Praenestine fibula
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, native_name_lang = la , image = Praeneste fibula.JPG , image_size = , alt = , image2 = , image2_size = , alt2 = , image_caption = , material = Gold , size = long , height = , width = , weight = , writing = Old Latin: , symbols = , created = 7th century BC , discovered = , discovered_place = Location disputed, alleged to be the Bernardini tomb, Palestrina, Italy , discovered_coords = , discovered_date = 1870s-1880s , discovered_by = Unknown, announced by
Wolfgang Helbig Wolfgang Helbig (2 February 1839 – 6 October 1915) was a German classical archaeologist born in Dresden. He is known for his studies involving the wall paintings of Campania (Pompeii). From 1856 to 1861 he studied philology and archaeology at t ...
in 1887 , location =
Pigorini National Museum of Prehistory and Ethnography The "Luigi Pigorini" National Museum of Prehistory and Ethnography is a public and research museum located in Rome, Italy. Established in 1875 and opened in 1876 by Luigi Pigorini, from 2016 it is one of the four museums inside the Museum of Civi ...
, Rome, Italy , classification = , culture = Etruscan civilization, orientalizing period , id = , map = , website = The Praeneste fibula (the "brooch of Palestrina") is a golden ''fibula'' or brooch, today housed in the
Pigorini National Museum of Prehistory and Ethnography The "Luigi Pigorini" National Museum of Prehistory and Ethnography is a public and research museum located in Rome, Italy. Established in 1875 and opened in 1876 by Luigi Pigorini, from 2016 it is one of the four museums inside the Museum of Civi ...
in Rome. The fibula bears an inscription in Old Latin, claiming craftsmanship by one Manios and ownership by one Numazios. At the time of its discovery in the late nineteenth century, it was accepted as the earliest known specimen of the Latin language. The authenticity of the inscription has since been disputed. However a new analysis performed in 2011 declared it to be genuine "beyond any reasonable doubt" and to date from the Orientalizing period, in the first half of the seventh century BC.


Discovery

The fibula was presented to the public in 1887 by
Wolfgang Helbig Wolfgang Helbig (2 February 1839 – 6 October 1915) was a German classical archaeologist born in Dresden. He is known for his studies involving the wall paintings of Campania (Pompeii). From 1856 to 1861 he studied philology and archaeology at t ...
, an archaeologist. According to some sources, Helbig did not explain how he had come to acquire the artifact at the time, although others state that the fibula "was first made known to the public in three short articles in the for 1887 where it is said to have been purchased in Palestrina by a friend of Helbig in the year 1871, or five years before the discovery of the tomb" – the tomb in question being the Bernardini Tomb whose treasure the fibula was later claimed to be a part of.


Date and inscription

The fibula was thought to originate from the 7th century BC. It is inscribed with a text that appears to be written in Old Latin or Proto-Latino-Faliscan (shown by as an accusative instead of ablative), here transcribed to Roman letters: : The reconstructed Proto-Italic ancestor would have been: : The equivalent Classical Latin sentence obtained by applying the appropriate differences between Old Latin and Classical Latin would probably have been: : translated as: :Manius made me for Numasius


Hoax hypothesis

In 1980
Margherita Guarducci Margherita Guarducci (20 December 1902, in Florence – 2 September 1999, in Rome) was an Italian archaeologist, classical scholar, and epigrapher. She was a major figure in several crucial moments of the 20th century academic community. A student ...
, a leading epigraphist, published a book arguing that the inscription had been forged by
Francesco Martinetti Francesco, the Italian (and original) version of the personal name "Francis", is the most common given name among males in Italy. Notable persons with that name include: People with the given name Francesco * Francesco I (disambiguation), sev ...
, an art dealer, and Helbig, who were known to have collaborated in shady dealings. Guarducci argued that the fibula's presentation in 1887 was a
hoax A hoax is a widely publicized falsehood so fashioned as to invite reflexive, unthinking acceptance by the greatest number of people of the most varied social identities and of the highest possible social pretensions to gull its victims into pu ...
perpetrated to advance the careers of both men. This was the most formal but not the first accusation of its kind:
Georg Karo Georg Karo (11 January 1872, in Venice – 12 November 1963, in Freiburg im Breisgau) was a German archaeologist, known for his research of Mycenaean and Etruscan cultures. Born in Venice and raised in Florence, he studied history, philosoph ...
had said that Helbig told him that the fibula had been stolen from Palestrina's Tomba Bernardini.


Subsequent arguments for authenticity

Evidence in favor of the genuineness of the text came from a new
Etruscan __NOTOC__ Etruscan may refer to: Ancient civilization *The Etruscan language, an extinct language in ancient Italy *Something derived from or related to the Etruscan civilization **Etruscan architecture **Etruscan art **Etruscan cities **Etruscan ...
inscription of the Orientalizing period published by Massimo Poetto and Giulio Facchetti in 1999. The inscription scratched on the body of an Etrusco- Corinthian aryballos shows a
gentilicium The (or simply ) was a hereditary name borne by the peoples of Roman Italy and later by the citizens of the Roman Republic and the Roman Empire. It was originally the name of one's (family or clan) by patrilineal descent. However, as Rome expande ...
, Numasiana, which provides confirmation of the genuineness of the name Numasioi on the Fibula Prenestina, often regarded as suspicious by the supporters of the theory that it was a forgery. In 2005, based on epigraphic and other arguments, linguist Markus Hartmann concluded that it is justified to assume the authenticity of the inscription as long as there is no compelling evidence for a forgery, and dated it with confidence to the seventh century BC. In 2011, new scientific evidence was presented by the research team of Edilberto Formigli and Daniela Ferro, whose optical, physical and chemical analyses allowed them to take into consideration smaller scrapes on the surface of the object than was possible in the 1980s. Observation by means of scanning electron microscope (SEM) and detailed physical and chemical analyses on the surface of small areas within the track of the incision showed the existence of micro-crystallization of the gold surface: a natural phenomenon that could have taken place only in the course of centuries after the fusion. The study reported that a 19th-century forger could not have realized such a forgery. However, the micro-crystallization discovery alone seems to still leave open the possibility that C. Densmore Curtis' impression, expressed in 1919, that "based on its stiff lines and awkward transitions, ... it did not come from the Bernardini Tomb, but is of a somewhat later date", could be correct.


Replicas

Replicas of the fibula are held by the National Roman Museum's Museum of Epigraphy at the Baths of Diocletian in Rome, and also by the
Arthur M. Sackler Museum The Harvard Art Museums are part of Harvard University and comprise three museums: the Fogg Museum (established in 1895), the Busch-Reisinger Museum (established in 1903), and the Arthur M. Sackler Museum (established in 1985), and four research ...
at Harvard in Cambridge, Massachusetts.


See also

*
Duenos inscription The Duenos inscription is one of the earliest known Old Latin texts, variously dated from the 7th to the 5th century BC. It is inscribed on the sides of a '' kernos'', in this case a trio of small globular vases adjoined by three clay struts. It ...
* Lapis Niger


References


Further reading

Authors who argue that the Fibula is a
forgery Forgery is a white-collar crime that generally refers to the false making or material alteration of a legal instrument with the specific intent to defraud anyone (other than themself). Tampering with a certain legal instrument may be forbidd ...
: * * * Authors who argue that the Fibula is authentic: * * * * *


External links

* {{DEFAULTSORT:Praeneste Fibula 7th-century BC works 1887 archaeological discoveries Archaeology of Italy Forgery controversies Gold objects Individual brooches Inscriptions of disputed origin Latin inscriptions