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Philip Kaufman
Philip Kaufman
(born October 23, 1936) is an American film director and screenwriter who has directed fifteen films over a career spanning more than five decades. He has been described as a "maverick" and an "iconoclast,"[1] notable for his versatility and independence. He is considered an "auteur", whose films have always expressed his personal vision.[2]:1 His choice of topics has been eclectic and sometimes controversial, having adapted novels with diverse themes and stories. Kaufman's works have included genres such as realism, horror, fantasy, erotic, Westerns, underworld crime, and inner city gangs. Examples are Milan Kundera's The Unbearable Lightness of Being
The Unbearable Lightness of Being
(1988), Michael Crichton's Rising Sun (1993), a remake of Invasion of the Body Snatchers (1978), and the erotic writings of Anaïs Nin’s Henry & June. His film The Wanderers (1979) has achieved cult status. But his greatest success was Tom Wolfe's true-life The Right Stuff, which received eight Academy Award
Academy Award
nominations, including Best Picture. According to film historian Annette Insdorf, "no other living American director has so consistently and successfully made movies for adults, tackling sensuality, artistic creation, and manipulation by authorities."[2]:1 Other critics note that Kaufman's films are "strong on mood and atmosphere," with powerful cinematography and a "lyrical, poetic style" to portray different historic periods.[1] His later films have a somewhat European style, but the stories always "stress individualism and integrity, and are clearly American."[3]

Contents

1 Early life 2 Career 3 Personal life 4 Filmography 5 Notes 6 External links

Early life[edit] Kaufman was born in Chicago, Illinois
Illinois
in 1936, the only son of Elizabeth (Brandau), a housewife, and Nathan Kaufman, a produce businessman. He was the grandson of German- Jewish
Jewish
immigrants.[4] One of his grammar and high school friends was William Friedkin, who also became a director.[4] He developed an early love of movies and during his youth he would often go to double features. He attended the University of Chicago
Chicago
where he received a degree in history, and then enrolled at Harvard Law School
Harvard Law School
where he spent a year. He returned to Chicago
Chicago
for a postgraduate degree, hoping to become a professor of history.[1] In 1958 Kaufman married Rose Fisher, a year after they met as undergraduates. They later had a son, Peter (b. 1960).[5][6] Before graduating Kaufman became involved in the counterculture movement and in 1960 moved to San Francisco. He took various jobs there, including postal worker, and befriended a number of influential people, such as writer Henry Miller.[1] He and his wife then decided to travel and live in Europe for a while where he would teach.[3] After spending time working on a kibbutz in Israel, he taught English and math for two years in Greece and Italy.[3] During his travels he also met author Anaïs Nin, whose relationship with her lover, Henry Miller, later became the inspiration and subject for Kaufman's film Henry and June
Henry and June
(1990).[1] After backpacking in Europe with his wife Rose and their young son, they returned to the United States. His time in Europe heavily influenced Kaufman's decision to become a filmmaker, when he and his wife would wander into small movie theaters showcasing the works of experimental new filmmakers such as John Cassavetes
John Cassavetes
and Shirley Clarke, among others.[1] He recalls the effect of being exposed to those filmmakers as the "start of something new" which would later inspire the European flavor of many of his films:

"I could feel the cry of America, the sense of jazz...So I came back to Chicago
Chicago
in 1962 and set about trying to learn as much as I could, seeing every foreign movie I could."[2]:4

Career[edit]

Goldstein (1964)

Kaufman returned to Chicago, ready to make his first feature film. He went around town looking for funding for his directorial debut, Goldstein (1964), co-written and co-directed with Benjamin Manaster. Kaufman initially conceived of the story in an unfinished novel, but at the urging of Anaïs Nin
Anaïs Nin
he then made it into a "mystical comedy" film.[2]:5 It was inspired by a story from Martin Buber's Tales of the Hasidim, and was filmed on location in Chicago
Chicago
with a cast composed of local actors from The Second City
The Second City
comedy troupe.[2]:5 The film won the Prix de la Nouvelle Critique (New Critics Prize) at the 1964 Cannes Film Festival,[4] with French director Jean Renoir calling it the best American film he had seen in 20 years.[4] François Truffaut, another leading French director, was visiting Chicago
Chicago
when the film premiered and he came to the opening. Kaufman recalled that Truffaut "leaped to his feet" in the middle of the screening and began applauding.[2]:8

