Planet of the Vampires

''Planet of the Vampires'' ( it, Terrore nello Spazio, lit=Terror in Space) is a 1965 Italian-Spanish science fiction horror film, produced by Fulvio Lucisano, directed by Mario Bava, that stars Barry Sullivan and Norma Bengell. The screenplay, by Bava, Alberto Bevilacqua, Callisto Cosulich, Antonio Roman and Rafael J. Salvia, was based on an Italian-language science fiction short story, Renato Pestriniero's "One Night of 21 Hours". American International Pictures released the film as the supporting film on a double feature with Daniel Haller's ''Die, Monster, Die!'' (1965).Lucas, Tim. ''Mario Bava All the Colors of the Dark'', pg. 600, Video Watchdog, 2007.

The story follows the horrific experiences of the crew members of two giant spaceships that have crash landed on a forbidding, unexplored planet. The disembodied inhabitants of the world possess the bodies of the crew who died during the crash, and use the animated corpses to stalk and kill the remaining survivors.

The film was co-produced by AIP and Italian International Film, with some financing provided by Spain's Castilla Cooperativa Cinematográfica. Ib Melchior and Louis M. Heyward are credited with the script for the AIP English-language release version. Years after its release, some critics have suggested that Bava's film was a major influence on Ridley Scott's ''Alien'' (1979) and ''Prometheus'' (2012), in both narrative details and visual design.

Plot

Two huge interplanetary ships on an expedition into deep uncharted space receive a distress signal emanating from Aura, an unexplored planet. Both ships, the ''Galliott'' and the ''Argos'', attempt to land on the surface of the fog-encased world. While entering the planet's atmosphere, the crew of the ''Argos'' becomes possessed by an unknown force and try to violently kill each other. Only Captain Markary has the will to resist, and is able to force all of the others aboard his ship out of their hypnotic, murderous state. After the ''Argos'' lands on the surface, the crew disembarks and explores the eerie landscape in search of the ''Galliott''. Thick, pulsating mists, lit by ever-shifting eerie colors, saturate the terrain. When they finally arrive at the other ship, they find that the crew members have killed each other. Markary's younger brother, Toby, is among the dead. They proceed to bury as many of the corpses as they can, but several bodies are locked inside the ship's bridge. Markary departs to get tools for opening the sealed room, but the corpses disappear by the time he returns.

Some of the ''Argos crew are found dead. Tiona sees their corpses walking in the ship, and becomes paralyzed with fear. Markary advises the survivors that they must escape from Aura. Unfortunately, the ''Argos'' incurred serious damage during the landing, and repairs will take time. During the waiting period that ensues, several more killings occur. In a private tape recording, Markary admits that he suspects none of them will survive. While exploring Aura, Wes discovers the ruins of a spaceship a few miles from the ''Argos''. Markary, Sanya and Carter investigate. Inside the ship, they discover large skeletal remains of the long dead crew and thus realize that they are not the first ones to have been drawn to the planet by the distress beacon. Markary and Sanya are temporarily trapped inside the ship, but manage to escape and return to the ''Argos''. Carter inexplicably vanishes.

Two crew members of the ''Galliott'', Kier and Sallis, arrive at the ''Argos'' to steal the ship's Meteor Rejector device. Kier escapes with the machine, but Markary fights Sallis. Markary tears open Sallis' uniform, exposing his putrescent body. He learns that Sallis' corpse is being manipulated by an Auran, who reveals that the two ships were lured to the planet in order for the Aurans to escape from their dying world. With the crew of the ''Galliott'' under their complete control, they plan to use the ship to escape to the humans' home planet. Markary vows to stop them. Markary and his crew rush to the ''Galliott'' to retrieve the Meteor Rejector. They are successful, and manage to place explosives in the ship. During a struggle with the Aurans, Dr. Karan and Tiona are killed. Markary and Sanya return to the Argos and manage to escape as the ''Galliott'' is destroyed. After takeoff, however, they reveal themselves to be possessed by Aurans. They ask Wes, the last survivor, to join them. Wes refuses and tries to sabotage the Meteor Rejector, but fatally electrocutes himself while doing so. Because the device has been broken beyond repair, Markary and Sanya decide to change course for a nearby planet: Earth.

