing] asleep", hinting his physical death. A story with borderless appeal—gleaning rave reviews in Europe— Dak Ghar dealt with death as, in Tagore's words, "spiritual freedom" from "the world of hoarded wealth and certified creeds".[100][101] Another is Tagore's Chandalika (Untouchable Girl), which was modelled on an ancient Buddhist legend describing how Ananda, the Gautama Buddha's disciple, asks a tribal girl for water.[102] In Raktakarabi ("Red" or "Blood Oleanders") is an allegorical struggle against a kleptocrat king who rules over the residents of Yaksha
puri.[103] Chitrangada, Chandalika, and Shyama are other key plays that have dance-drama adaptations, which together are known as Rabindra Nritya Natya. Short stories

Cover of the Sabuj Patra
Sabuj Patra
magazine, edited by Pramatha Chaudhuri

Tagore began his career in short stories in 1877—when he was only sixteen—with "Bhikharini" ("The Beggar Woman").[104] With this, Tagore effectively invented the Bengali-language short story genre.[105] The four years from 1891 to 1895 are known as Tagore's "Sadhana" period (named for one of Tagore's magazines). This period was among Tagore's most fecund, yielding more than half the stories contained in the three-volume Galpaguchchha, which itself is a collection of eighty-four stories.[104] Such stories usually showcase Tagore's reflections upon his surroundings, on modern and fashionable ideas, and on interesting mind puzzles (which Tagore was fond of testing his intellect with). Tagore typically associated his earliest stories (such as those of the "Sadhana" period) with an exuberance of vitality and spontaneity; these characteristics were intimately connected with Tagore's life in the common villages of, among others, Patisar, Shajadpur, and Shilaida while managing the Tagore family's vast landholdings.[104] There, he beheld the lives of India's poor and common people; Tagore thereby took to examining their lives with a penetrative depth and feeling that was singular in Indian literature up to that point.[106] In particular, such stories as "Kabuliwala" ("The Fruitseller from Kabul", published in 1892), "Kshudita Pashan" ("The Hungry Stones") (August 1895), and "Atithi" ("The Runaway", 1895) typified this analytic focus on the downtrodden.[107] Many of the other Galpaguchchha stories were written in Tagore's Sabuj Patra period from 1914 to 1917, also named after one of the magazines that Tagore edited and heavily contributed to.[104] Novels Tagore wrote eight novels and four novellas, among them Chaturanga, Shesher Kobita, Char Odhay, and Noukadubi. Ghare Baire
Ghare Baire
(The Home and the World)—through the lens of the idealistic zamindar protagonist Nikhil—excoriates rising Indian nationalism, terrorism, and religious zeal in the Swadeshi movement; a frank expression of Tagore's conflicted sentiments, it emerged from a 1914 bout of depression. The novel ends in Hindu-Muslim violence and Nikhil's—likely mortal—wounding.[108] Gora raises controversial questions regarding the Indian identity. As with Ghare Baire, matters of self-identity (jāti), personal freedom, and religion are developed in the context of a family story and love triangle.[109] In it an Irish boy orphaned in the Sepoy Mutiny
Sepoy Mutiny
is raised by Hindus as the titular gora—"whitey". Ignorant of his foreign origins, he chastises Hindu religious backsliders out of love for the indigenous Indians and solidarity with them against his hegemon-compatriots. He falls for a Brahmo
girl, compelling his worried foster father to reveal his lost past and cease his nativist zeal. As a "true dialectic" advancing "arguments for and against strict traditionalism", it tackles the colonial conundrum by "portray[ing] the value of all positions within a particular frame [...] not only syncretism, not only liberal orthodoxy, but the extremest reactionary traditionalism he defends by an appeal to what humans share." Among these Tagore highlights "identity [...] conceived of as dharma."[110] In Jogajog
(Relationships), the heroine Kumudini—bound by the ideals of Śiva-Sati, exemplified by Dākshāyani—is torn between her pity for the sinking fortunes of her progressive and compassionate elder brother and his foil: her roue of a husband. Tagore flaunts his feminist leanings; pathos depicts the plight and ultimate demise of women trapped by pregnancy, duty, and family honour; he simultaneously trucks with Bengal's putrescent landed gentry.[111] The story revolves around the underlying rivalry between two families—the Chatterjees, aristocrats now on the decline (Biprodas) and the Ghosals (Madhusudan), representing new money and new arrogance. Kumudini, Biprodas' sister, is caught between the two as she is married off to Madhusudan. She had risen in an observant and sheltered traditional home, as had all her female relations. Others were uplifting: Shesher Kobita—translated twice as Last Poem and Farewell Song—is his most lyrical novel, with poems and rhythmic passages written by a poet protagonist. It contains elements of satire and postmodernism and has stock characters who gleefully attack the reputation of an old, outmoded, oppressively renowned poet who, incidentally, goes by a familiar name: "Rabindranath Tagore". Though his novels remain among the least-appreciated of his works, they have been given renewed attention via film adaptations by Ray and others: Chokher Bali and Ghare Baire
Ghare Baire
are exemplary. In the first, Tagore inscribes Bengali society via its heroine: a rebellious widow who would live for herself alone. He pillories the custom of perpetual mourning on the part of widows, who were not allowed to remarry, who were consigned to seclusion and loneliness. Tagore wrote of it: "I have always regretted the ending". Poetry

Title page of the 1913 Macmillan edition of Tagore's Gitanjali.

Part of a poem written by Tagore in Hungary, 1926.

Internationally, Gitanjali
(Bengali: গীতাঞ্জলি) is Tagore's best-known collection of poetry, for which he was awarded the Nobel Prize
Nobel Prize
in 1913. Tagore was the first person (excepting Roosevelt) outside Europe
to get the Nobel Prize. Besides Gitanjali, other notable works include Manasi, Sonar Tori ("Golden Boat"), Balaka ("Wild Geese" — the title being a metaphor for migrating souls)[112] Tagore's poetic style, which proceeds from a lineage established by 15th- and 16th-century Vaishnava poets, ranges from classical formalism to the comic, visionary, and ecstatic. He was influenced by the atavistic mysticism of Vyasa
and other rishi-authors of the Upanishads, the Bhakti-Sufi mystic Kabir, and Ramprasad Sen.[113] Tagore's most innovative and mature poetry embodies his exposure to Bengali rural folk music, which included mystic Baul
ballads such as those of the bard Lalon.[114][115] These, rediscovered and repopularised by Tagore, resemble 19th-century Kartābhajā hymns that emphasise inward divinity and rebellion against bourgeois bhadralok religious and social orthodoxy.[116][117] During his Shelaidaha
years, his poems took on a lyrical voice of the moner manush, the Bāuls' "man within the heart" and Tagore's "life force of his deep recesses", or meditating upon the jeevan devata—the demiurge or the "living God within".[27] This figure connected with divinity through appeal to nature and the emotional interplay of human drama. Such tools saw use in his Bhānusiṃha poems chronicling the Radha- Krishna
romance, which were repeatedly revised over the course of seventy years.[118][119] Later, with the development of new poetic ideas in Bengal — many originating from younger poets seeking to break with Tagore's style — Tagore absorbed new poetic concepts, which allowed him to further develop a unique identity. Examples of this include Africa and Camalia, which are among the better known of his latter poems. Songs (Rabindra Sangeet) Tagore was a prolific composer with around 2,230 songs to his credit.[120] His songs are known as rabindrasangit ("Tagore Song"), which merges fluidly into his literature, most of which—poems or parts of novels, stories, or plays alike—were lyricised. Influenced by the thumri style of Hindustani music, they ran the entire gamut of human emotion, ranging from his early dirge-like Brahmo
devotional hymns to quasi-erotic compositions.[121] They emulated the tonal colour of classical ragas to varying extents. Some songs mimicked a given raga's melody and rhythm faithfully; others newly blended elements of different ragas.[122] Yet about nine-tenths of his work was not bhanga gaan, the body of tunes revamped with "fresh value" from select Western, Hindustani, Bengali folk and other regional flavours "external" to Tagore's own ancestral culture.[27] In 1971, Amar Shonar Bangla
Amar Shonar Bangla
became the national anthem of Bangladesh. It was written — ironically — to protest the 1905 Partition of Bengal along communal lines: cutting off the Muslim-majority East Bengal from Hindu-dominated West Bengal was to avert a regional bloodbath. Tagore saw the partition as a cunning plan to stop the independence movement, and he aimed to rekindle Bengali unity and tar communalism. Jana Gana Mana
Jana Gana Mana
was written in shadhu-bhasha, a Sanskritised form of Bengali, and is the first of five stanzas of the Brahmo
hymn Bharot Bhagyo Bidhata
Bharot Bhagyo Bidhata
that Tagore composed. It was first sung in 1911 at a Calcutta
session of the Indian National Congress[123] and was adopted in 1950 by the Constituent Assembly of the Republic of India as its national anthem. The Sri Lanka's National Anthem was inspired by his work.[19][20][21] For Bengalis, the songs' appeal, stemming from the combination of emotive strength and beauty described as surpassing even Tagore's poetry, was such that the Modern Review observed that "[t]here is in Bengal no cultured home where Rabindranath's songs are not sung or at least attempted to be sung... Even illiterate villagers sing his songs".[124] Tagore influenced sitar maestro Vilayat Khan
Vilayat Khan
and sarodiyas Buddhadev Dasgupta and Amjad Ali Khan.[122] Art works

