A pyrrhic (; el, πυρρίχιος ''pyrrichios'', from πυρρίχη ''pyrrichē'') is a

metrical foot The foot is the basic repeating rhythmic unit that forms part of a line of verse in most Indo-European traditions of poetry, including English accentual-syllabic verse and the quantitative meter of classical ancient Greek and Latin poetry. Th ...

used in formal

poetry Poetry (derived from the Greek '' poiesis'', "making"), also called verse, is a form of literature that uses aesthetic and often rhythmic qualities of language − such as phonaesthetics, sound symbolism, and metre − to evoke meani ...

. It consists of two unaccented, short syllables. It is also known as a dibrach.

Poetic use in English

Tennyson used pyrrhics and

spondee A spondee (Latin: ) is a metrical foot consisting of two long syllables, as determined by syllable weight in classical meters, or two stressed syllables in modern meters. The word comes from the Greek , , ' libation'. Spondees in Ancient Gre ...

s quite frequently, for example, in '' In Memoriam'':

When the blood creeps and the nerves prick.

"When the" and "and the" in the second line may be considered as pyrrhics (also analyzable as ionic meter). Pyrrhics alone are not used to construct an entire poem due to the monotonous effect.

Edgar Allan Poe Edgar Allan Poe (; Edgar Poe; January 19, 1809 – October 7, 1849) was an American writer, poet, editor, and literary critic. Poe is best known for his poetry and short stories, particularly his tales of mystery and the macabre. He is wid ...

observed that many experts rejected it from English metrics and concurred:

The pyrrhic is rightfully dismissed. Its existence in either ancient or modern rhythm is purely chimerical, and the insisting on so perplexing a nonentity as a foot of two short syllables, affords, perhaps, the best evidence of the gross irrationality and subservience to authority which characterise our Prosody.

War dance

By extension, this rhythmic pattern apparently formed the basis of an identically named ancient Greek war dance.

Proclus Proclus Lycius (; 8 February 412 – 17 April 485), called Proclus the Successor ( grc-gre, Πρόκλος ὁ Διάδοχος, ''Próklos ho Diádokhos''), was a Greek Neoplatonist philosopher, one of the last major classical philosophe ...

thought it was the same as the ''hyporcheme'' (''hyporchēma''), while

Athenaeus Athenaeus of Naucratis (; grc, Ἀθήναιος ὁ Nαυκρατίτης or Nαυκράτιος, ''Athēnaios Naukratitēs'' or ''Naukratios''; la, Athenaeus Naucratita) was a Greek rhetorician and grammarian, flourishing about the end of ...

distinguished them; this may have depended on whether song accompanied the dance. Citing Aristoxenus, Athenaeus said the pyrrhic is a

Sparta Sparta ( Doric Greek: Σπάρτα, ''Spártā''; Attic Greek: Σπάρτη, ''Spártē'') was a prominent city-state in Laconia, in ancient Greece. In antiquity, the city-state was known as Lacedaemon (, ), while the name Sparta referr ...

n dance for boys carrying spears to prepare for war, and noted the intense speed of the dance. In

Plato Plato ( ; grc-gre, Πλάτων ; 428/427 or 424/423 – 348/347 BC) was a Greek philosopher born in Athens during the Classical period in Ancient Greece. He founded the Platonist school of thought and the Academy, the first institution ...

's ''

Laws Law is a set of rules that are created and are enforceable by social or governmental institutions to regulate behavior,Robertson, ''Crimes against humanity'', 90. with its precise definition a matter of longstanding debate. It has been vari ...

'', the dance is described as representing the offensive and defensive movements in battle. Other Greeks associated it with

Dionysus In ancient Greek religion and Greek mythology, myth, Dionysus (; grc, wikt:Διόνυσος, Διόνυσος ) is the god of the grape-harvest, winemaking, orchards and fruit, vegetation, fertility, insanity, ritual madness, religious ecstas ...

. There are a number of Classical and later reliefs that depict pyrrhic dancers, even if the motif was not widely used during the Roman era.

References

Metrical feet {{poetry-stub