Cast

*Barry Sullivan as Captain Mark Markary
*Norma Bengell as Sanya
*Ángel Aranda as Wess Wescant
*Evi Marandi as Tiona
*Franco Andrei as Bert (Garr in the Italian version)
*Federico Boido as Keir
*Stelio Candelli as Brad (Mud)
*Alberto Cevenini as Toby Markary (Wan)
*Mario Morales as Eldon
*Ivan Rassimov as Carter (Dervy)
*Massimo Righi as Captain Sallis (Nordeg)
*Fernando Villeña as Dr. Karan

Production

American International Pictures had achieved a great deal of commercial success in the early 1960s with Bava's '' Black Sunday'' (1960) and ''Black Sabbath'' (1963), as well as dozens of lesser Italian films, including several sword and sandal pictures. Eventually, AIP heads Samuel Z. Arkoff and James H. Nicholson decided to coproduce some of these films, rather than just pay for the rights to distribute them, in order to have more control over their content. ''Planet of the Vampires'' was one such coproduction, financed by AIP and Italy's Fulvio Lucisano for Italian International Film, along with some Spanish production money provided by Castilla Cooperativa Cinematográfica. AIP provided the services of writer Ib Melchior, whose previous movies had included such modest hits as ''The Angry Red Planet'' (1959) and ''Reptilicus'' (1961), as well as the relatively big budget ''Robinson Crusoe on Mars'' (1964). Melchior wrote the screenplay for the English-language version of the film, with some assistance from AIP producer Louis M. Heyward.McGee, Mark Thomas. ''Faster and Furiouser: The Revised and Fattened Fable of American International Pictures'', McFarland & Company, Inc., 1996.

American Barry Sullivan and Brazilian Norma Bengell led the cast of international actors. Writer Robert J. Skotak reported that each cast member "used their own native language on the set, in many cases not understanding what the other actors were saying."Skotak, Robert J. ''Ib Melchior: Man of Imagination'', Midnight Marquee Press, 2000.
Sullivan's lines were spoken in English, Bengell's in Portuguese, Evi Marandi's in Italian and Ángel Aranda's in Spanish.

Restricted by a low budget, Bava was unable to utilize opticals, so all of the film's extensive visual effects work were done "in camera". Miniatures and forced perspective visuals are used throughout, with much colored fog adding atmosphere but also obscuring the sheer cheapness of the sets. Bava explained: "Do you know what that unknown planet was made of? A couple of plastic rocks — yes, two: one and one! — left over from a mythological movie made at Cinecittà! To assist the illusion, I filled the set with smoke."Lucas, Tim. ''Fangoria'' Magazine, #43, pg. 31, "Bava's Terrors, Part 2", article on Bava's career
According to Tim Lucas, the two plastic rocks were multiplied in several shots by mirrors and multiple exposures. The planet's exterior sequences were filmed on an empty stage obscured by mists, table top miniatures and Schüfftan process shots.

Reception

AIP released the film as the supporting film on a double feature with Daniel Haller's ''Die, Monster, Die!'' (1965). ''Planet of the Vampires'' has accumulated a very positive critical response over the years. In 1966, ''Castle of Frankenstein'' described the film as "Beautifully photographed Italian sfantasy with excellent sfx and superb color".Unknown Reviewer. ''Castle of Frankenstein'' Magazine, issue #9 (Volume 3, Number 1, 1966), pg 6. "Frankenstein MovieGuide" review ''Variety'''s Dool opined, "Plot is punctuated with gore, shock, eerie music and wild optic and special effects...Color camera work and production values are smooth and first class...Flash Gordon type story...should keep the young on the edge of their seats and the older set from falling asleep". Richard Davis, in ''Films and Filming'', wrote that "Bava is tied to a grossly synthetic studio set which doesn't for a moment convince of its extraterrestrial reality...the piece on the whole is poor stuff". ''Monthly Film Bulletin'' noted the film was, "a triumph of mind over matter, or of Bava over a shoestring budget and appalling dubbed dialogue... avadoes atmospheric wonders with pastel-shaded fog and cunning camerawork".Unknown reviewer. ''Terror nello spazio (Planet of the Vampires)'', ''Monthly Film Bulletin'', Volume 34, 1969, pg. 204 In 1974, Joe Dante wrote that the "fabulous comic strip sci-fi shows director Mario Bava at his most visually inventive..."Dante, Joe. ''Castle of Frankenstein'' Magazine, issue #22 (Volume 6, Number 2, 1974), pg 42. "Frankenstein TV Movie Guide" review Phil Hardy's '' The Aurum Film Encyclopedia: Science Fiction'' noted in 1984 that the film was "A gorgeous atmospheric confection from Bava...Bava's ever-moving camera creates a chilling sense of menace. The result is a triumph of the pulp imagination".Hardy, Phil (editor). ''The Aurum Film Encyclopedia: Science Fiction'', Aurum Press, 1984. Reprinted as ''The Overlook Film Encyclopedia: Science Fiction'', Overlook Press, 1995, Glenn Erickson (aka "DVD Savant") wrote in 2001 that "Bava's stunning gothic variation weaves a weird tale of flying saucers, ray guns and zombies that looks like no other space movie ever filmed". In ''Fangoria'' magazine, Tim Lucas said "''Planet of the Vampires'' is commonly regarded as the best SF film ever made in Italy, and among the most convincing depictions of an alien environment ever put on film".