Fearless Frank
Fearless Frank
(1967)

Two years later, Kaufman went on to direct Fearless Frank
Fearless Frank
(1967), a comic book/counter culture fable, which he wrote, produced and directed. It costarred Jon Voight
Jon Voight
in his debut film. Kaufman spent four years trying to find a distributor, but the film was a box office failure when it finally played. And while the movie didn't gain as much attention as Goldstein, it did help Kaufman land a contract in Universal Studios' Young Directors Program in 1969.[7]

The Great Northfield Minnesota Raid
The Great Northfield Minnesota Raid
(1972)

In 1972, Kaufman wrote and directed The Great Northfield Minnesota Raid starring Robert Duvall as Jesse James, in what was his first commercial film after the previous two independent ones. He spent a lot of time researching the real life characters when writing the screenplay, although the film took some liberties portraying some of the factual details.[8] The Los Angeles Times wrote that "Kaufman is not an angry revisionist, but seems to be trying to tell it like it must have been, with an amused detachment, which sees the events as something close to an absurd spectacle."[8]

The White Dawn
The White Dawn
(1974)

Kaufman directed The White Dawn
The White Dawn
in 1974, a drama based on the novel of the same name by James Houston. Shot in documentary style, a story about whalers, played by Warren Oates, Louis Gossett, Jr., and Timothy Bottoms, stranded in the Arctic at the turn of the century. To survive they battle polar bears and take advantage of the Eskimos who had originally saved them.[9]

The Outlaw Josey Wales
The Outlaw Josey Wales
(1976)

Kaufman wrote and began directing The Outlaw Josey Wales
The Outlaw Josey Wales
(1976) but was fired as director after disagreements with its star Clint Eastwood who then directed the film himself. Before filming began, Eastwood felt the screenplay needed more suspense and hired Kaufman to polish the story. He also thought Kaufman would be a good choice to direct, after being impressed by the realism he created in White Dawn.[10] Critic David Thomson explains that Eastwood was later bothered by the number of takes Kaufman wanted, which Eastwood considered a waste of time and expense.[10]

Invasion of the Body Snatchers (1978)

Kaufman directed the science fiction thriller, Invasion of the Body Snatchers in 1978, which became his first box office hit. It was a remake of the 1956 version. In this version, Kaufman moved the setting to San Francisco and recreated the alien threat as more a horror film than science fiction,[11] and in a way that was disturbing, humorous, and believable.[3] Critic Pauline Kael
Pauline Kael
said "It may be the best movie of its kind ever made."[12]

The Wanderers (1979)

In 1979, he directed The Wanderers, based on comic novel by Richard Price. The direction of the film illustrated Kaufman's mastery of genre quite different than his previous films. It's the story of a benign Italian gang of teenagers in the Bronx of 1963, with Ken Wahl and Karen Allen.[9] It was Wahl's debut film, and Allen's second role, and the film has become a cult favorite.[13][14]

Raiders of the Lost Ark
Raiders of the Lost Ark
(1981) co-writer

In 1981, Kaufman became involved with the first Indiana Jones
Indiana Jones
film, Raiders of the Lost Ark, for which he received story credit. The character of Indiana Jones
Indiana Jones
was created by George Lucas
George Lucas
and Kaufman came up with the story about the pursuit of the Ark of the Covenant.[3]

The Right Stuff (1983)

