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Percy Bysshe Shelley
Shelley
(/ˈpɜːrsi ˈbɪʃ ˈʃɛli/ ( listen);[2] 4 August 1792 – 8 July 1822) was one of the major English Romantic poets, and is regarded by some as among the finest lyric poets in the English language, and one of the most influential. A radical in his poetry as well as in his political and social views, Shelley
Shelley
did not see fame during his lifetime, but recognition for his poetry grew steadily following his death. Shelley
Shelley
was a key member of a close circle of visionary poets and writers that included Lord Byron, Leigh Hunt, Thomas Love Peacock, and his own second wife, Mary
Mary
Shelley, the author of Frankenstein. Shelley
Shelley
is perhaps best known for classic poems such as Ozymandias, Ode to the West Wind, To a Skylark, Music, When Soft Voices Die, The Cloud and The Masque of Anarchy. His other major works include a groundbreaking verse drama The Cenci
The Cenci
(1819) and long, visionary poems such as Queen Mab (later reworked as The Daemon of the World), Alastor, The Revolt of Islam, Adonaïs, Prometheus Unbound (1820)—widely considered to be his masterpiece—Hellas: A Lyrical Drama (1821), and his final, unfinished work, The Triumph of Life (1822). Shelley's close circle of friends included some of the most important progressive thinkers of the day, including his father-in-law, the philosopher William Godwin, and Leigh Hunt. Though Shelley's poetry and prose output remained steady throughout his life, most publishers and journals declined to publish his work for fear of being arrested for either blasphemy or sedition. Shelley's poetry sometimes had only an underground readership during his day, but his poetic achievements are widely recognized today, and his political and social thought impacted the Chartist and other movements in England, and reach down to the present day. Shelley's theories of economics and morality, for example, had a profound influence on Karl Marx; his early—perhaps first—writings on nonviolent resistance influenced Leo Tolstoy. Shelley
Shelley
became a lodestone to the subsequent three or four generations of poets, including important Victorian and Pre-Raphaelite
Pre-Raphaelite
poets such as Robert Browning
Robert Browning
and Dante Gabriel Rossetti. He was admired by Oscar Wilde, Thomas Hardy, George Bernard Shaw, Leo Tolstoy, Bertrand Russell, W. B. Yeats, Upton Sinclair
Upton Sinclair
and Isadora Duncan.[3] Henry David Thoreau's Civil Disobedience was apparently influenced by Shelley's writings and theories on non-violence in protest and political action. Shelley's popularity and influence has continued to grow in contemporary poetry circles.

Contents

1 Life

1.1 Education 1.2 Marriage 1.3 Byron 1.4 A suicide and a second marriage 1.5 Italy 1.6 Death

2 Shelley's heart 3 Family history

3.1 Ancestry

3.1.1 Ancestry chart

3.2 Family 3.3 Descendants

4 Idealism

4.1 Nonviolence 4.2 Vegetarianism 4.3 Social justice

5 Legacy

5.1 In popular culture

6 Major works 7 Short prose works 8 Essays 9 Chapbooks 10 Collaborations with Mary
Mary
Shelley 11 See also 12 References 13 External links

Life[edit] Education[edit] Shelley
Shelley
was born on 4 August 1792 at Field Place, Broadbridge Heath, near Horsham, West Sussex, England. He was the eldest legitimate son of Sir Timothy Shelley (1753–1844), a Whig Member of Parliament for Horsham
Horsham
from 1790–92 and for Shoreham between 1806–12, and his wife, Elizabeth Pilfold (1763–1846),[4] a Sussex
Sussex
landowner. He had four younger sisters and one much younger brother. He received his early education at home, tutored by the Reverend
Reverend
Evan Edwards of nearby Warnham. His cousin and lifelong friend Thomas Medwin, who lived nearby, recounted his early childhood in his The Life of Percy Bysshe Shelley. It was a happy and contented childhood spent largely in country pursuits such as fishing and hunting.[5] In 1802 he entered the Syon House
Syon House
Academy of Brentford, Middlesex. In 1804, Shelley
Shelley
entered Eton College, where he fared poorly, and was subjected to an almost daily mob torment at around noon by older boys, who aptly called these incidents "Shelley-baits". Surrounded, the young Shelley
Shelley
would have his books torn from his hands and his clothes pulled at and torn until he cried out madly in his high-pitched "cracked soprano" of a voice.[6] This daily misery could be attributed to Shelley's refusal to take part in fagging and his indifference towards games and other youthful activities. Because of these peculiarities he acquired the nickname "Mad Shelley".[7] Shelley possessed a keen interest in science at Eton, which he would often apply to cause a surprising amount of mischief for a boy considered to be so sensible. Shelley
Shelley
would often use a frictional electric machine to charge the door handle of his room, much to the amusement of his friends. His friends were particularly amused when his gentlemanly tutor, Mr Bethell, in attempting to enter his room, was alarmed at the noise of the electric shocks, despite Shelley's dutiful protestations.[8] His mischievous side was again demonstrated by "his last bit of naughtiness at school",[7] which was to blow up a tree on Eton's South Meadow with gunpowder. Despite these jocular incidents, a contemporary of Shelley, W. H. Merie, recalled that Shelley
Shelley
made no friends at Eton, although he did seek a kindred spirit without success. On 10 April 1810 he matriculated at University College, Oxford. Legend has it that Shelley
Shelley
attended only one lecture while at Oxford, but frequently read sixteen hours a day. His first publication was a Gothic novel, Zastrozzi
Zastrozzi
(1810), in which he vented his early atheistic worldview through the villain Zastrozzi; this was followed at the end of the year by St. Irvyne; or, The Rosicrucian: A Romance (dated 1811).[9] In the same year, Shelley, together with his sister Elizabeth, published Original Poetry by Victor and Cazire
Original Poetry by Victor and Cazire
and, while at Oxford, he issued a collection of verses (ostensibly burlesque but quite subversive), Posthumous Fragments of Margaret Nicholson, with Thomas Jefferson Hogg. In 1811 Shelley
Shelley
anonymously published a pamphlet called The Necessity of Atheism, which was brought to the attention of the university administration, and he was called to appear before the College's fellows, including the Dean, George Rowley. His refusal to repudiate the authorship of the pamphlet resulted in his expulsion from Oxford on 25 March 1811, along with Hogg. The rediscovery in mid-2006 of Shelley's long-lost Poetical Essay on the Existing State of Things—a long, strident anti-monarchical and anti-war poem printed in 1811 in London by Crosby and Company as "by a gentleman of the University of Oxford" and dedicated to Harriet Westbrook—gives a new dimension to the expulsion, reinforcing Hogg's implication of political motives ("an affair of party").[10] Shelley
Shelley
was given the choice to be reinstated after his father intervened, on the condition that he would have to recant his avowed views. His refusal to do so led to a falling-out with his father. Marriage[edit] Four months after being sent down from Oxford, on 28 August 1811, the 19-year-old Shelley
Shelley
eloped to Scotland with the 16-year-old Harriet Westbrook, a pupil at the same boarding school as Shelley's sisters, whom his father had forbidden him to see. Harriet Westbrook had been writing Shelley
Shelley
passionate letters threatening to kill herself because of her unhappiness at the school and at home. Shelley, heartbroken after the failure of his romance with his cousin, Harriet Grove, cut off from his mother and sisters, and convinced he had not long to live, impulsively decided to rescue Westbrook and make her his beneficiary.[11] Westbrook's 28-year-old sister Eliza, to whom Harriet was very close, appears to have encouraged the young girl's infatuation with the future baronet.[12] The Westbrooks pretended to disapprove but secretly encouraged the elopement. Sir Timothy Shelley, however, outraged that his son had married beneath him (Harriet's father, though prosperous, had kept a tavern), revoked Shelley's allowance and refused ever to receive the couple at Field Place. Harriet also insisted that her sister Eliza, whom Shelley
Shelley
detested, live with them. Shelley
Shelley
invited his friend Hogg to share his ménage but asked him to leave when Hogg made advances to Harriet. Shelley
Shelley
was also at this time increasingly involved in an intense platonic relationship with Elizabeth Hitchener, a 28-year-old unmarried schoolteacher of advanced views, with whom he had been corresponding. Hitchener, whom Shelley
Shelley
called the "sister of my soul" and "my second self",[13] became his muse and confidante in the writing of his philosophical poem Queen Mab, a Utopian allegory.

