Pleasant Dreams (Beatnik Termites album)

Between 1993 and 2000, a series of Ramones covers albums were released by Selfless Records (later Clearview Records), an independent record label based in Garland, Texas specializing in punk rock, on which bands influenced by seminal punk group the Ramones performed cover versions of entire Ramones albums. Under the Selfless label, Screeching Weasel, the Queers, and the Vindictives respectively covered the first three Ramones albums: '' Ramones'' (1976), ''Rocket to Russia'' (1977), and '' Leave Home'' (1977). Selfless then became Clearview Records and continued the series, with Boris the Sprinkler, the Mr. T Experience, the Beatnik Termites, and the McRackins respectively covering '' End of the Century'' (1980), '' It's Alive'' (1979), '' Road to Ruin'' (1978), ''Pleasant Dreams'' (1981), and '' Too Tough to Die'' (1984).

Each entry in the series was issued as a limited edition LP record, with 1,400 copies pressed in the standard black, 300 on colored discs, and an additional 300 with an alternate screen printed cover intended for the band to sell on tour. Some of the albums were later re-released on compact disc by Clearview or other labels.

Albums

Screeching Weasel – ''Ramones''

The series began when Selfless Records head Todd Greene contacted Chicago-based band Screeching Weasel while they were celebrating the completion of recording sessions for their album '' Wiggle'', asking if they would record their favorite Ramones album for his label. "It was a completely stupid idea," wrote singer Ben Weasel several years later, "so of course we did it. My favorite Ramones album is actually '' Leave Home'', but we all agreed we could do a halfway decent job with their first album." They recorded the album with recording engineer Mass Giorgini at his Sonic Iguana Studios in Lafayette, Indiana, working from midnight on October 17, 1992 until 2:00 AM the following day, with the band members acting as record producers. "We recorded it at Sonic Iguana in something silly like fifteen hours", wrote Weasel, "and mixed it to sound like the first Ramones album (bass outta one speaker, guitar outta the other). It was stupid, but a lot of fun and it marks the only Screeching Weasel album on which anVapid sang lead on a song (' Let's Dance')." The cover photograph mimics the ''Ramones'' cover, with the band members (guitarist John Jughead Pierson, drummer Dan Panic, Weasel, and bassist Vapid) pictured in black and white against a brick wall, wearing torn blue jeans, black leather jackets, and Ramones T-shirts.

Screeching Weasel later included four tracks from the album—"Judy Is a Punk", "Chain Saw", " Now I Wanna Sniff Some Glue", and "Havana Affair"—on their 1995 compilation album '' Kill the Musicians''. In 1998 they paired the entire album with their 1996 EP '' Formula 27'' as the compilation '' Beat Is on the Brat''.

The Queers – ''Rocket to Russia''

North Hampton, New Hampshire-based band the Queers were the next to record an album in the series, covering 1977's ''Rocket to Russia''. Their version was recorded at Flat Iron Studios in Chicago in 1994 with Ben Weasel as producer. According to singer and guitarist "Joe Queer" King and bassist Chris "B-Face" Barnard, it was recorded in a single day with no rehearsals. They later criticized other bands who spent more time rehearsing and recording their entries in the series, saying "You can't improve on the Ramones, they were the greatest punk rock band the world will ever know." The Queers' usual drummer, Hugh O'Neill, was on a forced leave of absence from the band; earlier that year, they had staged an intervention in order to convince him to stop using heroin. This accounted for his absence from ''Rocket to Russia'' and their following album, 1994's ''Beat Off''. For ''Rocket to Russia'' they were joined by drummer Jay Adelberg. By April of that year Screeching Weasel drummer Dan Panic and bassist Dan Vapid had joined the Queers, and the band played as openers for the Ramones at a show in Hampton Beach, which Vapid later called the most pivotal moment of his time with the Queers.

After Selfless became Clearview Records, ''Rocket to Russia'' was reissued on compact disc in 1998 with the catalog number CRVW 28. Reviewing this version of the album for Allmusic, Stewart Mason rated it 2 stars out of 5, saying that of the albums in the series it was "probably the most faithful to the original. This is not at all surprising, considering head Queer Joe King's unswerving devotion to Ramones-style pop-punk in all of his band's own releases. All 14 songs, even the covers of Bobby Freeman's ' Do You Wanna Dance' and the Trashmen's 'Surfin' Bird', sound pretty much exactly like the originals with King's voice dubbed over Joey amones. It's all an impressive feat of mimicry, as well as a nice tribute to the group's obvious heroes. It doesn't make one want to listen to the album more than once, though." The album was remixed in December 2000 by King, Barnard, and producer and recording engineer Jim Tierney at the Electric Cave in Portsmouth, New Hampshire, and reissued in 2001 by Liberation Records (catalog number L 37838). This release added the Queers original "Blabbermouth" from the 1994 compilation ''Punk USA''.

The Vindictives – ''Leave Home''

Chicago-based band the Vindictives recorded the third entry in the series, covering the 1977 Ramones album '' Leave Home''. Their version was recorded on March 14, 1994 with producer and engineer Mark Schwarz at Vuber Studio in Chicago. Unlike Screeching Weasel and the Queers, the Vindictives made substantial changes to the structure of the album they were covering, rearranging the order of the songs, adding backing vocals and extended guitar solos, adding sound bites from the 1932 film '' Freaks'' to the song "Pinhead" (the film had inspired the original song), and adding sound effects to "Commando" and "Gimme Gimme Shock Treatment". The alternate screen printed cover for the tour edition of this album was illustrated by Chris Appelgren of Lookout! Records.

The Vindictives' version of ''Leave Home'' was reissued on LP and CD by Liberation Records in 1998 with new cover artwork by noted punk album art Illustrator, Mark deSalvo. (catalog number L 37808). Reviewing this edition for Allmusic, Mike DaRonco rated it two stars out of five in a negative review, calling it "a pretty redundant and worthless concept except for maybe calling attention to 'one of the greatest rock & roll bands ever', but at least Screeching Weasel had the decency to cover ''Ramones'' straight through without any changes. So not only do the Vindictives do their own version of classics like 'Sheena Is a Punk Rocker' and 'Pinhead' with extended guitar solos and unnecessary backing vocals, but none of the songs are in the order of the original version. Blasphemy!" Reviewer Tom Trauma of Punknews.org also gave a negative opinion of the album in 2016, rating it two and a half stars out of five and remarking that "Generally bands should be praised for pushing the envelope, but in this case there were probably more misses than hits." He criticized the guitar sound as "jagged" and "more metallic sounding" than the original, and said the album had "more lead guitar than Johnny amoneplayed in his whole career." "The heavy Vindictives treatment may have worked if only used on a song or two", he concluded; "Over the course of 16 tracks it's just too much. They definitely swung for the fences. If they had connected, this might have been the masterpiece of the series. Ultimately, they're guilty of making a perfect, untouchable album into a mediocre one. As it turned out, it was the least listenable of the first three."

Boris the Sprinkler – ''End of the Century''

Later in 1994 Selfless Records changed its name to Clearview Records. In 1996 the label revived the Ramones covers series, with Boris the Sprinkler

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