In 1983 Kaufman directed and wrote the screenplay for the critically acclaimed film, The Right Stuff, an adaptation of the best-selling book of the same name by Tom Wolfe. The story is based on the events and lives of the original test pilots who were selected to become the first U.S. astronauts. The film helped launch or boost the careers of numerous little-known actors, including Ed Harris, Scott Glenn, Fred Ward and Dennis Quaid. Kaufman hired William Goldman
William Goldman
to write the screenplay, but after a number of disputes about the focus of the story, Goldman quit and Kaufman wrote the screenplay himself. Goldman wanted the story to portray patriotism and center mostly on the astronauts, whereas Kaufman wanted much of the story to focus on Chuck Yeager
Chuck Yeager
(played by Sam Shepard), whom Goldman's script left out completely. Goldman writes in his memoirs, "Phil's heart was with Yeager."[15] And Shepard's biographer, Don Shewey, explains that "though its chief subject is the astronauts, Yeager is the apple of Kaufman's heroic eye."[16] Critic David Thomson agrees:

I think Kaufman picked Shepard for the way he represents the movie star as real man and existentialist...a man in a leather jacket on a horse meeting a jet plane in the desert. That is an arresting image, and Shepard is all that Kaufman wanted in The Right Stuff.[17][18]

Historian Michael Barson considers it one of the more ambitious pictures of the 1980s.[9] Roger Ebert said the film was "impressive," noting that the way Kaufman had organized the material into one of the "best recent American movies, is astonishing."[19] The film was nominated for 8 Oscars, including Best Picture, won 4 Oscars, yet failed at the box office.[9] Kaufman earned the Writers Guild and Directors Guild nomination for his satiric adaptation of the astronaut program.[3] "It may be the last movie of the heroic 1970s," writes Thomson."[17]

The Unbearable Lightness of Being
The Unbearable Lightness of Being
(1988)

The Unbearable Lightness of Being
The Unbearable Lightness of Being
was directed and co-written by Kaufman in 1988. The film is based on the novel by Milan Kundera
Milan Kundera
which takes place during the Soviet invasion of Czechoslovakia
Soviet invasion of Czechoslovakia
in 1968. Kaufman was nominated for an Academy Award
Academy Award
for Best Adapted Screenplay.[20]

Henry & June (1990)

In 1990, he wrote and directed Henry & June, a re-creation of the affairs among and between Henry Miller, June Miller, and Anais Nin in 1931 Paris. The film created some controversy when it was released.[9] It was the first film to be given an NC-17
NC-17
rating by the MPAA.

Rising Sun (1993)

Kaufman directed Rising Sun in 1993, an adaptation of Michael Crichton's thriller which takes place in Japan. The film starred Sean Connery and Wesley Snipes. Crichton angrily withdrew early on as a result of Kaufman softening the book's more anti-Japan posturing.[9] In 1995, he narrated China: The Wild East a documentary directed by his son, Peter Kaufman.

Quills
Quills
(2000)

In 2000, Kaufman directed Quills, a satirical thriller film about the increasingly desperate efforts of the Marquis de Sade's jailers to censor his licentious works, starring Geoffrey Rush, Joaquin Phoenix, Kate Winslet
Kate Winslet
and Michael Caine.

Twisted (2004)

In 2003, he directed Twisted, a thriller about a young policewoman whose casual sex partners are murdered while she herself suffers alcoholic blackouts. It starred Ashley Judd, Samuel L. Jackson and Andy Garcia. Kaufman's wife Rose, who has a cameo appearance in Invasion of the Body Snatchers, co-wrote the screenplays of The Wanderers and Henry & June. Their son Peter Kaufman was the producer of Henry and June, Rising Sun and Quills, Twisted and Hemingway & Gellhorn.