William Godwin
William Godwin
in 1802, by James Northcote

During this period, Shelley
Shelley
travelled to Keswick in England's Lake District, where he visited the poet Robert Southey, under the mistaken impression that Southey was still a political radical. Southey, who had himself been expelled from the Westminster School
Westminster School
for opposing flogging, was taken with Shelley
Shelley
and predicted great things for him as a poet. He also informed Shelley
Shelley
that William Godwin, author of Political Justice, which had greatly influenced him in his youth, and which Shelley
Shelley
also admired, was still alive.[14] Shelley
Shelley
wrote to Godwin, offering himself as his devoted disciple and informing Godwin that he was "the son of a man of fortune in Sussex" and "heir by entail to an estate of 6,000 £ per an."[15] Godwin, who supported a large family and was chronically penniless, immediately saw in Shelley
Shelley
a source of his financial salvation. He wrote asking for more particulars about Shelley's income and began advising him to reconcile with Sir Timothy.[16] Meanwhile, Sir Timothy's patron, the Duke of Norfolk, a former Catholic who favoured Catholic Emancipation, was also vainly trying to reconcile Sir Timothy and his son, whose political career the Duke wished to encourage.[17] A maternal uncle ultimately supplied money to pay Shelley's debts, but Shelley's relationship with the Duke may have influenced his decision to travel to Ireland.[18] In Dublin, Shelley
Shelley
published his Address to the Irish People, priced at fivepence, "the lowest possible price" to "awaken in the minds of the Irish poor a knowledge of their real state, summarily pointing out the evils of that state and suggesting a rational means of remedy – Catholic Emancipation
Catholic Emancipation
and a repeal of the Union Act" (the latter "the most successful engine that England
England
ever wielded over the misery of fallen Ireland").[19] His activities earned him the unfavourable attention of the British government. Shelley
Shelley
was increasingly unhappy in his marriage to Harriet and particularly resented the influence of her older sister Eliza, who discouraged Harriet from breastfeeding their baby daughter (Elizabeth Ianthe Shelley
Shelley
[1813–76]). Shelley
Shelley
accused Harriet of having married him for his money. Craving more intellectual female companionship, he began spending more time away from home, among other things, studying Italian with Cornelia Turner and visiting the home and bookshop of William Godwin. Eliza and Harriet moved back with their parents.

Richard Rothwell's portrait of Mary Shelley
Mary Shelley
in later life was shown at the Royal Academy
Royal Academy
in 1840, accompanied by lines from Percy Shelley's poem The Revolt of Islam
The Revolt of Islam
calling her a "child of love and light".[20]

Shelley's mentor Godwin had three highly educated daughters, two of whom, Fanny Imlay
Fanny Imlay
and Claire Clairmont, were his adopted step-daughters. Godwin's first wife, the celebrated feminist Mary Wollstonecraft, author of A Vindication of the Rights of Woman, had died shortly after giving birth to Godwin's biological daughter Mary Wollstonecraft Godwin, named after her mother. Fanny was the illegitimate daughter of Mary Wollstonecraft
Mary Wollstonecraft
and her lover, the diplomat speculator and writer, Gilbert Imlay. Claire was the illegitimate daughter of Godwin's much younger second wife, Mary
Mary
Jane Clairmont Godwin, whom Shelley
Shelley
considered a vulgar woman—"not a proper person to form the mind of a young girl", he is supposed to have said,[21] and Sir John Lethbridge. The brilliant Mary
Mary
was being educated in Scotland when Shelley
Shelley
first became acquainted with the Godwin family. When she returned, Shelley
Shelley
fell madly in love with her, repeatedly threatening to commit suicide if she did not return his affections. On 28 July 1814 Shelley
Shelley
abandoned Harriet, now pregnant with their son Charles (November 1814 – 1826) and (in imitation of the hero of one of Godwin's novels) he ran away to Switzerland with Mary, then 16, inviting her stepsister Claire Clairmont
Claire Clairmont
(also 16) along because she could speak French. The older sister Fanny was left behind, to her great dismay, for she, too, had fallen in love with Shelley. The three sailed to Europe, and made their way across France to Switzerland on foot, reading aloud from the works of Rousseau, Shakespeare, and Mary's mother, Mary Wollstonecraft
Mary Wollstonecraft
(an account of their travels was subsequently published by the Shelleys).

Routes of the 1814 and 1816 Continental tours

After six weeks, homesick and destitute, the three young people returned to England. The enraged William Godwin
William Godwin
refused to see them, though he still demanded money, to be given to him under another name, to avoid scandal. In late 1815, while living in a cottage in Bishopsgate, Surrey, with Mary
Mary
and avoiding creditors, Shelley
Shelley
wrote Alastor, or The Spirit of Solitude. It attracted little attention at the time, but has now come to be recognised as his first major achievement. At this point in his writing career, Shelley
Shelley
was deeply influenced by the poetry of Wordsworth. Byron[edit] In mid-1816 Shelley
Shelley
and Mary
Mary
made a second trip to Switzerland. They were prompted to do this by Mary's stepsister Claire Clairmont, who, in competition with her sister, had initiated a liaison with Lord Byron
Byron
the previous April just before his self-exile on the continent. Byron's interest in her had waned, and Claire used the opportunity of introducing him to Mary
Mary
and Shelley
Shelley
to act as bait to lure him to Geneva. The couple and Byron
Byron
rented neighbouring houses on the shores of Lake Geneva. Regular conversation with Byron
Byron
had an invigorating effect on Shelley's output of poetry. While on a boating tour the two took together, Shelley
Shelley
was inspired to write his Hymn to Intellectual Beauty, often considered his first significant production since Alastor.[22] A tour of Chamonix
Chamonix
in the French Alps
French Alps
inspired Mont Blanc, a poem in which Shelley
Shelley
claims to have pondered questions of historical inevitability (determinism) and the relationship between the human mind and external nature. Shelley
Shelley
also encouraged Byron
Byron
to begin an epic poem on a contemporary subject, advice that resulted in Byron's composition of Don Juan. In 1817 Claire gave birth to a daughter by Byron, Alba, later renamed Allegra, whom Shelley
Shelley
offered to support, making provisions for her and for Claire in his will. A suicide and a second marriage[edit] After Shelley's and Mary's return to England, Fanny Imlay, Mary's half-sister and Claire's stepsister, despondent over her exclusion from the Shelley
Shelley
household and perhaps unhappy at being omitted from Shelley's will, travelled from Godwin's household in London to kill herself in Wales in early October. On 10 December 1816 the body of Shelley's estranged wife Harriet was found in an advanced state of pregnancy[citation needed], drowned in the Serpentine in Hyde Park, London. Shelley
Shelley
had made generous provision for Harriet and their children in his will and had paid her a monthly allowance as had her father. It is thought that Harriet, who had left her children with her sister Eliza and had been living alone under the name of Harriet Smith, mistakenly believed herself to have been abandoned by her new lover, 36-year-old Lieutenant Colonel Christopher Maxwell, who had been deployed abroad, after a landlady refused to forward his letters to her.[23] On 30 December 1816, barely three weeks after Harriet's body was recovered, Shelley
Shelley
and Mary
Mary
Godwin were married. The marriage was intended partly to help secure Shelley's custody of his children by Harriet and partly to placate Godwin, who had coldly refused to speak to his daughter for two years, and who now received the couple. The courts, however, awarded custody of Shelley
Shelley
and Harriet's children to foster parents, on the grounds that Shelley
Shelley
was an atheist.[24][25] The Shelleys took up residence in the village of Marlow, Buckinghamshire, where a friend of Percy's, Thomas Love Peacock, lived. Shelley
Shelley
took part in the literary circle that surrounded Leigh Hunt, and during this period he met John Keats. Shelley's major production during this time was Laon and Cythna; or, The Revolution of the Golden City, a long narrative poem in which he attacked religion and featured a pair of incestuous lovers. It was hastily withdrawn after only a few copies were published. It was later edited and reissued as The Revolt of Islam
The Revolt of Islam
in 1818. Shelley
Shelley
wrote two revolutionary political tracts under the nom de plume, "The Hermit of Marlow". On Boxing Day 1817, presumably prompted by travellers' reports of Belzoni's success (where the French had failed) in removing the 'half sunk and shattered visage' of the so-called 'Young Memnon' from the Ramesseum
Ramesseum
at Thebes, Shelley
Shelley
and his friend Horace Smith began a poem each about the Memnon or 'Ozymandias,' Diodorus's 'King of Kings', who in an inscription on the base of his statue challenged all comers to 'surpass my works'. Within four months of the publication of Ozymandias
Ozymandias
(or Rameses II) his seven-and-a-quarter ton bust arrived in London, just too late for Shelley
Shelley
to have seen it.[26] Italy[edit]

Posthumous Portrait of Shelley
Shelley
Writing Prometheus Unbound in Italy, painting by Joseph Severn, 1845

On 11 March 1818 the Shelleys and Claire left England
England
to take Claire's daughter, Allegra, to her father Byron, who had taken up residence in Venice. Two days before they left, William, Clara and Allegra were all baptised at the church of St Giles in the Fields.[27] Contact with the older and more established poet encouraged Shelley
Shelley
to write once again. During the latter part of the year, he wrote Julian and Maddalo, a lightly disguised rendering of his boat trips and conversations with Byron
Byron
in Venice, finishing with a visit to a madhouse. This poem marked the appearance of Shelley's "urbane style". He then began the long verse drama Prometheus Unbound, a re-writing of the lost play by the ancient Greek poet Aeschylus, which features talking mountains and a petulant spirit who overthrows Jupiter. Tragedy struck, however, first in 1818 when Shelley's infant daughter Clara Everina died during yet another household move, and then in 1819 when his son Will died of fever (most likely malaria) in Rome. A baby girl, Elena Adelaide Shelley, was born on 27 December 1818 in Naples, Italy, and registered there as the daughter of Shelley
Shelley
and a woman named "Marina Padurin". However, the identity of the mother is an unsolved mystery. Some scholars speculate that her true mother was actually Claire Clairmont
Claire Clairmont
or Elise Foggi, a nursemaid for the Shelley family. Other scholars postulate that she was a foundling Shelley adopted in hopes of distracting Mary
Mary
after the death of Clara.[28] Shelley
Shelley
referred to Elena in letters as his "Neapolitan ward". However, Elena was placed with foster parents a few days after her birth and the Shelley
Shelley
family moved on to yet another Italian city, leaving her behind. Elena died seventeen months later, on 10 June 1820.

