Intellectualism and Militancy
At 18, Urondo left home to study chemistry, then law, and then philosophy and letters, but none of these satisfied him. He abandoned academics and went to Buenos Aires where he led a thriving social life and was known among his friends for his lively and intellectual personality. He practiced puppeteering there for a short while. His writing career developed with the production of his first collections, ''La Perichole'' and ''Historia Antigua'', in the 1950s. Too, his militancy grew, first with his participation in the Argentine guerrilla organization Fuerzas Armadas Revolucionarias (Argentina), FAR, and later the Montoneros. For Urondo, his writing and his militancy were inseparable, despite a mutual mistrust among the two groups. Juan Gelman, a fellow poet and friend, remembers Urondo as saying once that he “took up arms because he was looking for the right word.” Along with Gelman and poets Roque Dalton and Mario Benedetti, Urondo developed a conversational style of writing in the 60s and 70s simultaneous with the increasingly strained dynamic between the corrupt state and its people. They wrote with frankness and accusation, resisting collective silence by exposing difficult social and political truths—though devoting their words to art and lyricism above all else. Urondo was imprisoned in 1973 but released; that same year, he published ''La Patria Fusilada'' which recounts through interview the stories of the three survivors of the Trelew massacre. Due to his militancy Urondo had to enter into a clandestine life, taking great pains to disguise himself in public and adopting a pseudonym, Ortiz, after Juan L. Ortiz. He was aware of the danger he was in and had obtained cyanide pills for himself so that, in the event of a compromise, he would not be taken and tortured and forced to betray his friends. Though he held a position of responsibility within the Montoneros, in 1976 Urondo found himself demoted for internal political reasons and had to be transferred. He asked to not be sent to Santa Fe or to Mendoza because he was well known in both places, but nevertheless they placed him as head of the Mendoza column. Out of options, Urondo left for Mendoza in the beginning of May, 1976 with his then-companion Alicia Raboy and their one-year-old child Angela.Death
On his death, Argentine writer Rodolfo Walsh wrote:Reparations
Urondo's assassins were convicted in 2011. Juan Agustín Oyarzábal Navarro, Eduardo Smahá Borzuk ("Ruso"), Alberto Rodríguez Vázquez (“Pájaro Loco”), and Celustiano Lucero (“Mono”) received the maximum sentence. Dardo Migno received 12 years in prison. From the trial it was determined that Urondo did not commit suicide by swallowing a cyanide pill, but rather died from a skull fracture caused by a blow to the head with a gun handle that policeman Celustiano Lucero administered. Lucero confessed to this act during the defense.Work
*''Historia Antigua'', poetry, 1956. *''Breves'', poetry, 1959. *''Lugares'', poetry, 1961. *''Nombres'', poetry, 1963. *''Todo eso'', short-stories, 1966. *''Veraneando y sainete con variaciones'', play, 1966. *''Al tacto'', short-stories, 1967. *''Del otro lado'', poetry, 1967. *''Adolecer'', poetry, 1968. *''Veinte años de poesía argentina'', essay, 1968. *''Larga distancia'', poetry, Madrid, 1971. *''Los pasos previos'', novel, 1972. *''La patria fusilada'', interviews, 1973. *''Cuentos de batalla'', poetry, 1998. *''Poemas'', poetry, Visor. *''Obra poética'', poetry, Hidalgo, 2006.About Francisco Urondo
* ''The Unfinished Song of Francisco Urondo: When Poetry is Not Enough'' (Hernán Fontanet, Lanham, MD: University Press of America, 2014) . * ''Francisco Urondo y su poesía: un arma cargada de futuro'' (Hernán Fontanet, Newark, DE: Juan de la Cuesta - Hispanic Monographs, 2012) .References
{{DEFAULTSORT:Urondo, Paco 1930 births 1976 deaths People from Santa Fe, Argentina 20th-century Argentine poets 20th-century male writers Argentine male poets Argentine male novelists People killed in the Dirty War 20th-century Argentine novelists