Playboy Bunnies

A Playboy Bunny is a waitress who works at a Playboy Club and selected through standardized training. Their costumes were made up of lingerie, inspired by the tuxedo-wearing Playboy rabbit mascot. This costume consisted of a strapless corset teddy, bunny ears, black sheer-to-waist pantyhose, a bow tie, a collar, cuffs and a fluffy cottontail. In more recent Playboy Clubs, such as Sin City that was re-opened in 2006, Playboy bunnies wore slightly altered costumes that were based on the original bunny suit.

Origins

The original Playboy Bunny costume was designed by the mother of Ilse Taurins, who was a Latvian émigrée. At the time, Taurins was dating one of the Playboy Club co-founders, Victor Lownes III.

Taurins had suggested a costume modeled after the Playboy Magazine trademark, either a rabbit or bunny, and she had her seamstress mother make a costume prototype. The prototype was reviewed at a meeting attended by Playboy Club co-founders Hugh Hefner, Victor Lownes and Arnold Morton, as well as frequent Playboy illustrator LeRoy Neiman.

The outfits were initially not received well by the co-founders, but Hefner advised that it could work once changes were made. The initial costume looked similar to a one piece swimsuit, with a white yarn puff tail and a headband with bunny ears, and Hefner suggested cutting the leg higher on the hip to expose more of the leg, and sharpening the v-shape of the costume. His suggested modifications were in an attempt to make the costumes more visually appealing, and the tightly laced corsets added to the feminine appeal, cinching in the Bunny's waist by at least two inches. This redesign of the bunny costume tied in directly with the need for a show-girl type of costume, achieving this look with an addition of bow ties, collars and a fluffy cottontail.

For mass production, the costume was manufactured for the Playboy Clubs by the Chicago-based Kabo Corset Company, and was based upon a "merry widow" style of corset within their line.

Later, in 1962, French fashion designer Renee Blot was further employed to refine the design, and her revisions included making the ears smaller, adding a collar with bow tie and cuffs with rabbit-head cufflinks, and a satin rosette with the bunny's name, worn on the hip. The original costumes were made in twelve colours of rayon satin. Several years later, Playboy engaged a prominent manufacturer of lingerie and swimwear to create a modified bunny costume that used washable stretch knit fabrics, allowing for costumes in vibrant prints as well as solid colors. The standard stockings also evolved from fishnet material to a special sheer pantyhose style supplied by Danskin. Bunnies wore two pair of these sheer stockings, a black pair worn on top of a taupe toned pair.

Since 2013, rumours suggested the original design of the Playboy bunny costume was by New York fashion designer Zelda Wynn Valdes, however, there exists no evidence to support this. This is also contradicted by recounts in much earlier publications such as "Big Bunny" by Joe Goldberg (1967) and "The Bunny Years" by Kathryn Leigh Scott (1998).

The bunny costume became a symbol of the Playboy Clubs, and was also the first commercial uniform to be registered by the United States Patent and Trademark Office (U.S. trademark registration number 0762884).

Behavior and training

The Playboy Bunnies are waitresses who serve drinks at Playboy Clubs. There are different types of Bunnies, including the Door Bunny, Cigarette Bunny, Floor Bunny, Pool Bunny, Fine Dining Bunny, Playmate Bunny, and the Jet Bunnies (specially selected Bunnies trained as flight attendants; they served on the Playboy "Big Bunny" Jet).

To become a Bunny, women are first carefully chosen and selected from auditions. Bunnies then undergo thorough and strict training before officially becoming a Bunny. Bunnies are required to be able to identify 143 brands of liquor and know how to garnish 20 cocktail variations. Customers are not allowed to touch the Bunnies, demerits are given if a Bunny's appearance does not meet requirements, and dating or mingling with customers is forbidden.

A Bunny also has to master the required maneuvers to work. These include the "Bunny Stance", a posture that is required in front of patrons, where the Bunny must stand with legs together, back arched and hips tucked under. When the Bunny is resting or waiting to be of service, she must do the "Bunny Perch," where she must sit on the back of a chair, sofa, or railing without sitting too close to a patron. The most famous maneuver of all, the "Bunny Dip", was invented by Kelly Collins, once renowned for being the "Perfect Bunny." To do the "Bunny Dip," the Bunny gracefully leans backwards while bending at the knees with the left knee lifted and tucked behind the right leg. This maneuver allows the Bunny to serve drinks while keeping her low-cut costume in place. Strict regulations were enforced by special workers in the guise of patrons.

In the 1970s, Lownes used his country mansion, Stocks House in Hertfordshire, England, as a training camp for Bunnies. The Bunnies acted as hostesses at lavish parties thrown in the house.

Description

The uniforms were tailored to each Bunny at the clubs in which they worked, and a full-time seamstress always remained on duty whenever the club opened. The costumes were stocked in two pieces, the front part being pre-sewn in different bra cup sizes, and the seamstress would match the Bunnies' figure to the correct fitting front and back pieces. The two pieces were then sewn together to fit each person with great precision.

A woman, also known as the "Bunny Mother", took responsibility for the welfare of the women working as Playboy Bunnies. This was a human-resources role and a management position as the Bunny Mother was in charge of scheduling work shifts, hiring, firing and training. The Club Manager carried two responsibilities for the Bunnies – floor service and weigh-in. Before every shift, the Manager would weigh each Bunny, and bunnies could not gain or lose more than one pound, with exceptions only being made for water retention. Playboy Enterprises required all employees to turn in their costumes at the end of employment and Playboy still retains some of these costumes in storage. Occasionally, costumes are offered for sale on the Playboy Auction site or eBay, but some of the costumes on eBay are known to be counterfeit or damaged. The only two costumes on public display are in the collections of the Smithsonian and the Chicago History Museum.

Image

Reception and review

The treatment of Playboy Bunnies was exposed in a piece written by Gloria Steinem and reprinted in her 1983 book ''Outrageous Acts and Everyday Rebellions''. The article featured a photo of Steinem in Bunny uniform and detailed how women were treated at those clubs. The article was published in 1963 in ''Show'' magazine as "A Bunny's Tale". Steinem has maintained that she is proud of the work she did publicizing the exploitative working conditions of the Bunnies and especially the sexual demands made of them, which skirted the edge of the law.

Clive James

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