Reni or Sirani's portrait of Beatrice Cenci, which captivated Shelley and inspired his verse play on her parricide[29]

The Shelleys moved between various Italian cities during these years; in later 1818 they were living in Florence, in a pensione on the Via Valfonda. This street now runs alongside Florence's railway station, and the building now on the site, the original having been destroyed in World War II, carries a plaque recording the poet's stay. Here they received two visitors, a Miss Sophia Stacey and her much older travelling companion, Miss Corbet Parry-Jones (to be described by Mary as "an ignorant little Welshwoman"). Sophia had for three years in her youth been ward of the poet's aunt and uncle. The pair moved into the same pensione and stayed for about two months. During this period Mary gave birth to another son; Sophia is credited with suggesting that he be named after the city of his birth, so he became Percy Florence Shelley, later Sir Percy. Shelley
Shelley
also wrote his "Ode to Sophia Stacey" during this time. They then moved to Pisa, largely at the suggestion of its resident Margaret King, who, as a former pupil of Mary
Mary
Wollstonecraft, took a maternal interest in the younger Mary
Mary
and her companions. This "no nonsense grande dame"[30] and her common-law husband George William Tighe inspired the poet with "a new-found sense of radicalism". Tighe was an agricultural theorist, and provided the younger man with a great deal of material on chemistry, biology and statistics.[31] Shelley
Shelley
completed Prometheus Unbound in Rome, and he spent mid-1819 writing a tragedy, The Cenci, in Leghorn (Livorno). In this year, prompted among other causes by the Peterloo Massacre, he wrote his best-known political poems: The Masque of Anarchy
The Masque of Anarchy
and Men of England. These were probably his best-remembered works during the 19th century. Around this time period, he wrote the essay The Philosophical View of Reform, which was his most thorough exposition of his political views to that date. In 1820, hearing of John Keats's illness from a friend, Shelley
Shelley
wrote him a letter inviting him to join him at his residence at Pisa. Keats replied with hopes of seeing him, but instead, arrangements were made for Keats to travel to Rome with the artist Joseph Severn. Inspired by the death of Keats, in 1821 Shelley
Shelley
wrote the elegy Adonais. In 1821 Shelley
Shelley
met Edward Ellerker Williams, a British naval officer, and his wife Jane Williams. Shelley
Shelley
developed a very strong affection towards Jane and addressed a number of poems to her. In the poems addressed to Jane, such as With a Guitar, To Jane and One Word is Too Often Profaned, he elevates her to an exalted position worthy of worship. In 1822 Shelley
Shelley
arranged for Leigh Hunt, the British poet and editor who had been one of his chief supporters in England, to come to Italy with his family. He meant for the three of them—himself, Byron
Byron
and Hunt—to create a journal, which would be called The Liberal. With Hunt as editor, their controversial writings would be disseminated, and the journal would act as a counter-blast to conservative periodicals such as Blackwood's Magazine
Blackwood's Magazine
and The Quarterly Review. Leigh Hunt's son, the editor Thornton Leigh Hunt, was later asked by John Bedford Leno
John Bedford Leno
whether he preferred Shelley
Shelley
or Byron
Byron
as a man. He replied:

On one occasion I had to fetch or take to Byron
Byron
some copy for the paper which my father, himself and Shelley, jointly conducted. I found him seated on a lounge feasting himself from a drum of figs. He asked me if I would like a fig. Now, in that, Leno, consists the difference, Shelley
Shelley
would have handed me the drum and allowed me to help myself.[32]

Death[edit] On 8 July 1822, less than a month before his thirtieth birthday, Shelley
Shelley
drowned in a sudden storm on the Gulf of Spezia
Gulf of Spezia
while returning from Leghorn (Livorno) to Lerici
Lerici
in his sailing boat, the Don Juan. He was returning from having set up The Liberal with the newly arrived Leigh Hunt. The name Don Juan, a compliment to Byron, was chosen by Edward John Trelawny, a member of the Shelley–Byron Pisan circle. However, according to Mary
Mary
Shelley's testimony, Shelley changed it to Ariel, which annoyed Byron, who forced the painting of the words "Don Juan" on the mainsail. The vessel, an open boat, was custom-built in Genoa
Genoa
for Shelley. It did not capsize but sank; Mary Shelley
Shelley
declared in her "Note on Poems of 1822" (1839) that the design had a defect and that the boat was never seaworthy. In fact the Don Juan was seaworthy; the sinking was due to a severe storm and poor seamanship of the three men on board.[33] Some believed his death was not accidental, that Shelley
Shelley
was depressed and wanted to die; others suggested he simply did not know how to navigate. More fantastical theories, including the possibility of pirates mistaking the boat for Byron's, also circulated.[33][34] There is a small amount of material, though scattered and contradictory, suggesting that Shelley
Shelley
may have been murdered for political reasons: previously, at Plas Tan-Yr-Allt, the Regency house he rented at Tremadog, near Porthmadog, north-west Wales, from 1812 to 1813, he had allegedly been surprised and attacked during the night by a man who may have been, according to some later writers, an intelligence agent.[35] Shelley, who was in financial difficulty, left forthwith leaving rent unpaid and without contributing to the fund to support the house owner, William Madocks; this may provide another, more plausible explanation for this story.

The Funeral of Shelley
Shelley
by Louis Édouard Fournier
Louis Édouard Fournier
(1889). Pictured in the centre are, from left, Trelawny, Hunt, and Byron. In fact, Hunt did not observe the cremation, and Byron
Byron
left early.

Two other Englishmen were with Shelley
Shelley
on the boat. One was a retired naval officer, Edward Ellerker Williams; the other was a boatboy, Charles Vivien.[36] The boat was found ten miles (16 km) offshore, and it was suggested that one side of the boat had been rammed and staved in by a much stronger vessel. However, the liferaft was unused and still attached to the boat. The bodies were found completely clothed, including boots. In his Recollections of the Last Days of Shelley
Shelley
and Byron, Trelawny noted that the shirt in which Williams's body was clad was "partly drawn over the head, as if the wearer had been in the act of taking it off [...] and [he was missing] one boot, indicating also that he had attempted to strip." Trelawny also relates a supposed deathbed confession by an Italian fisherman who claimed to have rammed Shelley's boat to rob him, a plan confounded by the rapid sinking of the vessel.

Edward Onslow Ford's sculpture in the Shelley Memorial
Shelley Memorial
at University College, Oxford

Shelley's body was washed ashore and later, in keeping with quarantine regulations, was cremated on the beach near Viareggio. In Shelley's pocket was a small book of Keats' poetry. Upon hearing this, Byron (never one to give compliments) said of Shelley: "I never met a man who wasn't a beast in comparison to him" . The day after the news of his death reached England, the Tory
Tory
newspaper The Courier printed: "Shelley, the writer of some infidel poetry, has been drowned; now he knows whether there is God or no."[37] A reclining statue of Shelley's body, depicted as washed up on the shore, created by sculptor Edward Onslow Ford at the behest of Shelley's daughter-in-law, Jane, Lady Shelley, is the centrepiece of the Shelley Memorial
Shelley Memorial
at University College, Oxford. An 1889 painting by Louis Édouard Fournier, The Funeral of Shelley
Shelley
(also known as The Cremation
Cremation
of Shelley), contains inaccuracies. In pre-Victorian times it was English custom that women would not attend funerals for health reasons. Mary Shelley
Mary Shelley
did not attend but was featured in the painting, kneeling at the left-hand side. Leigh Hunt
Leigh Hunt
stayed in the carriage during the ceremony but is also pictured. Also, Trelawny, in his account of the recovery of Shelley's body, records that "the face and hands, and parts of the body not protected by the dress, were fleshless," and by the time that the party returned to the beach for the cremation, the body was even further decomposed. In his graphic account of the cremation, he writes of Byron
Byron
being unable to face the scene, and withdrawing to the beach.[38]

Shelley's grave in Rome

Shelley's ashes were interred in the Protestant Cemetery in Rome, near an ancient pyramid in the city walls. His grave bears the Latin inscription, Cor Cordium (Heart of Hearts), and, in reference to his death at sea, a few lines of "Ariel's Song" from Shakespeare's The Tempest: "Nothing of him that doth fade / But doth suffer a sea-change / Into something rich and strange." The grave site is the second in the cemetery. Some weeks after Shelley's ashes had been buried, Trelawny had come to Rome, had not liked his friend's position among a number of other graves, and had purchased what seemed to him a better plot near the old wall. The ashes were exhumed and moved to their present location. Trelawny had purchased the adjacent plot, and over sixty years later his remains were placed there. A memorial was eventually created for Shelley
Shelley
at the Poets' Corner
Poets' Corner
at Westminster Abbey, along with his old friends Lord Byron
Lord Byron
and John Keats. Shelley's heart[edit] Shelley's widow Mary
Mary
bought a cliff-top home at Boscombe, Bournemouth, in 1851. She intended to live there with her son, Percy, and his wife Jane, and had the remains of her own parents moved from their London burial place at St Pancras Old Church
St Pancras Old Church
to an underground mausoleum in the town. The property is now known as Shelley
Shelley
Manor. When Lady Jane Shelley
Shelley
was to be buried in the family vault, it was discovered that in her copy of Adonaïs
Adonaïs
was an envelope containing ashes, which she had identified as belonging to her father-in-law.[39] The family had preserved the story that when Shelley's body had been burned, his friend Edward Trelawny
Edward Trelawny
had snatched the whole heart from the pyre.[38][40][41] These same accounts claim that the heart had been buried with Shelley's son, Percy. All accounts agree, however, that the remains now lie in the vault in the churchyard of St Peter's Church, Bournemouth. For several years in the 20th century some of Trelawny's collection of Shelley
Shelley
ephemera, including a painting of Shelley
Shelley
as a child, a jacket, and a lock of his hair, were on display in "The Shelley Rooms", a small museum at Shelley
Shelley
Manor. When the museum finally closed in 2001, these items were returned to Lord Abinger, who descends from a niece of Lady Jane Shelley.[42] Family history[edit] Ancestry[edit]