Primitivism: a pastel-coloured rendition of a Malagan
mask from northern New Ireland, Papua New Guinea.

Tagore's Bengali-language initials are worked into this "Ro-Tho" (of RAbindranath THAkur) wooden seal, stylistically similar to designs used in traditional Haida carvings from the Pacific Northwest
Pacific Northwest
region of North America. Tagore often embellished his manuscripts with such art.[125]

At sixty, Tagore took up drawing and painting; successful exhibitions of his many works—which made a debut appearance in Paris upon encouragement by artists he met in the south of France[126]—were held throughout Europe. He was likely red-green colour blind, resulting in works that exhibited strange colour schemes and off-beat aesthetics. Tagore was influenced numerous styles, including scrimshaw by the Malanggan
people of northern New Ireland, Papua New Guinea, Haida carvings from the Pacific Northwest
Pacific Northwest
region of North America, and woodcuts by the German Max Pechstein.[125] His artist's eye for his handwriting were revealed in the simple artistic and rhythmic leitmotifs embellishing the scribbles, cross-outs, and word layouts of his manuscripts. Some of Tagore's lyrics corresponded in a synesthetic sense with particular paintings.[27]

Surrounded by several painters Rabindranath had always wanted to paint. Writing and music, playwriting and acting came to him naturally and almost without training, as it did to several others in his family, and in even greater measure. But painting eluded him. Yet he tried repeatedly to master the art and there are several references to this in his early letters and reminiscence. In 1900 for instance, when he was nearing forty and already a celebrated writer, he wrote to Jagadishchandra Bose, "You will be surprised to hear that I am sitting with a sketchbook drawing. Needless to say, the pictures are not intended for any salon in Paris, they cause me not the least suspicion that the national gallery of any country will suddenly decide to raise taxes to acquire them. But, just as a mother lavishes most affection on her ugliest son, so I feel secretly drawn to the very skill that comes to me least easily." He also realized that he was using the eraser more than the pencil, and dissatisfied with the results he finally withdrew, deciding it was not for him to become a painter.[127]

Tagore also had an artist's eye for his own handwriting, embellishing the cross-outs and word layouts in his manuscripts with simple artistic leitmotifs. India's National Gallery of Modern Art
National Gallery of Modern Art
lists 102 works by Tagore in its collections.[128][129] Politics Main article: Political views of Rabindranath Tagore

Tagore hosts Gandhi and wife Kasturba at Santiniketan
in 1940

Tagore opposed imperialism and supported Indian nationalists,[130][131][132] and these views were first revealed in Manast, which was mostly composed in his twenties.[51] Evidence produced during the Hindu–German Conspiracy Trial
Hindu–German Conspiracy Trial
and latter accounts affirm his awareness of the Ghadarites, and stated that he sought the support of Japanese Prime Minister Terauchi Masatake
Terauchi Masatake
and former Premier Ōkuma Shigenobu.[133] Yet he lampooned the Swadeshi movement; he rebuked it in The Cult of the Charkha, an acrid 1925 essay.[134] He urged the masses to avoid victimology and instead seek self-help and education, and he saw the presence of British administration as a "political symptom of our social disease". He maintained that, even for those at the extremes of poverty, "there can be no question of blind revolution"; preferable to it was a "steady and purposeful education".[135][136]

So I repeat we never can have a true view of man unless we have a love for him. Civilisation must be judged and prized, not by the amount of power it has developed, but by how much it has evolved and given expression to, by its laws and institutions, the love of humanity. “ ”

— Sādhanā: The Realisation of Life, 1916.[137]

Such views enraged many. He escaped assassination—and only narrowly—by Indian expatriates during his stay in a San Francisco hotel in late 1916; the plot failed when his would-be assassins fell into argument.[138] Tagore wrote songs lionising the Indian independence movement.[139] Two of Tagore's more politically charged compositions, "Chitto Jetha Bhayshunyo" ("Where the Mind is Without Fear") and "Ekla Chalo Re" ("If They Answer Not to Thy Call, Walk Alone"), gained mass appeal, with the latter favoured by Gandhi.[140] Though somewhat critical of Gandhian activism,[141] Tagore was key in resolving a Gandhi–Ambedkar dispute involving separate electorates for untouchables, thereby mooting at least one of Gandhi's fasts "unto death".[142][143] Repudiation of knighthood See also: List of people who have declined a British honour § Knighthood (Knight Bachelor) Tagore renounced his knighthood in response to the Jallianwala Bagh massacre in 1919. In the repudiation letter to the Viceroy, Lord Chelmsford, he wrote[144]

The time has come when badges of honour make our shame glaring in the incongruous context of humiliation, and I for my part, wish to stand, shorn, of all special distinctions, by the side of those of my countrymen who, for their so called insignificance, are liable to suffer degradation not fit for human beings.

and Visva-Bharati

Kala Bhavan
Kala Bhavan
(Institute of Fine Arts), Santiniketan, India

Tagore despised rote classroom schooling: in "The Parrot's Training", a bird is caged and force-fed textbook pages—to death.[145][146] Tagore, visiting Santa Barbara in 1917, conceived a new type of university: he sought to "make Santiniketan
the connecting thread between India and the world [and] a world center for the study of humanity somewhere beyond the limits of nation and geography."[138] The school, which he named Visva-Bharati,[g] had its foundation stone laid on 24 December 1918 and was inaugurated precisely three years later.[147] Tagore employed a brahmacharya system: gurus gave pupils personal guidance—emotional, intellectual, and spiritual. Teaching was often done under trees. He staffed the school, he contributed his Nobel Prize
Nobel Prize
monies,[148] and his duties as steward-mentor at Santiniketan
kept him busy: mornings he taught classes; afternoons and evenings he wrote the students' textbooks.[149] He fundraised widely for the school in Europe
and the United States between 1919 and 1921.[150] Theft of Nobel Prize On 25 March 2004, Tagore's Nobel Prize
Nobel Prize
was stolen from the safety vault of the Visva-Bharati University, along with several other of his belongings.[151] On 7 December 2004, the Swedish Academy
Swedish Academy
decided to present two replicas of Tagore's Nobel Prize, one made of gold and the other made of bronze, to the Visva-Bharati University.[152] It inspired the fictional film Nobel Chor. Quotes “Every person is worthy of an infinite wealth of love - the beauty of his soul knows no limit.” -Rabindranath Tagore, Glimpses of Bengal [153] “Who are you, reader, reading my poems an hundred years hence? I cannot send you one single flower from this wealth of the spring, one single streak of gold from yonder clouds. Open your doors and look abroad. From your blossoming garden gather fragrant memories of the vanished flowers of an hundred years before. In the joy of your heart may you feel the living joy that sang one spring morning, sending its glad voice across an hundred years.” “Trust love even if it brings sorrow. Do not close up your heart.” ― Rabindranath Tagore, The Gardener [154] “The roots below the earth claim no rewards for making the branches fruitful.” “We read the world wrong and say that it deceives us.” “Once we dreamt that we were strangers. We wake up to find that we were dear to each other.” ~ Rabindranath Tagore, Stray Birds [155] (All quotes sourced from Project Gutenberg) Impact and legacy