On the review aggregator website Rotten Tomatoes, the film has a 73% rating based on 11 reviews (8 "Fresh" and 3 "Rotten").

Influence

Several critics have suggested that Bava's film was a major influence on Ridley Scott's ''Alien'' (1979) and ''Prometheus'' (2012), in both narrative details and visual design. Derek Hill, in a review of the MGM Midnite Movies DVD release of ''Vampires'' written for Images Journal, noted, "Bava's film (along with ''It! The Terror from Beyond Space'', 1958) was a direct influence on Ridley Scott's 1979 film ''Alien''. But where Scott's film tried to mask its humble drive-in origins, ''Planet of the Vampires'' revels in its origins. The film literally feels like a pulp magazine cover come to garish life..." Robert Monell, on the DVD Maniacs website, observed, " ch of the conceptual design and some specific imagery in the 1979 Ridley Scott screamer undoubtedly owes a great debt to Mario Bava's no budget accomplishments." Govindini Murty of ''The Atlantic'', in a review of ''Prometheus'', said, "The striking images Ridley Scott devises for ''Prometheus'' reference everything from Stanley Kubrick's ''2001'' to Leonardo da Vinci's ''Vitruvian Man'' and Mario Bava's ''Planet of the Vampires''."

One of the film's most celebrated sequences involves the astronauts performing an exploration of an alien, derelict ship discovered in a huge ruin on the surface of the planet. The crewmembers climb up into the depths of the eerie ship and discover the gigantic remains of long dead monstrous creatures. In 1979, ''Cinefantastique'' noted the remarkable similarities between this atmospheric sequence and a lengthy scene in the then-new ''Alien''. The magazine also pointed out other minor parallels between the two films.Frentzen, Jeffrey. ''Cinefantastique'' Magazine, Volume 8, Number 4, 1979, pgs. 24 - 25. "''Alien'': It! The Terror from Beyond the Planet of the Vampires" However, both ''Alien'''s director Ridley Scott and screenwriter Dan O'Bannon claimed at the time that they had never seen ''Planet of the Vampires''.Carducci, Mark Patrick and Lovell, Glenn. ''Cinefantastique'' Magazine, Volume 9, Number 1, 1979, pgs. 10 - 39. "Making ''Alien'': Behind The Scenes" Decades later, Dan O'Bannon would admit: "I stole the giant skeleton from the ''Planet of the Vampires''".J.W.Rinzler. ''The Making of Alien'', Titanbooks, 2019, page 22.

Tim Lucas has noted that the basic plot and ideas of the film not only inspired ''Alien'' but "continue to influence filmmakers and inspire the genre today, as witnessed by David Twohy's '' Pitch Black'' (2000) and Brian De Palma's ''Mission to Mars'' (2000)."

In the late 1970s Atlas/Seaboard Comics published a short-lived comic book entitled ''Planet of Vampires'', which combined plot elements from Bava's film with elements of ''Planet of the Apes'' and '' I Am Legend''.

It has strongly influenced the 2023 DC film ''Aquaman and the Lost Kingdom''.

References

External links

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{{Mario Bava

1965 films
Italian science fiction horror films
Spanish vampire films
Films based on short fiction
Films directed by Mario Bava
Italian horror films
Spanish horror films
1960s science fiction horror films
Space adventure films
Films set in the future
Films about extraterrestrial life
1965 horror films
Italian vampire films
Films set on fictional planets
Films produced by Fulvio Lucisano
1960s Italian films
1960s Spanish films