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Henry Shelley
Shelley
became father to younger Henry Shelley. This younger Henry had at least three sons. The youngest of them, Richard Shelley was born in 1583, and baptized 17 November 1583 in Warminghurst, Sussex, England.[43] Richard later married on 3 February 1601 in Itchingfield to Jonne (aka Joane) Feste/Feest/Fuste,[44] daughter of John Feest/Fuste from Itchingfield, near Horsham, West Sussex.[citation needed] Their grandson, John Shelley
Shelley
of Fen Place, Turners Hill, West Sussex, was married himself to Helen Bysshe, daughter of Roger Bysshe. Their son Timothy Shelley of Fen Place (born c. 1700) married widow Johanna Plum from New York City. Timothy and Johanna were the great-grandparents of Percy. Ancestry chart[edit]

Ancestors of Percy Bysshe Shelley

16. John Shelley
Shelley
of Fen Place[47]

8. Timothy Shelley of Fen Place (born c. 1700)

17. Helen Bysshe[47]

4. Sir Bysshe Shelley

9. Johanna Plum[47]

2. Sir Timothy Shelley

10. Theobald Michell[48]

5. Mary
Mary
Catherine Michell[45]

11. Mary
Mary
Tredcroft[48]

1. Percy Bysshe Shelley
Shelley
(4 August 1792 – 8 July 1822)

6. Charles Pilford[46]

3. Elizabeth Pilfold

7. Bethia White[46]

Family[edit] Percy was born to Sir Timothy Shelley (7 September 1753 – 24 April 1844) and his wife Elizabeth Pilfold following their marriage in October 1791. His father was son and heir to Sir Bysshe Shelley, 1st Baronet of Castle Goring
Castle Goring
(21 June 1731 – 6 January 1815) by his wife Mary
Mary
Catherine Michell (d. 7 November 1760). His mother was daughter of Charles Pilfold of Effingham. Through his paternal grandmother, Percy was a great-grandson to Reverend
Reverend
Theobald Michell of Horsham. Through his maternal lineage, he was a cousin of Thomas Medwin—a childhood friend and Shelley's biographer.[49] Percy was the eldest of six children. His younger siblings were:

John Shelley
Shelley
of Avington House (15 March 1806 – 11 November 1866; married on 24 March 1827 Elizabeth Bowen (d. 28 November 1889)); Mary Shelley
Mary Shelley
(NB. not to be confused with his wife); Elizabeth Shelley
Shelley
(d. 1831); Hellen Shelley
Shelley
(d. 10 May 1885); Margaret Shelley
Shelley
(d. 9 July 1887).

Shelley's uncle, brother to his mother Elizabeth Pilfold, was Captain John Pilfold, a famous Naval Commander who served under Admiral Nelson during the Battle of Trafalgar.[50] Descendants[edit] Three children survived Shelley: Ianthe and Charles, his daughter and son by Harriet; and Percy Florence
Florence
Shelley, his son by Mary. Charles, who suffered from tuberculosis, died in 1826 after being struck by lightning during a rainstorm. Percy Florence, who eventually inherited the baronetcy in 1844, died without children "of his body", as the old legal phrase went. Several members of the Scarlett family were born at Percy Florence's seaside home " Boscombe
Boscombe
Manor" in Bournemouth. They were descendants of Percy Florence's and Jane Gibson's adopted daughter, Bessie Florence Gibson. The 1891 census shows Lady Jane Shelley, Percy Florence Shelley's widow, living at Boscombe
Boscombe
Manor with several great-nephews. Percy Florence Shelley
Percy Florence Shelley
died in 1889, and his widow, the former Jane St. John (born Gibson), died in 1899. The only lineal descendants of the poet are therefore the children of Ianthe. Ianthe Eliza Shelley
Shelley
was married in 1837 to Edward Jeffries Esdaile of Cothelstone Manor, grandson of the banker William Esdaile of Lombard Street, London. The marriage resulted in the birth of three daughters, Ianthe Harriet Shelley
Shelley
(1839–1849), Eliza Margaret (1841–1930), and Mary
Mary
Emily Sydney (1848–1854), and three sons, Charles Edward (1842–1842), Charles Edward Jeffries (1845–1922), and William (1846–1915). Ianthe died in 1876, and her only descendants result from the marriage of Charles Edward Jeffries Esdaile and Marion Maxwell Sandbach. Mike Rutherford, bass player/guitarist of progressive rock band Genesis, is a descendant of Shelley's maternal aunt.[51][better source needed] Idealism[edit] Shelley's unconventional life and uncompromising idealism, combined with his strong disapproving voice, made him an authoritative and much-denigrated figure during his life and afterward. He became an idol of the next two or three or even four generations of poets, including the important Victorian and Pre-Raphaelite
Pre-Raphaelite
poets Robert Browning, Alfred Lord Tennyson, Dante Gabriel Rossetti, Algernon Charles Swinburne, as well as Lord Byron, Henry David Thoreau, W. B. Yeats, Aleister Crowley
Aleister Crowley
and Edna St. Vincent Millay, and poets in other languages such as Jan Kasprowicz, Rabindranath Tagore, Jibanananda Das, and Subramanya Bharathy. Nonviolence[edit] Henry David Thoreau's Civil Disobedience, the writings of Leo Tolstoy, and Mahatma Gandhi's passive resistance were all influenced and inspired by Shelley's theories of nonviolent resistance, in protest and political action.[52] It is known that Gandhi would often quote Shelley's The Masque of Anarchy,[53] which has been called "perhaps the first modern statement of the principle of nonviolent resistance".[54][55] Vegetarianism[edit] Shelley
Shelley
wrote several essays on the subject of vegetarianism, the most prominent of which were "A Vindication of Natural Diet" (1813) and "On the Vegetable System of Diet".[56][57] Shelley's eagerness for vegetarianism is connected with India. In 1812 he was converted to vegetarianism by his friend Frank Newton, who had himself been converted while living in India.[58] Shelley, in heartfelt dedication to sentient beings, wrote:[59]

If the use of animal food be, in consequence, subversive to the peace of human society, how unwarrantable is the injustice and the barbarity which is exercised toward these miserable victims. They are called into existence by human artifice that they may drag out a short and miserable existence of slavery and disease, that their bodies may be mutilated, their social feelings outraged. It were much better that a sentient being should never have existed, than that it should have existed only to endure unmitigated misery"; "Never again may blood of bird or beast/ Stain with its venomous stream a human feast,/ To the pure skies in accusation steaming"; and "It is only by softening and disguising dead flesh by culinary preparation that it is rendered susceptible of mastication or digestion, and that the sight of its bloody juices and raw horror does not excite intolerable loathing and disgust.[59]

In Queen Mab: A Philosophical Poem (1813) he wrote about the change to a vegetarian diet: "And man ... no longer now/ He slays the lamb that looks him in the face,/ And horribly devours his mangled flesh."[60] Social justice[edit] Shelley
Shelley
was a strong advocate for social justice for the "lower classes". He witnessed much of the same mistreatment occurring in the domestication and slaughtering of animals, and he became a fighter for the rights of all living creatures that he saw being treated unjustly.[59] Legacy[edit]