Bust of Tagore in Gordon Square, Bloomsbury, London

Rabindranath Tagore's bust at St Stephen Green Park, Dublin, Ireland

Every year, many events pay tribute to Tagore: Kabipranam, his birth anniversary, is celebrated by groups scattered across the globe; the annual Tagore Festival held in Urbana, Illinois (USA); Rabindra Path Parikrama walking pilgrimages from Kolkata
to Santiniketan; and recitals of his poetry, which are held on important anniversaries.[79][156][157] Bengali culture is fraught with this legacy: from language and arts to history and politics. Amartya Sen deemed Tagore a "towering figure", a "deeply relevant and many-sided contemporary thinker".[157] Tagore's Bengali originals—the 1939 Rabīndra Rachanāvalī—is canonised as one of his nation's greatest cultural treasures, and he was roped into a reasonably humble role: "the greatest poet India has produced".[158]

Who are you, reader, reading my poems a hundred years hence? I cannot send you one single flower from this wealth of the spring, one single streak of gold from yonder clouds. Open your doors and look abroad. From your blossoming garden gather fragrant memories of the vanished flowers of an hundred years before. In the joy of your heart may you feel the living joy that sang one spring morning, sending its glad voice across an hundred years.

“ ”

— The Gardener, 1915.[159]

Tagore was renowned throughout much of Europe, North America, and East Asia. He co-founded Dartington Hall
Dartington Hall
School, a progressive coeducational institution;[160] in Japan, he influenced such figures as Nobel laureate Yasunari Kawabata.[161] Tagore's works were widely translated into English, Dutch, German, Spanish, and other European languages by Czech Indologist Vincenc Lesný,[162] French Nobel laureate André Gide, Russian poet Anna Akhmatova,[163] former Turkish Prime Minister Bülent Ecevit,[164] and others. In the United States, Tagore's lecturing circuits, particularly those of 1916–1917, were widely attended and wildly acclaimed. Some controversies[h] involving Tagore, possibly fictive, trashed his popularity and sales in Japan and North America
North America
after the late 1920s, concluding with his "near total eclipse" outside Bengal.[8] Yet a latent reverence of Tagore was discovered by an astonished Salman Rushdie
Salman Rushdie
during a trip to Nicaragua.[170] By way of translations, Tagore influenced Chileans Pablo Neruda
Pablo Neruda
and Gabriela Mistral; Mexican writer Octavio Paz; and Spaniards José Ortega y Gasset, Zenobia Camprubí, and Juan Ramón Jiménez. In the period 1914–1922, the Jiménez-Camprubí pair produced twenty-two Spanish translations of Tagore's English corpus; they heavily revised The Crescent Moon and other key titles. In these years, Jiménez developed "naked poetry".[171] Ortega y Gasset wrote that "Tagore's wide appeal [owes to how] he speaks of longings for perfection that we all have [...] Tagore awakens a dormant sense of childish wonder, and he saturates the air with all kinds of enchanting promises for the reader, who [...] pays little attention to the deeper import of Oriental mysticism". Tagore's works circulated in free editions around 1920—alongside those of Plato, Dante, Cervantes, Goethe, and Tolstoy. Tagore was deemed over-rated by some. Graham Greene
Graham Greene
doubted that "anyone but Mr. Yeats can still take his poems very seriously." Several prominent Western admirers—including Pound and, to a lesser extent, even Yeats—criticised Tagore's work. Yeats, unimpressed with his English translations, railed against that "Damn Tagore [...] We got out three good books, Sturge Moore and I, and then, because he thought it more important to know English than to be a great poet, he brought out sentimental rubbish and wrecked his reputation. Tagore does not know English, no Indian knows English."[8][172] William Radice, who "English[ed]" his poems, asked: "What is their place in world literature?"[173] He saw him as "kind of counter-cultur[al]", bearing "a new kind of classicism" that would heal the "collapsed romantic confusion and chaos of the 20th [c]entury."[172][174] The translated Tagore was "almost nonsensical",[175] and subpar English offerings reduced his trans-national appeal:

Anyone who knows Tagore's poems in their original Bengali cannot feel satisfied with any of the translations (made with or without Yeats's help). Even the translations of his prose works suffer, to some extent, from distortion. E.M. Forster noted [of] The Home and the World [that] '[t]he theme is so beautiful,' but the charms have 'vanished in translation,' or perhaps 'in an experiment that has not quite come off.' — Amartya Sen, "Tagore and His India".[8]


Thakur Bari, Kolkata; the room in which Tagore died in 1941.

The houseboat ("Bajra") of the Tagore family, at Shilaidaha
Kuthibadi, Bangladesh

There are five Tagore museums
Tagore museums
in India and Bangladesh:

Rabindra Bharati Museum, at Jorasanko
Thakur Bari, Kolkata, India Tagore Memorial Museum, at Shilaidaha
Kuthibadi, Shilaidaha, Bangladesh Rabindra Memorial Museum at Shahzadpur Kachharibari, Shahzadpur, Bangladesh Rabindra Bhavan Museum, in Santiniketan, India Rabindra Museum, in Mungpoo, near Kalimpong, India

Jorasanko Thakur Bari
Jorasanko Thakur Bari
(Bengali: House of the Thakurs (anglicised to Tagore) in Jorasanko, north of Kolkata, is the ancestral home of the Tagore family. It is currently located on the Rabindra Bharati University campus at 6/4 Dwarakanath Tagore Lane[176] Jorasanko, Kolkata
700007.[177] It is the house in which Tagore was born. It is also the place where he spent most of his childhood and where he died on 7 August 1941. Shilaidaha
Kuthibadi[178][179] (Bengali: শিলাইদহ) is a place in Kumarkhali Upazila
Kumarkhali Upazila
of Kushtia District
Kushtia District
in Bangladesh. The place is famous for Kuthi Bari; a country house made by Dwarkanath Tagore.[180] Tagore lived a part of life here and created some of his memorable poems while living here. The museum is named 'Tagore Memorial Museum'. Many of the objects Tagore used are displayed here, such as his bed, wardrobe, iron chest, lawn mower, framed pictures and last but not the least his houseboat.[181][182] The Shahzadpur Kachharibari
Shahzadpur Kachharibari
has been converted into a museum and a memorial in his name. Many artefacts and memorabilia items are on display in the museum, including shoes, wooden sandals, a piano and a harmonium. The building itself is of interesting architectural heritage, and contains 7 rooms. Additionally, there is the Rabindra Tirtha, a cultural center in Narkel Bagan, New Town, Kolkata, India, completed in 2012. List of works Main article: List of works by Rabindranath Tagore The SNLTR hosts the 1415 BE edition of Tagore's complete Bengali works. Tagore Web also hosts an edition of Tagore's works, including annotated songs. Translations are found at Project Gutenberg
Project Gutenberg
and Wikisource. More sources are below. Original



* ভানুসিংহ ঠাকুরের পদাবলী Bhānusiṃha Ṭhākurer Paḍāvalī (Songs of Bhānusiṃha Ṭhākur) 1884

* মানসী Manasi (The Ideal One) 1890

* সোনার তরী Sonar Tari (The Golden Boat) 1894

* গীতাঞ্জলি Gitanjali (Song Offerings) 1910

* গীতিমাল্য Gitimalya (Wreath of Songs) 1914

* বলাকা Balaka (The Flight of Cranes) 1916


* বাল্মিকী প্রতিভা Valmiki-Pratibha (The Genius of Valmiki) 1881

* বিসর্জন Visarjan (The Sacrifice) 1890

* রাজা Raja (The King of the Dark Chamber) 1910

* ডাকঘর Dak Ghar (The Post Office) 1912

* অচলায়তন Achalayatan (The Immovable) 1912

* মুক্তধারা Muktadhara (The Waterfall) 1922

* রক্তকরবী Raktakaravi (Red Oleanders) 1926


* নষ্টনীড় Nastanirh (The Broken Nest) 1901

* গোরা Gora (Fair-Faced) 1910

* ঘরে বাইরে Ghare Baire (The Home and the World) 1916

* যোগাযোগ Yogayog (Crosscurrents) 1929


* জীবনস্মৃতি Jivansmriti (My Reminiscences) 1912

* ছেলেবেলা Chhelebela (My Boyhood Days) 1940


* Thought Relics 1921[original 1]


