Development and Production
Concept and initial design
''Prometheus'' was first introduced in the Prometheus (Stargate SG-1), episode of the same name, which was written by Joseph Mallozzi and Paul Mullie. Work on designing the spaceship began in 2002, with the ''Prometheus'' being imagined by the shows writers as Earth's answer to the Goa'uld mothership. Mullie described wanting to create a ship that was "exactly the opposite of the Goa'uld ships, which are basically big empty rooms", explaining that executive producer Brad Wright wanted a set with objects that could be interacted with by the actors, such as screens, buttons, chairs and flashing lights; none of which could be found on the shows Goa'uld sets. The shows production designer Bridget McQuire and her team began their work around five weeks before filming commenced. According to McQuire, the writers wanted a ship "that looked less like a hi-tech alien vessel, and more like one that had been built for the United States Air Force, USAF". McQuire focused in on the idea of having contemporary sea-going military craft inform both the interior and exterior of the ships design and had art department coordinator Noeleen Tobin compile a collection of photographs to help the process. Tobin came back with pictures from the bridges, engine rooms and other areas of various United States Navy, United States Aircraft carriers and submarines. McQuire wanted to "incorporate many features we see in military vessels today, and adapt them for space travel", imagining ''Prometheus'' as "more or less a destroyer in Space". McQuire specifically wanted to include "confined spaces, low ceilings and plenty of exposed conduits and piping" from submarines and aircraft control towers into the ships design. In her concept, McQuire knew the ship would focus around a bridge space, engine room and that the ship would also contain a hangar bay to house the smaller X-302 fighter craft, although they would not initially be building that part of the set. After putting together some sketches, McQuire shared her concept with art directors Peter Bodnarus and James Robbins, both of who then built upon McQuire's ideas, coming up with their own drawings before reconvening to decide upon a more definite, final look for the ship. Robbins was then responsible for developing the exterior schematics and the interior workings of the ship. In his plans for the ship, Robbins purposely chose "function over form", making the ship "utilitarian" in its design, describing it as "not a pretty ship". Furthermore, Robbins reflected the writers desire that the ship "had alien technology in it, but we didn't see that". Robbins created deck plans for the ship, including positioning all of the different components and systems vital to the ships function. Robbins also imagined the ships propulsion, armament and crew compliment in his specifications. Meanwhile, Bodnarus was responsible for developing drawings of the set interiors, such as the bridge, corridors, engine room and air lock. Bodnarus began by building a three-dimensional or virtual set on the computer and set about experimenting "with various views and develop a sense of depth" in the interior spaces of the ship. Once completed, Bodnarus was responsible for creating the final blueprints from which the set would be constructed.Construction and sets
The set was originally constructed on Stage 6 at The Bridge Studios in Burnaby, Canada. The set was designed and built so that it could be easily taken apart, either entirely or as individual sections; with walls, windows and doors built on wheels or hinges allowing them to be moved for better access during filming. Two main spaces were initially constructed, the bridge and a multi-purpose room, which were interconnected by a hallway. The multi-purpose room was designed to be redressable, initially serving as the ships engine room, dining room and storage room. The hallways were constructed in a figure of 8 configuration allowing for walk and talk scenes to loop round and round the ship as per the needs to the scene, whilst doors and bulkheads could be moved into place to change the layout of the hallways. Construction of the set was done to a "very tight schedule", with set decorator Mark Davidson describing it as "an incredible collaboration of different departments to get it as fast as we did". Three different build crews were put together, one for constructing the beams, another the bulkheads and the third crew built the windows and walls. As the set was not going to be entirely complete by the time filming was scheduled to commence, the story for the first episode to feature the ship was changed slightly to reflect the fact that the ship was still under construction. Once filming commenced on the episode "Prometheus (Stargate SG-1), Prometheus", set decorator Mark Davidson and the construction team were still actively building the bridge set, meaning director Peter Woeste was limited to only filming in the multi-purpose room for the first day of shooting. Dressing the set, the naval theme was continued, whilst also looking to make the decor slightly more "futuristic" and a "cross between military and alien". Initially 15 flatscreen monitors were used to decorate the ship, whilst the older Cathode-ray tube, CRT monitors were built into set pieces, with cutouts over-the-top "to make them look a little more high end". Ladders were installed around the ship to give the impression of the scope of Prometheus and that the ship had multiple