Keats– Shelley Memorial
Shelley Memorial
House, Spanish Steps, Rome

Shelley's mainstream following did not develop until a generation after his death, unlike Lord Byron, who was popular among all classes during his lifetime despite his radical views. For decades after his death, Shelley
Shelley
was mainly appreciated by only the major Victorian poets, the pre-Raphaelites, the socialists, and the labour movement. One reason for this was the extreme discomfort with Shelley's political radicalism, which led popular anthologists to confine Shelley's reputation to the relatively sanitised "magazine" pieces such as "Ozymandias" or "Lines to an Indian Air". He was admired by C. S. Lewis,[61] Karl Marx, Robert Browning, Henry Stephens Salt, Gregory Corso, George Bernard Shaw, Bertrand Russell, Isadora Duncan,[3] Constance Naden,[62] Upton Sinclair,[63] Gabriele d'Annunzio, Aleister Crowley, and W. B. Yeats.[64] Shelley
Shelley
had an enduring and profound influence on the Dutch poets of "De nieuwe Gids" (Kloos, Van Eeden e.a.). Samuel Barber, Sergei Rachmaninoff, Roger Quilter, Howard Skempton, John Vanderslice, and Ralph Vaughan Williams composed music based on his poems. Critics such as Matthew Arnold
Matthew Arnold
endeavoured to rewrite Shelley's legacy to make him seem a lyricist and a dilettante who had no serious intellectual position and whose longer poems were not worthy of study. Arnold famously described Shelley
Shelley
as a "beautiful and ineffectual angel". This position contrasted strongly with the judgement of the previous generation who knew Shelley
Shelley
as a sceptic and a radical. Many of Shelley's works remained unpublished or little known after his death, with longer pieces such as A Philosophical View of Reform existing only in manuscript until the 1920s. This contributed to the Victorian idea of him as a minor lyricist. With the inception of formal literary studies in the early twentieth century and the slow rediscovery and re-evaluation of his oeuvre by scholars such as Kenneth Neill Cameron, Donald H. Reiman, and Harold Bloom, the modern idea of Shelley
Shelley
could not be more different. Paul Foot, in his Red Shelley, has documented the pivotal role Shelley's works—especially Queen Mab—have played in the genesis of British radicalism. Although Shelley's works were banned from respectable Victorian households, his political writings were pirated by men such as Richard Carlile
Richard Carlile
who regularly went to jail for printing "seditious and blasphemous libel" (i.e. material proscribed by the government), and these cheap pirate editions reached hundreds of activists and workers throughout the nineteenth century.[65] In other countries such as India, Shelley's works both in the original and in translation have influenced poets such as Rabindranath Tagore[66] and Jibanananda Das. A pirated copy of Prometheus Unbound dated 1835 is said to have been seized in that year by customs at Bombay. Paul Johnson, in his book Intellectuals,[67] describes Shelley
Shelley
in a chapter titled " Shelley
Shelley
or the Heartlessness of Ideas". In the book, Johnson describes Shelley
Shelley
as an amoral person, who by borrowing money which he did not intend to return, and by seducing young innocent women who fell for him, destroyed the lives of everybody with whom he had interacted, including his own. In 2005 the University of Delaware Press
University of Delaware Press
published an extensive two-volume biography by James Bieri. In 2008 the Johns Hopkins University Press published Bieri's 856-page one-volume biography, Percy Bysshe Shelley: A Biography. The rediscovery in mid-2006 of Shelley's long-lost Poetical Essay on the Existing State of Things, as noted above, was slow to be followed up until the only known surviving copy was acquired by the Bodleian Library in Oxford as its 12-millionth book in November 2015 and made available online.[68] An analysis of the poem by the only person known to have examined the whole work at the time of the original discovery appeared in the Times Literary Supplement: H. R. Woudhuysen, "Shelley's Fantastic Prank", 12 July 2006.[69] In 2007 John Lauritsen published The Man Who Wrote Frankenstein, in which he argued that Percy Bysshe Shelley's contributions to the novel were much more extensive than had previously been assumed.[70] It has been known and not disputed that Shelley
Shelley
wrote the Preface – although uncredited – and that he contributed at least 4,000–5,000 words to the novel. Lauritsen sought to show that Shelley
Shelley
was the primary author of the novel. In 2008 Percy Bysshe Shelley
Shelley
was credited as the co-author of Frankenstein
Frankenstein
by Charles E. Robinson in a new edition of the novel entitled The Original Frankenstein
Frankenstein
published by the Bodleian Library in Oxford and by Random House in the US.[71] Robinson determined that Percy Bysshe Shelley
Shelley
was the co-author of the novel: "He made very significant changes in words, themes and style. The book should now be credited as 'by Mary Shelley
Mary Shelley
with Percy Shelley'."[72] In late 2014 Shelley's work led lecturers from the University of Pennsylvania[73] and New York University[74] to produce a Massive open online course (MOOC) on the life of Percy Shelley
Shelley
and Prometheus Unbound.[75][76] In popular culture[edit]

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Shelley
Shelley
is believed to have been the model for Marmion Herbert, one of two male protagonists in Benjamin Disraeli's 1837 novel Venetia; the other, Lord Cadurcis, being based on Lord Byron.[77] Henry James's 1888 novella, The Aspern Papers
The Aspern Papers
relates a struggle to obtain some letters by Shelley
Shelley
years after his death. It was made into a stage play and an opera. Spoon River Anthology
Spoon River Anthology
by Edgar Lee Masters
Edgar Lee Masters
(1915) includes a poem Percy Bysshe Shelley[78] as the namesake of the speaker, whose ashes "were scattered near the pyramid of Caius Cestius / Somewhere near Rome." Shelley
Shelley
is a character in T. Zachary Cotler's novel Ghost at the Loom (2014). Howard Brenton's play, Bloody Poetry (1984), explores the complex relationships and rivalries between Shelley, Mary
Mary
Shelley, Claire Clairmont, and Byron. Shelley's cremation at Viareggio
Viareggio
and the removal of his heart by Trelawny are described in Tennessee Williams's 1953 play Camino Real by a fictional Lord Byron. A visit to Lord Byron's estate by Shelley
Shelley
and Mary Shelley
Mary Shelley
is the setting for Ken Russell's 1986 film Gothic. The film Haunted Summer
Haunted Summer
has a similar theme to Gothic and is also set in 1816. Mick Jagger
Mick Jagger
read lines from Adonais
Adonais
in tribute to Brian Jones
Brian Jones
at the Rolling Stones' 1969 free concert in Hyde Park. Shelley's poems The Revolt of Islam
The Revolt of Islam
and Indian Serenade are recited in Sally Potter's film Orlando A fictional Shelley
Shelley
befriends cavalry officer Matthew Hervey in the 2002 Allan Mallinson novel A Call to Arms. Novelist Julian Rathbone fictionalises Shelley
Shelley
in A Very English Agent (2002), wherein a 19th-century government spy tampers with the poet's boat, causing his death. Shelley
Shelley
appears as himself in Peter Ackroyd's novel The Casebook of Victor Frankenstein
Frankenstein
(2008). Shelley
Shelley
was played by Ben Lamb
Ben Lamb
in Shared Experience's 2012 production, " Mary
Mary
Shelley" by Helen Edmundson, at the Tricycle Theatre, London.[79][80] Shelley's poem "Love's Philosophy" appears frequently in the second season of the mystery television series Twin Peaks. Shelley's poem "Ozymandias" lends its name to an episode of Breaking Bad. AMC had a teaser trailer for the final season of the show in which Bryan Cranston
Bryan Cranston
reads the poem. Shelley's work, particularly the poem "Love's Philosophy," is referenced in the Series 2 episode of Lewis entitled "And the Moonbeams Kiss the Sea." Shelley
Shelley
is portrayed in Blackadder's third-season episode "Ink and Incapability" as one of Samuel Johnson's admirers. He is played by Lee Cornes Shelley
Shelley
is shown to be one of the poets read by Madeline Bassett, a major and recurring character in the works of P. G. Wodehouse. In the novel "Six oies cendrées" (2001), French author Henri Coulonges gives a fictional account of the provenance of the mystery baby girl Elena Adelaide Shelley
Shelley
in Naples
Naples
as the daughter of Elise Foggi.[81][82] The last line of Stanza LIII of Shelley's elegy of John Keats, Adonais "No more let Life divide what Death can join together." is referenced a number of times by major characters in the Showtime/ Sky
Sky
Victorian horror series Penny Dreadful. Some of Shelley's poems are mentioned in the detective videogame L.A. Noire, where they are used for solving a series of murders. During the 2017 elections in the United Kingdom, Jeremy Corbyn frequently quoted the final stanza of Shelley’s 1819 poem, The Masque of Anarchy, which begins, "Rise like lions after slumber, in unvanquishable number!" The words came to be used by Corbyn supporters as a sort of unofficial battle cry.[83]

Major works[edit]

(1810) Zastrozzi (1810) Original Poetry by Victor and Cazire (1810) Posthumous Fragments of Margaret Nicholson: Being Poems Found Amongst the Papers of That Noted Female Who Attempted the Life of the King in 1786 (1810 dated 1811) St. Irvyne; or, The Rosicrucian (1811) Poetical Essay on the Existing State of Things (1811) The Necessity of Atheism (1812) The Devil's Walk: A Ballad (1813) Queen Mab: A Philosophical Poem (1814) A Refutation of Deism: In a Dialogue (1815) Alastor, or The Spirit of Solitude (1816) The Daemon of the World (1816) Mont Blanc (1816) On Death (1817) Hymn to Intellectual Beauty
Hymn to Intellectual Beauty
(text) (1817) Laon and Cythna; or, The Revolution of the Golden City: A Vision of the Nineteenth Century (1817) The Revolt of Islam, A Poem, in Twelve Cantos (1817) History of a Six Weeks' Tour
History of a Six Weeks' Tour
through a part of France, Switzerland, Germany, and Holland (with Mary
Mary
Shelley) (1818) Ozymandias
Ozymandias
(text) (1818) The Banquet (or The Symposium) by Plato, translation from Greek into English[84] (1818) Rosalind and Helen: A Modern Eclogue (published in 1819) (1818) Lines Written Among the Euganean Hills, October 1818 (1819) The Cenci, A Tragedy, in Five Acts (1819) Ode to the West Wind
Ode to the West Wind
(text) (1819) The Masque of Anarchy (1819) England
England
in 1819 (1819) A Philosophical View of Reform
A Philosophical View of Reform
(published in 1920) (1819) Julian and Maddalo: A Conversation (1820) Peter Bell the Third (published in 1839) (1820) Prometheus Unbound, A Lyrical Drama, in Four Acts (1820) To a Skylark (1820) The Cloud (1820) Oedipus Tyrannus; Or, Swellfoot The Tyrant: A Tragedy in Two Acts (1820) The Witch of Atlas
The Witch of Atlas
(published in 1824) (1821) Adonaïs (1821) Ion by Plato, translation from Greek into English (1821) A Defence of Poetry
A Defence of Poetry
(first published in 1840) (1821) Epipsychidion (1822) Hellas, A Lyrical Drama (1822) Wolfstein; or, The Mysterious Bandit (chapbook) (1822) The Triumph of Life
The Triumph of Life
(unfinished, published in 1824)