Thákurova ulice, Prague, Czech Republic

Tagore Room, Sardar Patel Memorial, Ahmedabad, India


* Chitra 1914[text 1]

* Creative Unity 1922[text 2]

* The Crescent Moon 1913[text 3]

* The Cycle of Spring 1917[text 4]

* Fireflies 1928

* Fruit-Gathering 1916[text 5]

* The Fugitive 1916[text 6]

* The Gardener 1913[text 7]

* Gitanjali: Song Offerings 1912[text 8]

* Glimpses of Bengal 1920[text 9]

* The Home and the World 1921[text 10]

* The Hungry Stones 1916[text 11]

* I Won't Let you Go: Selected Poems 1991

* The King of the Dark Chamber 1914[text 12]

* Letters from an Expatriate in Europe 2012

* The Lover of God 2003

* Mashi 1918[text 13]

* My Boyhood Days 1943

* My Reminiscences 1917[text 14]

* Nationalism 1917

* The Post Office 1914[text 15]

* Sadhana: The Realisation of Life 1913[text 16]

* Selected Letters 1997

* Selected Poems 1994

* Selected Short Stories 1991

* Songs of Kabir 1915[text 17]

* The Spirit of Japan 1916[text 18]

* Stories from Tagore 1918[text 19]

* Stray Birds 1916[text 20]

* Vocation 1913[183]

* The Wreck 1921


Primico, 1977

Adaptations of novels and short stories in cinema Main article: Adaptations of works of Rabindranath Tagore
Rabindranath Tagore
in film and television Bengali

Natir Puja
Natir Puja
– 1932 – The only film directed by Rabindranath Tagore Naukadubi – 1947 (Noukadubi) – Nitin Bose Kabuliwala – 1957 (Kabuliwala) – Tapan Sinha Kshudhita Pashaan – 1960 (Kshudhita Pashan) – Tapan Sinha Teen Kanya
Teen Kanya
– 1961 (Teen Kanya) – Satyajit Ray Charulata
- 1964 (Nastanirh) – Satyajit Ray Ghare Baire
Ghare Baire
– 1985 (Ghare Baire) – Satyajit Ray Chokher Bali – 2003 (Chokher Bali) – Rituparno Ghosh Shasti
– 2004 (Shasti) – Chashi Nazrul Islam Shuva – 2006 (Shuvashini) – Chashi Nazrul Islam Chaturanga – 2008 (Chaturanga) – Suman Mukhopadhyay Elar Char Adhyay
Elar Char Adhyay
– 2012 (Char Adhyay) – Bappaditya Bandyopadhyay


Sacrifice – 1927 (Balidan) – Nanand Bhojai and Naval Gandhi Milan – 1946 (Nauka Dubi) – Nitin Bose Dak Ghar - 1965 (Dak Ghar) - Zul Vellani Kabuliwala – 1961 (Kabuliwala) – Bimal Roy Uphaar
– 1971 (Samapti) – Sudhendu Roy Lekin...
– 1991 (Kshudhit Pashaan) – Gulzar Char Adhyay – 1997 (Char Adhyay) – Kumar Shahani Kashmakash – 2011 (Nauka Dubi) – Rituparno Ghosh "Bhikharin"

See also

Rabindranath Tagore
Rabindranath Tagore

Rabindra Jayanti Tagore family Timeline of Rabindranath Tagore


Gordon Square, London

Gandhi Memorial Museum, Madurai


^ Romanised from Bengali script: Robindronath Ṭhakur. ^ Bengali calendar: 25 Baishakh, 1268 – 22 Srabon, 1348 (২৫শে বৈশাখ, ১২৬৮ – ২২শে শ্রাবণ, ১৩৪৮ বঙ্গাব্দ). ^ Gurudev translates as "divine mentor".[3] ^ Tagore was born at No. 6 Dwarkanath Tagore
Dwarkanath Tagore
Lane, Jorasanko
— the address of the main mansion (the Jorasanko
Thakurbari) inhabited by the Jorasanko
branch of the Tagore clan, which had earlier suffered an acrimonious split. Jorasanko
was located in the Bengali section of Calcutta, near Chitpur Road.[22][23] Dwarkanath Tagore
Dwarkanath Tagore
was his paternal grandfather.[24] Debendranath had formulated the Brahmoist philosophies espoused by his friend Ram Mohan Roy, and became focal in Brahmo
society after Roy's death.[25][26] ^ ... and wholly fictitious ... ^ On the "idea of the humanity of our God, or the divinity of Man the Eternal". ^ Etymology of "Visva-Bharati": from the Sanskrit
for "world" or "universe" and the name of a Rigvedic goddess ("Bharati") associated with Saraswati, the Hindu patron of learning.[147] "Visva-Bharati" also translates as "India in the World". ^ Tagore was no stranger to controversy: his dealings with Indian nationalists Subhas Chandra Bose[8] and Rash Behari Bose,[165] his yen for Soviet Communism,[166][167] and papers confiscated from Indian nationalists in New York allegedly implicating Tagore in a plot to overthrow the Raj via German funds.[168] These destroyed Tagore's image—and book sales—in the United States.[165] His relations with and ambivalent opinion of Mussolini revolted many;[88] close friend Romain Rolland
Romain Rolland
despaired that "[h]e is abdicating his role as moral guide of the independent spirits of Europe
and India".[169]


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Rabindranath Tagore
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Nobel Prize
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Rabindranath Tagore
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(2011) The Last Harvest: Paintings of Rabindranath Tagore. ^ " National Gallery of Modern Art
National Gallery of Modern Art
- Mumbai:Virtual Galleries". Retrieved October 23, 2017.  ^ "National Gallery of Modern Art:Collections". Retrieved October 23, 2017.  ^ Tagore, Dutta & Robinson 1997, p. 127. ^ Tagore, Dutta & Robinson 1997, p. 210. ^ Dutta & Robinson 1995, p. 304. ^ Brown 1948, p. 306. ^ Dutta & Robinson 1995, p. 261. ^ Tagore, Dutta & Robinson 1997, pp. 239–240. ^ Tagore & Chakravarty 1961, p. 181. ^ Tagore 1916, p. 111. ^ a b Dutta & Robinson 1995, p. 204. ^ Dutta & Robinson 1995, pp. 215–216. ^ Chakraborty & Bhattacharya 2001, p. 157. ^ Mehta 1999. ^ Dutta & Robinson 1995, pp. 306–307. ^ Dutta & Robinson 1995, p. 339. ^ "Tagore renounced his Knighthood in protest for Jalianwalla Bagh mass killing". The Times of India. Mumbai: Bennett, Coleman & Co. Ltd. 13 April 2011. Retrieved 17 February 2012.  ^ Tagore, Dutta & Robinson 1997, p. 267. ^ Tagore & Pal 2004. ^ a b Dutta & Robinson 1995, p. 220. ^ Roy 1977, p. 175. ^ Tagore & Chakravarty 1961, p. 27. ^ Dutta & Robinson 1995, p. 221. ^ "Tagore's Nobel Prize
Nobel Prize
stolen". The Times of India. The Times Group. 25 March 2004. Retrieved 10 July 2013.  ^ "Sweden to present India replicas of Tagore's Nobel". The Times of India. The Times Group. 7 December 2004. Retrieved 10 July 2013.  ^ Glimpses of Bengal ^ The Gardener ^ Stray Birds ^ Chakrabarti 2001. ^ a b Hatcher 2001. ^ Kämpchen 2003. ^ Tagore & Ray 2007, p. 104. ^ Farrell 2000, p. 162. ^ Dutta & Robinson 1995, p. 202. ^ Cameron 2006. ^ Sen 2006, p. 90. ^ Kinzer 2006. ^ a b Dutta & Robinson 1995, p. 214. ^ Dutta & Robinson 1995, p. 297. ^ Dutta & Robinson 1995, pp. 214–215. ^ Dutta & Robinson 1995, p. 212. ^ Dutta & Robinson 1995, p. 273. ^ Dutta & Robinson 1995, p. 255. ^ Dutta & Robinson 1995, pp. 254–255. ^ a b Bhattacharya 2001. ^ Tagore & Radice 2004, p. 26. ^ Tagore & Radice 2004, pp. 26–31. ^ Tagore & Radice 2004, pp. 18–19. ^ "Rabindra Bharti Museum ( Jorasanko
Thakurbari),". Archived from the original on 9 February 2012.  ^ "Tagore House ( Jorasanko
Thakurbari)".  ^ " Shilaidaha
Kuthibari: Out of focus By Ershad Kamol". www.kumarkhali.com. Retrieved 29 December 2010. [permanent dead link] ^ "Kuthibari of Rbindranath". The Kushtia Times. Retrieved 29 December 2010.  ^ " Bangladesh
Parjatan Corporation". Parjatan.gov.bd. 14 April 1971. Archived from the original on 14 February 2012. Retrieved 10 October 2012.  ^ "Archived copy". Archived from the original on 1 November 2013. Retrieved 30 October 2013.  ^ The Telegraph. Varsities to showcase replicas of Tagore boats 21 June 2012. ^ Vocation, Ratna Sagar, 2007, p. 64, ISBN 81-8332-175-5 

