Piazza del Campo is the main public space of the historic center of

Siena Siena ( , ; lat, Sena Iulia) is a city in Tuscany, Italy. It is the capital of the province of Siena. The city is historically linked to commercial and banking activities, having been a major banking center until the 13th and 14th centur ...

Tuscany it, Toscano (man) it, Toscana (woman) , population_note = , population_blank1_title = , population_blank1 = , demographics_type1 = Citizenship , demographics1_footnotes = , demographics1_title1 = Italian , demogra ...

Italy Italy ( it, Italia ), officially the Italian Republic, ) or the Republic of Italy, is a country in Southern Europe. It is located in the middle of the Mediterranean Sea, and its territory largely coincides with the homonymous geographical ...

and is regarded as one of Europe's greatest medieval squares. It is renowned worldwide for its beauty and architectural integrity. The

Palazzo Pubblico The Palazzo Pubblico (''town hall'') is a palace in Siena, Tuscany, central Italy. Construction began in 1297 to serve as the seat of the Republic of Siena's government, which consisted of the Podestà and Council of Nine, the elected off ...

and its

Torre del Mangia The Torre del Mangia is a tower in Siena, in the Tuscany region of Italy. Built in 1338-1348, it is located in the Piazza del Campo, Siena's main square, next to the Palazzo Pubblico (Town Hall). When built it was one of the tallest secular ...

, as well as various ''palazzi signorili'' surround the shell-shaped piazza. At the northwest edge is the Fonte Gaia. The twice-a-year horse-race, Palio di Siena, is held around the edges of the piazza. The piazza is also the finish of the annual road cycling race Strade Bianche.

History

The open site was a marketplace established before the thirteenth century on a sloping site near the meeting point of the three hillside communities that coalesced to form Siena: the Castellare, the San Martino and the Camollia. Siena may have had earlier Etruscan settlements, but it was not a considerable Roman settlement, and the ''campo'' does not lie on the site of a Roman forum, as is sometimes suggested. It was paved in 1349 in fishbone-patterned red brick with 8 lines of

travertine Travertine ( ) is a form of terrestrial limestone deposited around mineral springs, especially hot springs. It often has a fibrous or concentric appearance and exists in white, tan, cream-colored, and even rusty varieties. It is formed by a p ...

, which divide the piazza into 9 sections, radiating from the mouth of the ''gavinone'' (the central water drain) in front of the

. The number of divisions is held to be symbolic of the rule of The Nine ('' Noveschi'') who laid out the campo and governed Siena at the height of its mediaeval splendour between 1292-1355. The Campo was and remains the focal point of public life in the City. From the piazza, eleven narrow shaded streets radiate into the city. The ''palazzi signorili'' that line the square, housing the families of the Sansedoni, the Piccolomini and the Saracini etc., have unified rooflines, in contrast to earlier tower houses — emblems of communal strife — such as may still be seen not far from Siena at San Gimignano. In the statutes of Siena, civic and architectural decorum was ordered :"...it responds to the beauty of the city of Siena and to the satisfaction of almost all people of the same city that any edifices that are to be made anew anywhere along the public thoroughfares...proceed in line with the existent buildings and one building not stand out beyond another, but they shall be disposed and arranged equally so as to be of the greatest beauty for the city."Richard Ingersoll (Rice University), ''Cities in History'', Lecture 10: "The Uses of Decorum: Siena and the Nine"
/ref> The unity of these Late Gothic houses is affected in part by the uniformity of the bricks of which their walls are built: brick-making was a monopoly of the commune, which saw to it that standards were maintained. At the foot of the Palazzo Pubblico's wall is the late Gothic Chapel of the Virgin built as an

ex voto An ex-voto is a votive offering to a saint or to a divinity; the term is usually restricted to Christian examples. It is given in fulfillment of a vow (hence the Latin term, short for ''ex voto suscepto'', "from the vow made") or in gratitude o ...

by the Sienese, after the terrible Black Death of 1348 had ended.

Fonte Gaia

The Fonte Gaia ("Joyous Fountain") was built in 1419 as an endpoint of the system of conduits bringing water to the city's centre, replacing an earlier fountain completed about 1342 when the water conduits were completed. Under the direction of the Committee of Nine, many miles of tunnels were constructed to bring water in aqueducts to fountains and thence to drain to the surrounding fields. The present fountain, a center of attraction for the many tourists, is in the shape of a rectangular basin that is adorned on three sides with many bas-reliefs with the Madonna surrounded by the Classical and the Christian Virtues, emblematic of Good Government under the patronage of the Madonna.

Richard Krautheimer Richard Krautheimer (6 July 1897 in Fürth (Franconia), Germany – 1 November 1994 in Rome, Italy) was a 20th-century art historian, architectural historian, Baroque scholar, and Byzantinist. Biography Krautheimer was born in Germany in 1897 ...

, "A Drawing for the Fonte Gaia in Siena" ''The Metropolitan Museum of Art Bulletin'' New Series, 10.6 (June 1952), pp. 265-274, discusses the evolution of the project, 1408-1419. The white marble ''Fonte Gaia'' was originally designed and built by

Jacopo della Quercia Jacopo della Quercia (, ; 20 October 1438), also known as Jacopo di Pietro d'Agnolo di Guarnieri, was an Italian sculptor of the Renaissance, a contemporary of Brunelleschi, Ghiberti and Donatello. He is considered a precursor of Michelange ...

, whose bas-reliefs from the basin's sides are conserved in the Ospedale di St. Maria della Scala in Piazza Duomo. The former sculptures were replaced in 1866 by free copies by Tito Sarrocchi, who omitted Jacopo della Quercia's two nude statues of Rhea Silvia and

Acca Larentia Acca Larentia or Acca Larentina was a mythical woman, later goddess of fertility, in Roman mythology whose festival, the Larentalia, was celebrated on December 23. Myths Foster mother In one mythological tradition (that of ...

, which the nineteenth-century city fathers found too pagan or too nude. When they were set up in 1419, Jacopo della Quercia's nude figures were the first two female nudes, who were neither Eve nor a repentant saint, to stand in a public place since Antiquity.

Notes

External links

{{DEFAULTSORT:Piazza Del Campo Buildings and structures in Siena Campo, Piazza del Tourist attractions in Tuscany