Short prose works[edit]

"The Assassins, A Fragment of a Romance" (1814) "The Coliseum, A Fragment" (1817) "The Elysian Fields: A Lucianic Fragment" (1818) "Una Favola (A Fable)" (1819, originally in Italian)

Essays[edit]

The Necessity of Atheism
Atheism
(1811) Declaration of Rights (1812) A Letter to Lord Ellenborough
A Letter to Lord Ellenborough
(1812) A Defence of Poetry A Vindication of Natural Diet
A Vindication of Natural Diet
(1813) A Refutation of Deism (1814) On the Vegetable System of Diet (1814–1815; published 1929) On Love (1818) On Life (1819) On a Future State (1815) On The Punishment of Death Speculations on Metaphysics (1814) Speculations on Morals (1817) On Christianity (incomplete, probably 1817; published 1859) On the Literature, the Arts and the Manners of the Athenians On The Symposium, or Preface to The Banquet Of Plato On Friendship On Frankenstein
Frankenstein
(written in 1817; published in 1832)

Chapbooks[edit]

Wolfstein; or, The Mysterious Bandit (1822) Wolfstein, The Murderer; or, The Secrets of a Robber's Cave (1830)

Collaborations with Mary
Mary
Shelley[edit]

(1817) History of a Six Weeks' Tour (1818) Frankenstein; or, The Modern Prometheus[85][86] (1820) Proserpine (1820) Midas

See also[edit]

Poetry portal Biography portal

List of peace activists Bolesław Prus#Later years
Bolesław Prus#Later years
(use of Shelley's tomb inscription on Prus's tomb) (in Polish) Godwin– Shelley
Shelley
family tree Rising Universe – A water sculpture celebrating the life of Shelley
Shelley
near his birthplace in Horsham, Sussex

References[edit] Notes

^ The Life of Percy Bysshe Shelley, Thomas Medwin
Thomas Medwin
(London, 1847), p. 323 ^ Bysshe is pronounced as if written bish. ^ a b Duncan, Isadora (1996). My Life. W. W. Norton & Co. pp. 15, 134.  ^ http://knarf.english.upenn.edu/People/eshelley.html ^ Medwin, Thomas (1847). The Life of Percy Bysshe Shelley. London.  ^ Gilmour, Ian (2002). Byron
Byron
and Shelley: The Making of the Poets. New York: Carol & Graf Publishers. pp. 96–97.  ^ a b Bieri, James (2004). Percy Bysshe Shelley: A Biography: Youth's Unextinguished Fire, 1792-1816. Newark: University of Delaware Press. p. 86.  ^ Cory, William, " Shelley
Shelley
at Eton", The Shelley
Shelley
Society's Note-Book, part 1, 1888, pp. 14–15. ^ O'Neill, Michael (2004). "Shelley, Percy Bysshe (1792–1822)". Oxford Dictionary of National Biography
Oxford Dictionary of National Biography
(Online ed.). Oxford University Press. doi:10.1093/ref:odnb/25312. Retrieved 2015-11-13.  (subscription or UK public library membership required) ^ India Knight. "Article in the ''Times'' Online". The Times. Retrieved 8 March 2010.  ^ James Bieri, Percy Bysshe Shelley: A Biography (Baltimore: Johns Hopkins University Press, 2008) p. 73. ^ Bieri (2008), pp. 154–176. ^ Bieri (2008), p. 195. ^ Bieri (2008), p. 185. ^ Bieri (2008), pp. 188 and 189. For comparison, Jane Austen, in her novel Pride and Prejudice, set during this period, describes Mr. Darcy's annual income as 10,000 £. See i Brad deLong's discussion of this in "How Rich is Mr. Darcy?" ^ "The Shelley
Shelley
'fortune' promised fiscal relief for Godwin in accordance with the tenets of equitable distribution of wealth advocated in Political Justice
Political Justice
and subscribed to by his new pupil" (Bieri [2008], p. 189). ^ Bieri (2008), p. 256. "Responding to Shelley's willingness to compromise, the Duke brought father and son together at a large party. According to Hogg, the Earl of Oxford pointed to Timothy and asked a pleased Shelley, 'Pray, who is that very strange old man... who talks so much, so loudly, and in so extraordinary a manner, and all about himself.' Shelley
Shelley
identified his father and walked home with the Earl" (Bieri [2008], pp. 256–57). ^ Bieri (2008), p. 199. ^ An advertisement in the Dublin Evening Post, quoted in Bieri (2008), p. 200. ^ Seymour, p. 458. ^ Bieri (2008), p. 285. ^ Works of Percy Bysshe Shelley: Includes Adonais, Daemon of the World, Peter Bell the Third, The Witch of Atlas, A Defence of Poetry, and 3 Complete Volumes of works Google Ebooks volume 2 ^ Bieri (2008), p. 364. ^ Volokh, Eugene. "Parent-Child Speech and Child Custody Speech Restrictions" (PDF). UCLA. Retrieved 9 November 2015.  ^ For details of Harriet's suicide and Shelley's remarriage see Bieri (2008), pp. 360–69. ^ Edward Chaney. 'Egypt in England
England
and America: The Cultural Memorials of Religion, Royalty and Religion', Sites of Exchange: European Crossroads and Faultlines, eds. M. Ascari and A. Corrado. Amsterdam and New York: Rodopi, 2006, pp. 39–69. The bust had already been described as 'certainly the most beautiful and perfect piece of Egyptian sculpture that can be seen throughout the whole country', by W. R. Hamilton, in his remarkable Aegyptiaca in 1809. Had Shelley known how celebrated both Rameses and his bust/s would become, he might have chosen a better example of Nemesis. ^ MacCarthy (2014). Byron: Life and Legend.  Unknown parameter firt= ignored (help); Unknown parameter published= ignored (help) ^ Eisler,, Benita (1999). Byron: Child of Passion, Fool of Fame. Knopf Doubleday Publishing Group. p. 668. . ^ Nicholl, Charles (2 July 1998), "Screaming in the Castle: The Case of Beatrice Cenci", London Review of Books, Vol. XX, No. 13, pp. 23–7  ^ Emily W. Sunstein, Mary
Mary
Shelley: Romance and Reality (New York: Little Brown, 1989), p. 175. ^ Timothy Morton, Shelley
Shelley
and the Revolution in Taste: The Body and the Natural World (Cambridge Studies in Romanticism, 1994), p. 232. ^ John Bedford Leno. The Aftermath with Autobiography of the Author. London: Reeves & Turner 1892 ^ a b "The Sinking of the Don Juan" by Donald Prell, Keats–Shelley journal, Vol. LVI, 2007, pp 136–154 ^ StClair, William, Trelawny, the Incurable Romancer, New York: The Vanguard Press, 1977 ^ Richard Holmes, Shelley: The Pursuit (New York: E. P. Dutton, 1975). ^ StClair and Prell ^ Edmund Blunden, Shelley, A Life Story, Oxford University Press, 1965. ^ a b Trelawny, E. J. Recollections of the last days of Shelley
Shelley
and Byron, p. 137, Ticknor and Fields, Boston, 1858 ^ We Who Are of His Family And Bear His Name, by W. L. Jacobs ^ Journal of the History of Medicine and Allied Sciences 1955 X(1):114–116; doi:10.1093/jhmas/X.1.114-b ^ "Celebrity Body Parts: 10 Priceless Pieces of History". Foxnews.com. 20 July 2008. Retrieved 8 March 2010.  ^ [1] ^ Baptism Record of Richard Shelley. Ancestry.com. England, Select Births and Christenings, 1538-1975 (database on-line). Provo, UT, USA: Ancestry.com Operations, Inc., 2014. Original data: England, Births and Christenings, 1538-1975. Salt Lake City, Utah: FamilySearch, 2013. Paid subscription site, accessed May 2017. ^ Marriage Record of Richard Shelly and Jonne Feste. Ancestry.com. England, Select Marriages, 1538–1973 [database on-line. Provo, UT, USA: Ancestry.com Operations, Inc., 2014. Original data: England, Marriages, 1538–1973. Salt Lake City, Utah: FamilySearch, 2013. Paid subscription site, accessed May 2017. ^ Marriage Record of Bysshe Sheely and Mary
Mary
Catherine Michell. Ancestry.com. London, England, Clandestine Marriage and Baptism Registers, 1667-1754 [database on-line]. Provo, UT, USA: Ancestry.com Operations, Inc., 2013. Original data: Registers of Clandestine Marriages and of Baptisms in the Fleet Prison, King's Bench Prison, the Mint and the May Fair Chapel. Records of the General Register Office, Government Social Survey Department, and Office of Population Censuses and Surveys, Registrar General (RG) series 7. The National Archives, Kew, England. Accessed May 2017. (subscription required) ^ a b Bieri (2004), p. 44 ^ a b c Bieri (2004), pp. 30-31 ^ a b Baptism Record of Katherine Michell. Ancestry.com. England, Select Births and Christenings, 1538-1975 [database on-line]. Provo, UT, USA: Ancestry.com Operations, Inc., 2014. Original data: England, Births and Christenings, 1538-1975. Salt Lake City, Utah: FamilySearch, 2013. Accessed May 2017. (subscription required) ^ Ernest J Lovell Jr, Captain Medwin: Friend of Byron
Byron
and Shelley, University of Texas 1962 ^ The Life and Times of Captain John Pilfold, CB, RN; Hawkins, Desmond, Horsham
Horsham
Museum Society, 1998 ^ 1881 census of Cothelstone House, Bishops Lydeard, Somerset, England, Class: RG11; Piece: 2370; Folio: 40; Page: 7; GSU roll: 1341570> ^ Thomas Weber, "Gandhi as Disciple and Mentor," Cambridge University Press, 2004, pp. 28–29. ^ Thomas Weber, "Gandhi as Disciple and Mentor," Cambridge University Press, 2004, p. 28. ^ "Archived copy" (PDF). Archived from the original (PDF) on 5 January 2011. Retrieved 8 March 2010.  ^ Hasan, Mahmudul. "The Theme of Indianness in the Works of PB Shelley: A Glimpse into Ancient India." ^ Spencer, Colin. The Heretic's Feast: A History of Vegetarianism. Great Britain: Hartnolls Ltd, Bodmin. 1993, pp. 244–45. ^ Morton, Timothy, "Joseph Ritson, Percy Shelley
Shelley
and the Making of Romantic Vegetarianism." Romanticism, Vol. 12, Issue 1, 2006. pp. 52–61. ^ Hasan, Mahmudul, "The Theme of Indianness in the Works of P B Shelley: A Glimpse into Ancient India." Galaxy: An International Multidisciplinary Research Journal, Vol. 5, Issue 5, 2016. pp. 30-39. ^ a b c Shelley, Percy Bysshe, "A Vindication of Natural Diet;" London: Smith & Davy. 1813, pp. 1–36. ^ Preece, Rod. Sins of the Flesh: A History of Ethical Vegetarian Thought. Vancouver, BC, Canada: University of British Columbia Press, 2008. ^ "Poems of the Week". Themediadrome.com. Archived from the original on 15 February 2010. Retrieved 8 March 2010.  ^ R. W. Dale, 'Constance Naden', in Further Reliques of Constance Naden (1891) p.226 ^ Upton Sinclair, "My Lifetime in Letters", Univ of Missouri Press, 1960. ^ Yeats: The Philosophy of Shelley's Poetry, 1900. ^ Some details on this can also be found in William St Clair's The Reading Nation in the Romantic Period (Cambridge: CUP, 2005) and Richard D. Altick's The English Common Reader (Ohio: Ohio State University Press, 1998) 2nd. edn. ^ Tagore Rabindranath biography. Bookrags.com (2 November 2010). ^ HarperCollins, 2007. First published in 1988. ^ "Shelley's Poetical Essay: The Bodleian Libraries' 12 millionth book". Oxford: Bodleian Library. November 2015. Retrieved 2015-11-13.  ^ Woudhuysen, H. R. (2006-07-12). "Shelley's fantastic prank: An extraordinary pamphlet comes to light". The Sunday Times. London. Retrieved 2010-08-04.  ^ John Lauritsen (2007). The Man Who Wrote "Frankenstein". Pagan Press. ISBN 0-943742-14-5.  ^ Adams, Stephen. "Percy Bysshe Shelley
Shelley
helped wife Mary
Mary
write Frankenstein, claims professor: Mary Shelley
Mary Shelley
received extensive help in writing Frankenstein
Frankenstein
from her husband, Percy Bysshe Shelley, a leading academic has claimed." The Daily Telegraph, 24 August 2008. ^ Shelley, Mary, with Percy Shelley. The Original Frankenstein. Edited with an Introduction by Charles E. Robinson. NY: Random House Vintage Classics, 2008. ISBN 978-0-307-47442-1 ^ "Archived copy". Archived from the original on 23 October 2014. Retrieved 16 October 2014.  ^ http://nyurrg.org/2014/07/14/introducing-the-university-of-pennsylvanias-unbinding-prometheus-project/ ^ https://www.openlearning.com/courses/percyshelley-unbindingprometheus ^ http://k-saa.org/the-unbinding-prometheus-project/ ^ "Venetia Review, vol. 1 No. 1". "New Monthly Review (available online at Google books). 1837. p. 130. Retrieved 2007-10-11.  ^ "Percy Bysshe Shelley". Spoon River Anthology. Retrieved 8 March 2010.  ^ "Frazzled by fate, you can see how Frankenstein's author came up with her monster". Daily Mail. (19 June 2012). ^ Mary Shelley
Mary Shelley
– Reviews – 15 Jun 2012. Whatsonstage.com (15 June 2012). ^ http://www.grasset.fr/six-oies-cendrees-9782246617419 ^ http://www.lexpress.fr/culture/livre/six-oies-cendrees_797661.html ^ http://www.newstatesman.com/politics/uk/2017/06/rise-lions-after-slumber-why-do-jeremy-corbyn-and-co-keep-reciting-19th-century ^ Plato, The Banquet, translated by Percy Bysshe Shelley, Pagan Press, Provincetown 2001, ISBN 0-943742-12-9. Shelley's translation and his introductory essay, "A Discourse on the Manners of the Antient Greeks Relative to the Subject of Love", were first published unbowdlerized in 1931. ^ Wade, Phillip. " Shelley
Shelley
and the Miltonic Element in Mary
Mary
Shelley's ''Frankenstein''."'' Milton and the Romantics'', 2 (December, 1976), 23–25. English.upenn.edu. Archived 14 April 2011 at the Wayback Machine. ^ Grande, James. Review: The Original Frankenstein, By Mary
Mary
Shelley with Percy Shelley
Shelley
ed Charles E Robinson. "To what extent did Percy Bysshe Shelley
Shelley
work on 'Frankenstein'? A new analysis reveals all.". The Independent' (16 November 2008).