Bibliography Primary Anthologies

Tagore, Rabindranath (1952), Collected Poems and Plays of Rabindranath Tagore, Macmillan Publishing (published January 1952), ISBN 978-0-02-615920-3  Tagore, Rabindranath (1984), Some Songs and Poems from Rabindranath Tagore, East-West Publications, ISBN 978-0-85692-055-4  Tagore, Rabindranath; Alam, F. (editor); Chakravarty, R. (editor) (2011), The Essential Tagore, Harvard University Press
Harvard University Press
(published 15 April 2011), p. 323, ISBN 978-0-674-05790-6 CS1 maint: Extra text: authors list (link) Tagore, Rabindranath; Chakravarty, A. (editor) (1961), A Tagore Reader, Beacon Press (published 1 June 1961), ISBN 978-0-8070-5971-5 CS1 maint: Extra text: authors list (link) Tagore, Rabindranath; Dutta, K. (editor); Robinson, A. (editor) (1997), Selected Letters of Rabindranath Tagore, Cambridge University Press (published 28 June 1997), ISBN 978-0-521-59018-1 CS1 maint: Extra text: authors list (link) Tagore, Rabindranath; Dutta, K. (editor); Robinson, A. (editor) (1997), Rabindranath Tagore: An Anthology, Saint Martin's Press (published November 1997), ISBN 978-0-312-16973-2 CS1 maint: Extra text: authors list (link) Tagore, Rabindranath; Ray, M. K. (editor) (2007), The English Writings of Rabindranath Tagore, 1, Atlantic Publishing (published 10 June 2007), ISBN 978-81-269-0664-2 CS1 maint: Extra text: authors list (link)


Tagore, Rabindranath (1916), Sādhanā: The Realisation of Life, Macmillan  Tagore, Rabindranath (1930), The Religion of Man, Macmillan 


Tagore, Rabindranath; Mukerjea, D. (translator) (1914), The Post Office, London: Macmillan  Tagore, Rabindranath; Pal, P. B. (translator) (2004), "The Parrot's Tale", Parabaas (published 1 December 2004)  Tagore, Rabindranath; Radice, W. (translator) (1995), Rabindranath Tagore: Selected Poems (1st ed.), London: Penguin (published 1 June 1995), ISBN 978-0-14-018366-5  Tagore, Rabindranath; Radice, W (translator) (2004), Particles, Jottings, Sparks: The Collected Brief Poems, Angel Books (published 28 December 2004), ISBN 978-0-946162-66-6  Tagore, Rabindranath; Stewart, T. K. (translator); Twichell, C. (translator) (2003), Rabindranath Tagore: Lover of God, Lannan Literary Selections, Copper Canyon Press (published 1 November 2003), ISBN 978-1-55659-196-9 

Secondary Articles

Bhattacharya, S. (2001), Translating Tagore, Chennai, India: The Hindu (published 2 September 2001), retrieved 9 September 2011  Brown, G. T. (1948), " The Hindu
The Hindu
Conspiracy: 1914–1917", The Pacific Historical Review, University of California Press (published August 1948), 17 (3): 299–310, doi:10.2307/3634258, ISSN 0030-8684  Cameron, R. (2006), "Exhibition of Bengali Film Posters Opens in Prague", Radio Prague
(published 31 March 2006), retrieved 29 September 2011  Chakrabarti, I. (2001), "A People's Poet or a Literary Deity?", Parabaas (published 15 July 2001), retrieved 17 September 2011  Das, S. (2009), "Tagore's Garden of Eden", The Telegraph, Calcutta, India (published 2 August 2009), retrieved 29 September 2011  Dasgupta, A. (2001), "Rabindra-Sangeet as a Resource for Indian Classical Bandishes", Parabaas (published 15 July 2001), retrieved 17 September 2011  Dyson, K. K. (2001), " Rabindranath Tagore
Rabindranath Tagore
and His World of Colours", Parabaas (published 15 July 2001), retrieved 26 November 2009  Ghosh, B. (2011), "Inside the World of Tagore's Music", Parabaas (published August 2011), retrieved 17 September 2011  Harvey, J. (1999), In Quest of Spirit: Thoughts on Music, University of California Press, archived from the original on 6 May 2001, retrieved 10 September 2011  Hatcher, B. A. (2001), "Aji Hote Satabarsha Pare: What Tagore Says to Us a Century Later", Parabaas (published 15 July 2001), retrieved 28 September 2011  Hjärne, H. (1913), The Nobel Prize in Literature
Nobel Prize in Literature
1913: Rabindranath Tagore—Award Ceremony Speech, Nobel Foundation
Nobel Foundation
(published 10 December 1913), retrieved 17 September 2011  Jha, N. (1994), "Rabindranath Tagore" (PDF), PROSPECTS: The Quarterly Review of Education, Paris: UNESCO: International Bureau of Education, 24 (3/4): 603–19, retrieved 30 August 2011  Kämpchen, M. (2003), " Rabindranath Tagore
Rabindranath Tagore
in Germany", Parabaas (published 25 July 2003), retrieved 28 September 2011  Kinzer, S. (2006), "Bülent Ecevit, Who Turned Turkey Toward the West, Dies", The New York Times
The New York Times
(published 5 November 2006), retrieved 28 September 2011  Kundu, K. (2009), "Mussolini and Tagore", Parabaas (published 7 May 2009), retrieved 17 September 2011  Mehta, S. (1999), The First Asian Nobel Laureate, Time (published 23 August 1999), retrieved 30 August 2011  Meyer, L. (2004), "Tagore in The Netherlands", Parabaas (published 15 July 2004), retrieved 30 August 2011  Mukherjee, M. (2004), "Yogayog ("Nexus") by Rabindranath Tagore: A Book Review", Parabaas (published 25 March 2004), retrieved 29 September 2011  Pandey, J. M. (2011), Original Rabindranath Tagore
Rabindranath Tagore
Scripts in Print Soon, Times of India
Times of India
(published 8 August 2011), retrieved 1 September 2011  O'Connell, K. M. (2008), "Red Oleanders (Raktakarabi) by Rabindranath Tagore—A New Translation and Adaptation: Two Reviews", Parabaas (published December 2008), retrieved 28 September 2011  Radice, W. (2003), "Tagore's Poetic Greatness", Parabaas (published 7 May 2003), retrieved 30 August 2011  Sen, A. (1997), "Tagore and His India", The New York Review of Books, retrieved 30 August 2011  Sil, N. P. (2005), "Devotio Humana: Rabindranath's Love Poems Revisited", Parabaas (published 15 February 2005), retrieved 13 August 2009 


