Portrait of Giuliano de' Medici (1479–1516) on:
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The ''Portrait of Giuliano de' Medici'' (1479–1516) is a 1.68m tall marble sculpture by
The work, inserted in a niche, shows the young duke seated, dressed like an ancient Roman general and in an attitude of pride, as noted by Vasari, as opposed to the "melancholic" Lorenzo. This attitude has been read as a metaphor for the "active life" of the Neoplatonic doctrine, as the personification of vigilance, or of the calm of the dead souls, or of the choleric-sanguine temperament of the humoral theory. Political readings have noted the idea of the strong-willed and violent despot.
Giuliano's posture recalls that of Moses and also the prophet Joel on the vault of the Sistine Chapel.
The armor adheres to the body like a sheath, revealing the muscular torso, just as the high shoes disappear along the shin to reveal the bare feet. The reliefs of the armor have been attributed to Montorsoli, as well as, according to
Michelangelo
Michelangelo di Lodovico Buonarroti Simoni (; 6 March 1475 – 18 February 1564), known as Michelangelo (), was an Italian sculptor, painter, architect, and poet of the High Renaissance. Born in the Republic of Florence, his work was insp ...
, dating to 1526–1534. It forms part of the decorative scheme of the Medici Chapel in San Lorenzo in Florence. It is the central statue of the tomb of Giuliano, and an idealised portrait of Giuliano de' Medici (1479–1516)
Giuliano di Lorenzo de' Medici Order of the Garter, KG (12 March 1479 – 17 March 1516) was an Italian nobleman, the third son of Lorenzo de' Medici, Lorenzo the Magnificent, and a ruler of Florence.
Biography
Born in Florence, he was raise ...
.
History
The work on the portrait of Giuliano began about 1526, after Michelangelo's portrait of Lorenzo was complete. The sculpture had to be completed in 1534, the year of Michelangelo departed Florence. In 1533 it was entrusted to Montorsoli to complete any finishing touches. There are four drawings by Tintoretto, which contain some details that differ from the statue. These drawings are thought to indicate Michelangelo's original conception. In them the figure is naked, which was a common preliminary practice, before the costume is added to the sketch. In the drawings the torso turned more to the left and with the right foot resting on an object which is not repeated in the sculpture. Considering the excessive musculature and the pose of the legs, some scholars think that the drawings may instead be imprecise mid-sixteenth century copiesDescription and style
The work, inserted in a niche, shows the young duke seated, dressed like an ancient Roman general and in an attitude of pride, as noted by Vasari, as opposed to the "melancholic" Lorenzo. This attitude has been read as a metaphor for the "active life" of the Neoplatonic doctrine, as the personification of vigilance, or of the calm of the dead souls, or of the choleric-sanguine temperament of the humoral theory. Political readings have noted the idea of the strong-willed and violent despot.
Giuliano's posture recalls that of Moses and also the prophet Joel on the vault of the Sistine Chapel.
The armor adheres to the body like a sheath, revealing the muscular torso, just as the high shoes disappear along the shin to reveal the bare feet. The reliefs of the armor have been attributed to Montorsoli, as well as, according to Charles de Tolnay
Charles de Tolnay, born Károly von Tolnai (May 27, 1899 – January 17, 1981), was a Hungarian art historian and an expert on Michelangelo. According to Erwin Panofsky, he was "one of the most brilliant art historians" of his time.Ulrike Wendlan ...
, the detail of the foot protruding from the base.
The sculpture idealizes the features of the character. The duke holds the baton of command in his hand, and two coins: these have been interpreted as a reminder of the offering that the dead had to pay in the kingdom of the Underworld according to ancient mythology.
External links
*http://www.polomuseale.firenze.it/catalogo/scheda.asp?nctn=00281335&value=1 Sculptures by Michelangelo 1530s sculptures Marble sculptures in Italy Sculptures of men in Italy {{Italy-sculpture-stub