Hemingway & Gellhorn (2012)

In 2012, eight years after his previous film, Kaufman directed an HBO biopic about Ernest Hemingway
Ernest Hemingway
and his relationship with Martha Gellhorn entitled Hemingway & Gellhorn. It starred Clive Owen
Clive Owen
and Nicole Kidman. The film had been planned for many years, but languished as a project so he could care for Rose, who was fighting cancer.[6] Kidman read the script and told him, "I want to do it...no matter how long it takes. I'm in."[6] The film was nominated for 15 Primetime Emmy Awards, including one for Kaufman for Outstanding Directing for a Miniseries, Movie, or Dramatic Special. Personal life[edit] Kaufman lives in San Francisco, where he also runs his production company, Walrus and Associates. His son, Peter Kaufman, has directed his own films and has produced a number of his father's films. Filmography[edit]

Year Film Director Writer Notes

1964 Goldstein Yes Yes

1967 Fearless Frank Yes Yes producer

1972 The Great Northfield Minnesota Raid Yes Yes

1974 The White Dawn Yes No

1976 The Outlaw Josey Wales No Yes co-writer

1978 Invasion of the Body Snatchers Yes No

1979 The Wanderers Yes Yes co-writer with Rose Kaufman

1981 Raiders of the Lost Ark No Yes story only with George Lucas

1983 The Right Stuff Yes Yes

1984 Indiana Jones
Indiana Jones
and the Temple of Doom No Yes characters created with George Lucas
George Lucas
(uncredited)

1988 The Unbearable Lightness of Being Yes Yes

1989 Indiana Jones
Indiana Jones
and the Last Crusade No Yes characters created with George Lucas

1990 Henry & June Yes Yes co-writer with Rose Kaufman

1993 Rising Sun Yes Yes co-writer

2000 Quills Yes No

2004 Twisted Yes No

2008 Indiana Jones
Indiana Jones
and the Kingdom of the Crystal Skull No Yes characters created with George Lucas

2012 Hemingway & Gellhorn Yes No

Notes[edit]

^ a b c d e f Allon, Yoram; Cullen, Del; and Patterson, Hannah, editors. Contemporary North American Film Directors, Wallflower Press (2000) p. 292 ^ a b c d e f Insdorf, Annette. Philip Kaufman, Univ. of Illinois Press (2012) ^ a b c d e f Hillstrom, Laurie, and Welsh, James M., editors. International Dictionary of Films and Filmmakers-2: Directors, 3rd ed. , St. James Press (1997) pp. 512-513 ^ a b c d Simon, Alex. "Kaufman/Sade", Venice Magazine, December 2000/January 2001 ^ Kaufman, Philip. "Biography". IMDb. Retrieved 25 September 2016.  ^ a b c " Philip Kaufman
Philip Kaufman
fights grief to make 'Hemingway'", SFGate, December 21, 2013 ^ Philip Kaufman, Film Reference ^ a b Boggs, Johnny D. Jesse James
Jesse James
and the Movies, McFarland (2011) p. 200 ^ a b c d e f Barson, Michael. Hollywood Directors, Noonday Press (1995) pp. 222-223 ^ a b Schickel, Richard. Clint Eastwood: A Biography, Knopf Doubleday (1996) p. 325-326 ^ Morrison, Michael A. Trajectories of the Fantastic: Selected Essays, Greenwood Publishing (1997) p. 195 ^ Menand, Louis. American Studies, Macmillan (2002) p. 189 ^ Maltin, Leonard. Leonard Maltin's 2009 Movie Guide, Penguin (2008) p. 1506 ^ video: Clip from The Wanderers ^ Goldman, William. Adventures in the Screen Trade, Grand Central Publishing (1983) e-bk ^ Shewey, Don. Sam Shepard, Da Capo Press (1997) pp. 165-166 ^ a b Thomson, David. The New Biographical Dictionary of Film, Knopf (2002) pp. 454-456 ^ video: Scene from The Right Stuff ^ Ebert, Roger. Awake in the Dark: The Best of Roger Ebert, Univ. of Chicago
Chicago
Press (2006) p. 160 ^ video: Scene compilation from The Unbearable Lightness of Being

External links[edit]