Ayyub, A. S. (1980), Tagore's Quest, Papyrus  Chakraborty, S. K.; Bhattacharya, P. (2001), Leadership and Power: Ethical Explorations, Oxford University Press (published 16 August 2001), ISBN 978-0-19-565591-9  Dasgupta, T. (1993), Social Thought of Rabindranath Tagore: A Historical Analysis, Abhinav Publications (published 1 October 1993), ISBN 978-81-7017-302-1  Datta, P. K. (2002), Rabindranath Tagore's The Home and the World: A Critical Companion (1st ed.), Permanent Black (published 1 December 2002), ISBN 978-81-7824-046-6  Dutta, K.; Robinson, A. (1995), Rabindranath Tagore: The Myriad-Minded Man, Saint Martin's Press (published December 1995), ISBN 978-0-312-14030-4  Farrell, G. (2000), Indian Music and the West, Clarendon Paperbacks Series (3 ed.), Oxford University Press (published 9 March 2000), ISBN 978-0-19-816717-4  Hogan, P. C. (2000), Colonialism and Cultural Identity: Crises of Tradition in the Anglophone Literatures of India, Africa, and the Caribbean, State University of New York Press (published 27 January 2000), ISBN 978-0-7914-4460-3  Hogan, P. C.; Pandit, L. (2003), Rabindranath Tagore: Universality and Tradition, Fairleigh Dickinson University Press (published May 2003), ISBN 978-0-8386-3980-1  Kripalani, K. (2005), Dwarkanath Tagore: A Forgotten Pioneer—A Life, National Book Trust of India, ISBN 978-81-237-3488-0  Kripalani, K. (2005), Tagore—A Life, National Book Trust of India, ISBN 978-81-237-1959-7  Lago, M. (1977), Rabindranath Tagore, Boston: Twayne Publishers (published April 1977), ISBN 978-0-8057-6242-6  Lifton, B. J.; Wiesel, E. (1997), The King of Children: The Life and Death of Janusz Korczak, St. Martin's Griffin (published 15 April 1997), ISBN 978-0-312-15560-5  Prasad, A. N.; Sarkar, B. (2008), Critical Response To Indian Poetry in English, Sarup and Sons, ISBN 978-81-7625-825-8  Ray, M. K. (2007), Studies on Rabindranath Tagore, 1, Atlantic (published 1 October 2007), ISBN 978-81-269-0308-5, retrieved 16 September 2011  Roy, B. K. (1977), Rabindranath Tagore: The Man and His Poetry, Folcroft Library Editions, ISBN 978-0-8414-7330-0  Scott, J. (2009), Bengali Flower: 50 Selected Poems from India and Bangladesh
(published 4 July 2009), ISBN 978-1-4486-3931-1  Sen, A. (2006), The Argumentative Indian: Writings on Indian History, Culture, and Identity (1st ed.), Picador (published 5 September 2006), ISBN 978-0-312-42602-6  Sigi, R. (2006), Gurudev Rabindranath Tagore—A Biography, Diamond Books (published 1 October 2006), ISBN 978-81-89182-90-8  Sinha, S. (2015), The Dialectic of God: The Theosophical Views Of Tagore and Gandhi, Partridge Publishing India, ISBN 978-1-4828-4748-2  Som, R. (2010), Rabindranath Tagore: The Singer and His Song, Viking (published 26 May 2010), ISBN 978-0-670-08248-3  Thompson, E. (1926), Rabindranath Tagore: Poet and Dramatist, Pierides Press, ISBN 978-1-4067-8927-0  Urban, H. B. (2001), Songs of Ecstasy: Tantric and Devotional Songs from Colonial Bengal, Oxford University Press (published 22 November 2001), ISBN 978-0-19-513901-3 


"68th Death Anniversary of Rabindranath Tagore", The Daily Star, Dhaka (published 7 August 2009), 2009, retrieved 29 September 2011  "Recitation of Tagore's Poetry of Death", Hindustan Times, Indo-Asian News Service, 2005  Archeologists Track Down Tagore's Ancestral Home in Khulna, The News Today (published 28 April 2011), 2011, retrieved 9 September 2011  The Nobel Prize in Literature
Nobel Prize in Literature
1913, The Nobel Foundation, retrieved 14 August 2009  "History of the Tagore Festival", Tagore Festival Committee, University of Illinois at Urbana-Champaign: College of Business, retrieved 29 November 2009 

Texts Original

^ Thought Relics, Internet Sacred Text Archive 


^ Chitra at Project Gutenberg ^ Creative Unity at Project Gutenberg ^ The Crescent Moon at Project Gutenberg ^ The Cycle of Spring at Project Gutenberg ^ Fruit-Gathering at Project Gutenberg ^ The Fugitive at Project Gutenberg ^ The Gardener at Project Gutenberg ^ Gitanjali
at Project Gutenberg ^ Glimpses of Bengal at Project Gutenberg ^ The Home and the World
The Home and the World
at Project Gutenberg ^ The Hungry Stones
Hungry Stones
at Project Gutenberg ^ The King of the Dark Chamber at Project Gutenberg ^ Mashi at Project Gutenberg ^ My Reminiscences at Project Gutenberg ^ The Post Office at Project Gutenberg ^ Sadhana: The Realisation of Life at Project Gutenberg ^ Songs of Kabir
at Project Gutenberg ^ The Spirit of Japan at Project Gutenberg ^ Stories from Tagore at Project Gutenberg ^ Stray Birds at Project Gutenberg

Further reading

Library resources about Rabindranath Tagore

Online books Resources in your library Resources in other libraries

By Rabindranath Tagore

Online books Resources in your library Resources in other libraries

Abu Zakaria, G. (editor) (2011). Rabindranath Tagore—Wanderer zwischen Welten. Klemm and Oelschläger. ISBN 978-3-86281-018-5. CS1 maint: Extra text: authors list (link) Bhattacharya, Sabyasachi (2011). Rabindranath Tagore: an interpretation. New Delhi: Viking, Penguin Books India. ISBN 978-0670084555.  Chaudhuri, A. (editor) (2004). The Vintage Book of Modern Indian Literature (1st ed.). Vintage (published 9 November 2004). ISBN 978-0-375-71300-2. CS1 maint: Extra text: authors list (link) Deutsch, A. (editor); Robinson, A. (editor) (1989). The Art of Rabindranath Tagore
Rabindranath Tagore
(1st ed.). Monthly Review Press (published August 1989). ISBN 978-0-233-98359-2. CS1 maint: Extra text: authors list (link) Shamsud Doulah, A. B. M. (2016). Rabindranath Tagore, the Nobel Prize for Literature in 1913, and the British Raj: Some Untold Stories. Partridge Publishing Singapore. ISBN 978-1-4828-6403-8. 

External links

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Ezra Pound: "Rabindranath Tagore", The Fortnightly Review, March 1913 ... Current Articles, Parabaas ... The Founder, Visva-Bharati University Mary Lago Collection, University of Missouri


... with Albert Einstein
Albert Einstein
and H. G. Wells, School of Wisdom


Bichitra: Online Tagore Variorum Works by Rabindranath Tagore
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v t e

Rabindranath Tagore


Early life Middle years Political views


Timeline List of works



(1901) Chokher Bali (1902-1903) Noukadubi
(1906) Gora (1909) Ghare Baire
Ghare Baire
(1916) Chaturanga (1916) Jogajog
(1929) Shesher Kabita
Shesher Kabita


Hungry Stones Kabuliwala List of stories


Bhanusimha Thakurer Padabali
Bhanusimha Thakurer Padabali
(1884) Gitanjali

Poems and songs

Rabindra Sangeet Gitabitan "Amar Sonar Bangla" "Birpurush" "Chitto Jetha Bhayshunyo" "Ekla Chalo Re" "Jana Gana Mana" "Vocation"


(1888) Raja (1910) The Post Office (1912) Chitra (1913)

Dance dramas

Rabindra Nritya Natya


The Religion of Man


The Cult of the Charkha


Songs of Kabir


Natir Puja
Natir Puja
(1932 film)


The Essential Tagore


Kabuliwala Dak Ghar Charulata Ghare Baire Rabindranath Tagore Teen Kanya Jogajog Stories by Rabindranath Tagore Robi Thakurer Golpo


Thakur Bari Santiniketan Shahzadpur Shilaidaha Patisar Rabindra Bharati University Rabindra Sadan Rabindra Tirtha Visva-Bharati University Tagore museums