Bibliography

Edmund Blunden, Shelley: A Life Story, Viking Press, 1947. James Bieri, Percy Bysshe Shelley: A Biography, Johns Hopkins University Press, 2008, ISBN 0-8018-8861-1. Altick, Richard D., The English Common Reader. Ohio: Ohio State University Press, 1998. Cameron, Kenneth Neill. The Young Shelley: Genesis of a Radical. First Collier Books ed. New York: Collier Books, 1962, cop. 1950. 480 p. Edward Chaney. 'Egypt in England
England
and America: The Cultural Memorials of Religion, Royalty and Religion', Sites of Exchange: European Crossroads and Faultlines, eds. M. Ascari and A. Corrado. Amsterdam and New York: Rodopi, 2006, pp. 39–69. Holmes, Richard. Shelley: The Pursuit. New York: E. P. Dutton, 1975. Meaker, M. J. Sudden Endings, 12 Profiles in Depth of Famous Suicides, Garden City, New York, Doubleday, 1964 p. 67–93: "The Deserted Wife: Harriet Westbrook Shelley". Maurois, André, Ariel ou la vie de Shelley, Paris, Bernard Grasset, 1923 St Clair, William. The Godwins and the Shelleys: A Biography of a Family. London: Faber and Faber, 1990. St Clair, William. The Reading Nation in the Romantic Period. Cambridge: Cambridge University Press, 2005. Hay, Daisy. Young Romantics: the Shelleys, Byron, and Other Tangled Lives, Bloomsbury, 2010. Owchar, Nick. "The Siren's Call: An epic poet as Mary
Mary
Shelley's co-author. A new edition of 'Frankenstein' shows the contributions of her husband, Percy." Los Angeles Times, 11 October 2009. Rhodes, Jerry. "New paperback by UD professor offers two versions of Frankenstein
Frankenstein
tale." UDaily, University of Delaware, 30 September 2009. Charles E. Robinson: "These italics used for Percy Shelley's words make even more visible the half-dozen or so places where, in his own voice, he made substantial additions to the 'draft' of Frankenstein." Pratt, Lynda. "Who wrote the original Frankenstein? Mary
Mary
Shelley created a monster out of her 'waking dream' – but was it her husband Percy who 'embodied its ideas and sentiments'?" The Sunday Times, 29 October 2008. Adams, Stephen. "Percy Bysshe Shelley
Shelley
helped wife Mary
Mary
write Frankenstein, claims professor: Mary Shelley
Mary Shelley
received extensive help in writing Frankenstein
Frankenstein
from her husband, Percy Bysshe Shelley, a leading academic has claimed." Telegraph, 24 August 2008. Charles E. Robinson: "He made very significant changes in words, themes and style. The book should now be credited as 'by Mary Shelley
Mary Shelley
with Percy Shelley'." Shelley, Mary, with Percy Shelley. The Original Frankenstein. Edited with an Introduction by Charles E. Robinson. NY: Random House Vintage Classics, 2008. ISBN 978-0-307-47442-1

External links[edit]

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Works by Percy Bysshe Shelley
Shelley
at Project Gutenberg Works by or about Percy Bysshe Shelley
Shelley
at Internet Archive Works by Percy Bysshe Shelley
Shelley
at LibriVox
LibriVox
(public domain audiobooks)

Percy Bysshe Shelley
Shelley
by John Addington Symonds at Project Gutenberg Percy Bysshe Shelley
Shelley
Resources Selected Poems of Shelley A Guide to the Percy Bysshe Shelley
Shelley
Manuscript Material in the Pforzheimer Collection A talk on Shelley's politics (MP3) by Paul Foot: part 1, *part 2 A pedigree of the Shelley
Shelley
family Plato's Ion, the Shelley
Shelley
translation The Complete Poetical Works of Percy Bysshe Shelley "Archival material relating to Percy Bysshe Shelley". UK National Archives.  Portraits of Percy Bysshe Shelley
Shelley
at the National Portrait Gallery, London Online exhibition of Shelley's notebooks, objects, letters and drafts alongside artefacts of Mary
Mary
Wollstonecraft, Mary Shelley
Mary Shelley
and William Godwin Percy Bysshe Shelley
Shelley
at the British Library

v t e

Percy Bysshe Shelley

Plays

The Cenci
The Cenci
(1819) Hellas (1822)