Official website Philip Kaufman
Philip Kaufman
on IMDb video: Philip Kaufman
Philip Kaufman
on Charlie Rose, talking about Hemingway and Gelhorn

v t e

Films directed by Philip Kaufman

Goldstein (1965) Fearless Frank
Fearless Frank
(1967) The Great Northfield Minnesota Raid
The Great Northfield Minnesota Raid
(1972) The White Dawn
The White Dawn
(1974) Invasion of the Body Snatchers (1978) The Wanderers (1979) The Right Stuff (1983) The Unbearable Lightness of Being
The Unbearable Lightness of Being
(1988) Henry & June (1990) Rising Sun (1993) Quills
Quills
(2000) Twisted (2004) Hemingway & Gellhorn (2012)

v t e

London Film Critics' Circle Award for Screenwriter
Screenwriter
of the Year

Steve Tesich
Steve Tesich
(1980) Colin Welland (1981) Costa-Gavras
Costa-Gavras
and Donald E. Stewart (1982) Ruth Prawer Jhabvala
Ruth Prawer Jhabvala
(1983) Philip Kaufman
Philip Kaufman
(1984) Alan Bennett
Alan Bennett
(1985) Woody Allen
Woody Allen
(1986) Alan Bennett
Alan Bennett
(1987) David Mamet
David Mamet
(1988) Christopher Hampton
Christopher Hampton
(1989) Woody Allen
Woody Allen
(1990) David Mamet
David Mamet
(1991) Michael Tolkin
Michael Tolkin
(1992) Harold Ramis
Harold Ramis
and Danny Rubin
Danny Rubin
(1993) Quentin Tarantino
Quentin Tarantino
(1994) Paul Attanasio
Paul Attanasio
(1995) Joel Coen and Ethan Coen (1996) Curtis Hanson
Curtis Hanson
and Brian Helgeland (1997) Andrew Niccol
Andrew Niccol
(1998) Alan Ball (1999) Charlie Kaufman
Charlie Kaufman
(2000) Joel Coen and Ethan Coen (2001) Andrew Bovell (2002) John Collee
John Collee
and Peter Weir
Peter Weir
(2003) Charlie Kaufman
Charlie Kaufman
(2004) Paul Haggis
Paul Haggis
and Bobby Moresco (2005) Peter Morgan (2006) Florian Henckel von Donnersmarck
Florian Henckel von Donnersmarck
(2007) Simon Beaufoy (2008) Jesse Armstrong, Simon Blackwell, Armando Iannucci, and Tony Roche (2009) Aaron Sorkin
Aaron Sorkin
(2010) Asghar Farhadi
Asghar Farhadi
(2011) Michael Haneke
Michael Haneke
(2012) Joel Coen and Ethan Coen (2013) Wes Anderson
Wes Anderson
(2014) Tom McCarthy and Josh Singer (2015) Kenneth Lonergan
Kenneth Lonergan
(2016) Martin McDonagh
Martin McDonagh
(2017)