Tagore family Dwarkanath Ramanath Debendranath


Adi Brahmo
Samaj Rabindra Jayanti The Last Harvest: Paintings of Rabindranath Tagore
Rabindranath Tagore
(exhibition book)

v t e

Bengali renaissance


Sri Aurobindo Atul Prasad Sen Rajnarayan Basu Jagadish Chandra Bose Subhash Chandra Bose Satyendra Nath Bose Bethune Upendranath Brahmachari Bankim Chandra Chattopadhyay Sarat Chandra Chattopadhyay Akshay Kumar Datta Henry Derozio Alexander Duff Michael Madhusudan Dutt Romesh Chunder Dutt Anil Kumar Gain Dwarkanath Ganguly Kadambini Ganguly Monomohun Ghose Ramgopal Ghosh Aghore Nath Gupta David Hare Kazi Nazrul Islam Eugène Lafont Ashutosh Mukherjee Harish Chandra Mukherjee Ramakrishna
Paramahamsa Gour Govinda Ray Upendrakishore Ray Chowdhury Raja Ram Mohan Roy Meghnad Saha Akshay Chandra Sarkar Mahendralal Sarkar Brajendra Nath Seal Girish Chandra Sen Keshub Chandra Sen Haraprasad Shastri Debendranath Tagore Rabindranath Tagore Satyendranath Tagore Jnanadanandini Devi Sitanath Tattwabhushan Brahmabandhav Upadhyay Ram Chandra Vidyabagish Dwarkanath Vidyabhusan Ishwar Chandra Vidyasagar Swami Vivekananda Paramahansa Yogananda Begum Rokeya


Adi Dharm Bengali literature Bengali poetry Bengali music Brahmo
Samaj British Raj British Indian Association History of Bengal Nazrul geeti Rabindra Nritya Natya Rabindra Sangeet Sambad Prabhakar Socialism in Bengal Swadeshi Satyagraha Tattwabodhini Patrika Tagore family Bangiya Sahitya Parishad Young Bengal


Anandamohan College Asiatic Society Banga Mahila Vidyalaya Bangabasi College Bethune College Bengal Engineering and Science University, Shibpur Calcutta
Madrasah College Calcutta
Medical College Fort William College General Assembly's Institution Hindu Mahila Vidyalaya Hindu Theatre Indian Association for the Cultivation of Science Midnapore College National Council of Education, Bengal Oriental Seminary Presidency College Ripon College Sanskrit
College Scottish Church College Serampore College St. Xavier's College, Kolkata Vidyasagar College Visva-Bharati University University of Calcutta University of Dhaka

Other renaissance and revolutionary movements

movement Gaudiya Vaishnavism Brahmoism Fakir-Sannyasi rebellion Indian independence movement Kalighat
painting Jugantar
movement Bengal School of Art Hindu–German Conspiracy Kallol Gananatya Andolan Bratachari movement Bengali Little Magazine Movement Parallel cinema Indian Communism Naxalism Hungryalism Prakalpana Movement

v t e

Tagore family

1st generation

Darpanarayan Tagore Nilmoni Tagore Dwarkanath Tagore Gopi Mohan Tagore Hara Kumar Tagore Prasanna Kumar Tagore Ramanath Tagore

2nd generation

Debendranath Tagore Gnanendramohan Tagore Jatindramohan Tagore Sourindra Mohun Tagore

3rd generation

Dwijendranath Tagore Satyendranath Tagore Hemendranath Tagore Jyotirindranath Tagore Rabindranath Tagore Swarnakumari Devi Prodyot Coomar Tagore Ganendranath Tagore Jnanadanandini Devi Kadambari Devi

4th generation

Abanindranath Tagore Gaganendranath Tagore Indira Devi Chaudhurani Lakshminath Bezbaroa Pragyasundari Devi Pramatha Chaudhuri Purnima Devi Sarala Devi Chaudhurani Surendranath Tagore

5th generation

Dinendranath Tagore Saumyendranath Tagore Amiya Tagore Asit Kumar Haldar

6th generation

Devika Rani Himanshu Rai Jitendra Prasada Krishna

7th generation

Sharmila Tagore Jitin Prasada Saranindranath Tagore

8th generation

Saif Ali Khan Soha Ali Khan

v t e

Laureates of the Nobel Prize
Nobel Prize
in Literature


1901 Sully Prudhomme 1902 Theodor Mommsen 1903 Bjørnstjerne Bjørnson 1904 Frédéric Mistral
Frédéric Mistral
/ José Echegaray 1905 Henryk Sienkiewicz 1906 Giosuè Carducci 1907 Rudyard Kipling 1908 Rudolf Eucken 1909 Selma Lagerlöf 1910 Paul Heyse 1911 Maurice Maeterlinck 1912 Gerhart Hauptmann 1913 Rabindranath Tagore 1914 1915 Romain Rolland 1916 Verner von Heidenstam 1917 Karl Gjellerup / Henrik Pontoppidan 1918 1919 Carl Spitteler 1920 Knut Hamsun 1921 Anatole France 1922 Jacinto Benavente 1923 W. B. Yeats 1924 Władysław Reymont 1925 George Bernard Shaw


1926 Grazia Deledda 1927 Henri Bergson 1928 Sigrid Undset 1929 Thomas Mann 1930 Sinclair Lewis 1931 Erik Axel Karlfeldt 1932 John Galsworthy 1933 Ivan Bunin 1934 Luigi Pirandello 1935 1936 Eugene O'Neill 1937 Roger Martin du Gard 1938 Pearl S. Buck 1939 Frans Eemil Sillanpää 1940 1941 1942 1943 1944 Johannes V. Jensen 1945 Gabriela Mistral 1946 Hermann Hesse 1947 André Gide 1948 T. S. Eliot 1949 William Faulkner 1950 Bertrand Russell


1951 Pär Lagerkvist 1952 François Mauriac 1953 Winston Churchill 1954 Ernest Hemingway 1955 Halldór Laxness 1956 Juan Ramón Jiménez 1957 Albert Camus 1958 Boris Pasternak 1959 Salvatore Quasimodo 1960 Saint-John Perse 1961 Ivo Andrić 1962 John Steinbeck 1963 Giorgos Seferis 1964 Jean-Paul Sartre
Jean-Paul Sartre
(declined award) 1965 Mikhail Sholokhov 1966 Shmuel Yosef Agnon
Shmuel Yosef Agnon
/ Nelly Sachs 1967 Miguel Ángel Asturias 1968 Yasunari Kawabata 1969 Samuel Beckett 1970 Aleksandr Solzhenitsyn 1971 Pablo Neruda 1972 Heinrich Böll 1973 Patrick White 1974 Eyvind Johnson
Eyvind Johnson
/ Harry Martinson 1975 Eugenio Montale


1976 Saul Bellow 1977 Vicente Aleixandre 1978 Isaac Bashevis Singer 1979 Odysseas Elytis 1980 Czesław Miłosz 1981 Elias Canetti 1982 Gabriel García Márquez 1983 William Golding 1984 Jaroslav Seifert 1985 Claude Simon 1986 Wole Soyinka 1987 Joseph Brodsky 1988 Naguib Mahfouz 1989 Camilo José Cela 1990 Octavio Paz 1991 Nadine Gordimer 1992 Derek Walcott 1993 Toni Morrison 1994 Kenzaburō Ōe 1995 Seamus Heaney 1996 Wisława Szymborska 1997 Dario Fo 1998 José Saramago 1999 Günter Grass 2000 Gao Xingjian


2001 V. S. Naipaul 2002 Imre Kertész 2003 J. M. Coetzee 2004 Elfriede Jelinek 2005 Harold Pinter 2006 Orhan Pamuk 2007 Doris Lessing 2008 J. M. G. Le Clézio 2009 Herta Müller 2010 Mario Vargas Llosa 2011 Tomas Tranströmer 2012 Mo Yan 2013 Alice Munro 2014 Patrick Modiano 2015 Svetlana Alexievich 2016 Bob Dylan 2017 Kazuo Ishiguro

v t e



Bengali renaissance Black Hole of Calcutta Bhurshut Calcutta
Flag Dihi Panchannagram Direct Action Day Dutch Bengal Gobindapur History of Kolkata Presidency division Job Charnock Kalighat
Falta Railway Kalikata Lal Dighi Maratha Ditch Robert Clive Sabarna Roy Choudhury Siege of Calcutta Sutanuti State Archaeological Gallery The Calcutta
Quran Petition Warren Hastings Battle of Biderra Nabakrishna Deb Rabindranath Tagore

