Popscene (club)
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Popscene was a UK "indie dance" club of the 1990 Brit Pop movement. .


History

The founders of Popscene were Dave McCarthy and Mac Be, who were the promoters and DJs for its entire run. "It was myself and Dave at first, then Dave's girlfriend Jenny started doing a bit in the later years before we parted company in May 2000," Be explained on a dedicated fan forum. Prior to Popscene, McCarthy and Be had organised "Happy," a successful, pre-Britpop night at The Clapham Grand for the
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organisation. "Happy" featured early live London appearances by bands such as
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, and was contained within a club night structure akin to the acid house 'PA' appearance model. In 1994 the owners of the Astoria in London's Charing Cross Road asked the duo to produce Friday nights at the LA2 club within the Astoria complex. The club's opening night featured free entry, leading to a capacity crowd. Under a strict policy of "no live bands," the club went on to run with weekly capacity crowds for the next five years. The club attracted more than 300,000 customers over its lifespan; hours-long entry queues of hundreds of people were common.Loben, Carl. "A Shining Example" DJ Mag vol 5 issue 1 September 2011 Popscene's DJ sets laid the foundations for the rock/dance crossover of the next decade; the tagline on many of the distinctive (and now highly collectable) flyers was "the dance club for people who like bands". Popscene's name originates from the single by Blur. It became synonymous with the
Britpop Britpop was a mid-1990s British-based music culture movement that emphasised Britishness. It produced brighter, catchier alternative rock, partly in reaction to the popularity of the darker lyrical themes of the US-led grunge music and to the ...
movement along with retro-themed rival Blow Up. Members of bands popular within the scene, such as Oasis, Blur, and
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, were regular customers at both clubs. Popscene deliberately avoided a separate VIP area and made a selling point of the fact that everyone was equal once inside the doors. “
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came up to me and went, ‘I’m going to be a singer, I just sung
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Wonderwall’ and he thought it was fantastic' McCarthy recalled in an interview with
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. The night was also notable for the DJs taking centre stage in the venue. The DJ's accessibility led to patrons taking to the stage and dancing onstage alongside the DJ decks. In response, the club developed a special "flying decks" set-up suspended from the in-house lighting rig. The
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magazine described the crowd as 'fun' noting their enthusiastic energy. The mid-Nineties UK MTV Magazine summed up the atmosphere when they wrote "cigarettes, alcohol and lots of snogging are the order of the night". Time Out called Popscene "the indie superclub with an altogether hipper vibe" and "UK Club Guide" described it as "a thriving, begging for it happy crowd." They continued, stating: "It's the busiest indie club in the country." As Popscene developed over its five-year lifespan, it was cited as one of the major breakthrough clubs in London (together with the Heavenly Social) for the
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music genre in the latter part of the decade.
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Weekend Magazine hailed it as "now deemed cooler than the heavenly jukebox." Amongst many other notable achievements, the DJ duo of McCarthy and Be were the first successful UK club DJs to move from vinyl to CD, gave
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his first opportunity to play to large crowds, and McCarthy was the first London club DJ to play what became known as bootleg/ mash-up tracks with cut-ups he made using the first available editions of Acid sound production software in 1999. The club was also host to the first ever public playback of the third Oasis album Be Here Now in the world. In 2004, BBC Radio London's mid-morning DJ
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asked his audience which clubs had been culturally most important to his listeners. All cited Popscene as the defining London club of the era. Robert Elms show. BBC London In the Summer of 2007, a sold out revival of Popscene was held in the original venue without the involvement of founder McCarthy, who had gone on to forge a subsequent career as acclaimed DJ producer IDC.


See also

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List of electronic dance music venues A rave (from the verb: '' to rave'') is a dance party at a warehouse, club, or other public or private venue, typically featuring performances by DJs playing electronic dance music. The style is most associated with the early 1990s dance mu ...


References

{{DEFAULTSORT:Popscene (Club) Nightclubs in London Defunct nightclubs in the United Kingdom Music venues completed in 1995 1995 establishments in England Electronic dance music venues