Fiction

Zastrozzi
Zastrozzi
(1810) St. Irvyne
St. Irvyne
(1811)

Non-fiction

"The Necessity of Atheism" (1811) "Poetical Essay on the Existing State of Things" (1811) "A Letter to Lord Ellenborough" (1812) A Vindication of Natural Diet
A Vindication of Natural Diet
(1813) History of a Six Weeks' Tour
History of a Six Weeks' Tour
(1817) A Philosophical View of Reform
A Philosophical View of Reform
(1819-20, published 1920) "A Defence of Poetry" (published posthumously, 1840)

Poetry collections

Original Poetry by Victor and Cazire
Original Poetry by Victor and Cazire
(1810) Posthumous Fragments of Margaret Nicholson
Posthumous Fragments of Margaret Nicholson
(1810)

Short poems

"The Devil's Walk" (1812) "Mutability" (1816) "Hymn to Intellectual Beauty" (1817) "Ozymandias" (1818) "Love's Philosophy" (1819) "Ode to the West Wind" (1820) "To a Skylark" (1820) "The Cloud" (1820) "One Word is Too Often Profaned" (1822) "Music, When Soft Voices Die" (1824) "A Dirge" (1824) " England
England
in 1819" (1834)

Long poems

Queen Mab (1813) Alastor, or The Spirit of Solitude
Alastor, or The Spirit of Solitude
(1816) The Revolt of Islam
The Revolt of Islam
(1818) Rosalind and Helen, A Modern Eclogue (1819) Prometheus Unbound (1820) Epipsychidion
Epipsychidion
(1821) Adonaïs
Adonaïs
(1821) Julian and Maddalo
Julian and Maddalo
(1824) The Witch of Atlas
The Witch of Atlas
(1824) The Triumph of Life
The Triumph of Life
(1824) The Masque of Anarchy
The Masque of Anarchy
(1832)

Chapbooks

Wolfstein; or, The Mysterious Bandit (1822) Wolfstein, The Murderer; or, The Secrets of a Robber's Cave (1830)

Adaptations

Zastrozzi, The Master of Discipline
Zastrozzi, The Master of Discipline
(1977) Zastrozzi, A Romance (1986 TV miniseries)

Collaborations with Mary
Mary
Shelley

History of a Six Weeks' Tour
History of a Six Weeks' Tour
(1817) Frankenstein; or, The Modern Prometheus (1818) Proserpine (1820) Midas (1820)

Places

Keats– Shelley Memorial
Shelley Memorial
House Carl H. Pforzheimer Collection of Shelley
Shelley
and His Circle Rising Universe Shelley's Cottage Shelley
Shelley
Memorial Shelley's Ghost

People

Mary Shelley
Mary Shelley
(wife) Percy Florence Shelley
Percy Florence Shelley
(son) Timothy Shelley (father) Lord Byron Claire Clairmont William Godwin
William Godwin
(father-in-law) Thomas Jefferson Hogg John Keats Thomas Medwin Thomas Love Peacock Edward John Trelawny

Biographies

The Life of Percy Bysshe Shelley Shelley: A Life Story The Man Who Wrote Frankenstein Shelley
Shelley
Unbound: Discovering Frankenstein's True Creator

v t e

Mary
Mary
Shelley

Works

History of a Six Weeks' Tour Frankenstein Mathilda Proserpine Midas Valperga "Maurice" The Last Man The Fortunes of Perkin Warbeck "The Mortal Immortal" Lodore Falkner Rambles in Germany and Italy Lives of the Most Eminent Literary and Scientific Men

Family

Percy Bysshe Shelley
Shelley
(husband) Percy Florence Shelley
Percy Florence Shelley
(son) Mary Wollstonecraft
Mary Wollstonecraft
(mother) William Godwin
William Godwin
(father) Fanny Imlay
Fanny Imlay
(half-sister) Claire Clairmont
Claire Clairmont
(stepsister)

Related

Mounseer Nongtongpaw Frankenstein
Frankenstein
in popular culture Rowing with the Wind
Rowing with the Wind
(1988 film) Lord Byron John Polidori Thomas Jefferson Hogg

v t e

Mary
Mary
Wollstonecraft

Works

Thoughts on the Education of Daughters
Thoughts on the Education of Daughters
(1787) Mary: A Fiction (1788) Original Stories from Real Life
Original Stories from Real Life
(1788) A Vindication of the Rights of Men
A Vindication of the Rights of Men
(1790) A Vindication of the Rights of Woman
A Vindication of the Rights of Woman
(1792) Letters Written in Sweden, Norway, and Denmark
Letters Written in Sweden, Norway, and Denmark
(1796) Maria: or, The Wrongs of Woman (1798) Analytical Review

General

Timeline of Mary
Mary
Wollstonecraft Jane Arden Henry Fuseli Gilbert Imlay Joseph Johnson Memoirs of the Author of A Vindication of the Rights of Woman
A Vindication of the Rights of Woman
(1798)

Family

William Godwin
William Godwin
(husband) Fanny Imlay
Fanny Imlay
(daughter) Mary Wollstonecraft
Mary Wollstonecraft
Shelley
Shelley
(daughter) Percy Florence Shelley
Percy Florence Shelley
(grandson) Percy Bysshe Shelley
Shelley
(son-in-law)

Commons Wikiquote Wikisource texts

v t e

Romanticism

Countries

Denmark England
England
(literature) France (literature) Germany Norway Poland Russia (literature) Scotland

Movements

Bohemianism Counter-Enlightenment Dark romanticism Düsseldorf School Gesamtkunstwerk Gothic fiction Gothic Revival (architecture) Hudson River School Indianism Nazarene movement Ossian Romantic hero Romanticism
Romanticism
in science Romantic nationalism Opium and Romanticism Transcendentalism Ultra-Romanticism Wallenrodism

Writers

Abovian Alencar Alfieri Andersen A. v. Arnim B. v. Arnim Azevedo Baratashvili Baratynsky Barbauld (Aikin) Batyushkov Baudelaire Beer Bertrand Blake Botev Brentano Bryant Burns Byron Castelo Branco Castilho Cazotte Chateaubriand Chavchavadze Clare Coleridge Cooper De Quincey Dias Dumas Eichendorff Emerson Eminescu Espronceda Fouqué Foscolo Garrett Gautier Goethe Grimm Brothers Gutzkow Hauff Hawthorne Heine Heliade Herculano Hoffmann Hölderlin Hugo Ilić Irving Jakšić Jean Paul Karamzin Keats Kleist Krasiński Lamartine Larra Leopardi Lermontov Lowell Macedonski Mácha Magalhães Malczewski Manzoni Maturin Mérimée Mickiewicz Musset Nalbandian Nerval Nodier Norwid Novalis Oehlenschläger Orbeliani Poe Polidori Potocki Prešeren Pushkin Raffi Schiller Schwab Scott Seward M. Shelley P. B. Shelley Shevchenko Słowacki De Staël Stendhal Tieck Tyutchev Uhland Vörösmarty Vyazemsky Wordsworth Zhukovsky Zorrilla

Music

Adam Alkan Auber Beethoven Bellini Bennett Berlioz Bertin Berwald Brahms Bruckner Cherubini Chopin Dargomyzhsky Félicien David Ferdinand David Donizetti Fauré Field Franck Franz Glinka Gomis Halévy Kalkbrenner Liszt Loewe Marschner Masarnau Méhul Fanny Mendelssohn Felix Mendelssohn Méreaux Meyerbeer Moniuszko Moscheles Mussorgsky Niedermeyer Onslow Paganini Prudent Reicha Rimsky-Korsakov Rossini Rubinstein Schubert Clara Schumann Robert Schumann Smetana Sor Spohr Spontini Thalberg Verdi Voříšek Wagner Weber

Theologians and philosophers

Chaadayev Coleridge Feuerbach Fichte Goethe Hegel Khomyakov Müller Ritschl Rousseau Schiller A. Schlegel F. Schlegel Schopenhauer Schleiermacher Tieck Wackenroder

Visual artists

Aivazovsky Bierstadt Blake Bonington Bryullov Chassériau Church Constable Cole Corot Dahl David d'Angers Delacroix Friedrich Fuseli Géricault Girodet Głowacki Goya Gude Hayez Janmot Jones Kiprensky Koch Lampi Leutze Loutherbourg Maison Martin Michałowski Palmer Porto-Alegre Préault Révoil Richard Rude Runge Saleh Scheffer Stattler Stroj Tidemand Tropinin Turner Veit Ward Wiertz

 « Age of Enlightenment Realism » 

Authority control

WorldCat Identities VIAF: 95159449 LCCN: n79054060 ISNI: 0000 0001 2103 1840 GND: 118613774 SELIBR: 206859 SUDOC: 027136558 BNF: cb11924638k (data) ULAN: 500005193 HDS: 41469 MusicBrainz: ab01fe99-bff7-4bf9-ad46-71eb65a3c298 NLA: 35494816 NDL: 00456332 NKC: jn19990007490 ICCU: ITICCUCFIV07100 BNE: XX896102 RKD: 72

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