Localities and streets

Metropolitan Area Neighbourhoods


Streets (list)

Ethnic enclaves

Bow Barracks
Bow Barracks
(Anglo-Indian) Chinatown, Kolkata
(Chinese) Tangra, Kolkata
(Chinese) Armani-para (Armenian)


Belvedere Estate Indian Museum Jorasanko
Thakur Bari Calcutta
High Court Marble Palace National Library of India Netaji Bhawan Raj Bhavan Sabarna Sangrahashala Shaheed Minar Victoria Memorial St. Paul's Cathedral Metcalfe Hall Writers' Building Metropolitan Building Grand Hotel Shobhabazar Rajbari

High rises

Completed Chatterjee International Center South City Tata Centre Industry House Everest House Jeevan Sudha GOI Building Hiland Park

Upcoming The 42 Urbana Uniworld City



Boys' School Calcutta
Girls' High School Don Bosco School, Park Circus Hare School Hindu School, Kolkata La Martiniere Calcutta Loreto Schools Ramakrishna, Narendrapur Sainik School, Purulia Scottish Church Collegiate School South Point School St. Xavier's Collegiate School St. Paul's School, Darjeeling St. James' School (Kolkata)


Aliah University Asiatic Society Asutosh College Vivekananda College Marine Engineering and Research Institute Bethune College Government College of Engineering and Ceramic Technology Medical College and Hospital Calcutta
National Medical College Indian Institute of Engineering Science and Technology, Shibpur Indian Institute of Management Calcutta Indian Institute of Science Education and Research, Kolkata Indian Institute of Social Welfare and Business Management Indian Statistical Institute Jadavpur University Maulana Azad College Maulana Abul Kalam Azad Institute of Asian Studies Maulana Abul Kalam Azad University of Technology National Library of India Netaji Subhas Open University Presidency University Rabindra Bharati University Saha Institute of Nuclear Physics School of Tropical Medicine Scottish Church College St. Xavier's College University of Calcutta West Bengal University of Health Sciences West Bengal National University of Juridical Sciences Calcutta
School of Music

Industry and economy

ABP Group Allahabad Bank AMRI Hospitals Andrew Yule and Company Baidyanath Group Balmer Lawrie Batanagar Bengal Chemicals and Pharmaceuticals Berger Paints Bharat Bhari Udyog Nigam Biecco Lawrie Birds Jute and Export Birla Corporation Braithwaite & Co. Braithwaite, Burn & Jessop Construction Company Bridge and Roof Company Britannia Industries Burn & Company Burnpur Burn Standard Company Calcutta
Electric Supply Corporation (CESC) Calcutta
Stock Exchange Chandras' Chemical Factory Coal India Damodar Valley Corporation Emami Exide Industries Garden Reach Shipbuilders & Engineers GKB Opticals Hawkers Hind Motor Hindustan Ambassador IISCO India Government Mint, Kolkata ITC Limited Jai Balaji group Jessop & Company Kolkata
Port Trust Lexulous Limtex Lux Industries Magma Fincorp National Insurance Company Peerless Group Saregama Sinclairs Hotels Limited Tata Global Beverages The Juice Station The Park Hotels UCO Bank United Bank of India VISA Steel



Tramways Company Calcutta
State Transport Corporation Kalyani Expressway Kolkata
Bus Rapid Transit System West Bengal Surface Transport Corporation South Bengal State Transport Corporation Howrah Bridge
Howrah Bridge
(Rabindra Setu) Belghoria Expressway Vidyasagar Setu Vivekananda Setu Nivedita Setu Golden Quadrilateral Rickshaw Hand-pulled rickshaw


Metro Kolkata
Circular Railway Kolkata
Suburban Railway Eastern Railway South Eastern Railway Trams in Kolkata Kolkata
LRTS Howrah Junction railway station Kolkata
railway station Sealdah railway station Shalimar railway station Kolkata


Port of Kolkata


Netaji Subhas Chandra Bose
Subhas Chandra Bose
International Airport List of airports


Book Fair Calcutta
Youth Choir Coffee House Dwarkin Festivals Kolkata
International Film Festival Dover Lane Music Conference Kolkata
in the media Music of Bengal Nandan Priya Rabindra Nritya Natya Rabindra Sangeet Ritwik Ghatak Satyajit Ray Feluda Byomkesh Bakshi Tollywood Ghosts in Bengali culture Adda P. C. Sorcar Football


Group theatre of Kolkata

Places of worship


Belur Math Dakshineswar Kali Temple Kalighat


St. Paul's Cathedral Portuguese Church St. John's Church Parasnath Temple Tipu Sultan Mosque Birla Mandir, Kolkata Chinese temples in Kolkata Magen David Synagogue


ATK Barasat Stadium B.C. Roy Trophy Beighton Cup Bengal cricket team Calcutta
Cricket and Football Club Calcutta
Polo Club Calcutta
South Club Bengal Tigers Bhawanipore F.C. Calcutta
Cricket and Football Club Calcutta
Football League Dalhousie A.C. East Bengal Club East Bengal Ground Eastern Railway F.C. Eden Gardens Indian Football Association IFA Shield Kalighat
F.C. Kishore Bharati Krirangan Kolkata
Derby Kolkata
Knight Riders

No Dada No KKR

Police Friendship Cup Football Tournament Kolkata
Vipers Mohammedan Sporting Club Mohammedan Sporting Ground Mohun Bagan Athletic Club Mohun Bagan Ground Netaji Indoor Stadium Pailan Arrows United S.C. Rabindra Sarobar
Rabindra Sarobar
Stadium Royal Bengal Tigers Salt Lake Stadium Sunfeast Open Southern Samity Subroto Cup Aryan F.C. Tollygunge Agragami F.C. West Bengal football team

Other topics

Someplace Else Princeton Club Calcutta
Club Adwaita Zoological Garden, Alipore Bengal Club Central Forensic Science Laboratory Calcutta
Rowing Club Electoral constituencies List of people from Kolkata Fort William Hooghly River Acharya Jagadish Chandra Bose
Jagadish Chandra Bose
Indian Botanic Garden Kundu Special Chinese of Calcutta Early phase of printing in Calcutta Legendary personalities in Bengal Maidan Missionaries of Charity Rabindra Sarobar Royal Calcutta
Golf Club South Park Street Cemetery Sundarbans National Park Tolly

Category Portal

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Notable singers of Rabindra Sangeet

Main Artist

Rabindranath Tagore

Other Artists

Srikanto Acharya Abdul Ahad Shayan Chowdhury Arnob Rupankar Bagchi Sahana Bajpaie Ashok Taru Bandopadhyay Kanika Banerjee Rezwana Choudhury Bannya Asha Bhosle Debabrata Biswas Swagatalakshmi Dasgupta Banani Ghosh Santidev Ghosh Malati Ghoshal Kavita Krishnamurthy Kishore Kumar Pramita Mallick Suchitra Mitra Lopamudra Mitra Aditi Mohsin Dwijen Mukherjee Pankaj Mullick Hemanta Kumar Mukhopadhyay Subinoy Roy Papia Sarwar Shaan Indrani Sen Nilima Sen Sagar Sen Srabani Sen Kalim Sharafi Kabir
Suman Babul Supriyo Amiya Tagore

Authority control

WorldCat Identities VIAF: 24608356 LCCN: n80036680 ISNI: 0000 0001 2099 9155 GND: 118620517 SELIBR: 199710 SUDOC: 027153711 BNF: cb11925917p (data) BIBSYS: 90057369 ULAN: 500121702 MusicBrainz: 13274b60-181b-431a-b049-b48560c58e2a NLA: 35537863 NDL: 00458261 NKC: jn19981002206 BNE: XX924094 CiNii: DA00343277 RKD: 308