levels. Numerous pieces of electronic test equipment were also purchased and then taken apart, reconfigured, combined with various pieces made by the model shop and then built into various consoles and set pieces to provide the actors with switches, buttons and lights to interact with. Other features, such as the star-map console on the bridge were made from Poly(methyl methacrylate), plexiglass whilst Davidson constructed the ships crystal trays from mainframe computer draws. Davidson combined the more futuristic elements with what he thought of as more "retro" pieces, such as Telephone, corded telephones and fire extinguishers and Aircraft lavatory, a sink/toilet unit from an aircraft. As a cost saving measure the ''Prometheus'' set was redressed to also serve as the Earth ship ''Daedalus (Stargate), Daedalus'' which was introduced in the second season of ''Stargate Atlantis''. The set would then be reused again as the setting for more Earth spaceships and stations, including the ''Apollo'' and ''Midway Station'' in ''Stargate Atlantis'', ''Odyssey'' and ''Korolev'' in ''SG-1'' and finally the ''Hammond'' in ''Stargate Universe''. The set was expanded upon for its use as subsequent ships and stations, with new consoles, fixtures, corridors and rooms. In 2010 at the end of the Stargate Universe (season 1), first season of ''Stargate Universe'' the set was taken down and placed into storage, before eventually being entirely dismantled for auction.Filming and lighting
The set was fitted with hundreds of florescent lights built directly into the walls, ceilings and floors. Director of photography Jim Menard noted that this meant filming could often rely on the practical lighting, "we can shoot with just the ship lighting and then do if you do a close-up you can fix up their shadows on their eyes and things". When it first came to filming in the set, director Peter Woeste along with chief lighting technician Rick Dean and directors of photography Jim Menard and Andrew Wilson had to work very quickly on their initial lighting design for ''Prometheus'', only having access to the set from the day before filming commenced. Wilson and Woeste decided that whilst the ''Prometheus'' was still in the hangar it, as it would be in earlier scenes of the story, it would be under white industrial interior lighting, allowing for some leeway in fully realising the ships fully-operational look. After its introductory episodes of "Prometheus" and "Unnatural Selection", Menard felt the ships lighting was a "little bit red, white and blue" and hoped to "get away from that", whilst director Peter DeLuise felt it was "too bright" onboard and along with Woeste wanted to take the look of the ship "darker" and "moodier" for future episodes. The pair implemented their changes in the episode "Memento", looking to more closely mirror the bridge of an aircraft carrier, relying predominantly on dark-blue lighting with DeLuise believing this could be justified as this was the first time the ship was being depicted as fully-operational.CGI models and exterior
The ''Prometheus'' ship model was created entirely as a Computer-generated imagery, computer generated image by the visual effects studio Image Engine, with the studio basing their work on Robbin's drawings. Rainmaker Digital Effects also worked on various shots of the ship over the course of the show. Many of the visual effects shots were designed to be reused throughout the show as a money-saving effort. This included the shots such as Frank Simmons (Stargate), Frank Simmons (John DeLancie) being blown out of an airlock in the episode "Prometheus (Stargate SG-1), Prometheus", which would later be altered for the episode "Memento (Stargate SG-1), Memento", replacing Simmons with the hyperdrive core module. Shots of the ''Prometheus'' flying by or landing on different planets were also altered and reused in episodes such as "Memento" and "Beachhead". Outside of the bridge set a greenscreen was hung allowing for visual effect shots to be added, however as a cost-saving alternative to a star field visual effect production could swap the greenscreen for a black curtain that had small pieces of mirror attached, which when lit gave the effect of a star field. The multi-purpose room window also featured a window and greenscreen which would be used for shots of the ships engine core.Writing
In order to justify the expense of building such a large set ''Prometheus'' was intended to be featured throughout multiple episodes of Stargate SG-1 (season 6), season six. At this time executive producer Brad Wright expected that this would be the final season of ''Stargate SG-1'' and felt that it was "time to start seeing some of the benefits, some of the repercussions of what we've learned and the technology we've brought back from all the places we've been", imagining both the ''Prometheus'' and ''X-302'' as being technical developments that had come about from the ''Stargate program''. Wright also expected that the season would build towards a showdown with Anubis (Stargate), Anubis, and planned on using the ''Prometheus'' in a ''Stargate SG-1'' Lost City (Stargate SG-1), feature film that would have concluded the show and setup the spinoff series ''Stargate Atlantis''. In conceptualizing and writing material set on board the ''Prometheus'', the writers spent time theorising what "the United States Air Force do with a big ship in outer space", combining elements of not just the United States Air Force, Air Force, but also the United States Navy, Navy