Portrait of Bernhart von Reesen
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The ''Portrait of Bernhart von Reesen'' is a portrait painting by German Renaissance master
Albrecht Dürer Albrecht Dürer (; ; hu, Ajtósi Adalbert; 21 May 1471 – 6 April 1528),Müller, Peter O. (1993) ''Substantiv-Derivation in Den Schriften Albrecht Dürers'', Walter de Gruyter. . sometimes spelled in English as Durer (without an umlaut) or Due ...
. It depicts a man wearing a beret and holding a piece of paper against a red background. The oil on panel painting is dated 1521 and is in the collection of the
Gemäldegalerie Alte Meister The Gemäldegalerie Alte Meister (, ''Old Masters Gallery'') in Dresden, Germany, displays around 750 paintings from the 15th to the 18th centuries. It includes major Italian Renaissance works as well as Dutch and Flemish paintings. Outstand ...
of
Dresden Dresden (, ; Upper Saxon: ''Dräsdn''; wen, label= Upper Sorbian, Drježdźany) is the capital city of the German state of Saxony and its second most populous city, after Leipzig. It is the 12th most populous city of Germany, the fourth ...
, Germany.Albrecht Dürer, ''Portrait of Bernhart von Reesen''
at Google Arts and Culture


Background and details

The painting was executed during the artist's trip to the
Low Countries The term Low Countries, also known as the Low Lands ( nl, de Lage Landen, french: les Pays-Bas, lb, déi Niddereg Lännereien) and historically called the Netherlands ( nl, de Nederlanden), Flanders, or Belgica, is a coastal lowland region in N ...
in the period 1520–1521. On 16 March 1521, Dürer wrote in his diary that he had portrayed in
Antwerp Antwerp (; nl, Antwerpen ; french: Anvers ; es, Amberes) is the largest city in Belgium by area at and the capital of Antwerp Province in the Flemish Region. With a population of 520,504,
one Bernhart von Reesen, for which he was paid eight florins and some small gifts for his wife and maid. The sitter is portrayed wearing black garments and a white shirt. His hands, which, according to the
Flemish painting Flemish painting flourished from the early 15th century until the 17th century, gradually becoming distinct from the painting of the rest of the Low Countries, especially the modern Netherlands. In the early period, up to about 1520, the painting ...
tradition, are cut off on the lower border, hold a small piece of paper with writing on it. Dürer's portrait mixes traits of Netherlandish portraiture tradition with the Venetian tradition. The sitter is shown in three-quarter profile set against a red background. The portrait which shows the sitter from close up accentuates the bright face and the large beret. The face is angular but softened through delicate modelling. Von Reesen is depicted as powerful and confident but his gaze turned to the left in the distance gives his pose at the same time a contemplative quality. The composition is dominated by diagonal lines which give the portrait an intense quality.The Splendor of Dresden, Five Centuries of Art Collecting: An Exhibition from the State Art Collections of Dresden'',, Metropolitan Museum of Art (New York, N.Y.), Fine Arts Museums of San Francisco, 1978, p. 219-220


Identification of the sitter

The sitter for the portrait has been identified on the basis of the letter he is holding in his hands and the entry in Dürer's diary. Although the writing is hard to make out, it has been determined that the man should be identified with
Bernhard von Reesen Bernhard von Reesen (1491 – 1521) was a successful merchant born to a patrician family in the Hanseatic city of Danzig (Gdańsk). The Reesen name, with its prefix "von" (of), indicates that the family had its origins in the city of ...
. Von Reesen was a successful merchant from
Gdańsk Gdańsk ( , also ; ; csb, Gduńsk;Stefan Ramułt, ''Słownik języka pomorskiego, czyli kaszubskiego'', Kraków 1893, Gdańsk 2003, ISBN 83-87408-64-6. , Johann Georg Theodor Grässe, ''Orbis latinus oder Verzeichniss der lateinischen Benen ...
who was living in Antwerp at the time. He was thirty years old when the portrait was painted. He died the same year. Some scholars have identified the sitter in the past with the Flemish painter
Bernard van Orley Bernard van Orley (between 1487 and 1491 – 6 January 1541), also called Barend or Barent van Orley, Bernaert van Orley or Barend van Brussel, was a versatile Flemish artist and representative of Dutch and Flemish Renaissance painting, who w ...
from
Brussels Brussels (french: Bruxelles or ; nl, Brussel ), officially the Brussels-Capital Region (All text and all but one graphic show the English name as Brussels-Capital Region.) (french: link=no, Région de Bruxelles-Capitale; nl, link=no, Bruss ...
whom Dürer met during his stay in Brussels. This view was debunked in 1972 by Dr. Erna Brand who conclusively showed that the sitter was in fact Bernhard von Reesen.Erna Brand, ''Untersuchungen zu Albrecht Dürers Bildnis eines jungen Mannes'', in: Staatliche Kunstsammlungen, Jahrbuch 1970/71, Dresden, 1972, pp. 59-83


See also

* List of paintings by Albrecht Dürer


References


External links

* {{DEFAULTSORT:Portrait of Bernhart von Reesen 1521 paintings Portraits by Albrecht Dürer 16th-century portraits Collections of the Gemäldegalerie Alte Meister