Purvi or Poorvi () is a

raga A ''raga'' or ''raag'' (; also ''raaga'' or ''ragam''; ) is a melodic framework for improvisation in Indian classical music akin to a musical mode, melodic mode. The ''rāga'' is a unique and central feature of the classical Indian music tradit ...

Hindustani classical music Hindustani classical music is the classical music of northern regions of the Indian subcontinent. It may also be called North Indian classical music or, in Hindustani, ''shastriya sangeet'' (). It is played in instruments like the violin, sita ...

that exemplifies its own

thaat A Thaat () is a "Parent scale" in North Indian or Hindustani music. It is the Hindustani equivalent of the term ''Melakartha raga'' of Carnatic Music. The concept of the ''thaat'' is not exactly equivalent to the western musical scale because t ...

, the

Poorvi thaat Pooja or pooja () is Pū of the eleven basic thaats of Hindustani music from the Indian subcontinent. It is also the name of a raga within this thaat. Description Poorvi thaat adds a Komal Dhaivat to Marva thaat. These thaat ragas usually fea ...

. Purvi has a deeply serious, quiet and somewhat mystical character. It is uncommon in performances nowadays.

Aroha & Avaroha

Arohana Arohana, Arohanam or Aroha, in the context of Indian classical music, is the ascending scale of notes in a raga.''Ragas in Carnatic music'' by Dr. S. Bhagyalekshmy, ''Glossary'' pages, Pub. 1990, CBH Publications The pitch increases as we ...

: Thus: C D-flat E F-sharp G A-flat B C+ In German: C Des E Fis G Aes H C+ In ''Arohana'', S and P are often avoided, specially in fast

taan ''Taan'' (Hindi: , ur, ) is a technique used in the vocal performance of a raga in Hindustani classical music. It involves the improvisation of very rapid melodic passages using vowels, often the long "a" as in the word "far", and it targets a ...

Avarohana An Avarohana, Avarohanam or Avaroha, in the context of Indian classical music, is the descending scale of any raga.''Ragas in Carnatic music'' by Dr. S. Bhagyalekshmy, ''Glossary'' pages, Pub. 1990, CBH Publications The notes descend in pitch ...

Vadi & Samavadi

Vadi : Ga

Samvadi The Samavadi is the second-most prominent (though not necessarily second-most played) note of a raga in Indian classical music. The primary note of the raga is the '' vadi''; the vadi and samvadi are in most cases a fourth or fifth apart. A ' ...

: Ni

Pakad or Chalan

Organization & Relationships

Thaat A Thaat () is a "Parent scale" in North Indian or Hindustani music. It is the Hindustani equivalent of the term ''Melakartha raga'' of Carnatic Music. The concept of the ''thaat'' is not exactly equivalent to the western musical scale because t ...

: Purvi is the main raga of Purvi Thaat.

Samay (Time)

4th Prahar of the day (3pm-6pm)

Film Songs

Language:
Tamil Tamil may refer to: * Tamils, an ethnic group native to India and some other parts of Asia Sri Lankan Tamils, Tamil people native to Sri Lanka also called ilankai tamils Tamil Malaysians, Tamil people native to Malaysia * Tamil language, nativ ...

Related Ragas

Puriya Dhanashree

Rasa

Raga-Kalpadruma: Charming and beautiful, scantily dressed, lotus-eyed Puravi appears at the end of the day. Idle and sleepy, she suffers from the pangs of separation and dreams only of her lover.Kaufmann 1968 Cattvarimsacchata-Raga-Nirupanam: Master of archery, seated on an elephant and dressed in white, Purvika has a splendid body and is served by all the different

varna Varna may refer to: Places Europe *Varna, Bulgaria, a city in Bulgaria **Varna Province **Varna Municipality ** Gulf of Varna **Lake Varna **Varna Necropolis *Vahrn, or Varna, a municipality in Italy *Varniai, a city in Lithuania * Varna (Šaba ...

s. Raga-Sagara: I remember Purvika dressed in a garment woven with threads of gold. Fair and charming like the moon, she holds a cup of wine and a parrot in her hands and she is served by woman who are graceful and lively like the young deer. The head of her lover rests in her lap.

Historical Information

Poorvi is an old traditional

, which originated in the eastern part of India. Its ancient precursor Purvagauda had a similar scale to modern Bhairav (S r G m P d N). Poorvi itself does not appear in the literature before the 16th century. It is one of the 14 original composition of the legend Tansen.

References

Literature

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External links

Detailed analysis by Rajan Parrikar of Purvi/Poorvi and associated ragas along with audio samples.

{{Rāgas as per Performance Time Hindustani ragas