and imagining how it would work. The writers were conscious of comparisons to science fiction series ''Star Trek'', with Paul Mullie acknowledging that by setting episodes onboard ''Prometheus'' "You might say we're sort of straying into Star Trek territory now", whilst Peter DeLuise called the episode "Memento (Stargate SG-1), Memento" "a lot of fun being able to do our own Star Trek-type thing". Despite this, Joseph Mallozzi stated that the show wouldn't turn into ''Star Trek'', whilst Cooper justified earth building ships like the ''Prometheus'' as "a natural progression", proclaiming "I love the ships. I think they’re cool, and I think ship shows are cool. I don’t think we’re ever in danger of becoming ''Star Trek''". In writing episodes set on board the ''Prometheus'', writers such as Damian Kindler felt that it was important that he not lose sight of what ''Stargate SG-1'' was about and in writing "Memento (Stargate SG-1), Memento" explained "you can't get too in love with the fact you've got a new big toy to play with", believing that stories involving the ship should all come back to the ''Stargate''. In season seven, the ''Prometheus'' registry was changed from ''X-303'' to ''BC-303''. Writer Joseph Mallozzi confirmed that the ship was no longer deemed "experimental" and that BC was short for Battle Cruiser. As the show continued into its seventh and eighth season, Joseph Mallozzi felt that ''Prometheus'' had become a character that the show needed to "to check in on now and again" and executive producer Robert C. Cooper would encourage the writers to set stories on board the ship in order to justify keeping the set up, resulting in episodes such as "Memento", "Grace" and "Prometheus Unbound". ''Daedalus'', the sister-ship of ''Prometheus'' was originally imagined as an "improved version of the Prometheus" by art director James Robbins when blueprints of the ship were first shown in the episode "Moebius (Stargate SG-1), Moebius", however these plans were abandoned with art director Peter Bodnarus entirely reimagining the Daedalus as it own new class of ship.Destruction
In writing the Stargate SG-1 (season 9), ninth season of ''Stargate SG-1'', executive producer Robert C. Cooper made the decision that the ''Prometheus'' would be destroyed. This was in response to the ''Prometheus'' set at the time also being used as the Earth ship ''Daedalus (Stargate), Daedalus'' in spinoff series ''Stargate Atlantis''. Whilst based around the same set, the two ship interiors had a number of differences, such as the main window, a number of the consoles and other fixtures on the bridge, which had to be changed over depending on which ship was being used in the scene. To save production the time and money of flipping the set, Cooper decided that destroying the ''Prometheus'' would instead allow ''Stargate SG-1'' to introduce its own ''Daedalus''-class ship ship - the ''List of Earth starships in Stargate#Odyssey, Odyssey''. The destruction of the ship would take place in the episode "Ethon (Stargate SG-1), Ethon", at the hands of an Ori (Stargate), Ori satellite weapon. Cooper wanted the destruction sequence to be "Titanic in space", feeling that it was important to show ''SG-1'' and ''Prometheus'' "mess everything up" and result in a "massive, massive tragedy" occurring. Playing off the imagery of the Sinking of the Titanic, Titanic sinking, Cooper wanted the ''Prometheus'' being destroyed "to take a long, painful time" and encouraged visual effects supervisor Michelle Comens to make the visual effects shot as long as possible. Writers Joseph Mallozzi and Paul Mullie had originally written scenes for the episode "Ripple Effect (Stargate SG-1), Ripple Effect" that would foreshadow the destruction of the ship, however they were ultimately cut for time.Auction
Many of the set pieces were reworked into the later ''Daedalus-class'' ships sets. After being deconstructed in 2010 some set pieces and props from the ship were sold at auction, this included the pilot and tactical consoles which sold for US$600 and US$1,250 respectively, whilst the captains chair sold for US$1,750. Bridge chairs, control crystal trays, girders from the corridor set and control panels were also auctioned off. The 23-page set blueprints were also sold at auction for United States dollar, USD 1,600.Depiction
The ''Prometheus'', also known as ''X-303'' first appears in the Prometheus (Stargate SG-1), episode of the same name, where it is still under construction in a secret underground facility in Nevada. The ship has been constructed by the United States Air Force using a combination of human and alien technology that has been acquired by ''Stargate Command'' over the years. The incomplete ship is stolen by rogue NID (Stargate), NID operatives, including Frank Simmons (Stargate), Frank Simmons and the Goa'uld, Adrian Conrad. After ''Prometheus'' is recaptured by ''SG-1'', in "Unnatural Selection (Stargate SG-1), Unnatural Selection", the Asgard (Stargate), Asgard Thor (Stargate), Thor enlists ''SG-1'' and the ship to help deal with a Replicator (Stargate), Replicator threat on the Asgard homeworld. In the episode "Memento (Stargate SG-1), Memento", ''Prometheus'' undergoes its Shakedown (testing), shakedown flight and is now under the command of Colonel List of Stargate SG-1 characters#William Ronson, William Ronson. During testing, the hyperdrive engine overloads and the crew are forced to eject the core, stranding them on a world called Tagrea, where they have to locate the