v t e

National Society of Film Critics Award for Best Director

Michelangelo Antonioni
Michelangelo Antonioni
(1966) Ingmar Bergman
Ingmar Bergman
(1967) Ingmar Bergman
Ingmar Bergman
(1968) François Truffaut
François Truffaut
(1969) Ingmar Bergman
Ingmar Bergman
(1970) Bernardo Bertolucci
Bernardo Bertolucci
(1971) Luis Buñuel
Luis Buñuel
(1972) François Truffaut
François Truffaut
(1973) Francis Ford Coppola
Francis Ford Coppola
(1974) Robert Altman
Robert Altman
(1975) Martin Scorsese
Martin Scorsese
(1976) Luis Buñuel
Luis Buñuel
(1977) Terrence Malick
Terrence Malick
(1978) Woody Allen
Woody Allen
/ Robert Benton (1979) Martin Scorsese
Martin Scorsese
(1980) Louis Malle
Louis Malle
(1981) Steven Spielberg
Steven Spielberg
(1982) Paolo Taviani and Vittorio Taviani (1983) Robert Bresson (1984) John Huston
John Huston
(1985) David Lynch
David Lynch
(1986) John Boorman
John Boorman
(1987) Philip Kaufman
Philip Kaufman
(1988) Gus Van Sant
Gus Van Sant
(1989) Martin Scorsese
Martin Scorsese
(1990) David Cronenberg
David Cronenberg
(1991) Clint Eastwood
Clint Eastwood
(1992) Steven Spielberg
Steven Spielberg
(1993) Quentin Tarantino
Quentin Tarantino
(1994) Mike Figgis
Mike Figgis
(1995) Lars von Trier
Lars von Trier
(1996) Curtis Hanson
Curtis Hanson
(1997) Steven Soderbergh
Steven Soderbergh
(1998) Mike Leigh
Mike Leigh
(1999) Steven Soderbergh
Steven Soderbergh
(2000) Robert Altman
Robert Altman
(2001) Roman Polanski
Roman Polanski
(2002) Clint Eastwood
Clint Eastwood
(2003) Zhang Yimou
Zhang Yimou
(2004) David Cronenberg
David Cronenberg
(2005) Paul Greengrass
Paul Greengrass
(2006) Paul Thomas Anderson
Paul Thomas Anderson
(2007) Mike Leigh
Mike Leigh
(2008) Kathryn Bigelow
Kathryn Bigelow
(2009) David Fincher
David Fincher
(2010) Terrence Malick
Terrence Malick
(2011) Michael Haneke
Michael Haneke
(2012) Joel Coen and Ethan Coen (2013) Richard Linklater
Richard Linklater
(2014) Todd Haynes
Todd Haynes
(2015) Barry Jenkins
Barry Jenkins
(2016) Greta Gerwig
Greta Gerwig
(2017)

v t e

Saturn Award for Best Director

Mel Brooks
Mel Brooks
(1974/75) Dan Curtis (1976) George Lucas/ Steven Spielberg
Steven Spielberg
(1977) Philip Kaufman
Philip Kaufman
(1978) Ridley Scott
Ridley Scott
(1979) Irvin Kershner
Irvin Kershner
(1980) Steven Spielberg
Steven Spielberg
(1981) Nicholas Meyer
Nicholas Meyer
(1982) John Badham (1983) Joe Dante
Joe Dante
(1984) Ron Howard
Ron Howard
(1985) James Cameron
James Cameron
(1986) Paul Verhoeven
Paul Verhoeven
(1987) Robert Zemeckis
Robert Zemeckis
(1988) James Cameron
James Cameron
(1989/90) James Cameron
James Cameron
(1991) Francis Ford Coppola
Francis Ford Coppola
(1992) Steven Spielberg
Steven Spielberg
(1993) James Cameron
James Cameron
(1994) Kathryn Bigelow
Kathryn Bigelow
(1995) Roland Emmerich
Roland Emmerich
(1996) John Woo
John Woo
(1997) Michael Bay
Michael Bay
(1998) Andy Wachowski and Larry Wachowski (1999) Bryan Singer
Bryan Singer
(2000) Peter Jackson
Peter Jackson
(2001) Steven Spielberg
Steven Spielberg
(2002) Peter Jackson
Peter Jackson
(2003) Sam Raimi
Sam Raimi
(2004) Peter Jackson
Peter Jackson
(2005) Bryan Singer
Bryan Singer
(2006) Zack Snyder
Zack Snyder
(2007) Jon Favreau
Jon Favreau
(2008) James Cameron
James Cameron
(2009) Christopher Nolan
Christopher Nolan
(2010) J. J. Abrams
J. J. Abrams
(2011) Joss Whedon
Joss Whedon
(2012) Alfonso Cuarón
Alfonso Cuarón
(2013) James Gunn
James Gunn
(2014) Ridley Scott
Ridley Scott
(2015) Gareth Edwards (2016)

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WorldCat Identities VIAF: 85135137 LCCN: no96022630 ISNI: 0000 0001 1450 2587 GND: 12182022X SUDOC: 069359237 BNF: cb140218028 (data) BNE: XX985

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