Stargate (device), Stargate which has been buried. Without a working hyperdrive engine, the ''Prometheus'' remains stranded on Tagrea and in the episode "Enemy Mine (Stargate SG-1), Enemy Mine" ''Stargate Command'' are mining the alien mineral Naquadah to construct more BC-303 ships. In the episode "Grace (Stargate SG-1), Grace" the ship begins it voyage back to Earth using a hyperdrive acquired from a Goa'uld Alkesh in the episode "Avenger 2.0". Once back on earth, General George Hammond (Stargate), George Hammond assumes command of the ship to defend the planet against the forces of Anubis (Stargate), Anubis in "Lost City (Stargate SG-1), Lost City". After the battle, in the episode "New Order (Stargate SG-1), New Order" Colonel Lionel Pendergast is made the commanding officer of ''Prometheus'' and in "Endgame (Stargate SG-1), Endgame" the ship undergoes a refit, with the Asgard (Stargate), Asgard installing beam technology and a hyperdrive engine. General George Hammond (Stargate), George Hammond once again assumes command of ''Prometheus'' in the episode "Prometheus Unbound (Stargate SG-1), Prometheus Unbound" when he leads a rescue mission to find the ''Atlantis'' expedition, but on route is hijacked by Vala Mal Doran and are ultimately forced to return to earth. The ''Prometheus'' was due to be fitted with new railguns, however these were instead sent to ''Atlantis'' to help defend them against the Wraith (Stargate), Wraith in the ''Stargate Atlantis'' episode "The Siege (Stargate Atlantis), The Siege". By the episode "Avalon (Stargate SG-1), Avalon" the ship has been fitted with Asgard sensors, which it uses to assist ''SG-1'' in locating an Ancient (Stargate), Ancient structure beneath the Glastonbury Tor. After the Ori (Stargate), Ori attack a Free Jaffa world in "Beachhead (Stargate SG-1), Beachhead", SG-1 travel on board the ship to attempt to stop the Ori invasion and ultimately halt construction of the first Ori Supergate (Stargate), Supergate. The ships Asgard transporter is used to help thwart Ba'al (Stargate), Ba'al from destroying part of Downtown Seattle in "Ex Deus Machina (Stargate SG-1), Ex Deus Machina". In the episode "Ripple Effect (Stargate SG-1), Ripple Effect" ''SG-1'' along with another version of the team from an alternate reality use the ship to close a breach in space. ''Stargate Command'' is asked by Jared Kane to help destroy an Ori satellite that has been built by his people, The Rand Protectorate, who intend on annihilating the rival nation on their world, Caledonia. ''SG-1'' and ''Prometheus'' travel to Kane's homeworld of Tegalus, but soon realise the satellite is more than the ship can handle. As the ship is disabled, Pendergast helps transport the crew to safety before going down with the ship. Around a year later whilst stuck in an alternate reality, Samantha Carter is taken on board the ''Prometheus'', which is now being used as Air Force One by President Hank Landry (Stargate), Hank Landry. The ''Prometheus'' was included as a non-player character, non-playable vehicle in the cancelled video game ''Stargate SG-1: The Alliance'', that was in development around 2004. In 2021 the ''Prometheus'' was added as a controllable vehicle in the mobile game ''AstroKings'', along with other elements from the ''Stargate'' television franchise.Critical reaction
Sean Ferrick for WhatCulture called ''Prometheus'' "something of a symbol for the earlier to middle age of the show, bulky but still fully functional", noting the storytelling possibilities that the ship created for ''Stargate SG-1'' in expanding beyond just using the Stargate (device), Stargate "while still keeping the show grounded where it needed to be". Also writing for WhatCulture, Alastair Greenwell called the ship's introduction "worth the wait", believing that the teething issues in episodes such as "Memento (Stargate SG-1), Memento" "only endears the ship more to the fans". Keith DeCandido for Tor.com felt the ship was representative of Earth "becoming an actual power in the galaxy as opposed to an irritant". Darren Sumner, founder of fansite Gateworld disliked the design of the ''Prometheus'', and despite finding it exciting that Earth had developed an interstellar battlecruiser, he thought it was "ridiculously ugly". Fansite Dial the Gate host David Read shared Sumner's sentiments, and also highlighted his dissatisfaction at the existence of the ''Prometheus'' not being setup or foreshadowed prior to its reveal in Prometheus (Stargate SG-1), episode of the same name. In discussing the role of spaceships, including the ''Prometheus'', and how it impacted ''Stargate SG-1'', Gateworld's David Read felt that the ''Stargate'' and the ship were often in conflict with each other as storytelling devices, and was of the opinion that ships should "carry stories as minimally as possible", fearing that the show could turn into ''Star Trek''. Sumner felt that in Stargate SG-1 (season 6), season six and Stargate SG-1 (season 7), season seven the spaceships "were not infringing" on the Stargate, but believed in Stargate SG-1 (season 9), season nine and Stargate SG-1 (season 10), season ten they were "really encroaching on the ''Stargate'' as the centre-piece of the show", believing that episodes such as "Memento (Stargate SG-1), Memento" and "The Pegasus Project" were "good examples of using our ships tell to interesting stories that I think build on the world of Stargate, instead of replacing the Stargate".References
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